The Classic Blue Note Collection

~ Release by Stanley Turrentine (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Look Out! / Blue Hour
#TitleRatingLength
1Look Out!
bass:
George Tucker (bass) (on 1960-06-18)
membranophone:
Al Harewood (on 1960-06-18)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1960-06-18)
tenor saxophone:
Stanley Turrentine (on 1960-06-18)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-06-18)
7:13
2Journey Into Melody
bass:
George Tucker (bass) (on 1960-06-18)
membranophone:
Al Harewood (on 1960-06-18)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1960-06-18)
tenor saxophone:
Stanley Turrentine (on 1960-06-18)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-06-18)
4:58
3Return Engagement
bass:
George Tucker (bass) (on 1960-06-18)
membranophone:
Al Harewood (on 1960-06-18)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1960-06-18)
tenor saxophone:
Stanley Turrentine (on 1960-06-18)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-06-18)
4:50
4Little Sheri
bass:
George Tucker (bass) (on 1960-06-18)
membranophone:
Al Harewood (on 1960-06-18)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1960-06-18)
tenor saxophone:
Stanley Turrentine (on 1960-06-18)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-06-18)
7:51
5Tiny Capers
bass:
George Tucker (bass) (on 1960-06-18)
membranophone:
Al Harewood (on 1960-06-18)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1960-06-18)
tenor saxophone:
Stanley Turrentine (on 1960-06-18)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-06-18)
5:02
6Minor Chant
bass:
George Tucker (bass) (on 1960-06-18)
membranophone:
Al Harewood (on 1960-06-18)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1960-06-18)
tenor saxophone:
Stanley Turrentine (on 1960-06-18)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-06-18)
6:14
7I Want A Little Girl
bass:
Andy Simpkins (on 1960-12-16)
drums (drum set):
Bill Dowdy (on 1960-12-16)
piano:
Gene Harris (on 1960-12-16)
tenor saxophone:
Stanley Turrentine (on 1960-12-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-12-16)
recording of:
I Want a Little Girl (on 1960-12-16)
lyricist:
Billy Moll
composer:
Murray Mencher
publisher:
Shapiro, Bernstein & Co., Inc.
7:07
8Gee Baby Ain't I Good To You
bass:
Andy Simpkins (on 1960-12-16)
drums (drum set):
Bill Dowdy (on 1960-12-16)
piano:
Gene Harris (on 1960-12-16)
tenor saxophone:
Stanley Turrentine (on 1960-12-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-12-16)
instrumental recording of:
Gee, Baby Ain’t I Good to You (on 1960-12-16)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
5:25
9Blue Riff
bass:
Andy Simpkins (on 1960-12-16)
drums (drum set):
Bill Dowdy (on 1960-12-16)
piano:
Gene Harris (on 1960-12-16)
tenor saxophone:
Stanley Turrentine (on 1960-12-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-12-16)
recording of:
Blue Riff (on 1960-12-16)
writer:
Gene Harris
6:29
10Since I Fell For You
bass:
Andy Simpkins (on 1960-12-16)
drums (drum set):
Bill Dowdy (on 1960-12-16)
piano:
Gene Harris (on 1960-12-16)
tenor saxophone:
Stanley Turrentine (on 1960-12-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-12-16)
instrumental recording of:
Since I Fell for You (on 1960-12-16)
lyricist and composer:
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) (ended), Warner Bros., Inc. (not for release label use!) (ended) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
8:50
11Willow Weep For Me
bass:
Andy Simpkins (on 1960-12-16)
drums (drum set):
Bill Dowdy (on 1960-12-16)
piano:
Gene Harris (on 1960-12-16)
tenor saxophone:
Stanley Turrentine (on 1960-12-16)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1960-12-16)
instrumental recording of:
Willow Weep for Me (on 1960-12-16)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
9:58
▼ CD 2: Comin' Your Way / Up At Minton's Vol. 1
#TitleRatingLength
1My Girl Is Just Enough Woman For Me
recording engineer:
Rudy van Gelder (on 1961-01-20)
producer:
Alfred Lion
double bass [bass]:
George Tucker (bass) (on 1961-01-20)
drums (drum set):
Al Harewood (on 1961-01-20)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1961-01-20)
tenor saxophone:
Stanley Turrentine (on 1961-01-20)
trumpet:
Tommy Turrentine (on 1961-01-20)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-01-20)
instrumental recording of:
My Girl Is Just Enough Woman for Me (on 1961-01-20)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Albert Hague
part of:
Redhead (musical)
6:46
2Then I'll Be Tired Of You
recording engineer:
Rudy van Gelder (on 1961-01-20)
producer:
Alfred Lion
double bass [bass]:
George Tucker (bass) (on 1961-01-20)
drums (drum set):
Al Harewood (on 1961-01-20)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1961-01-20)
tenor saxophone:
Stanley Turrentine (on 1961-01-20)
trumpet:
Tommy Turrentine (on 1961-01-20)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-01-20)
instrumental recording of:
Then I’ll Be Tired of You (on 1961-01-20)
lyricist:
Yip Harburg
composer:
Arthur Schwartz
6:09
3Fine L'il Lass
recording engineer:
Rudy van Gelder (on 1961-01-20)
producer:
Alfred Lion
double bass [bass]:
George Tucker (bass) (on 1961-01-20)
drums (drum set):
Al Harewood (on 1961-01-20)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1961-01-20)
tenor saxophone:
Stanley Turrentine (on 1961-01-20)
trumpet:
Tommy Turrentine (on 1961-01-20)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-01-20)
recording of:
Fine Li’l Lass (on 1961-01-20)
composer:
Leon Mitchell (jazz musician from Philadelphia, PA)
6:15
4Thomasville
recording engineer:
Rudy van Gelder (on 1961-01-20)
producer:
Alfred Lion
double bass [bass]:
George Tucker (bass) (on 1961-01-20)
drums (drum set):
Al Harewood (on 1961-01-20)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1961-01-20)
tenor saxophone:
Stanley Turrentine (on 1961-01-20)
trumpet:
Tommy Turrentine (on 1961-01-20)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-01-20)
recording of:
Thomasville (on 1961-01-20)
composer:
Tommy Turrentine
6:36
5Someone To Watch Over Me
recording engineer:
Rudy van Gelder (on 1961-01-20)
producer:
Alfred Lion
double bass [bass]:
George Tucker (bass) (on 1961-01-20)
drums (drum set):
Al Harewood (on 1961-01-20)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1961-01-20)
tenor saxophone:
Stanley Turrentine (on 1961-01-20)
trumpet:
Tommy Turrentine (on 1961-01-20)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-01-20)
instrumental recording of:
Someone to Watch Over Me (Oh, Kay!) (on 1961-01-20)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
7:45
6Stolen Sweets
recording engineer:
Rudy van Gelder (on 1961-01-20)
producer:
Alfred Lion (on 1961-01-20)
double bass [bass]:
George Tucker (bass) (on 1961-01-20)
drums (drum set):
Al Harewood (on 1961-01-20)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1961-01-20)
tenor saxophone:
Stanley Turrentine (on 1961-01-20)
trumpet:
Tommy Turrentine (on 1961-01-20)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-01-20)
recording of:
Stolen Sweets (on 1961-01-20)
writer:
Wild Bill Davis and Dickie Thompson
6:12
7But Not For Me
bass:
George Tucker (bass) (on 1961-02-23)
guitar:
Grant Green (jazz guitarist) (on 1961-02-23)
membranophone:
Al Harewood (on 1961-02-23)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1961-02-23)
tenor saxophone:
Stanley Turrentine (on 1961-02-23)
recorded at:
Minton’s Playhouse in Harlem, New York, New York, United States (on 1961-02-23)
11:29
8Stanley's Time
bass:
George Tucker (bass) (on 1961-02-23)
guitar:
Grant Green (jazz guitarist) (on 1961-02-23)
membranophone:
Al Harewood (on 1961-02-23)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1961-02-23)
tenor saxophone:
Stanley Turrentine (on 1961-02-23)
recorded at:
Minton’s Playhouse in Harlem, New York, New York, United States (on 1961-02-23)
9:40
9Broadway
bass:
George Tucker (bass) (on 1961-02-23)
guitar:
Grant Green (jazz guitarist) (on 1961-02-23)
membranophone:
Al Harewood (on 1961-02-23)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1961-02-23)
tenor saxophone:
Stanley Turrentine (on 1961-02-23)
recorded at:
Minton’s Playhouse in Harlem, New York, New York, United States (on 1961-02-23)
10:38
10Yesterdays
bass:
George Tucker (bass) (on 1961-02-23)
guitar:
Grant Green (jazz guitarist) (on 1961-02-23)
membranophone:
Al Harewood (on 1961-02-23)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1961-02-23)
tenor saxophone:
Stanley Turrentine (on 1961-02-23)
recorded at:
Minton’s Playhouse in Harlem, New York, New York, United States (on 1961-02-23)
10:54
▼ CD 3: Up At Minton's Vol. 2 / Dearly Beloved
#TitleRatingLength
1Later At Minton's
bass:
George Tucker (bass) (on 1961-02-23)
guitar:
Grant Green (jazz guitarist) (on 1961-02-23)
membranophone:
Al Harewood (on 1961-02-23)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1961-02-23)
tenor saxophone:
Stanley Turrentine (on 1961-02-23)
recorded at:
Minton’s Playhouse in Harlem, New York, New York, United States (on 1961-02-23)
13:56
2Come Rain Or Come Shine
bass:
George Tucker (bass) (on 1961-02-23)
guitar:
Grant Green (jazz guitarist) (on 1961-02-23)
membranophone:
Al Harewood (on 1961-02-23)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1961-02-23)
tenor saxophone:
Stanley Turrentine (on 1961-02-23)
recorded at:
Minton’s Playhouse in Harlem, New York, New York, United States (on 1961-02-23)
8:34
3Love For Sale
bass:
George Tucker (bass) (on 1961-02-23)
guitar:
Grant Green (jazz guitarist) (on 1961-02-23)
membranophone:
Al Harewood (on 1961-02-23)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1961-02-23)
tenor saxophone:
Stanley Turrentine (on 1961-02-23)
recorded at:
Minton’s Playhouse in Harlem, New York, New York, United States (on 1961-02-23)
11:20
4Summertime
bass:
George Tucker (bass) (on 1961-02-23)
guitar:
Grant Green (jazz guitarist) (on 1961-02-23)
membranophone:
Al Harewood (on 1961-02-23)
piano:
Horace Parlan (American-Danish jazz pianist) (on 1961-02-23)
tenor saxophone:
Stanley Turrentine (on 1961-02-23)
recorded at:
Minton’s Playhouse in Harlem, New York, New York, United States (on 1961-02-23)
7:14
5Baia
membranophone:
Roy Brooks (on 1961-06-08)
organ:
Shirley Scott (jazz artist) (on 1961-06-08)
tenor saxophone:
Stanley Turrentine (on 1961-06-08)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-06-08)
5:35
6Wee Hour Theme
membranophone:
Roy Brooks (on 1961-06-08)
organ:
Shirley Scott (jazz artist) (on 1961-06-08)
tenor saxophone:
Stanley Turrentine (on 1961-06-08)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-06-08)
4:45
7My Shining Hour
membranophone:
Roy Brooks (on 1961-06-08)
organ:
Shirley Scott (jazz artist) (on 1961-06-08)
tenor saxophone:
Stanley Turrentine (on 1961-06-08)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-06-08)
6:54
8Troubles Of The World
membranophone:
Roy Brooks (on 1961-06-08)
organ:
Shirley Scott (jazz artist) (on 1961-06-08)
tenor saxophone:
Stanley Turrentine (on 1961-06-08)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-06-08)
5:17
9Yesterdays
membranophone:
Roy Brooks (on 1961-06-08)
organ:
Shirley Scott (jazz artist) (on 1961-06-08)
tenor saxophone:
Stanley Turrentine (on 1961-06-08)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-06-08)
6:35
10Dearly Beloved
membranophone:
Roy Brooks (on 1961-06-08)
organ:
Shirley Scott (jazz artist) (on 1961-06-08)
tenor saxophone:
Stanley Turrentine (on 1961-06-08)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-06-08)
7:14
11Nothing Ever Changes My Love For You
membranophone:
Roy Brooks (on 1961-06-08)
organ:
Shirley Scott (jazz artist) (on 1961-06-08)
tenor saxophone:
Stanley Turrentine (on 1961-06-08)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-06-08)
instrumental recording of:
Nothing Ever Changes My Love for You (on 1961-06-08)
writer:
Marvin Fisher and Jack Segal (US songwriter)
6:19
▼ CD 4: Z.T.'s Blues / That's Where It's At
#TitleRatingLength
1Z.T.'s Blues
engineer:
Rudy van Gelder (on 1961-09-13)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1961-09-13)
drums (drum set):
Art Taylor (on 1961-09-13)
guitar:
Grant Green (jazz guitarist) (on 1961-09-13)
piano:
Tommy Flanagan (on 1961-09-13)
tenor saxophone:
Stanley Turrentine (on 1961-09-13)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-09-13)
6:44
2More Than You Know
engineer:
Rudy van Gelder (on 1961-09-13)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1961-09-13)
drums (drum set):
Art Taylor (on 1961-09-13)
guitar:
Grant Green (jazz guitarist) (on 1961-09-13)
piano:
Tommy Flanagan (on 1961-09-13)
tenor saxophone:
Stanley Turrentine (on 1961-09-13)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-09-13)
instrumental recording of:
More Than You Know (on 1961-09-13)
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
6:08
3The Lamp Is Low
engineer:
Rudy van Gelder (on 1961-09-13)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1961-09-13)
drums (drum set):
Art Taylor (on 1961-09-13)
guitar:
Grant Green (jazz guitarist) (on 1961-09-13)
piano:
Tommy Flanagan (on 1961-09-13)
tenor saxophone:
Stanley Turrentine (on 1961-09-13)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-09-13)
instrumental recording of:
The Lamp Is Low (1939 song) (on 1961-09-13)
lyricist:
Mitchell Parish
additional composer:
Peter de Rose and Bert Shefter
composer:
Maurice Ravel (classical composer)
is based on:
Pavane pour une infante défunte (original version for solo piano)
6:07
4The Way You Look Tonight
engineer:
Rudy van Gelder (on 1961-09-13)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1961-09-13)
drums (drum set):
Art Taylor (on 1961-09-13)
guitar:
Grant Green (jazz guitarist) (on 1961-09-13)
piano:
Tommy Flanagan (on 1961-09-13)
tenor saxophone:
Stanley Turrentine (on 1961-09-13)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-09-13)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1961-09-13)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
5:44
5For Heaven's Sake
engineer:
Rudy van Gelder (on 1961-09-13)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1961-09-13)
drums (drum set):
Art Taylor (on 1961-09-13)
guitar:
Grant Green (jazz guitarist) (on 1961-09-13)
piano:
Tommy Flanagan (on 1961-09-13)
tenor saxophone:
Stanley Turrentine (on 1961-09-13)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-09-13)
recording of:
For Heaven’s Sake (on 1961-09-13)
composer:
Elise Bretton, Sherman Edwards, Mark Lockett (drums, New Zealand) and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
4:44
6I Wish I Knew
engineer:
Rudy van Gelder (on 1961-09-13)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1961-09-13)
drums (drum set):
Art Taylor (on 1961-09-13)
guitar:
Grant Green (jazz guitarist) (on 1961-09-13)
piano:
Tommy Flanagan (on 1961-09-13)
tenor saxophone:
Stanley Turrentine (on 1961-09-13)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-09-13)
instrumental recording of:
I Wish I Knew (on 1961-09-13)
lyricist:
Mack Gordon
composer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
5:34
7Be My Love
engineer:
Rudy van Gelder (on 1961-09-13)
producer:
Alfred Lion
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1961-09-13)
drums (drum set):
Art Taylor (on 1961-09-13)
guitar:
Grant Green (jazz guitarist) (on 1961-09-13)
piano:
Tommy Flanagan (on 1961-09-13)
tenor saxophone:
Stanley Turrentine (on 1961-09-13)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-09-13)
instrumental recording of:
Be My Love (on 1961-09-13)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
EMI Music Publishing (do not use as a release label!)
part of:
The 23rd Academy Award for Best Original Song (number: 2)
5:14
8Smile Stacey
double bass [bass]:
Herbie Lewis (on 1962-01-02)
drums (drum set):
Otis Finch (on 1962-01-02)
piano:
Les McCann (on 1962-01-02)
tenor saxophone:
Stanley Turrentine (on 1962-01-02)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-01-02)
recording of:
Smile, Stacey (on 1962-01-02)
composer:
Les McCann
8:09
9Soft Pedal Blues
double bass [bass]:
Herbie Lewis (on 1962-01-02)
drums (drum set):
Otis Finch (on 1962-01-02)
piano:
Les McCann (on 1962-01-02)
tenor saxophone:
Stanley Turrentine (on 1962-01-02)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-01-02)
recording of:
Soft Pedal Blues (on 1962-01-02)
composer:
Stanley Turrentine
7:30
10Pia
double bass [bass]:
Herbie Lewis (on 1962-01-02)
drums (drum set):
Otis Finch (on 1962-01-02)
piano:
Les McCann (on 1962-01-02)
tenor saxophone:
Stanley Turrentine (on 1962-01-02)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-01-02)
recording of:
Pia (on 1962-01-02)
composer:
Les McCann
5:38
11We'll See Yaw'll After A While, Ya Heah
double bass [bass]:
Herbie Lewis (on 1962-01-02)
drums (drum set):
Otis Finch (on 1962-01-02)
piano:
Les McCann (on 1962-01-02)
tenor saxophone:
Stanley Turrentine (on 1962-01-02)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-01-02)
recording of:
We’ll See Yaw’ll After While, Ya Heah (on 1962-01-02)
composer:
Les McCann
7:25
12Dorene Don't Cry
double bass [bass]:
Herbie Lewis (on 1962-01-02)
drums (drum set):
Otis Finch (on 1962-01-02)
piano:
Les McCann (on 1962-01-02)
tenor saxophone:
Stanley Turrentine (on 1962-01-02)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-01-02)
recording of:
Dorene Don’t Cry, I (on 1962-01-02)
composer:
Les McCann
6:16
13Light Blue
double bass [bass]:
Herbie Lewis (on 1962-01-02)
drums (drum set):
Otis Finch (on 1962-01-02)
piano:
Les McCann (on 1962-01-02)
tenor saxophone:
Stanley Turrentine (on 1962-01-02)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1962-01-02)
recording of:
Light Blue (on 1962-01-02)
composer:
Tommy Turrentine
6:34