Aida und Rigoletto (Auszüge)

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Tracklist

▼ 12" Vinyl 1
#TitleRatingLength
A1Aida: Atto I, scena 1. Romanza: “Celeste Aida”
producer:
John Culshaw
tenor vocals [Radames]:
Carlo Bergonzi (tenor) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
partial recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
4:05
A2Aida: Atto I, scena 1. Scena: "Ritorna vincitor!"
producer:
John Culshaw
mezzo-soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1959-09)
soprano vocals [Aida]:
Renata Tebaldi (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
7:04
A3Aida: Atto II, scena 2. Gran Finale II: “Gloria all’Egitto, ad Iside”
producer:
John Culshaw
choir vocals:
Orchesterverein der Gesellschaft der Musikfreunde (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
5:37
A4Aida: Atto III. Romanza: "Qui Radamès verrá!" ... "O patria mia"
producer:
John Culshaw
mezzo-soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
6:22
A5Aida: Atto III. Duetto: "Fuggiam gli ardori inospiti" / "Là, tra foreste vergini"
producer:
John Culshaw
mezzo-soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
4:22
A6Aida: Atto IV, scena 2. Finale ultimo: "O terra addio"
producer:
John Culshaw
choir vocals:
Singverein der Gellschaft der Musikfreunde (in 1959-09)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo soprano) (in 1959-09)
soprano vocals [Aida]:
Renata Tebaldi (soprano) (in 1959-09)
tenor vocals [Radames]:
Carlo Bergonzi (tenor) (in 1959-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1959-09)
conductor:
Herbert von Karajan (conductor) (in 1959-09)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (in 1959-09)
balance engineer:
James Brown (Decca engineer, 1960s) (in 1959-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1960)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1959-09)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (in 1959-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
5:12
B1Rigoletto: Atto I, scena 2. Aria "Pari siamo!"
baritone vocals [Rigoletto]:
Cornell MacNeil (American baritone)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Nino Sanzogno (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1962)
recording of:
Rigoletto: Atto I, scena 2. N°4 Aria “Pari siamo!” (Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto I
4:02
B2Rigoletto: Atto I, scena 2. "È il sol dell'anima"
tenor vocals [Duke]:
Renato Cioni (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Nino Sanzogno (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1962)
recording of:
Rigoletto: Atto I, scena 2. “È il sol dell’anima” (Duca, Gilda, Ceprano, Borsa, Giovanna)
composer:
Giuseppe Verdi (Italian opera composer) (in 1850)
librettist:
Francesco Maria Piave (in 1850)
part of:
Rigoletto: Atto I
3:16
B3Rigoletto: Atto I, scena 2. Aria & Scena “Gualtier Maldè!… Caro nome”
mezzo-soprano vocals [Gilda]:
Joan Sutherland (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Nino Sanzogno (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1962)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
6:58
B4Rigoletto: Atto II. "Parmi veder le lagrime"
tenor vocals [Duke]:
Renato Cioni (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Nino Sanzogno (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1962)
recording of:
Rigoletto: Atto II. "Parmi veder le lagrime" (Duca)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
2:35
B5Rigoletto: Atto II. "Piangi, fanciulla, piangi"
baritone vocals [Rigoletto]:
Cornell MacNeil (American baritone)
mezzo-soprano vocals [Gilda]:
Joan Sutherland (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Nino Sanzogno (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1962)
recording of:
Rigoletto: Atto II. "Piangi, fanciulla, piangi" (Rigoletto, Gilda)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto II
7:09
B6Rigoletto: Atto III. “La donna è mobile”
baritone vocals [Rigoletto]:
Cornell MacNeil (American baritone)
tenor vocals [Duke]:
Renato Cioni (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Nino Sanzogno (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1962)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
2:27
B7Rigoletto: Atto III. Scena e Duetto Finale. "Della vendetta alfin giunge l'istante!"
baritone vocals [Rigoletto]:
Cornell MacNeil (American baritone)
mezzo-soprano vocals [Gilda]:
Joan Sutherland (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Nino Sanzogno (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1962)
recording of:
Rigoletto: Atto III. Scena e Duetto Finale. "Della vendetta alfin giunge l'istante!" (Rigoletto, Sparafucile, Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
5:57

Credits

Release group

part of:Große Komponisten und ihre Musik (Deutsche Grammophon, Philips, Decca) (number: 55) (order: 4)