続 No.1 80s ORICON HITS

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Thriller
producer:
Quincy Jones
lead vocals:
Michael Jackson (“King of Pop”)
recording of:
Thriller
lyricist and composer:
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher (affiliated with PRS)), Rodsongs (publisher), Rondor Music (London) Ltd., Universal Music Publishing France (not for release label use!) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
Starlight
Michael Jackson4.355:13
2Freedom
assistant engineer:
Paul Gomersau
engineer:
Chris Porter (engineer and producer)
producer:
George Michael
keyboard:
Tommy Eyre
saxophone:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
recording of:
Freedom (Wham!)
lyricist and composer:
George Michael
publisher:
Chappell Music (UK) and Morrison Leahy Music Ltd. (in 1984)
Wham!3.755:03
3A View to a Kill
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) and Bernard Edwards
sampler:
Jonathan Elias
vocals:
Duran Duran (English rock band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1998)
recording of:
A View to a Kill
orchestrator:
John Barry (English score composer)
writer:
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
composer:
John Barry (English score composer) and Duran Duran (English rock band)
publisher:
EMI Songs and Gloucester Place Music Ltd.
part of:
James Bond themes
part of:
A View to a Kill (from the James Bond film)
Duran Duran3.653:36
4Karma Chameleon
engineer:
Simon Frith, Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest harmonica:
Judd Lander (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Karma Chameleon by Culture Club (English pop group)
recording of:
Karma Chameleon
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club4:13
5The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis (in 1985) and Chrysalis Records, Inc. (not for release label use!) (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
music videos:
The Power of Love (full length) by Huey Lewis and the News (American pop rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 108)
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music and Mushroom Music (Mushroom label's publishing company)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2)
part of:
Back to the Future: the Musical
Huey Lewis and the News43:55
6Honesty
assistant engineer:
Dave Martone (US engineer)
engineer:
Jim Boyer (producer/engineer)
producer:
Phil Ramone
mixer:
Jim Boyer (producer/engineer) and Phil Ramone
acoustic guitar:
David Spinozza (in 1978)
brass [horns] and strings arranger:
Robert Freedman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1978)
recorded at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1978)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States
music videos:
Honesty by Billy Joel (American singer-songwriter and pianist) and Honesty by Billy Joel (American singer-songwriter and pianist)
recording of:
Honesty (in 1978)
lyricist and composer:
Billy Joel (American singer-songwriter and pianist)
publisher:
April Music Inc., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1978), EMI April Music Inc. (in 1978) and Impulsive Music (in 1978)
Billy Joel43:52
7I Heard a Rumour
vocals:
Bananarama
phonographic copyright (℗) by:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1987)
part of:
TV Cream: Real 100 Best Singles Ever (number: 80)
recording of:
I Heard a Rumour
writer:
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman and Keren Woodward
publisher:
All Boys Music Ltd., Grow Your Own Music, Mike Stock Publishing Limited, Reverb Music Ltd., Sid’s Songs Limited, Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC, Universal Music Careers, Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Bananarama43:26
8Turn Around and Count 2 TenDead or Alive4:51
9Too Shy
drums (drum set) programming:
Jez Strode
engineer:
Colin Thurston
producer:
Nick Rhodes and Colin Thurston
bass guitar:
Nick Beggs
ebow [e bow] and guitar:
Steve Askew
synthesizer:
Stuart Croxford Neale
additional vocals:
Nick Beggs and Stuart Croxford Neale
lead vocals:
Limahl
arranger:
Kajagoogoo
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1982)
music videos:
Too Shy by Kajagoogoo
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 9) and VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 27)
recording of:
Too Shy
lyricist:
Nick Beggs and Christopher Hamill
composer:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale and Jez Strode
publisher:
EMI Songs
Kajagoogoo3.853:47
10Morning Train (Nine to Five)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1980)
recording of:
9 to 5
lyricist and composer:
Florrie Palmer
publisher:
Chappell Music (UK), Pendulum Music (publisher) and Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton4.353:22
11Be Good to Yourself
assistant engineer:
Robert Missbach
engineer:
Jim Gaines, Mark McKenna and Steve Rinkoff
additional co-producer:
Randy Goodrum
associate producer:
Jim Gaines
producer:
Steve Perry (former lead singer of Journey)
mixer:
Bob Clearmountain
bass guitar:
Randy Jackson (former bassist with Journey and American Idol judge)
drums (drum set) and percussion:
Larrie Londin
guitar:
Neal Schon
keyboard:
Jonathan Cain
background vocals:
Jonathan Cain, Randy Jackson (former bassist with Journey and American Idol judge) and Neal Schon
lead vocals:
Steve Perry (former lead singer of Journey)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1986)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1985-10 until 1985-12) and The Plant Studios (1981-2008) in Sausalito, California, United States (from 1985-10 until 1985-12)
mixed at:
Bearsville Studios in Bearsville, New York, United States and Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
Be Good to Yourself
writer:
Jonathan Cain, Steve Perry (former lead singer of Journey) and Neal Schon
publisher:
Frisco Kid Music (publisher), Rock Dog Music and Street Talk Tunes
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Journey33:53
12Heart’s on FireJohn Cafferty4:15
13Stay With Me
Peter Cetera4:41
14Even the Nights Are Better
recorded in:
Sydney, New South Wales, Australia
assistant engineer:
Karen Hewitt
engineer and producer:
Harry Maslin
assistant mixer:
John Van Nest
mixer:
Harry Maslin and John Van Nest
bass guitar:
David Green (Australian bassist, formerly of Air Supply)
drums (drum set):
Ralph Cooper (drummer)
guitar [lead guitar]:
Rex Goh and David Moyse
guitar [rhythm guitar]:
Graham Russell (Air Supply)
keyboard:
Frank Esler‐Smith
lead vocals:
Russell Hitchcock and Graham Russell (Air Supply)
conductor:
Frank Esler‐Smith
orchestrator:
Frank Esler‐Smith
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982), Big Time Phonograph Recording Co. (in 1982) and Interscope Records (part of UMG Recordings, Inc.) (in 2021)
produced for:
HRM Productions Inc. (Harry Maslin production company)
mixed at:
Allen Zentz Recording in Encino, California, United States
part of:
The Downloader’s Music Source Book (number: 291)
recording of:
Even the Nights Are Better
writer:
Ken Bell, Terry Nelson Skinner and J.L. Wallace (US songwriter and guitarist)
publisher:
Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply53:58
15Lost in Your Eyes
recording engineer:
Phil Castellano (brother of John, uncle of Richie) and Don Feinberg
drums (drum set) and keyboard programming:
Fred Zarr
engineer:
Bill Esses, Jim Goatley and Matt Malles
producer:
Debbie Gibson
mixer:
Debbie Gibson, Bob Rosa and Tom Vercillo
electric guitar:
Tommy Williams (former Debbie Gibson musical director)
keyboard:
Fred Zarr
percussion:
Bashiri Johnson
piano and background vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Lost in Your Eyes
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson53:34
16When the Phone Stops Ringing
producer:
Mike Chapman (Australian producer and songwriter)
remixer:
David Leonard (US producer and engineer)
recording of:
When the Phone Stops Ringing
writer:
Holly Knight and Bernie Taupin
publisher:
Little Mole Music and Mike Chapman Publishing Enterprises
Eighth Wonder3:50
17Stand by MeBen E. King3:00
18Nathalie
Julio Iglesias3:56
CD 2