Three or One

~ Release by Johann Sebastian Bach; Fred Thomas, Aisha Orazbayeva, Lucy Railton (see all versions of this release, 2 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Ach bleib bei uns, Herr Jesu Christ, BWV 649
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Ach bleib' bei uns, Herr Jesu Christ, BWV 649 (catch all for arrangements) (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Ach bleib' bei uns, Herr Jesu Christ, BWV 649
Johann Sebastian Bach2:34
2Herr Christ, der ein’ge Gottes Sohn, BWV 601
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Herr Christ, der ein'ge Gottessohn, BWV 601 (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 3) and Bach-Werke-Verzeichnis (number: BWV 601)
Johann Sebastian Bach2:00
3Ich ruf zu dir, Herr Jesu Christ, BWV 639
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Ich ruf zu dir, Herr Jesu Christ, BWV 639 (catch-all for arrangements) (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Ich ruf zu dir, Herr Jesu Christ, BWV 639
Johann Sebastian Bach2:22
4Durch Adams Fall ist ganz verderbt, BWV 637
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Durch Adams Fall ist ganz verderbt, BWV 637 (catch all for arrangements) (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Durch Adams Fall ist ganz verderbt, BWV 637
Johann Sebastian Bach2:22
5Erbarm dich mein, o Herre Gott, BWV 721
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Erbarm' dich mein, o Herre Gott, BWV 721 (catch all for arrangements) (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Erbarm' dich mein, o Herre Gott, BWV 721
Johann Sebastian Bach4:47
6Sinfonia From Der Herr denket an uns, Cantata, BWV 196
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Elliott Parkin (engineer) (from 2012 until 2018) and Pierre‐Alexandre Tremblay (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Kantate, BWV 196 "Der Herr denket an uns": I. Sinfonia (from 2012 until 2018)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1707 until 1708)
part of:
Kantate, BWV 196 "Der Herr denket an uns"
Johann Sebastian Bach1:55
7Alle Menschen müssen sterben, BWV 643
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Chorale Prelude, BWV 643 "Alle Menschen müssen sterben" (catch all for arrangements) (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Chorale Prelude, BWV 643 "Alle Menschen müssen sterben"
Johann Sebastian Bach1:40
8Der Tag, der ist so freudenreich, BWV 605
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Der Tag, der ist so freudenrich, BWV 605 (catch all for arrangements) (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Choralvorspiel, BWV 605 "Der Tag, der ist so freudenreich"
Johann Sebastian Bach1:15
9Christe, du Lamm Gottes, BWV 619
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Chorale Prelude, Christe, du Lamm Gottes, BWV 619 (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 21) and Bach-Werke-Verzeichnis (number: BWV 619)
Johann Sebastian Bach1:23
10Liebster Jesu, wir sind hier, BWV 633
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Liebster Jesu, wir sind hier, BWV 633 (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 35) and Bach-Werke-Verzeichnis (number: BWV 633)
Johann Sebastian Bach3:48
11Aria „Wie zittern und wanken der Sünder Gedanken“ From Cantata „Herr, gehe nicht ins Gericht mit deinem Knecht“, BWV 105
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Elliott Parkin (engineer) (from 2012 until 2018) and Pierre‐Alexandre Tremblay (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": I. Coro (+ Sopran, Alt, Tenor, Bass) "Herr, gehe nicht ins Gericht mit deinem Knecht" (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach4:59
12Aria „Weichet nur, betrübte Schatten“ From Cantata „Weichet nur, betrübte Schatten“, BWV 202
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Elliott Parkin (engineer) (from 2012 until 2018) and Pierre‐Alexandre Tremblay (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (catch all for arrangements) (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:51
13Aria „Jesu, meines Todes Tod“ From Cantata „O heilges Geist‐ und Wasserbad“, BWV 165
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Elliott Parkin (engineer) (from 2012 until 2018) and Pierre‐Alexandre Tremblay (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad": V. Aria (Tenor) "Jesu, meines Todes Tod" (from 2012 until 2018)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1715-06-16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 165 "O heilges Geist- und Wasserbad"
Johann Sebastian Bach2:09
14Aria „Wie furchtsam wankten meine Schritte“ From Cantata „Allein zu dir, Herr Jesu Christ“, BWV 33
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Elliott Parkin (engineer) (from 2012 until 2018) and Pierre‐Alexandre Tremblay (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": III. Aria "Wie furchtsam wankten meine Schritte" (catch-all for arrangements) (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 33 "Allein zu dir, Herr Jesu Christ": III. Aria (Alto) "Wie furchtsam wankten meine Schritte"
Johann Sebastian Bach3:58
15Wenn wir in höchsten Nöten sein, BWV Anh. II 78: Partita III
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Choralvorspiel BWV Anh. 78, "Wenn wir in höchsten Nöten sein" (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV Anh. 78)
Johann Sebastian Bach0:54
16Gelobet seist du, Jesu Christ, BWV 723
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Gelobet seist du, Jesu Christ, BWV 723 (from 2012 until 2018)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 723)
Johann Sebastian Bach2:11
17O Gott, Du frommer Gott, BWV 767: Partita VIII
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
O Gott, du frommer Gott, BWV 767 (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 767)
Johann Sebastian Bach3:10
18O Lamm Gottes unschuldig, BWV 618
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Choralvorspiele für Orgel in F-Dur, BWV 618 "O Lamm Gottes, unschuldig" (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 20) and Bach-Werke-Verzeichnis (number: BWV 618)
Johann Sebastian Bach4:12
19Jesu, meine Freude, BWV 610
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Jesu, meine Freude, BWV 610 (catch all for arrangements) (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Jesu, meine Freude, BWV 610
Johann Sebastian Bach2:59
20Allein Gott in der Höh sei Ehr, BWV 711
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Allein Gott in der Höh sei Ehr, BWV 711 (catch all for arrangements) (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Allein Gott in der Höh sei Ehr, BWV 711
Johann Sebastian Bach2:31
21In dulci jubilo, BWV 608
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
In dulci jubilo, BWV 608 (catch all for arrangements) (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
In dulci jubilo, BWV 608
Johann Sebastian Bach1:10
22Gott, durch deine Güte, BWV 600
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Gottes Sohn ist kommen, BWV 600 (catch all for arrangements) (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Gottes Sohn ist kommen, BWV 600
Johann Sebastian Bach0:44
23Das alte Jahr vergangen ist, BWV 614
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Choralvorspiel, BWV 614 "Das alte Jahr vergangen ist" (catch all for arrangements) (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Choralvorspiel, BWV 614 "Das alte Jahr vergangen ist"
Johann Sebastian Bach2:17
24Meine Seele erhebt den Herren, BWV 648
recording engineer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer) (from 2012 until 2018)
executive producer:
Manfred Eicher
producer:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
mixer:
Alex Bonney (trumpeter, electronic musician, recording/mix engineer, producer)
cello:
Lucy Railton (cellist; composer; avant-garde musician) (from 2012 until 2018)
piano:
Fred Thomas (UK classical/electronic/jazz pianist & producer) (from 2012 until 2018)
violin:
Aisha Orazbayeva (Kazakh violinist) (from 2012 until 2018)
arranger:
Fred Thomas (UK classical/electronic/jazz pianist & producer)
balance engineer:
Pierre‐Alexandre Tremblay (from 2012 until 2018) and Rob Sutherland (engineer) (from 2012 until 2018)
phonographic copyright (℗) by:
ECM Records GmbH (owner of label and publisher) (in 2021)
recorded at:
University of Huddersfield in Huddersfield, Kirklees, West Yorkshire, England, United Kingdom (from 2012 until 2018)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Meine Seele erhebet den Herren, BWV 648 (catch all for arrangements) (from 2012 until 2018)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Meine Seele erhebet den Herren, BWV 648
Johann Sebastian Bach3:04

Credits

Release

photography:Phelan Burgoyne (task: liner photos)
Scarlett Casciello (photographer) (task: liner photos)
Francis Fuego (task: liner photos)
Manos Chatzikonstanzis (photographer) (task: cover photo)
liner notes:Fred Thomas (UK classical/electronic/jazz pianist & producer)
liner notes translator:Thomas Steinfeld
mastering:Christoph Stickel
design:Sascha Kleis
copyrighted (©) by:ECM Records GmbH (owner of label and publisher) (in 2021)
streaming page:https://music.apple.com/us/album/1584781648 [info]