Penthouse Serenade / The Piano Style of Nat King Cole

~ Release by Nat King Cole (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Penthouse Serenade (When You're Alone)
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (US jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental cover recording of:
Penthouse Serenade (on 1952-07-18)
writer:
Val Burton (Isadore Harry Burns) and Will Jason
3:09
2Somebody Loves Me
bongos:
Jack Costanzo (on 1952-07-18)
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (US jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental cover recording of:
Somebody Loves Me (on 1952-07-18)
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
3:06
3Laura
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set) and membranophone:
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (US jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental cover recording of:
Laura (1945 song) (on 1952-07-18)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
2:45
4Once in a Blue Moon
bongos:
Jack Costanzo (on 1952-07-18)
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (US jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental recording of:
Once in a Blue Moon (on 1952-07-18)
lyricist:
Anne O’Dea
composer:
Jerome Kern
2:59
5Don't Blame Me
double bass:
Charlie Harris (jazz bassist) (on 1955-07-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-07-14)
guitar:
John Collins (US jazz guitarist) (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental cover recording of:
Don’t Blame Me (on 1955-07-14)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
premiered at:
reputation Stadium Tour: Glendale (2018-05-08)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
3:05
6Little Girl
double bass:
Charlie Harris (jazz bassist) (on 1955-07-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-07-14)
guitar:
John Collins (US jazz guitarist) (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental cover recording of:
Little Girl (1931 song) (on 1955-07-14)
writer:
Francis Henry (in 1931) and Madeline Hyde (in 1931)
1:51
7Polka Dots and Moonbeams
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (US jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental cover recording of:
Polka Dots and Moonbeams (on 1952-07-18)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:07
8Down by the Old Mill Stream
bongos:
Jack Costanzo (on 1952-07-18)
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (US jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental cover recording of:
Down by the Old Mill Stream (on 1952-07-18)
lyricist and composer:
“Tell” Taylor (Tin Pan Alley songwriter, 1876–1937) (in 1908)
2:21
9If I Should Lose You
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (US jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental recording of:
If I Should Lose You (on 1952-07-18)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:13
10Rose Room
bongos:
Jack Costanzo (on 1952-07-18)
double bass:
Charlie Harris (jazz bassist) (on 1952-07-18)
drums (drum set):
Norris "Bunny" Shawker (on 1952-07-18)
guitar:
John Collins (US jazz guitarist) (on 1952-07-18)
piano:
Nat King Cole (on 1952-07-18)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-07-18)
instrumental cover recording of:
Rose Room (on 1952-07-18)
lyricist:
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing (do not use as a release label!), Miller Music (publisher), Paul Rodriguez Music Ltd, Universal Music Publishing Group (Universal Music Publishing Group Corporation) and Warner/Chappell Music, Inc.
2:49
11I Surrender Dear
double bass:
Charlie Harris (jazz bassist) (on 1955-07-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-07-14)
guitar:
John Collins (US jazz guitarist) (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental cover recording of:
I Surrender Dear (on 1955-07-14)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
3:00
12It Could Happen to You
double bass:
Charlie Harris (jazz bassist) (on 1955-07-14)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-07-14)
guitar:
John Collins (US jazz guitarist) (on 1955-07-14)
piano:
Nat King Cole (on 1955-07-14)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-07-14)
instrumental recording of:
It Could Happen to You (on 1955-07-14)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
2:48
13Love Walked In
bass:
Charlie Harris (jazz bassist) (on 1955-08-18)
cello:
Armand Kaproff (on 1955-08-18), Edgar Lustgarten (on 1955-08-18) and Eleanor Slatkin (Eleanor Aller Slatkin; American cellist (1917-1995)) (on 1955-08-18)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-18)
French horn:
Jack Cave (on 1955-08-18)
guitar:
John Collins (US jazz guitarist) (on 1955-08-18)
piano:
Nat King Cole (on 1955-08-18) and Bill Miller (pianist) (on 1955-08-18)
reeds:
Harry Klee (on 1955-08-18), Wilbur Schwartz (on 1955-08-18), Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1955-08-18) and Champ Webb (on 1955-08-18)
viola:
Stanley Spiegelman (on 1955-08-18) and Dave Sterkin (on 1955-08-18)
violin:
Victor Bay (on 1955-08-18), Alex Beller (on 1955-08-18), Sam Cytron (on 1955-08-18), Dan Lube (on 1955-08-18), Erno Neufeld (on 1955-08-18), Nathan Ross (on 1955-08-18), Mischa Russell (violinist) (on 1955-08-18) and Marshall Sosson (on 1955-08-18)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-18)
conductor:
Nelson Riddle (on 1955-08-18)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-08-18)
instrumental cover recording of:
Love Walked In (on 1955-08-18)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
3:29
14My Heart Stood Still
piano:
Nat King Cole (on 1955-06-07)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-07)
conductor:
Nelson Riddle (on 1955-06-07)
arranger:
Nelson Riddle
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-06-07)
instrumental cover recording of:
My Heart Stood Still (on 1955-06-07)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: File NO Releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
1:42
15Imagination
bass:
Charlie Harris (jazz bassist) (on 1955-08-18)
cello:
Armand Kaproff (on 1955-08-18), Edgar Lustgarten (on 1955-08-18) and Eleanor Slatkin (Eleanor Aller Slatkin; American cellist (1917-1995)) (on 1955-08-18)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-18)
French horn:
Jack Cave (on 1955-08-18)
guitar:
John Collins (US jazz guitarist) (on 1955-08-18)
piano:
Nat King Cole (on 1955-08-18) and Bill Miller (pianist) (on 1955-08-18)
reeds:
Harry Klee (on 1955-08-18), Wilbur Schwartz (on 1955-08-18), Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1955-08-18) and Champ Webb (on 1955-08-18)
viola:
Stanley Spiegelman (on 1955-08-18) and Dave Sterkin (on 1955-08-18)
violin:
Victor Bay (on 1955-08-18), Alex Beller (on 1955-08-18), Sam Cytron (on 1955-08-18), Dan Lube (on 1955-08-18), Erno Neufeld (on 1955-08-18), Nathan Ross (on 1955-08-18), Mischa Russell (violinist) (on 1955-08-18), Eudice Shapiro (Violinist) (on 1955-08-18) and Marshall Sosson (on 1955-08-18)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-18)
conductor:
Nelson Riddle (on 1955-08-18)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-08-18)
instrumental cover recording of:
Imagination (on 1955-08-18)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
3:29
16I Never Knew
piano:
Nat King Cole (on 1955-06-07)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-07)
conductor:
Nelson Riddle (on 1955-06-07)
arranger:
Nelson Riddle
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-06-07)
recording of:
I Never Knew (on 1955-06-07)
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Gilbert Keyes Music Company
2:35
17Stella by Starlight
bass:
Charlie Harris (jazz bassist) (on 1955-08-18)
cello:
Armand Kaproff (on 1955-08-18), Edgar Lustgarten (on 1955-08-18) and Eleanor Slatkin (Eleanor Aller Slatkin; American cellist (1917-1995)) (on 1955-08-18)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-18)
French horn:
Jack Cave (on 1955-08-18)
guitar:
John Collins (US jazz guitarist) (on 1955-08-18)
piano:
Nat King Cole (on 1955-08-18) and Bill Miller (pianist) (on 1955-08-18)
reeds:
Harry Klee (on 1955-08-18), Wilbur Schwartz (on 1955-08-18), Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1955-08-18) and Champ Webb (on 1955-08-18)
viola:
Stanley Spiegelman (on 1955-08-18) and Dave Sterkin (on 1955-08-18)
violin:
Victor Bay (on 1955-08-18), Alex Beller (on 1955-08-18), Sam Cytron (on 1955-08-18), Dan Lube (on 1955-08-18), Erno Neufeld (on 1955-08-18), Nathan Ross (on 1955-08-18), Mischa Russell (violinist) (on 1955-08-18) and Marshall Sosson (on 1955-08-18)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-18)
conductor:
Nelson Riddle (on 1955-08-18)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-08-18)
instrumental cover recording of:
Stella by Starlight (on 1955-08-18)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:49
18What Can I Say After I Say I'm Sorry
piano:
Nat King Cole (on 1955-06-11)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-11)
conductor:
Nelson Riddle (on 1955-06-11)
arranger:
Nelson Riddle
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-06-11)
instrumental cover recording of:
What Can I Say After I Say I’m Sorry? (on 1955-06-11)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
2:27
19I Didn't Know What Time It Was
bass:
Charlie Harris (jazz bassist) (on 1955-08-23)
bass trombone:
George Roberts (american bass trombone) (on 1955-08-23)
cello:
Victor Gottlieb (on 1955-08-23), Ray Kramer (on 1955-08-23) and Eleanor Slatkin (Eleanor Aller Slatkin; American cellist (1917-1995)) (on 1955-08-23)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-23)
guitar:
John Collins (US jazz guitarist) (on 1955-08-23)
piano:
Nat King Cole (on 1955-08-23) and Bill Miller (pianist) (on 1955-08-23)
reeds:
Harry Klee (on 1955-08-23), Wilbur Schwartz (on 1955-08-23) and Bill Smith (Clarinet, played with Brubeck) (on 1955-08-23)
trombone:
Joe Howard (american trombone player) (on 1955-08-23), Murray McEachern (on 1955-08-23) and Jimmy Priddy (on 1955-08-23)
trumpet:
Conrad Gozzo (on 1955-08-23)
valve trombone:
Juan Tizol (on 1955-08-23)
viola:
Stanley Spiegelman (on 1955-08-23) and Dave Sterkin (on 1955-08-23)
violin:
Victor Bay (on 1955-08-23), Alex Beller (on 1955-08-23), Harold Dicterow (on 1955-08-23), Dan Lube (on 1955-08-23), Erno Neufeld (on 1955-08-23), Nathan Ross (on 1955-08-23), Eudice Shapiro (Violinist) (on 1955-08-23) and Marshall Sosson (on 1955-08-23)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-23)
conductor:
Nelson Riddle (on 1955-08-23)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1955-08-23) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-08-23)
instrumental cover recording of:
I Didn’t Know What Time It Was (Pal Joey) (on 1955-08-23)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
3:10
20Takin' a Chance on Love
piano:
Nat King Cole (on 1955-06-11)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-11)
conductor:
Nelson Riddle (on 1955-06-11)
arranger:
Nelson Riddle
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-06-11)
instrumental cover recording of:
Taking a Chance on Love (on 1955-06-11)
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
2:05
21April in Paris
bass:
Charlie Harris (jazz bassist) (on 1955-08-18)
cello:
Armand Kaproff (on 1955-08-18), Edgar Lustgarten (on 1955-08-18) and Eleanor Slatkin (Eleanor Aller Slatkin; American cellist (1917-1995)) (on 1955-08-18)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-18)
French horn:
Jack Cave (on 1955-08-18)
guitar:
John Collins (US jazz guitarist) (on 1955-08-18)
piano:
Nat King Cole (on 1955-08-18) and Bill Miller (pianist) (on 1955-08-18)
reeds:
Harry Klee (on 1955-08-18), Wilbur Schwartz (on 1955-08-18), Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1955-08-18) and Champ Webb (on 1955-08-18)
viola:
Stanley Spiegelman (on 1955-08-18) and Dave Sterkin (on 1955-08-18)
violin:
Victor Bay (on 1955-08-18), Alex Beller (on 1955-08-18), Sam Cytron (on 1955-08-18), Dan Lube (on 1955-08-18), Erno Neufeld (on 1955-08-18), Nathan Ross (on 1955-08-18), Mischa Russell (violinist) (on 1955-08-18) and Marshall Sosson (on 1955-08-18)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-18)
conductor:
Nelson Riddle (on 1955-08-18)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-08-18)
instrumental cover recording of:
April in Paris (on 1955-08-18)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:51
22I Want to Be Happy
alto saxophone:
Wilbur Schwartz (on 1955-08-27) and Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1955-08-27)
baritone saxophone:
Chuck Gentry (on 1955-08-27)
bass:
Charlie Harris (jazz bassist) (on 1955-08-27)
bass trombone:
George Roberts (american bass trombone) (on 1955-08-27)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-27)
guitar:
John Collins (US jazz guitarist) (on 1955-08-27)
piano:
Nat King Cole (on 1955-08-27) and Bill Miller (pianist) (on 1955-08-27)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1955-08-27) and Buck Skalak (on 1955-08-27)
trombone:
Murray McEachern (on 1955-08-27) and Dick Noel (trombone) (on 1955-08-27)
trumpet:
Frank Beach (trombone, trumpet) (on 1955-08-27), Manny Klein (on 1955-08-27), Ray Linn (on 1955-08-27) and Vito N. Mangano (on 1955-08-27)
valve trombone:
Juan Tizol (on 1955-08-27)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-27)
conductor:
Nelson Riddle (on 1955-08-27)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1955-08-27) and Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-08-27)
instrumental cover recording of:
I Want to Be Happy (No, No, Nanette) (on 1955-08-27)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
1:47
23I See Your Face Before Me
bass:
Charlie Harris (jazz bassist) (on 1955-08-18)
cello:
Armand Kaproff (on 1955-08-18), Edgar Lustgarten (on 1955-08-18) and Eleanor Slatkin (Eleanor Aller Slatkin; American cellist (1917-1995)) (on 1955-08-18)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-18)
French horn:
Jack Cave (on 1955-08-18)
guitar:
John Collins (US jazz guitarist) (on 1955-08-18)
piano:
Nat King Cole (on 1955-08-18) and Bill Miller (pianist) (on 1955-08-18)
reeds:
Harry Klee (on 1955-08-18), Wilbur Schwartz (on 1955-08-18), Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1955-08-18) and Champ Webb (on 1955-08-18)
viola:
Stanley Spiegelman (on 1955-08-18) and Dave Sterkin (on 1955-08-18)
violin:
Victor Bay (on 1955-08-18), Alex Beller (on 1955-08-18), Sam Cytron (on 1955-08-18), Dan Lube (on 1955-08-18), Erno Neufeld (on 1955-08-18), Nathan Ross (on 1955-08-18), Mischa Russell (violinist) (on 1955-08-18) and Marshall Sosson (on 1955-08-18)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-18)
conductor:
Nelson Riddle (on 1955-08-18)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1955-08-18)
instrumental cover recording of:
I See Your Face Before Me (on 1955-08-18)
lyricist and composer:
Howard Dietz (librettist) and Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd. and Chappell & Co.
2:35
24Just One of Those Things
alto saxophone:
Wilbur Schwartz (on 1955-08-27) and Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1955-08-27)
baritone saxophone:
Chuck Gentry (on 1955-08-27)
bass:
Charlie Harris (jazz bassist) (on 1955-08-27)
bass trombone:
George Roberts (american bass trombone) (on 1955-08-27)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-27)
guitar:
John Collins (US jazz guitarist) (on 1955-08-27)
piano:
Nat King Cole (on 1955-08-27) and Bill Miller (pianist) (on 1955-08-27)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1955-08-27) and Buck Skalak (on 1955-08-27)
trombone:
Murray McEachern (on 1955-08-27) and Dick Noel (trombone) (on 1955-08-27)
trumpet:
Frank Beach (trombone, trumpet) (on 1955-08-27), Manny Klein (on 1955-08-27), Ray Linn (on 1955-08-27) and Vito N. Mangano (on 1955-08-27)
valve trombone:
Juan Tizol (on 1955-08-27)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-27)
conductor:
Nelson Riddle (on 1955-08-27)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1955-08-27)
instrumental cover recording of:
Just One of Those Things (on 1955-08-27)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:09
25I Get a Kick Out of You
bass:
Charlie Harris (jazz bassist) (on 1955-08-23)
bass trombone:
George Roberts (american bass trombone) (on 1955-08-23)
cello:
Victor Gottlieb (on 1955-08-23), Ray Kramer (on 1955-08-23) and Eleanor Slatkin (Eleanor Aller Slatkin; American cellist (1917-1995)) (on 1955-08-23)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-23)
guitar:
John Collins (US jazz guitarist) (on 1955-08-23)
piano:
Nat King Cole (on 1955-08-23) and Bill Miller (pianist) (on 1955-08-23)
reeds:
Harry Klee (on 1955-08-23), Wilbur Schwartz (on 1955-08-23) and Bill Smith (Clarinet, played with Brubeck) (on 1955-08-23)
trombone:
Joe Howard (american trombone player) (on 1955-08-23), Murray McEachern (on 1955-08-23) and Jimmy Priddy (on 1955-08-23)
trumpet:
Conrad Gozzo (on 1955-08-23)
valve trombone:
Juan Tizol (on 1955-08-23)
viola:
Stanley Spiegelman (on 1955-08-23) and Dave Sterkin (on 1955-08-23)
violin:
Victor Bay (on 1955-08-23), Alex Beller (on 1955-08-23), Harold Dicterow (on 1955-08-23), Dan Lube (on 1955-08-23), Erno Neufeld (on 1955-08-23), Nathan Ross (on 1955-08-23), Eudice Shapiro (Violinist) (on 1955-08-23) and Marshall Sosson (on 1955-08-23)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-23)
conductor:
Nelson Riddle (on 1955-08-23)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1955-08-23)
instrumental cover recording of:
I Get a Kick Out of You (on 1955-08-23)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
3:23
26If I Could Be With You One Hour Tonight
bass:
Charlie Harris (jazz bassist) (on 1955-08-23)
bass trombone:
George Roberts (american bass trombone) (on 1955-08-23)
cello:
Victor Gottlieb (on 1955-08-23), Ray Kramer (on 1955-08-23) and Eleanor Slatkin (Eleanor Aller Slatkin; American cellist (1917-1995)) (on 1955-08-23)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1955-08-23)
guitar:
John Collins (US jazz guitarist) (on 1955-08-23)
piano:
Nat King Cole (on 1955-08-23) and Bill Miller (pianist) (on 1955-08-23)
reeds:
Harry Klee (on 1955-08-23), Wilbur Schwartz (on 1955-08-23) and Bill Smith (Clarinet, played with Brubeck) (on 1955-08-23)
trombone:
Joe Howard (american trombone player) (on 1955-08-23), Murray McEachern (on 1955-08-23) and Jimmy Priddy (on 1955-08-23)
trumpet:
Conrad Gozzo (on 1955-08-23)
valve trombone:
Juan Tizol (on 1955-08-23)
viola:
Stanley Spiegelman (on 1955-08-23) and Dave Sterkin (on 1955-08-23)
violin:
Victor Bay (on 1955-08-23), Alex Beller (on 1955-08-23), Harold Dicterow (on 1955-08-23), Dan Lube (on 1955-08-23), Erno Neufeld (on 1955-08-23), Nathan Ross (on 1955-08-23), Eudice Shapiro (Violinist) (on 1955-08-23) and Marshall Sosson (on 1955-08-23)
orchestra:
Nelson Riddle and His Orchestra (on 1955-08-23)
conductor:
Nelson Riddle (on 1955-08-23)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1955-08-23)
instrumental cover recording of:
If I Could Be With You (One Hour Tonight) (on 1955-08-23)
lyricist:
Henry Creamer (in 1926)
composer:
James P. Johnson (in 1926)
instrumental recording of:
If I Could Be With You (One Hour Tonight)
lyricist:
Henry Creamer (in 1926)
composer:
James P. Johnson (in 1926)
recording of:
If I Could Be With You (One Hour Tonight)
lyricist:
Henry Creamer (in 1926)
composer:
James P. Johnson (in 1926)
2:41
27I Hear Music
piano:
Nat King Cole (on 1955-06-07)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-07)
conductor:
Nelson Riddle (on 1955-06-07)
arranger:
Nelson Riddle
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-06-07)
instrumental cover recording of:
I Hear Music (Dancing on a Dime) (on 1955-06-07)
lyricist:
Frank Loesser
composer:
Burton Lane
3:05
28Tea for Two
piano:
Nat King Cole (on 1955-06-07)
orchestra:
Nelson Riddle and His Orchestra (on 1955-06-07)
conductor:
Nelson Riddle (on 1955-06-07)
arranger:
Nelson Riddle
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1955-06-07)
instrumental cover recording of:
Tea for Two (No, No, Nanette) (on 1955-06-07)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
instrumental recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
2:31