| # | Title | Artist | Rating | Length |
|---|
| 1 | Caribbean Blue | Enya | 3 | 3:41 |
| 2 | Albatross | Fleetwood Mac | 4.2 | 3:09 |
| 3 | Tubular Bells, Part 1 (edit) | Mike Oldfield | | 5:00 |
| 4 | After the Ordeal- assistant engineer:
- Rhett Davies
- producer:
- John Burns and Genesis
- acoustic guitar:
- Tony Banks (in 1973-08) and Mike Rutherford (in 1973-08)
- bass and electric sitar:
- Mike Rutherford (in 1973-08)
- classical guitar and electric guitar:
- Steve Hackett (in 1973-08)
- drums (drum set):
- Phil Collins (in 1973-08)
- flute and oboe:
- Peter Gabriel (in 1973-08)
- keyboard and piano:
- Tony Banks (in 1973-08)
- percussion:
- Phil Collins (in 1973-08) and Peter Gabriel (in 1973-08)
- publisher:
- Carlin Music Corporation and Notebest Ltd
- phonographic copyright (℗) by:
- Charisma Records Ltd. (in 1973)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1973-08)
- recording of:
- After the Ordeal (in 1973-08)
- composer:
- Tony Banks , Phil Collins , Peter Gabriel , Steve Hackett and Mike Rutherford
- publisher:
- Concord Music GmbH, Concord Sounds, EMI Music Publishing Germany GmbH , EMI Music Publishing Ltd. , Hit & Run Music Publishing Inc , Imagem Music GmbH , Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Michael Rutherford Ltd., Philip Collins Ltd., Real World Music, Ltd., Stephen Hackett Ltd., Yellow Dog Music Inc, Carlin Music Corporation (from 1973 to present) and Notebest Ltd (from 1973 to present)
| Genesis | 3.4 | 4:11 |
| 5 | Rowena’s Theme | The Edge | | 3:56 |
| 6 | Oxygène, Part 4 | Jean Michel Jarre | | 3:18 |
| 7 | The Sun Rising | The Beloved | | 4:09 |
| 8 | Morse (He’s a Mystery to Me) (instrumental) | Codex | | 3:44 |
| 9 | Theme From Poirot | Christopher Gunning | | 2:29 |
| 10 | Through the Blue | Roger Eno | 4.5 | 4:23 |
| 11 | Jessica (Theme From Top Gear) | The Allman Brothers Band | | 4:03 |
| 12 | So What! | Ronny Jordan | | 4:00 |
| 13 | Take Five | Dave Brubeck | | 5:24 |
| 14 | I Wish I Knew (How It Would Feel to Be Free) (Theme From Film 92) | Billy Taylor | | 3:31 |
| 15 | Time After Time- engineer and mixer:
- Ron Lorman and Tom Swift
- co-producer:
- Vince Wilburn, Jr.
- producer:
- Miles Davis and Robert Irving III
- bass:
- Darryl Jones (on 1984-01-26)
- drums (drum set):
- Al Foster (on 1984-01-26)
- guitar:
- John Scofield (on 1984-01-26)
- percussion:
- Steve Thornton (on 1984-01-26)
- synthesizer:
- Robert Irving III (on 1984-01-26)
- trumpet:
- Miles Davis (on 1984-01-26)
- arranger:
- Miles Davis and Robert Irving III
- phonographic copyright (℗) by:
- CBS, Inc.
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (on 1984-01-26)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- instrumental cover recording of:
- Time After Time (on 1984-01-26)
- writer:
- Rob Hyman and Cyndi Lauper
- publisher:
- Sony Songs Inc. (ended), CBS Songs Ltd., Dub Notes Music (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rellla Music Corp., Sony Music Publishing , Sony/ATV Music Publishing Ltd., Warner Chappell Music , Warner Chappell Music Ltd. , WB Music Corp. (until 2019-05-28), Rella Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Sony Music Publishing (Japan), Inc., A Division , Warner Brothers Music Ltd. , Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
| Miles Davis | 3 | 3:31 |
| 16 | Inarticulate Speech of the Heart (No. 1) | Van Morrison | | 4:44 |
| 17 | Theme From The Mission | Ennio Morricone | | 2:51 |
| 18 | Moments in Love | Art of Noise | 5 | 4:38 |
| 19 | Theme From Thirtysomething | Daniel Caine Orchestra | | 2:56 |
| 20 | Tara | Roxy Music | | 1:31 |
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