Love Songs Gold

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

▼ CD 1
Nr.TitelKünstlerBewertungLänge
1The Shoop Shoop Song (It's in His Kiss)
Produzent(in):
Peter Asher
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1990)
Musikvideos:
The Shoop Shoop Song (It’s in His Kiss) von Cher
recording of:
It’s in His Kiss (The Shoop Shoop Song)
Texter und Komponist(in):
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. und Trio Music Company
cover recording of:
It’s in His Kiss (The Shoop Shoop Song)
Texter und Komponist(in):
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. und Trio Music Company
Cher3.22:50
2(You're My) Soul and Inspiration
cover recording of:
(You’re My) Soul and Inspiration
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Screen Gems–Columbia Music, Inc.
The Righteous Brothers3:06
3My Girl
Produzent(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
Bass:
James Jamerson (von 1964-09-25 bis 1964-11-17)
Gitarre:
Robert White (US funk/soul guitarist) (von 1964-09-25 bis 1964-11-17)
Instrumente:
The Funk Brothers (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente:
Detroit Symphony Orchestra (von 1964-09-25 bis 1964-11-17)
Schlagzeug:
Benny Benjamin (US drummer) (von 1964-09-25 bis 1964-11-17)
Hintergrundgesang:
Eddie Kendricks (von 1964-09-25 bis 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1964-09-25 bis 1964-11-17) und Paul Williams (member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Sologesang:
David Ruffin (soul singer, member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Interpret(in):
The Temptations (Motown soul vocal group) (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (von 1964-09-25 bis 1964-11-17)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 43) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 88)
recording of:
My Girl (von 1964-09-25 bis 1964-11-17)
Texter:
Smokey Robinson
Komponist(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations4.652:43
4Ain't Nothing Like the Real Thing
Produzent(in):
Nickolas Ashford und Valerie Simpson
Instrumente:
The Funk Brothers (am 1967-10-06)
Hintergrundgesang:
Valerie Simpson (in 1967) und Nickolas Ashford (am 1967-10-06)
Sologesang:
Marvin Gaye (am 1967-10-06) und Tammi Terrell (am 1967-10-06)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (am 1967-10-06)
recording of:
Ain’t Nothing Like the Real Thing (am 1967-10-06)
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Jobete Music (UK) Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music Co., Inc. (vom 1967 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Marvin Gaye & Tammi Terrell4.52:13
5Dedicated to the One I Love
Produzent(in):
Lou Adler
phonographisches Urheberrecht (℗) von:
Dunhill Records Inc. (in 1967)
produced for:
Dunhill Records USA
cover recording of:
Dedicated to the One I Love
Verfasser(in):
Ralph Bass und Lowman Pauling
publisher:
Carlin Music Corporation, Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
recording of:
Dedicated to the One I Love
Verfasser(in):
Ralph Bass und Lowman Pauling
publisher:
Carlin Music Corporation, Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Mamas & the Papas4.22:57
6You Wear It Well
Produzent(in):
Rod Stewart
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
recording of:
You Wear It Well
Verfasser(in):
Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), G.H. Music Ltd und Three Bridges Music Corp.
Rod Stewart4.54:21
7Nassau - Baby, I Love Your Way
Kompilation von:
Baby, I Love Your Way (1975 studio version - subtrack of "Nassau / Baby, I Love Your Way") von Peter Frampton und Nassau von Peter Frampton
recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Peter Frampton5:51
8The Things We Do for Love
assistierende(r) Techniker(in) und assistierende(r) Mix:
Tony Spath
Techniker(in), Mix und Editing:
Eric Stewart
Produzent(in):
10cc
Akustikgitarre, Bassgitarre und E-Gitarre:
Graham
Gitarre, Klavier, Orgel und Sologesang:
Eric
gong und Schlagzeug:
Paul (UK rock drummer)
Händeklatschen und Tamburin:
Graham und Paul (UK rock drummer)
Hintergrundgesang:
Eric und Graham
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1976), Mercury Records Ltd. (not for release label use!) (in 1977, in 1997), Phonogram Ltd. (in 1977) und The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label) (in 1977)
aufgenommen bei:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich
Musikvideos:
The Things We Do for Love von 10cc und The Things We Do for Love von 10cc
recording of:
The Things We Do for Love
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Man-Ken Music Ltd. (in 1977)
10cc4.53:28
9True
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Interpret(in):
Spandau Ballet
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
Musikvideos:
True von Spandau Ballet
recording of:
True
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd. und Reformation Publishing Inc.
Spandau Ballet3.655:31
10Baby, Come to Me
Gast vocals:
Patti Austin
recording of:
Baby, Come to Me
Texter und Komponist(in):
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rodsongs (publisher) und Rondor Music (London) Ltd.
Patti Austin & James Ingram3:36
11Just Once
Programmierung:
Ian Underwood
Produzent(in):
Quincy Jones
Hybrid-Piano:
David Foster (Canadian music producer, arranger and composer) und Greg Phillinganes
Klavier:
Robbie Buchanan (Canadian producer) und David Foster (Canadian music producer, arranger and composer)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
string synthesizer:
Robbie Buchanan (Canadian producer)
Synthesizer:
Greg Phillinganes
Trompete:
Chuck Findley (trumpet, trombone, horn player) und Jerry Hey
Hintergrundgesang:
Patti Austin und James Ingram (R&B singer)
Sologesang:
James Ingram (R&B singer)
Blechblasinstrumente arranger:
Jerry Hey
Perkussion arranger:
Quincy Jones
Synthesizer arranger:
Johnny Mandel (American composer and arranger)
vocals arranger:
Quincy Jones
recording of:
Just Once
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Dyad Music Ltd. und Sony/ATV Songs LLC
James Ingram & Quincy Jones4:32
12Will You Still Love Me
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Will You Still Love Me? (Chicago song) (in 1986)
Verfasser(in):
Richard Baskin (in 1986), David Foster (Canadian music producer, arranger and composer) (in 1986) und Tom Keane (keyboards, of The Keane Brothers) (in 1986)
publisher:
Masonmack Music, MCA Music Ltd., Peermusic III, Ltd. (BMI), Songs of Universal, Inc. (BMI), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Air Bear Music (in 1986), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) (in 1986), Warm Springs Music (in 1986) und Young Millionaires Club Music (in 1986)
Chicago4:12
13Breathe Again
zusätzliche Programmierung und assistierende(r) Mix:
John Frye (hip hop / R&B mix engineer)
Techniker(in):
Jim "Z" Zumpano (production engineer)
Produzent(in):
Babyface (R&B musician Kenny Edmonds), L.A. Reid und Daryl Simmons
Mix:
L.A. Reid und Dave Way
Keyboard [keyboards]:
Babyface (R&B musician Kenny Edmonds)
Perkussion [percussions]:
DeRock
Schlagzeug [drums]:
L.A. Reid
Hintergrundgesang:
Toni Braxton
produced for:
LaFace Inc. (production company)
aufgenommen bei:
Doppler Studios in Atlanta, Georgia, Vereinigte Staaten und Studio LaCoCo in Atlanta, Georgia, Vereinigte Staaten
mixed at:
Studio LaCoCo in Atlanta, Georgia, Vereinigte Staaten
recording of:
Breathe Again
Texter und Komponist(in):
Babyface (R&B musician Kenny Edmonds)
publisher:
Sony/ATV Songs LLC, ECAF (vom 1993 bis heute) und Sony Songs Inc. (vom 1993 bis heute)
Toni Braxton3.54:29
14Get Here
Produzent(in):
David Bascombe und Roland Orzabal (UK musician, songwriter and producer)
Bass:
Pino Palladino
Keyboard und Klavier:
Oleta Adams
Perkussion:
Luis Jardim
Schlagzeug:
John Cushon
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!), Mercury Records Ltd. (not for release label use!) (in 1990) und Mercury Records Ltd. (London) (for copyrights use only) (in 1990)
Teil von:
The Downloader’s Music Source Book (Nummer: 191)
recording of:
Get Here
Texter und Komponist(in):
Brenda Russell (US singer-songwriter & keyboardist)
publisher:
Rutland Road Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und WB Music Corp. (1929–2019)
cover recording of:
Get Here
Texter und Komponist(in):
Brenda Russell (US singer-songwriter & keyboardist)
publisher:
Rutland Road Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und WB Music Corp. (1929–2019)
Oleta Adams44:35
15Save the Best for Last
Produzent(in):
Keith Thomas (CCM, country, pop producer & songwriter)
arranger:
Keith Thomas (CCM, country, pop producer & songwriter)
recording of:
Save the Best for Last
Verfasser(in):
Phil Galdston, Jon Lind und Wendy Waldman
publisher:
Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Vanessa Williams3.353:39
16Incomplete
recording of:
Incomplete
Texter:
Montell Jordan
Verfasser(in):
Anthony “Shep” Crawford (gospel music songwriter and producer)
Sisqó24:33
17All My Life
Musikvideos:
All My Life von K‐Ci & JoJo (US R&B duo)
recording of:
All My Life
Verfasser(in):
Rory Bennett, Joel “Jo‐Jo” Hailey (R&B singer, member of K‐Ci & JoJo) und Randy Waldman
publisher:
EMI Publishing Ltd und Warner Chappell Music Ltd (no slash; used 1988–1996)
K‐Ci & JoJo45:26
18I'll Make Love to You
Schlagzeug-Programmierung:
Rayford Griffin
assistierende(r) Techniker(in):
David Betancourt (engineer), Milton Chan (Recording Engineer), Marty Hornburg und Jamie Seyberth
Techniker(in):
Brad Gilderman
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Mix:
Mick Guzauski
Bass:
Reggie Hamilton
Synthesizer:
Babyface (R&B musician Kenny Edmonds)
produced for:
ECAF Productions, Inc.
aufgenommen bei:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und The Enterprise (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 185)
recording of:
I’ll Make Love to You
Texter und Komponist(in):
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men4.654:05
19Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 55)
Joe Cocker & Jennifer Warnes3.23:52
20At Last
Produzent(in):
Leonard Chess, Leonard & Phil Chess (Legendary US production duo) und Phil Chess
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 115) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 356)
cover recording of:
At Last (in 1960-10)
Verfasser(in):
Mack Gordon und Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Etta James4.53:00
▶ CD 2

Nennungen

Veröffentlichungsgruppe

Teil von:Gold (UMG compilation series) (Reihenfolge: 17)