Integral Quincy Jones and his Orchestra 1953 - 1959

~ Release by Quincy Jones (see all versions of this release, 1 available)

Tracklist

▶ Digital Media 1: Jazz Abroad/Sonny Stitt
▶ Digital Media 2: This Is How I Feel About Jazz/Et Voilà
▼ Digital Media 3: My Fair Lady Loves Jazz/Go West, Man!
#TitleArtistRatingLength
1Show Me
producer:
Creed Taylor
double bass [bass]:
Earl May (in 1957)
drums (drum set):
Ed Thigpen (in 1957)
guitar:
Al Casamenti (in 1957)
piano:
Billy Taylor (jazz/bop pianist) (in 1957)
arranger:
Quincy Jones
instrumental recording of:
Show Me (My Fair Lady) (in 1957)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Quincy Jones & The Billy Taylor Trio4:47
2I've Grown Accustomed to Her Face
producer:
Creed Taylor
double bass [bass]:
Earl May (in 1957)
drums (drum set):
Ed Thigpen (in 1957)
guitar:
Al Casamenti (in 1957)
piano:
Billy Taylor (jazz/bop pianist) (in 1957)
arranger:
Quincy Jones
instrumental recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady) (in 1957)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
Quincy Jones & The Billy Taylor Trio3:44
3With a Little Bit of Luck
producer:
Creed Taylor
double bass [bass]:
Earl May (in 1957)
drums (drum set):
Ed Thigpen (in 1957)
guitar:
Al Casamenti (in 1957)
piano:
Billy Taylor (jazz/bop pianist) (in 1957)
arranger:
Quincy Jones
instrumental recording of:
With a Little Bit of Luck (My Fair Lady) (in 1957)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
Quincy Jones & The Billy Taylor Trio4:34
4The Rain in Spain
producer:
Creed Taylor
double bass [bass]:
Earl May (in 1957)
drums (drum set):
Ed Thigpen (in 1957)
guitar:
Al Casamenti (in 1957)
piano:
Billy Taylor (jazz/bop pianist) (in 1957)
arranger:
Quincy Jones
instrumental recording of:
The Rain in Spain (My Fair Lady) (in 1957)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Quincy Jones & The Billy Taylor Trio3:05
5Get Me to the Church on Time
producer:
Creed Taylor
double bass [bass]:
Earl May (in 1957)
drums (drum set):
Ed Thigpen (in 1957)
guitar:
Al Casamenti (in 1957)
piano:
Billy Taylor (jazz/bop pianist) (in 1957)
arranger:
Quincy Jones
instrumental recording of:
Get Me to the Church on Time (My Fair Lady) (in 1957)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Quincy Jones & The Billy Taylor Trio4:19
6Wouldn't It Be Loverly?
producer:
Creed Taylor
double bass [bass]:
Earl May (in 1957)
drums (drum set):
Ed Thigpen (in 1957)
guitar:
Al Casamenti (in 1957)
piano:
Billy Taylor (jazz/bop pianist) (in 1957)
arranger:
Quincy Jones
instrumental recording of:
Wouldn’t It Be Loverly (My Fair Lady) (in 1957)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Quincy Jones & The Billy Taylor Trio5:02
7I Could Have Danced All Night
producer:
Creed Taylor
double bass [bass]:
Earl May (in 1957)
drums (drum set):
Ed Thigpen (in 1957)
guitar:
Al Casamenti (in 1957)
piano:
Billy Taylor (jazz/bop pianist) (in 1957)
arranger:
Quincy Jones
instrumental recording of:
I Could Have Danced All Night (My Fair Lady) (in 1957)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
Quincy Jones & The Billy Taylor Trio4:02
8On the Street Where You Live
producer:
Creed Taylor
double bass [bass]:
Earl May (in 1957)
drums (drum set):
Ed Thigpen (in 1957)
guitar:
Al Casamenti (in 1957)
piano:
Billy Taylor (jazz/bop pianist) (in 1957)
arranger:
Quincy Jones
instrumental recording of:
On the Street Where You Live (My Fair Lady) (in 1957)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Quincy Jones & The Billy Taylor Trio3:44
9Dancin' Pants
alto saxophone:
Benny Carter (in 1957-02), Herb Geller (in 1957-02), Charlie Mariano (in 1957-02) and Art Pepper (in 1957-02)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1957-02)
piano:
Lou Levy (in 1957-02)
conductor:
Quincy Jones (in 1957-02)
Quincy Jones3:47
10Blues Day
bass:
Leroy Vinnegar (in 1957-02)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1957-02)
trumpet:
Conte Candoli (in 1957-02), Pete Candoli (in 1957-02), Harry Edison (in 1957-02) and Jack Sheldon (in 1957-02)
conductor:
Quincy Jones (in 1957-02)
Quincy Jones4:41
11Bright Moon
baritone saxophone:
Pepper Adams (baritone saxophonist) (in 1957-02)
bass:
Leroy Vinnegar (in 1957-02)
tenor saxophone:
Walter Benton (in 1957-02), Buddy Collette (in 1957-02) and Bill Perkins (jazz saxophonist) (in 1957-02)
conductor:
Quincy Jones (in 1957-02)
Quincy Jones5:18
12No Bones at All
bass:
Leroy Vinnegar (in 1957-02)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1957-02)
trumpet:
Conte Candoli (in 1957-02), Pete Candoli (in 1957-02), Harry Edison (in 1957-02) and Jack Sheldon (in 1957-02)
conductor:
Quincy Jones (in 1957-02)
Quincy Jones3:57
13The Oom Is Blues
baritone saxophone:
Pepper Adams (baritone saxophonist) (in 1957-02)
bass:
Leroy Vinnegar (in 1957-02)
tenor saxophone:
Walter Benton (in 1957-02), Buddy Collette (in 1957-02) and Bill Perkins (jazz saxophonist) (in 1957-02)
conductor:
Quincy Jones (in 1957-02)
Quincy Jones5:07
14Be My Guest
alto saxophone:
Benny Carter (in 1957-02), Herb Geller (in 1957-02), Charlie Mariano (in 1957-02) and Art Pepper (in 1957-02)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1957-02)
piano:
Lou Levy (in 1957-02)
conductor:
Quincy Jones (in 1957-02)
Quincy Jones4:28
15Medley: What’s New / We’ll Be Together Again / Time on My Hands / You Go to My Head / Laura
baritone saxophone:
Pepper Adams (baritone saxophonist) (in 1957-02)
bass:
Leroy Vinnegar (in 1957-02)
tenor saxophone:
Walter Benton (in 1957-02), Buddy Collette (in 1957-02) and Bill Perkins (jazz saxophonist) (in 1957-02)
conductor:
Quincy Jones (in 1957-02)
Quincy Jones6:18
16London Derriere
bass:
Leroy Vinnegar (in 1957-02)
drums (drum set):
Mel Lewis (American jazz drummer) (in 1957-02)
trumpet:
Conte Candoli (in 1957-02), Pete Candoli (in 1957-02), Harry Edison (in 1957-02) and Jack Sheldon (in 1957-02)
conductor:
Quincy Jones (in 1957-02)
Quincy Jones4:05
17Kings Road Blues
alto saxophone:
Benny Carter (in 1957-02), Herb Geller (in 1957-02), Charlie Mariano (in 1957-02) and Art Pepper (in 1957-02)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (in 1957-02)
piano:
Lou Levy (in 1957-02)
conductor:
Quincy Jones (in 1957-02)
Quincy Jones5:02
▶ Digital Media 4: Art Farmer/June Richmond/Harry Arnold
▶ Digital Media 5: Vaughan And Violins/The Birth Of A Band