Il trovatore

~ Release by Giuseppe Verdi; Carlo Bergonzi, Antonietta Stella, Fiorenza Cossotto, Tullio Serafin (see all versions of this release, 2 available)

Annotation

Recorded July 1962

Conductor - Tullio Serafin
Orchestra - Teatro alla Scala
Chorus - Teatro alla Scala

Manrico - Carlo Bergonzi
Azucena - Fiorenza Cossotto
Leonora - Antonietta Stella
Conte di Luna - Ettore Bastianini
Ferrando - Ivo Vinco
Ines - Armanda Bonato
Ruiz - Franco Ricciardi
Un vecchio zingaro - Giuseppe Morresi
Un messo - Angelo Mercuriali

Annotation last modified on 2020-06-02 16:09 UTC.

Tracklist

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CD 1
#TitleArtistRatingLength
1Il trovatore: Atto I, scena 1. “All'erta! All'erta!”
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master) (in 1962-07)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto I, scena 1. “All'erta! All'erta!” (Ferrando, retainers, soldiers) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:52
2Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” … “Abbietta zingara” … “Sull'orlo dei tetti”
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master) (in 1962-07)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” (Ferrando, retainers, soldiers) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 1. “Sull'orlo dei tetti” (Ferrando, retainers, soldiers) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliarda!” (Ferrando, retainers, soldiers)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi6:52
3Il trovatore: Atto I, scena 2. “Che più t'arresti?"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Ines]:
Armanda Bonato (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:04
4Il trovatore: Atto I, scena 2. “Tacea la notte placida... Di tale amor"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Ines]:
Armanda Bonato (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi6:19
5Il trovatore: Atto I, scena 2. “Tace la notte!"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:55
6Il trovatore: Atto I, scena 2. “Deserto sulla terra"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto I, scena 2. “Il Trovator! lo fremo!” ... “Deserto sulla terra” (Manrico, Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:18
7Il trovatore: Atto I, scena 2. “Non m'inganno. Ella scende!..." - "Dei geloso amor"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto I, scena 2. “Di geloso amor sprezzato” (Conte Luna, Leonora, Manrico) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Non m'inganno… Infida! Qual voce!” (Conte Luna, Leonora, Manrico) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi4:53
8Il trovatore: Atto II. "Vedi! Le fosche notturne spoglie"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master) (in 1962-07)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:58
9Il trovatore: Atto II. "Stride la vampa!"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo-soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master) (in 1962-07)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:46
10Il trovatore: Atto II. "Mesta è la tua canzon!"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
bass vocals [uno zingaro]:
Giuseppe Morresi (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo-soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master) (in 1962-07)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 1. “Mesta è la tua canzon!” (zingari, Azucena, Manrico, uno zingaro) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:53
11Il trovatore: Atto II. "Soli or siam!"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo-soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 1. “Soli or siamo” (Manrico, Azucena) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi0:57
12Il trovatore: Atto II. "Condotta ell'era in ceppi"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo-soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi5:13
13Il trovatore: Atto II. "Non son tuo figlio?"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo-soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 1. “Non son tuo figlio?” (Manrico, Azucena) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:23
14Il trovatore: Atto II. "Mal reggendo all'aspro assalto"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo-soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
tenor vocals [un messo]:
Angelo Mercuriali (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi6:41
15Il trovatore: Atto II. "Tutto è deserto"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:40
16Il trovatore: Atto II. "Il balen del suo sorriso... Per me, ora fatale"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master) (in 1962-07)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 2. “Per me ora fatale” (Conte Luna, Ferrando, retainers) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi5:55
17Il trovatore: Atto II. "Ah! se l'error t'ingombra"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master) (in 1962-07)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 2. “Ah! se l'error t'ingombra” (nuns, Conte Luna, Ferrando, retainers) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:33
18Il trovatore: Atto II. "Perchè piangete?"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
soprano vocals [Ines]:
Armanda Bonato (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master) (in 1962-07)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 2. “Perché piangete” ... “O dolci amiche” (Leonora, Ines, Conte Luna, nuns) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:22
19Il trovatore: Atto II. "E deggio, e posso crederlo?"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
soprano vocals [Ines]:
Armanda Bonato (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
tenor vocals [Ruiz]:
Franco Ricciardi (Italian tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master) (in 1962-07)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:36
CD 2
#TitleArtistRatingLength
1Il trovatore: Atto III. "Or co' dadi... Squilli, echeggi la tromba guerriera"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 1. “Or co' dadi, ma fra poco” (soldati, Ferrando) (“Soldier's Chorus”) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 1. “Squilli, echeggi la tromba guerriera” (Ferrando, soldiers) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi4:43
2Il trovatore: Atto III. "In braccio al mio rival!"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo-soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 1. “In braccio al mio rival!” (Conte Luna, Ferrando, Azucena, soldati) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:16
3Il trovatore: Atto III. "Giorni poveri vivea"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
bass vocals [Ferrando]:
Ivo Vinco (operatic bass) (in 1962-07)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo-soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 1. “Giorni poveri vivea” (Azucena, Ferrando, Conte Luna, soldati) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi5:07
4Il trovatore: Atto III. "Quale d'armi fragor poc'anzi intesi?"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:01
5Il trovatore: Atto III. "Ah! sì, ben mio"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:53
6Il trovatore: Atto III. "L'onda de' suoni mistici"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
partial recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi0:59
7Il trovatore: Atto III. "Manrico!" - "Che?" - "La zingara"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
tenor vocals [Ruiz]:
Franco Ricciardi (Italian tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
partial recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi0:49
8Il trovatore: Atto III. "Di quella pira"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
tenor vocals [Ruiz]:
Franco Ricciardi (Italian tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:07
9Il trovatore: Atto IV. "Siam giunti"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Ruiz]:
Franco Ricciardi (Italian tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “Siam giunti; ecco la torre” … “Vanne, lasciami” (Ruiz, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:51
10Il trovatore: Atto IV. "D'amor sull'ali rosee"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi3:22
11Il trovatore: Atto IV. "Miserere" - "Ah! che la morte ognora"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi5:15
12Il trovatore: Atto IV. "Tu vedrai che amore in terra"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “Tu vedrai che amore in terra” (Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi2:17
13Il trovatore: Atto IV. "Udiste? Come albeggi"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
partial recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi1:00
14Il trovatore: Atto IV. "Qual voce!" - "Mira, di acerbe lagrime... Vivrà! Contende il giubilo"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
mezzo-soprano vocals:
Fiorenza Cossotto (mezzo-soprano) (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 1. “Mira, d'acerbe lagrime“ (Leonora, Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
partial recording of:
Il trovatore: Atto IV, scena 1. “Udiste? Come albeggi, la scure al figlio” … “Qual voce” (Conte Luna, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Vivrà, contende il giubilo” (Leonora, Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi6:32
15Il trovatore: Atto IV. "Madre, non dormi?" - "Ai nostri monti ritorneremo"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo-soprano)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 2. “Ai nostri monti ritorneremo” (Azucena, Manrico) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Madre, non dormi?” … “Un giorno …” (Manrico, Azucena) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Se m'ami ancor” … “Si, la stanchezza m'opprime” (Manrico, Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi8:35
16Il trovatore: Atto IV. "Che! Non m'inganno!... Ha quest'infame l'amor venduto"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo-soprano) (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 2. "Parlar non vuoi?" ... "Ha quest'infame l'amor venduto" (Manrico, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Che! Non m’inganna quel fioco lume?” (Manrico, Leonora, Azucena, Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:15
17Il trovatore: Atto IV. "Ti scosta!" - "Non respingermi"
engineer:
Günter Hermanns (producer/engineer)
producer:
Hans Weber (producer/engineer)
baritone vocals [Conte Luna]:
Ettore Bastianini (baritone) (in 1962-07)
mezzo-soprano vocals [Azucena]:
Fiorenza Cossotto (mezzo-soprano) (in 1962-07)
soprano vocals [Leonora]:
Antonietta Stella (soprano) (in 1962-07)
tenor vocals [Manrico]:
Carlo Bergonzi (tenor) (in 1962-07)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1962-07)
conductor:
Tullio Serafin (conductor) (in 1962-07)
chorus master:
Norberto Mola (chorus master)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1962-07)
recording of:
Il trovatore: Atto IV, scena 2. “Prima che d'altri vivere” (Manrico, Leonora, Azucena, Conte Luna) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 2. “Ti scosta” (Manrico, Leonora) (in 1962-07)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi4:53

Credits

Release

executive producer:Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
ASIN:US: B000J233I0 [info]

Release group

included in:5 Great Operas on Deutsche Grammophon & Decca by Mozart (Wolfgang Amadeus Mozart, classical composer), Weber (composer), Verdi (Giuseppe Verdi, Italian opera composer), Mascagni (Pietro Mascagni, composer & conductor), Leoncavallo (composer); Solti (Sir Georg Solti, conductor), Kubelík (conductor), Serafin (conductor), Karajan (Herbert von Karajan, conductor)
other databases:http://www.operadis-opera-discography.org.uk/CLVETROV.HTM#55 [info]