Come Into the Cool

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Summertime
recorded in:
Los Angeles, California, United States (on 1957-08-18)
double bass:
Joe Mondragon (on 1957-08-18)
drums (drum set):
Alvin Stoller (on 1957-08-18)
French horn:
Vincent DeRosa (on 1957-08-18)
guitar:
Tony Rizzi (on 1957-08-18)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1957-08-18)
trombone:
Buddy Childers (American jazz trumpeter & composer) (on 1957-08-18)
trumpet:
Louis Armstrong (on 1957-08-18) and Frank Beach (trombone, trumpet) (on 1957-08-18)
violin:
Victor Arno (on 1957-08-18)
vocals:
Louis Armstrong (on 1957-08-18) and Ella Fitzgerald (American jazz singer) (on 1957-08-18)
orchestra:
Russ Garcia and His Orchestra (in 1957)
conductor:
Russell Garcia (on 1957-08-18)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 20)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1957-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald & Louis Armstrong3.754:55
2Take the a Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Duke Ellington5:32
3If I Were a Bell
double bass:
Paul Chambers (US jazz bassist) (on 1956-10-26)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1956-10-26)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-10-26)
instrumental cover recording of:
If I Were a Bell (Guys and Dolls) (on 1956-10-26)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
Miles Davis38:20
4Night Train
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1962-12-15 until 1962-12-16)
phonographic copyright (℗) by:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1963)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (from 1962-12-15 until 1962-12-16)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
Oscar Peterson4:50
5Girl From Ipanema
recording of:
The Girl From Ipanema
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
Stan Getz & Astrud Gilberto5:11
6My Baby Just Cares for Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone43:36
7West End Blues
recording of:
West End Blues (Armstrong recording)
composer:
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
arrangement of:
West End Blues (original instrumental)
Louis Armstrong3:11
8Strange Fruit
recording of:
Strange Fruit
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday3:12
9Mas Que Nada
Sérgio Mendes2:39
10Mad About the Boy
recorded in:
Chicago, Illinois, United States (on 1961-12-04)
piano:
Jack Wilson (jazz pianist) (on 1961-12-04)
trombone:
Billy Byers (on 1961-12-04)
trumpet:
Joe Newman (US jazz trumpeter) (on 1961-12-04)
vocals:
Dinah Washington
orchestra:
Quincy Jones and His Orchestra (on 1961-12-04)
arranger:
Quincy Jones (on 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington52:45
11April in Paris
producer:
Norman Granz
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1955-07-26) and Marshall Royal (on 1955-07-26)
alto saxophone, clarinet, flute and tenor saxophone:
Frank Wess (on 1955-07-26)
baritone saxophone and bass clarinet:
Charlie Fowlkes (on 1955-07-26)
clarinet and tenor saxophone:
Frank Foster (saxophonist) (on 1955-07-26)
double bass:
Eddie Jones (US jazz double bassist) (on 1955-07-26)
drums (drum set):
Sonny Payne (on 1955-07-26)
guitar:
Freddie Green (on 1955-07-26)
piano:
Count Basie (pianist) (on 1955-07-26)
trombone:
Henry Coker (on 1955-07-26), Bill Hughes (trombone) (on 1955-07-26) and Benny Powell (on 1955-07-26)
trumpet:
Wendell Culley (on 1955-07-26), Reunald Jones (on 1955-07-26), Thad Jones (on 1955-07-26) and Joe Newman (US jazz trumpeter) (on 1955-07-26)
arranger:
Wild Bill Davis
instrumental recording of:
April in Paris (on 1955-07-26)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Count Basie3:48
12Sidewinder
Lee Morgan10:21
13Take Five
Dave Brubeck7:03
14Desafinado
bass guitar:
Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
double bass:
Keter Betts (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13) and Gene Byrd (jazz lyrical bassist) (on 1962-02-13)
percussion:
Buddy Deppenschmidt (American jazz drummer) (on 1962-02-13) and Bill Reichenbach (jazz drummer) (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
trumpet:
Charlie Byrd (on 1962-02-13)
arranger:
Antônio Carlos Jobim and Newton Mendonça
recorded at:
All Souls Church, Unitarian (Washington, D.C.) in Washington, D.C., United States (on 1962-02-13)
instrumental cover recording of:
Desafinado (on 1962-02-13)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Stan Getz5:49
15Cantaloupe Island
recording engineer:
Rudy van Gelder (on 1964-06-17)
producer:
Alfred Lion and Michael Cuscuna (in 1999: task: Reissue produced by)
cornet:
Freddie Hubbard (on 1964-06-17)
double bass:
Ron Carter (US jazz double-bassist) (on 1964-06-17)
drums (drum set):
Tony Williams (American jazz drummer) (on 1964-06-17)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1964-06-17)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-06-17)
recording of:
Cantaloupe Island (on 1964-06-17)
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Company
Herbie Hancock4.85:33
▼ CD 2
#TitleArtistRatingLength
1Look of Love
assistant recording engineer:
Aya Takemura (from 2001-01-22 until 2001-01-27), Chris Clark (engineer) (from 2001-03-09 until 2001-03-11) and Richard Lancaster (from 2001-03-09 until 2001-03-11)
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
assistant mixer:
John Hendrickson (Music engineer, mixer)
drums (drum set):
Peter Erskine (American jazz drummer) (in 2001)
guitar:
Romero Lubambo (in 2001)
percussion:
Luis Conte (percussionist) (in 2001)
piano:
Diana Krall (in 2001)
vocals:
Diana Krall (in 2001)
orchestra:
London Symphony Orchestra (from 2001-03-09 until 2001-03-11)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 2001-01-22 until 2001-01-27) and Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2001-03-09 until 2001-03-11)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 2001-03-19 until 2001-03-23)
cover recording of:
The Look of Love (in 2001)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Diana Krall4:42
2I Get a Kick Out of You
bass:
Geoff Gascoyne
membranophone:
Sebastiaan de Krom (Dutch jazz drummer)
horn and strings arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz‐pop artist)
cover recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Jamie Cullum44:10
3Dance Me to the End of Love
assistant engineer:
Ricky Chao and Nicholas Fournier
engineer and mixer:
Helik Hadar
producer:
Larry Klein
acoustic guitar:
Madeleine Peyroux (US jazz singer & songwriter)
bass:
David Piltch
keyboard [piano, wurlitzer piano, organ, celesta]:
Larry Goldings
percussion [drums, percussion]:
Jay Bellerose (american drummer and percussionist)
vocals:
Madeleine Peyroux (US jazz singer & songwriter)
phonographic copyright (℗) by:
Rounder Records Corp. (not for release label use!) and Rounder Records (a division of Concord Music Group, Inc., not for release label use!) (in 2004)
cover recording of:
Dance Me to the End of Love
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Madeleine Peyroux4.353:56
4Drive Time
recorded in:
Hollywood, Los Angeles, California, United States (on 1999-02-01)
bass:
Jon Ossman
electric piano:
Jeff Lorber and Jeff Young (piano)
guitar:
Tim Pierce (US session guitarist) and Larry Saltzman
keyboard:
Chris Botti and Harvey Jones
percussion:
Alex Acuña
piano:
Jeff Young (piano)
trombone:
Mike Davis (trumpet, flugelhorn)
trumpet:
Chris Botti
phonographic copyright (℗) by:
The Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recording of:
Drive Time (on 1999-02-01)
composer:
Chris Botti
publisher:
Paul Simon Music
Chris Botti5:32
5My Baby Just Cares for Me
cover recording of:
My Baby Just Cares for Me
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Natalie Cole4:26
6Everything Must Change
assistant engineer:
Mark Neary (british musician and engineer)
engineer:
Calum Malcolm
producer:
Laurence Cottle
mixer:
Laurence Cottle, Calum Malcolm and Claire Martin (English jazz singer)
lead vocals:
Claire Martin (English jazz singer)
cover recording of:
Everything Must Change
lyricist and composer:
Benard Ighner
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Trans Traditional Suite
Claire Martin5:16
7But Not for Me
Curtis Stigers3:15
8Makin' Whoopee
guitar:
Colin Oxley (from 2003-02-18 until 2003-02-22)
piano:
David Newton (Scottish jazz pianist and composer) (from 2003-02-18 until 2003-02-22)
lead vocals:
Stacey Kent (from 2003-02-18 until 2003-02-22)
recorded at:
Curtis Schwartz Studio in West Sussex, England, United Kingdom (from 2003-02-18 until 2003-02-22)
recording of:
Makin’ Whoopee! (from 2003-02-18 until 2003-02-22)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
Stacey Kent3:08
9Tryin' Times
Courtney Pine6:15
10It's Alright With Me
cover recording of:
It’s All Right with Me (Can‐Can musical)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Gwyneth Herbert3:10
11Sway
cover recording of:
Sway
lyricist:
Norman Gimbel
composer:
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
version of:
¿Quién será?
Peter Cincotti44:12
12I Just Want to Make Love to You
Clare Teal3:26
13Footprints
recording of:
Footprints
composer:
Wayne Shorter (US jazz saxophonist and composer)
Wayne Shorter7:53
14Surrender
Jane Monheit4:10
15Blue Moon
recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Jacqui Dankworth4:36
16There Is No Greater Love
assistant recording engineer:
Houston Bowen and Ben Bryant (engineer)
recording engineer, producer and mixer:
Commissioner Gordon (US hip hop producer Gordon Williams)
assistant mixer:
Brent Williams
drums (drum set), effects and percussion:
Commissioner Gordon (US hip hop producer Gordon Williams)
flute and saxophone:
Robert Aaron
guitar:
Ian Barter
piano:
Lenny Underwood
vocals:
Amy Winehouse
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom, Platinum Sound Recording Studios in Manhattan, New York, New York, United States and The Headquarters in Teaneck, New Jersey, United States
mixed at:
Platinum Sound Recording Studios in Manhattan, New York, New York, United States
cover recording of:
There Is No Greater Love
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
Amy Winehouse3.52:06
17Afro Blue
recording engineer:
Joe Ferla (from 2002-08 until 2002-12)
producer:
Brian Blade (US jazz drummer, composer, and session musician), Jon Cowherd (piano) and Tommy LiPuma
assistant mixer:
Steve Genewick
mixer:
Al Schmitt
alto saxophone:
Myron Walden (from 2002-08 until 2002-12)
double bass:
Doug Weiss (US jazz bassist) (from 2002-08 until 2002-12)
drums (drum set):
Terreon Gully (from 2002-08 until 2002-12)
guitar:
John Hart (jazz guitarist) (from 2002-08 until 2002-12)
percussion:
Jeff Haynes (from 2002-08 until 2002-12)
piano:
Danilo Pérez (from 2002-08 until 2002-12)
trombone:
Vincent Gardner (from 2002-08 until 2002-12)
trumpet:
Rick Gardner (US funk/soul/jazz trumpeter & composer.) (from 2002-08 until 2002-12)
vocals:
Lizz Wright (US jazz & gospel singer) (from 2002-08 until 2002-12)
arranger:
Brian Blade (US jazz drummer, composer, and session musician)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recorded at:
Right Track Recording in Manhattan, New York, New York, United States (from 2002-08 until 2002-12)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 2003-01)
Lizz Wright35:53

Credits

Release

ASIN:UK: B000QUCPM0 [info]