Body & Soul

~ Release by Coleman Hawkins (see all versions of this release, 1 available)

Tracklist

▶ CD 1: Midnight Sun
▶ CD 2: The Breeze and I
▼ CD 3: Rainbow Mist
#TitleRatingLength
1Meet Doctor Foo
alto saxophone:
Eustis Moore (on 1939-10-11)
double bass:
William Oscar Smith (on 1939-10-11)
drums (drum set):
Arthur Herbert (Jazz drummer) (on 1939-10-11)
piano:
Gene Rodgers (on 1939-10-11)
tenor saxophone:
Jackie Fields (on 1939-10-11) and Coleman Hawkins (on 1939-10-11)
trombone:
Joe Guy (trumpet) (on 1939-10-11), Earl Hardy (on 1939-10-11) and Tommy Lindsay (on 1939-10-11)
lead vocals:
Thelma Carpenter (50s/60s vocal artist) (on 1939-10-11)
recording of:
Meet Doctor Foo (on 1939-10-11)
composer:
Coleman Hawkins
2:34
2Body and Soul
alto saxophone:
Eustis Moore (on 1939-10-11)
double bass:
William Oscar Smith (on 1939-10-11)
drums (drum set):
Arthur Herbert (Jazz drummer) (on 1939-10-11)
piano:
Gene Rodgers (on 1939-10-11)
tenor saxophone:
Jackie Fields (on 1939-10-11) and Coleman Hawkins (on 1939-10-11)
trombone:
Joe Guy (trumpet) (on 1939-10-11), Earl Hardy (on 1939-10-11) and Tommy Lindsay (on 1939-10-11)
lead vocals:
Thelma Carpenter (50s/60s vocal artist) (on 1939-10-11)
instrumental recording of:
Body and Soul (on 1939-10-11)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:01
3Dedication
double bass [bass]:
John Kirby (jazz bass/trombone/tuba player)
drums (drum set):
Sid Catlett
guitar:
Bernard Addison
tenor saxophone:
Coleman Hawkins
recording of:
Dedication
composer:
Leonard Feather
2:52
4Serenade to a Sleeping Beauty
alto saxophone:
Jackie Fields (on 1940-08-09), Eustis Moore (on 1940-08-09) and Ernie Powell (on 1940-08-09)
double bass:
Billy Taylor Sr. (jazz bassist) (on 1940-08-09)
drums (drum set):
J.C. Heard (on 1940-08-09)
piano:
Gene Rodgers (on 1940-08-09)
tenor saxophone:
Coleman Hawkins (on 1940-08-09)
trombone:
William Cato (on 1940-08-09), Claude Jones (on 1940-08-09) and Sandy Williams (American jazz trombonist) (on 1940-08-09)
trumpet:
Nelson Bryant (on 1940-08-09), Joe Guy (trumpet) (on 1940-08-09), Tommy Lindsay (on 1940-08-09) and Tommy Stevenson (on 1940-08-09)
3:05
5My Ideal
clarinet:
Edmond Hall (American jazz clarinetist, bandleader)
double bass [bass]:
Oscar Pettiford
drums (drum set):
Sid Catlett
guitar:
Al Casey (US jazz/soul guitarist)
piano:
Art Tatum (US jazz pianist)
tenor saxophone:
Coleman Hawkins
trombone:
Cootie Williams
instrumental recording of:
My Ideal (from “Playboy of Paris”)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Newell Chase and Richard A. Whiting
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:07
6Lover Come Back to Me
double bass [bass]:
Oscar Pettiford
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
guitar:
Jimmy Shirley
piano:
Ellis Larkins
tenor saxophone:
Coleman Hawkins
instrumental recording of:
Lover, Come Back to Me (from "The New Moon") (on 1943-12-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
3:05
7Crazy Rhythm
bass:
Oscar Pettiford
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
tenor saxophone:
Coleman Hawkins
instrumental recording of:
Crazy Rhythm
lyricist:
Irving Caesar
composer:
Roger Wolfe Kahn and Joseph Meyer (US songwriter)
3:14
8Get Happy
double bass [bass]:
Oscar Pettiford
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
tenor saxophone:
Coleman Hawkins
instrumental recording of:
Get Happy (on 1943-12-23)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
3:23
9The Man I Love
double bass [bass]:
Oscar Pettiford
drums (drum set):
Shelly Manne (US jazz drummer)
piano:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
tenor saxophone:
Coleman Hawkins
instrumental recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
5:07
10Bean at the Met
drums (drum set):
Cozy Cole
piano:
Billy Taylor (jazz/bop pianist) and Teddy Wilson
tenor saxophone:
Coleman Hawkins
trumpet:
Roy Eldridge
recording of:
Bean at the Met
composer:
Coleman Hawkins
3:05
11Rainbow Mist
alto saxophone:
Leo Parker
bass saxophone:
Budd Johnson
double bass [bass]:
Oscar Pettiford
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Clyde Hart
tenor saxophone:
Colonel Abrams, Don Byas and Coleman Hawkins
recording of:
Rainbow Mist
composer:
Coleman Hawkins
2:59
12Recollections
drums (drum set):
Denzil Best
piano:
Thelonious Monk
tenor saxophone:
Coleman Hawkins
2:53
13Indian Summer
double bass [bass]:
Harry Carney (on 1946-12-04) and Chubby Jackson (on 1946-12-04)
guitar:
John Collins (US jazz guitarist) (on 1946-12-04)
piano:
Teddy Wilson (on 1946-12-04)
tenor saxophone:
Coleman Hawkins (on 1946-12-04)
trombone:
Buck Clayton (on 1946-12-04), J.J. Johnson (jazz/bop trombonist/session leader) (on 1946-12-04) and Charlie Shavers (on 1946-12-04)
instrumental recording of:
Indian Summer (on 1946-12-04)
lyricist:
Al Dubin (in 1939)
composer:
Victor Herbert (composer) (in 1919)
publisher:
Harms, Inc.
3:13
14Phantomesque
alto saxophone:
Howard Johnson (tuba & baritone saxophone)
bass:
Marion DeVeta
double bass [bass]:
Curley Russell
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Hank Jones (piano)
tenor saxophone:
Coleman Hawkins
trombone:
Kai Winding
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Phantomesque (in 1947-06)
composer:
Coleman Hawkins
2:56
15April in Paris
alto saxophone:
Budd Johnson
bass:
Marion DeVeta
double bass [bass]:
Jack Lesberg
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
guitar:
Chuck Wayne
piano:
Hank Jones (piano)
tenor saxophone:
Coleman Hawkins
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) and Fats Navarro
instrumental recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:08
16How Strange
alto saxophone:
Budd Johnson
bass:
Marion DeVeta
double bass [bass]:
Jack Lesberg
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
guitar:
Chuck Wayne
piano:
Hank Jones (piano)
tenor saxophone:
Coleman Hawkins
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) and Fats Navarro
recording of:
How Strange
lyricist:
Gus Kahn
additional composer:
Earl Brent and Herbert Stothart (composer)
composer:
[traditional] (special purpose artist) and B. A. Prozorovsky
publisher:
EMI Feist Catalog Inc.
3:02
17Half Step Down Please
alto saxophone:
Budd Johnson
bass:
Marion DeVeta
double bass [bass]:
Jack Lesberg
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
guitar:
Chuck Wayne
piano:
Hank Jones (piano)
tenor saxophone:
Coleman Hawkins
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) and Fats Navarro
recording of:
Half Step Down Please (on 1947-12-11)
composer:
Tadd Dameron
3:02
18Angel Face
alto saxophone:
Budd Johnson
bass:
Marion DeVeta
double bass [bass]:
Jack Lesberg
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
guitar:
Chuck Wayne
piano:
Hank Jones (piano)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) and Fats Navarro
recording of:
Angel Face (on 1947-12-11)
composer:
Hank Jones (piano)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:12
19Jumpin for Jane
alto saxophone:
Budd Johnson
bass:
Marion DeVeta
double bass [bass]:
Jack Lesberg
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
guitar:
Chuck Wayne
piano:
Hank Jones (piano)
tenor saxophone:
Coleman Hawkins
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) and Fats Navarro
recording of:
Jumping for Jane (on 1947-12-11)
writer:
Leonard Feather
3:08
20Picasso
tenor saxophone:
Coleman Hawkins
recording of:
Picasso
composer:
Coleman Hawkins
3:13
▶ CD 4: Cheek to Cheek