Remastered: The Complete Studio Recordings (1949-1969)

~ Release by Maria Callas (see all versions of this release, 2 available)

Tracklist

▶ CD 1: The First Recordings
▶ CD 2: La Gioconda: Act 1
▶ CD 3: La Gioconda: Act 2
▶ CD 4: La Gioconda: Acts 3 & 4
▶ CD 5: Lucia di Lammermoor: Act 1
▶ CD 6: Lucia di Lammermoor: Acts 2 & 3
▶ CD 7: I puritani: Act 1
▶ CD 8: I puritani: Acts 2 & 3
▶ CD 9: Cavalleria rusticana
▶ CD 10: Tosca: Act 1
▼ CD 11: Tosca: Acts 2 & 3
#TitleArtistRatingLength
1Tosca: Act II. "Tosca è un buon falco" (Scarpia)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
bass vocals [Sciarrone]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:08
2Tosca: Act II. "Ha più forte" (Scarpia)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
bass vocals [Sciarrone]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:18
3Tosca: Act II. "Meno male!" (Scarpia, Cavaradossi)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Meno male!” – “Egli è là” – “Tal violenza” (Scarpia, Spoletta, Cavaradossi) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:16
4Tosca: Act II. "Dov'è dunque Angelotti?" (Scarpia, Cavaradossi, Tosca)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:01
5Tosca: Act II. "Ed or fra noi parliam da buoni amici" (Scarpia, Tosca, Cavaradossi)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
bass vocals [Sciarrone]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:59
6Tosca: Act II. "Orsù, Tosca, parlate" (Scarpia, Tosca, Cavaradossi)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
partial recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:55
7Tosca: Act II. "Nel pozzo ... Del giardino" (Scarpia, Cavaradossi, Tosca)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
bass vocals [Sciarrone]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
Giacomo Puccini5:23
8Tosca: Act II. "Se la giurata" (Scarpia, Tosca)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:37
9Tosca: Act II. "Vissi d'arte" (Tosca)
producer:
Walter Legge (British classical producer)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
IDOL (Independent Distribution On Line) (in 2013)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:13
10Tosca: Act II. "Vedi, ecco, vedi" (Tosca, Scarpia)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:41
11Tosca: Act II. "E qual via scegliete?" (Scarpia, Tosca)
producer:
Walter Legge (British classical producer)
baritone vocals [Scarpia]:
Tito Gobbi (baritone) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini6:33
12Tosca: Act III. "Io de' sospiri"
producer:
Walter Legge (British classical producer)
treble vocals [Un pastore]:
Alvaro Cordova (Italian boy soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini5:39
13Tosca: Act III. "Mario Cavaradossi? (Cavaradossi)
producer:
Walter Legge (British classical producer)
bass vocals [Un carceriere]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini4:03
14Tosca: Act III. "E lucevan le stelle (Cavaradossi)
producer:
Walter Legge (British classical producer)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:47
15Tosca: Act III. "Ah! Franchigia a Floria Tosca" (Cavaradossi, Tosca)
producer:
Walter Legge (British classical producer)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestre de la Scala de Milan (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:33
16Tosca: Act III. "O dolci mani" (Cavaradossi, Tosca)
producer:
Walter Legge (British classical producer)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini4:53
17Tosca: Act III. "E non giungono (Tosca, Cavaradossi)
producer:
Walter Legge (British classical producer)
bass vocals [Un carceriere]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Mario Cavaradossi]:
Giuseppe Di Stefano (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “L’ora!” (Carceriere, Cavaradossi, Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:26
18Tosca: Act III. "Com'è lunga l'attesa!" (Tosca)
producer:
Walter Legge (British classical producer)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:15
19Tosca: Act III. "Presto! su, Mario! Andiamo! Andiamo!, Su!" (Tosca)
producer:
Walter Legge (British classical producer)
bass vocals [Sciarrone]:
Dario Caselli (operatic bass) (from 1953-08-10 until 1953-08-21)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1953-08-10 until 1953-08-21)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
tenor vocals [Spoletta]:
Angelo Mercuriali (tenor) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini1:20
▶ CD 12: La traviata: Act 1 · Act 2, Scene 1
▶ CD 13: La traviata: Act 2, Scene 2 · Act 3
▶ CD 14: Norma: Act 1, Scene 1
▶ CD 15: Norma: Act 1, Scene 2
▶ CD 16: Norma: Act 2
▶ CD 17: Pagliacci
▶ CD 18: La forza del destino: Acts 1 & 2
▶ CD 19: La forza del destino: Act 3
▶ CD 20: La forza del destino: Act 4
▶ CD 21: Il turco in Italia: Act 1
▶ CD 22: Il turco in Italia: Act 2
▶ CD 23: Puccini Arias
▶ CD 24: Lyric and Coloratura Arias
▶ CD 25: Callas at La Scala
▶ CD 26: Madama Butterfly: Act 1 · Act 2 beginning
▶ CD 27: Madama Butterfly: Act 2 conclusion
▶ CD 28: Aida: Acts 1 & 2
▶ CD 29: Aida: Acts 3 & 4
▶ CD 30: Rigoletto: Act 1
▶ CD 31: Rigoletto: Acts 2 & 3
▶ CD 32: Il trovatore: Acts 1 & 2
▶ CD 33: Il trovatore: Acts 3 & 4
▶ CD 34: La bohème: Acts 1 & 2
▶ CD 35: La bohème: Acts 3 & 4
▶ CD 36: Un ballo in maschera: Act 1 · Act 2 beginning
▶ CD 37: Un ballo in maschera: Act 2 conclusion · Act 3
▶ CD 38: Il barbiere di Siviglia: Act 1 beginning
▶ CD 39: Il barbiere di Siviglia: Act 1 conclusion · Act 2
▶ CD 40: La sonnambula: Act 1
▶ CD 41: La sonnambula: Act 2
▶ CD 42: Turandot: Acts 1 & 2
▶ CD 43: Turandot: Act 3
▶ CD 44: Manon Lescaut: Acts 1 & 2
▶ CD 45: Manon Lescaut: Acts 3 & 4
▶ CD 46: Medea: Act 1
▶ CD 47: Medea: Acts 2 & 3
▶ CD 48: Verdi Arias I
▶ CD 49: Mad Scenes
▶ CD 50: Lucia di Lammermoor: Act 1
▶ CD 51: Lucia di Lammermoor: Acts 2 & 3
▶ CD 52: La Gioconda: Act 1
▶ CD 53: La Gioconda: Act 2
▶ CD 54: La Gioconda: Acts 3 & 4
▶ CD 55: Norma: Act 1 beginning
▶ CD 56: Norma: Act 1 conclusion
▶ CD 57: Norma: Act 2
▶ CD 58: Callas à Paris I
▶ CD 59: Callas à Paris II
▶ CD 60: Mozart, Beethoven & Weber
▶ CD 61: Verdi Arias II
▶ CD 62: Rossini & Donizetti Arias
▶ CD 63: Carmen: Act 1 · Act 2 beginning
▶ CD 64: Carmen: Act 2 conclusion · Acts 3 & 4
▶ CD 65: Tosca: Act 1
▶ CD 66: Tosca: Acts 2 & 3
▶ CD 67: Verdi Arias III
▶ CD 68: The Callas Rarites 1953-61
▶ CD 69: The Callas Rarities 1962-69
▶ Data CD 70: Libretti

Credits

Release group

includes:Aida (1955 studio cast) by Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Tullio Serafin (conductor)
Callas à Paris (Album II) by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (conductor)
Callas à Paris I by Maria Callas (soprano), Orchestre National de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France), Georges Prêtre (conductor)
Callas at La Scala by Maria Callas (soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Callas sings Rossini and Donizetti Arias by Rossini (composer), Donizetti (Italian opera composer); Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno (conductor)
Callas Sings Verdi Arias by Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno (conductor)
Carmen (1964 studio cast) by Georges Bizet (composer); Maria Callas (soprano), Nicolai Gedda (tenor), Andréa Guiot (soprano), Robert Massard (baritone), Nadine Sautereau (French soprano), Jane Berbié (mezzo-soprano), Claude Calès (French baritone), Chœurs René Duclos, Chœurs d’enfants Jean Pesneaud, Orchestre du Théâtre national de l’Opéra de Paris, Georges Prêtre (conductor)
Cavalleria rusticana (1953 EMI recording) by Pietro Mascagni (composer & conductor); Maria Callas (soprano) - Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
I puritani (1953 Milan studio cast) by Vincenzo Bellini (Sicilian opera composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Nicola Rossi‐Lemeni (operatic bass), Rolando Panerai (baritone), Coro & Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Il barbiere di Siviglia (1957 studio recording) by Rossini (composer); Maria Callas (soprano), Tito Gobbi (baritone), Alva (tenor), Carturan (mezzo-soprano), Ollendorff (operatic bass), Zaccaria (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Alceo Galliera (organist, conductor and composer)
Il trovatore (1956 recording) by Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Fedora Barbieri (mezzo-soprano), Rolando Panerai (baritone), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
Il turco in Italia (1954 studio cast) by Gioachino Rossini (composer); Maria Callas (soprano), Nicola Rossi‐Lemeni (operatic bass), Nicolai Gedda (tenor), Mariano Stabile (baritone), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Gianandrea Gavazzeni (conductor)
La bohème (1956 studio cast) by Giacomo Puccini (Italian composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Rolando Panerai (baritone), Anna Moffo (soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Antonino Votto (conductor)
La forza del destino (1954 Milan recording) by Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Richard Tucker (tenor), Carlo Tagliabue (baritone), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
La Gioconda (1959 recording) by Ponchielli (composer); Callas (soprano), Cossotto (mezzo-soprano), Companeez (mezzo-soprano / contralto), Vinco (operatic bass), Ferraro (tenor), Cappuccilli (baritone), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Antonino Votto (conductor)
La Gioconda (1952 recording) by Amilcare Ponchielli (composer); Maria Callas (soprano), Fedora Barbieri (mezzo-soprano), Giulio Neroni, Maria Amadini (mezzo-soprano), Gianni Poggi (tenor), Paolo Silveri (baritone), Piero Poldi (bass vocalist), Armando Benzi (operatic tenor), Orchestra Sinfonica di Torino della RAI, Antonino Votto (conductor)
La sonnambula (1957 studio cast) by Vincenzo Bellini (Sicilian opera composer); Nicola Zaccaria (operatic bass), Fiorenza Cossotto (mezzo-soprano), Maria Meneghini Callas (soprano), Eugenia Ratti (soprano), Nicola Monti (tenor), Giuseppe Morresi (operatic bass), Franco Ricciardi (Italian tenor), Coro e Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan), Antonino Votto (conductor)
La traviata (1953 studio recording) by Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Francesco Albanese (tenor), Ugo Savarese (Italian baritone), Coro Cetra, Orchestra Sinfonica Nazionale della RAI (RAI National Symphony Orchestra, formed in 1994, merging the four former RAI orchestras of Turin, Rome, Naples, and Milan), Gabriele Santini (conductor)
Lucia di Lammermoor (1959 London Recording) by Donizetti (Italian opera composer); Maria Callas (soprano), Ferruccio Tagliavini (tenor), Piero Cappuccilli (baritone), Bernard Ładysz (bass-baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Tullio Serafin (conductor)
Lucia di Lammermoor (1953 Florence Recording) by Gaetano Donizetti (Italian opera composer); Maria Callas (soprano), Tullio Serafin (conductor)
Lyric and Coloratura Arias by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
Manon Lescaut (1957 studio cast) by Giacomo Puccini (Italian composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Maria Meneghini Callas Sings Arias From Tristano e Isotta, Norma, I puritani by Wagner (Richard Wagner, composer), Bellini (Sicilian opera composer); Maria Meneghini Callas (soprano), Orchestra Sinfonica di Torino della RAI, Arturo Basile (Italian opera conductor)
Medea (1957 Milan recording) by Luigi Cherubini (composer); Maria Callas (soprano), Renata Scotto (operatic soprano), Miriam Pirazzini (mezzo soprano), Mirto Picchi (tenor), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Tullio Serafin (conductor)
Mozart, Beethoven & Weber Arias by Mozart (Wolfgang Amadeus Mozart, classical composer), Beethoven (Ludwig van Beethoven, German composer), Weber (composer); Maria Callas (soprano), Paris Conservatoire Orchestra, Nicola Rescigno (conductor)
Norma (1960 studio cast) by Bellini (Sicilian opera composer); Maria Callas (soprano), Franco Corelli (tenor), Christa Ludwig (mezzo-soprano), Nicola Zaccaria (operatic bass), Piero de Palma (tenor), Edda Vincenzi (soprano), Coro e Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Norma (1954 studio cast) by Bellini (Sicilian opera composer); Maria Callas (soprano), Mario Filippeschi (tenor), Ebe Stignani (mezzo soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Tullio Serafin (conductor)
Pagliacci (1954 Scala cast) by Leoncavallo (composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Tito Gobbi (baritone), Rolando Panerai (baritone), Nicola Monti (tenor), Orchestra (Orchestra of La Scala, Milan) and Chorus of La Scala, Milan, Tullio Serafin (conductor)
Puccini Arias by Giacomo Puccini (Italian composer); Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
Rigoletto (1955 studio cast) by Giuseppe Verdi (Italian opera composer); Giuseppe di Stefano (tenor), Tito Gobbi (baritone), Maria Meneghini Callas (soprano), Nicola Zaccaria (operatic bass), Adriana Lazzarini (mezzo-soprano), Giuse Gerbino (Italian mezzo-soprano), Plinio Clabassi (operatic bass), William Dickie (british bass-baritone), Renato Ercolani (tenor), Carlo Forti (operatic bass), Elvira Galassi (soprano / mezzo-soprano), Tullio Serafin (conductor), Norberto Mola (chorus master), L'Ente Autonomo del Teatro alla Scala (Orchestra of La Scala, Milan)
The Callas Rarities
Tosca (1964 studio cast) by Giacomo Puccini (Italian composer); Maria Callas (soprano), Carlo Bergonzi (tenor), Tito Gobbi (baritone), Chœurs du Théâtre National de l'Opéra de Paris (Paris National Opera Chorus), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (conductor)
Turandot (1957 studio cast) by Giacomo Puccini (Italian composer); Maria Callas (soprano), Eugenio Fernandi (tenor), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nicola Zaccaria (operatic bass), Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Tullio Serafin (conductor)
Un ballo in maschera (1956 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Maria Callas (soprano), Giuseppe Di Stefano (tenor), Tito Gobbi (baritone), Fedora Barbieri (mezzo-soprano), Eugenia Ratti (soprano), Orchestra (Orchestra of La Scala, Milan) e Coro del Teatro alla Scala di Milano, Antonino Votto (conductor)
Verdi Arias I by Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Nicola Rescigno (conductor)
Verdi Arias III by Giuseppe Verdi (Italian opera composer); Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Orchestre de l'Opéra National de Paris, Nicola Rescigno (conductor)