Generation Harmonia Mundi: The Family Spirit 1988-2018

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
▼ CD 1: Les Héritiers d'Alfred Deller
Nr.TitelKünstlerBewertungLänge
1Stabat Mater, RV 621: Stabat Mater dolorosa. Largo
Countertenorgesang:
Andreas Scholl (countertenor)
Orchester:
Ensemble 415 (Swiss Baroque ensemble)
conductor:
Chiara Banchini (violinist and conductor)
recording of:
Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa"
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Stabat Mater, RV 621
Antonio Vivaldi2:54
2Stabat Mater, RV 621: Cujus animam gementem. Adagio
Countertenorgesang:
Andreas Scholl (countertenor)
Orchester:
Ensemble 415 (Swiss Baroque ensemble)
conductor:
Chiara Banchini (violinist and conductor)
recording of:
Stabat Mater, RV 621: II. Adagissimo "Cuius animam"
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Stabat Mater, RV 621
Antonio Vivaldi1:48
3Stabat Mater, RV 621: O quam tristis. Andante
Countertenorgesang:
Andreas Scholl (countertenor)
Orchester:
Ensemble 415 (Swiss Baroque ensemble)
conductor:
Chiara Banchini (violinist and conductor)
recording of:
Stabat Mater, RV 621: III. Andante "O quam tristis"
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Stabat Mater, RV 621
Antonio Vivaldi1:54
4Stabat Mater, RV 621: Quis est homo. Largo
Countertenorgesang:
Andreas Scholl (countertenor)
Orchester:
Ensemble 415 (Swiss Baroque ensemble)
conductor:
Chiara Banchini (violinist and conductor)
recording of:
Stabat Mater, RV 621: IV. Largo "Quis est homo"
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Stabat Mater, RV 621
Antonio Vivaldi2:50
5Stabat Mater, RV 621: Quis non posset. Adagio
Countertenorgesang:
Andreas Scholl (countertenor)
Orchester:
Ensemble 415 (Swiss Baroque ensemble)
conductor:
Chiara Banchini (violinist and conductor)
recording of:
Stabat Mater, RV 621: V. Adagissimo "Quis non posset"
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Stabat Mater, RV 621
Antonio Vivaldi2:05
6Stabat Mater, RV 621: Pro peccatis suae gentis. Andante
Countertenorgesang:
Andreas Scholl (countertenor)
Orchester:
Ensemble 415 (Swiss Baroque ensemble)
conductor:
Chiara Banchini (violinist and conductor)
recording of:
Stabat Mater, RV 621: VI. Andante "Pro peccatis"
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Stabat Mater, RV 621
Antonio Vivaldi1:51
7Stabat Mater, RV 621: Eja mater, fons amoris. Largo
Countertenorgesang:
Andreas Scholl (countertenor)
Orchester:
Ensemble 415 (Swiss Baroque ensemble)
conductor:
Chiara Banchini (violinist and conductor)
recording of:
Stabat Mater, RV 621: VII. Largo "Eja Mater"
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Stabat Mater, RV 621
Antonio Vivaldi2:43
8Stabat Mater, RV 621: Fac ut ardeat. Lento
Countertenorgesang:
Andreas Scholl (countertenor)
Orchester:
Ensemble 415 (Swiss Baroque ensemble)
conductor:
Chiara Banchini (violinist and conductor)
recording of:
Stabat Mater, RV 621: VIII. Lento "Fac ut ardeat"
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Stabat Mater, RV 621
Antonio Vivaldi1:39
9Stabat Mater, RV 621: Amen. Allegro
Countertenorgesang:
Andreas Scholl (countertenor)
Orchester:
Ensemble 415 (Swiss Baroque ensemble)
conductor:
Chiara Banchini (violinist and conductor)
recording of:
Stabat Mater, RV 621: IX. Allegro "Amen"
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Stabat Mater, RV 621
Antonio Vivaldi1:09
10Giasone: Delfa: Voli il tempo, se sa (I,7)
Countertenorgesang:
Dominique Visse (countertenor)
Tenor-Gesang:
Gilles Ragon (tenor)
Orchester:
Concerto Vocale (Belgian baroque/early music ensemble)
conductor:
René Jacobs (conductor)
recording of:
Il Giasone
Komponist(in):
Francesco Cavalli (Baroque composer)
Librettist:
Giacinto Andrea Cicognini
Premiere bei:
Teatro San Cassiano in Venezia (Venice), Venezia, Veneto, Italien (am 1649-01-05)
Francesco Cavalli3:03
11La Calisto: Il Satirino, Linfea. Il Satirino: Ninfa bella (I, 13)
Countertenorgesang:
Dominique Visse (countertenor)
Tenor-Gesang:
Gilles Ragon (tenor)
Orchester:
Concerto Vocale (Belgian baroque/early music ensemble)
conductor:
René Jacobs (conductor)
recording of:
La Calisto, Act 1: "Ninfa bella"
Komponist(in):
Francesco Cavalli (Baroque composer)
Librettist:
Giovanni Faustini
Teil von:
La Calisto: Act 1
Francesco Cavalli4:00
12La Calisto: Il Satirino: Alfin la tanto rigida (II, 3)
Countertenorgesang:
Dominique Visse (countertenor)
Tenor-Gesang:
Gilles Ragon (tenor)
Orchester:
Concerto Vocale (Belgian baroque/early music ensemble)
conductor:
René Jacobs (conductor)
teilweise recording of:
La Calisto: Act 2
Komponist(in):
Francesco Cavalli (Baroque composer)
Teil von:
La Calisto
Francesco Cavalli1:49
13Agrippina: Narciso: Volo pronto e lieto il core (II, 5)
Countertenorgesang:
Dominique Visse (countertenor)
Orchester:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
recording of:
Agrippina, HWV 6: Atto I, Scena V. Aria "Volo pronto e lieto il core" (Narciso)
Komponist(in):
George Frideric Handel (Georg Friedrich Händel, German‐British baroque composer) (bis 1709)
Librettist:
Vincenzo Grimani
Teil von:
Agrippina, HWV 6: Atto I
George Frideric Handel3:16
14Agrippina: Aria Narciso: Spererò, poiché mel dice (II, 16)
Countertenorgesang:
Dominique Visse (countertenor)
Orchester:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
recording of:
Agrippina, HWV 6: Atto II, Scena XVII. Aria "Spererò, poiché mel dice" (Narciso)
Komponist(in):
George Frideric Handel (Georg Friedrich Händel, German‐British baroque composer) (bis 1709)
Librettist:
Vincenzo Grimani
Teil von:
Agrippina, HWV 6: Atto II
George Frideric Handel3:01
15Flavio: Aria: Rompo i lacci (II, 6)
Countertenorgesang:
Lawrence Zazzo (countertenor)
Orchester:
La Nuova Musica
conductor:
David Bates (English countertenor, conductor)
recording of:
Flavio, re de' longobardi, HWV 16: Act II, Scene VI. Aria "Rompo i lacci, e frango i dardi" (Guido)
Komponist(in):
George Frideric Handel (Georg Friedrich Händel, German‐British baroque composer) (bis 1723-05-07)
Librettist:
Nicola Francesco Haym
Teil von:
Flavio, re de' longobardi, HWV 16: Atto II
George Frideric Handel5:53
16Giulio Cesare: Aria: Va tacito (I, 9)
Countertenorgesang:
Lawrence Zazzo (countertenor)
Orchester:
La Nuova Musica
conductor:
David Bates (English countertenor, conductor)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IX, 14. Aria “Va tacito e nascosto” (Cesare)
Komponist(in):
George Frideric Handel (Georg Friedrich Händel, German‐British baroque composer) (in 1724)
Librettist:
Nicola Francesco Haym
Teil von:
Giulio Cesare in Egitto, HWV 17: Atto I
Teil von:
Giulio Cesare: Atto I
George Frideric Handel7:03
17Radamisto: Aria: Ombra cara di mia sposa (II, 2)
Countertenorgesang:
Bejun Mehta (countertenor)
Soprangesang:
Rosemary Joshua (soprano)
Orchester:
Freiburger Barockorchester
conductor:
René Jacobs (conductor)
recording of:
Radamisto, HWV 12: Atto II. "Ombra cara di mia sposa" (Radamisto)
Komponist(in):
George Frideric Handel (Georg Friedrich Händel, German‐British baroque composer)
Teil von:
Radamisto, HWV 12: Atto II
George Frideric Handel9:34
18Rodelinda: Fra tempeste funeste (II, 4)
Countertenorgesang:
Bejun Mehta (countertenor)
Soprangesang:
Rosemary Joshua (soprano)
Orchester:
Freiburger Barockorchester
conductor:
René Jacobs (conductor)
recording of:
Rodelinda, regina de' Longobardi, HWV 19: Atto II, Aria: "Fra Tempeste Funeste"
Komponist(in):
George Frideric Handel (Georg Friedrich Händel, German‐British baroque composer)
Librettist:
Nicola Francesco Haym
Teil von:
Rodelinda, regina de' Longobardi, HWV 19: Atto II
George Frideric Handel4:49
19Rodelinda: Con rauco mormorio (II, 5)
Countertenorgesang:
Bejun Mehta (countertenor)
Soprangesang:
Rosemary Joshua (soprano)
Orchester:
Freiburger Barockorchester
conductor:
René Jacobs (conductor)
recording of:
Rodelinda, regina de' Longobardi, HWV 19: Atto II, no. 37. "Con rauco mormorio" (Bertarido)
Komponist(in):
George Frideric Handel (Georg Friedrich Händel, German‐British baroque composer)
Librettist:
Nicola Francesco Haym
Teil von:
Rodelinda, regina de' Longobardi, HWV 19: Atto II
George Frideric Handel7:15
20Sosarme: Duetto: Per le porte del tormento (II, 8)
Countertenorgesang:
Bejun Mehta (countertenor)
Soprangesang:
Rosemary Joshua (soprano)
Orchester:
Freiburger Barockorchester
conductor:
René Jacobs (conductor)
recording of:
Sosarme, re di Media, HWV 30: Atto II, no. 39. "Per le porte del tormento" (Elmira, Sosarme)
Komponist(in):
George Frideric Handel (Georg Friedrich Händel, German‐British baroque composer) (in 1732)
Teil von:
Sosarme, re di Media, HWV 30: Atto II
George Frideric Handel9:38
▼ CD 2: L'Épopée lyrique de René Jacobs
Nr.TitelKünstlerBewertungLänge
1Rappresentatione di anima ed di corpo Chor, FESTA (III, 9)
vocals:
Chor der Deutschen Staatsoper Berlin (Staatsopernchor)
conductor:
René Jacobs (conductor)
Interpret(in):
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) und Concerto Vocale (Belgian baroque/early music ensemble)
teilweise recording of:
Rappresentatione de Anima et de Corpo
Komponist(in):
Emilio de' Cavalieri (composer) (in 1600)
Librettist:
Agostino Manni
Emilio de' Cavalieri6:07
2L'Incoronazione di Poppea, Ottavia: Addio Roma (III, 7)
Mezzosoprangesang:
Jennifer Larmore (mezzo-soprano)
Soprangesang:
María Cristina Kiehr (soprano)
Orchester:
Concerto Vocale (Belgian baroque/early music ensemble)
conductor:
René Jacobs (conductor)
recording of:
L’incoronazione di Poppea: Atto III. “A Dio Roma, a Dio Patria, amici a Dio” (Ottavia)
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Teil von:
L'Incoronazione di Poppea: Atto III.
Claudio Monteverdi4:24
3L'Orfeo: Orfeo, Euridice, Coro: Rosa del ciel (I)
Soprangesang:
Efrat Ben-Nun (Israeli soprano)
vocals:
Laurence Dale (tenor)
Orchester:
Concerto Vocale (Belgian baroque/early music ensemble)
conductor:
René Jacobs (conductor)
recording of:
L’Orfeo: Atto primo. Rosa del ciel (Orfeo)
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
Teil von:
L’Orfeo: Atto primo
Claudio Monteverdi4:19
4L'Orfeo: Coro di ninfe: Vieni Imeneo (I)
Soprangesang:
Efrat Ben-Nun (Israeli soprano)
vocals:
Laurence Dale (tenor)
Orchester:
Concerto Vocale (Belgian baroque/early music ensemble)
conductor:
René Jacobs (conductor)
recording of:
L'Orfeo: Atto primo. Vieni, Imeneo, deh, vieni (Coro) (first occurrence)
Komponist(in):
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
Teil von:
L’Orfeo: Atto primo
Claudio Monteverdi2:02
5La Calisto: Calisto: Piante ombrose (I, 14)
Soprangesang:
María Bayo (soprano)
Orchester:
Concerto Vocale (Belgian baroque/early music ensemble)
conductor:
René Jacobs (conductor)
recording of:
La Calisto, Act 1: "Piante ombrose"
Komponist(in):
Francesco Cavalli (Baroque composer)
Librettist:
Giovanni Faustini
Teil von:
La Calisto: Act 1
Francesco Cavalli2:37
6Maddalena ai piedi di Cristo: Per il mar del pianto mio
Soprangesang:
María Cristina Kiehr (soprano)
Orchester:
Schola Cantorum Basiliensis
conductor:
René Jacobs (conductor)
concertmaster:
Chiara Banchini (violinist and conductor)
teilweise recording of:
Maddalena ai piedi di Cristo
Komponist(in):
Antonio Caldara
Antonio Caldara4:29
7Croesus: Aria Elmira: Ihr stummen Fische seid dem gleich (II, 5)
Soprangesang:
Dorothea Röschmann (soprano)
Orchester:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
recording of:
Croesus: Act II, Scene V. Aria "Ihr stummen Fische seid dem gleich" (Elmira)
Komponist(in):
Reinhard Keiser (composer)
Teil von:
Croesus
Reinhard Keiser2:57
8Weihnachts-Oratorium, BMV 248: Bereite dich, Zion
Hochgesang:
Andreas Scholl (countertenor)
Orchester:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:50
9Matthäus-Passion, BMV 244: Erbarme dich
Chorgesang:
RIAS Kammerchor (German chamber choir) und Staats‐ und Domchor Berlin
Hochgesang:
Bernarda Fink (mezzo-soprano)
Orchester:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
Orchestrator(in):
Ton Koopman (conductor, organist and harpsichordist)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Picander
Teil von:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:49
10Flavio: Recitativo & duo Teodata, Vitige: Ricordati mio ben (I, 1)
Geige / Violine:
Chiara Banchini (violinist and conductor)
Soprangesang:
Christina Högman (soprano)
vocals:
Bernarda Fink (mezzo-soprano)
Orchester:
Ensemble 415 (Swiss Baroque ensemble)
conductor:
René Jacobs (conductor)
recording of:
Flavio, re de' longobardi, HWV 16: Act I, Scene I. Duetto "Ricordati, mio ben" (Vitige, Teodata)
Komponist(in):
George Frideric Handel (Georg Friedrich Händel, German‐British baroque composer) (bis 1723-05-07)
Librettist:
Nicola Francesco Haym
Teil von:
Flavio, re de' longobardi, HWV 16: Atto I
Georg Friedrich Händel5:46
11Giulio Cesare: Ario Sesto: Svegliatevi nel core (I, 4)
Soprangesang:
Marianne Rørholm (mezzo-soprano)
Orchester:
Concerto Köln
conductor:
René Jacobs (conductor)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IV, 5. Aria “Svegliatevi nel core” (Sesto)
Komponist(in):
George Frideric Handel (Georg Friedrich Händel, German‐British baroque composer)
Librettist:
Nicola Francesco Haym
Teil von:
Giulio Cesare in Egitto, HWV 17: Atto I
Georg Friedrich Händel4:50
12Rinaldo: Aria Armida: Furie terribili (I, 5)
Soprangesang:
Inga Kalna
Orchester:
Freiburger Barockorchester
conductor:
René Jacobs (conductor)
recording of:
Rinaldo, HWV 7a: Atto I, Scene V, no. 8. Aria "Furie terribili! seguitate mi" (Armida)
Komponist(in):
George Frideric Handel (Georg Friedrich Händel, German‐British baroque composer)
Librettist:
Giacomo Rossi
Teil von:
Rinaldo, HWV 7a: Atto I
Georg Friedrich Händel2:23
13Agrippina: Aria Agrippina: Non ho cor che per amarti (I, 23)
Soprangesang:
Alex Penda (soprano)
Orchester:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
recording of:
Agrippina, HWV 6: Atto I, Scena XXIII. Aria "Non ho cor che per amarti" (Agrippina)
Komponist(in):
George Frideric Handel (Georg Friedrich Händel, German‐British baroque composer) (bis 1709)
Librettist:
Vincenzo Grimani
Teil von:
Agrippina, HWV 6: Atto I
Georg Friedrich Händel4:23
14Die Schöpfung: Rezitativ Raphael: Gleich öffnet sich der Erde Schoß (II, 21)
Bass-Gesang:
Johannes Weisser (Norwegian baritone)
Chorgesang:
RIAS Kammerchor (German chamber choir)
vocals:
Freiburger Barockorchester
conductor:
René Jacobs (conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXI. Accompagnato-Rezitativ: Gleich öffnet sich der Erde Schoß
Komponist(in):
Joseph Haydn (composer)
Teil von:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn2:56
15Così fan tutte, K.588: Il core vi donno
Bass-Gesang:
Marcel Boone (baritone) (in 1998-03)
Chorgesang:
Kölner Kammerchor (in 1998-03)
Mezzosoprangesang:
Bernarda Fink (mezzo-soprano) (in 1998-03)
Orchester:
Concerto Köln (in 1998-03)
conductor:
René Jacobs (conductor) (in 1998-03)
aufgenommen bei:
Sendesaal, DeutschlandRadio in Köln, Nordrhein-Westfalen, Deutschland (in 1998-03)
recording of:
Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo) (in 1998-03)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart4:38
16Don Giovanni, K.527: Duettino Don Giovanni, Zerlina: Là ci darem la mano (I, 9)
Techniker(in):
René Möller
Produzent(in):
Richard Lorber (producer)
Baritongesang [Don Giovanni]:
Johannes Weisser (Norwegian baritone) (in 2006-11)
Chorgesang:
RIAS Kammerchor (German chamber choir)
Soprangesang [Zerlina]:
Sunhae Im (soprano) (in 2006-11)
Orchester:
Freiburger Barockorchester (in 2006-11)
conductor:
René Jacobs (conductor) (in 2006-11)
aufgenommen bei:
Teldex Studio (Berlin) in Berlin, Deutschland (in 2006-11)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 2006-11)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:59
17Die Zauberflöte, K.620: Aria Königin: Der Hölle Rache kocht in meinem Herzen (II, Nr. 14)
Techniker(in):
Tobias Lehmann (in 2009-11)
Produzent(in):
Martin Sauer (engineer/producer)
Soprangesang [Königin der Nacht]:
Anna-Kristiina Kaappola (in 2009-11)
Orchester:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2009-11)
conductor:
René Jacobs (conductor) (in 2009-11)
aufgenommen bei:
Teldex Studio (Berlin) in Berlin, Deutschland (in 2009-11)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 2009-11)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Librettist:
Emanuel Schikaneder
Teil von:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:57
18Die Entführung aus dem Serail, K384: Aria Belmonte: Wenn der Freude Tränen fließen (II, Nr. 15)
Chorgesang:
RIAS Kammerchor (German chamber choir)
Tenor-Gesang:
Maximilian Schmitt (German tenor)
Orchester:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 2014-09)
conductor:
René Jacobs (conductor) (in 2014-09)
aufgenommen bei:
Teldex Studio (Berlin) in Berlin, Deutschland (in 2014-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) (in 2014-09)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Christoph Friedrich Bretzner
zusätzlich Librettist:
Johann Gottlieb Stephanie ('The Younger')
Teil von:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart5:59
▼ CD 3: Les Demoiselles de Bâle
Nr.TitelKünstlerBewertungLänge
1Confitebor a voce sola con violini - Messa a quattro voci e Salmi, Venise, 1650
Soprangesang:
María Cristina Kiehr (soprano)
Orchester:
Concerto Soave
conductor:
Jean-Marc Aymes
Claudio Monteverdi8:01
2Sinfonia Terzo Tuono - Sonate da chiesa e da camera, Venise, 1655
Soprangesang:
María Cristina Kiehr (soprano)
Orchester:
Concerto Soave
conductor:
Jean-Marc Aymes
Biagio Marini0:29
3Currite Populi - Ghirlanda Sacra, Venise, 1625
Soprangesang:
María Cristina Kiehr (soprano)
Orchester:
Concerto Soave
conductor:
Jean-Marc Aymes
Claudio Monteverdi4:26
4O quam pulchra es - Ghirlanda Sacra, Venise, 1625
Soprangesang:
María Cristina Kiehr (soprano)
Orchester:
Concerto Soave
conductor:
Jean-Marc Aymes
Claudio Monteverdi4:44
5Venite, Videte - Motetti a voce sola, Venise, 1625
Soprangesang:
María Cristina Kiehr (soprano)
Orchester:
Concerto Soave
conductor:
Jean-Marc Aymes
Claudio Monteverdi6:41
6Suonate da camera a tre op. 1, due violini e violone o cembalo: La Follia Sonata op. 1 n° 12, RV 63 ré mineur
Cello:
Käthi Gohl (cellist)
Cembalo:
Jesper Bøje Christensen (Danish harpsichord and pianoforte player, specialized in continuo.)
Geige / Violine:
Chiara Banchini (violinist and conductor) und Véronique Méjean (violinist)
Orchester:
Ensemble 415 (Swiss Baroque ensemble)
recording of:
Trio Sonata in D minor, op. 1 no. 12, RV 63 "La follia"
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Ryom-Verzeichnis (Nummer: RV 63) und Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (Nummer: F. XIII/28)
basiert auf:
Folia
Teil von:
12 Trio Sonatas, op. 1
Antonio Vivaldi11:26
7Sonata op. 1 n° 8, RV 64 ré mineur: Preludio. Largo
Cello:
Käthi Gohl (cellist)
Cembalo:
Jesper Bøje Christensen (Danish harpsichord and pianoforte player, specialized in continuo.)
Geige / Violine:
Chiara Banchini (violinist and conductor) und Véronique Méjean (violinist)
Orchester:
Ensemble 415 (Swiss Baroque ensemble)
recording of:
Trio Sonata in D minor, op. 1 no. 8, RV 64: I. Preludio
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Trio Sonata in D minor, op. 1 no. 8, RV 64
Antonio Vivaldi5:24
8Sonata op. 1 n° 8, RV 64 ré mineur: Corrente. Allegro
Cello:
Käthi Gohl (cellist)
Cembalo:
Jesper Bøje Christensen (Danish harpsichord and pianoforte player, specialized in continuo.)
Geige / Violine:
Chiara Banchini (violinist and conductor) und Véronique Méjean (violinist)
Orchester:
Ensemble 415 (Swiss Baroque ensemble)
recording of:
Trio Sonata in D minor, op. 1 no. 8, RV 64: II. Corrente
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Trio Sonata in D minor, op. 1 no. 8, RV 64
Antonio Vivaldi2:01
9Sonata op. 1 n° 8, RV 64 ré mineur: Grave
Cello:
Käthi Gohl (cellist)
Cembalo:
Jesper Bøje Christensen (Danish harpsichord and pianoforte player, specialized in continuo.)
Geige / Violine:
Chiara Banchini (violinist and conductor) und Véronique Méjean (violinist)
Orchester:
Ensemble 415 (Swiss Baroque ensemble)
recording of:
Trio Sonata in D minor, op. 1 no. 8, RV 64: III. Grave
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Trio Sonata in D minor, op. 1 no. 8, RV 64
Antonio Vivaldi2:04
10Sonata op. 1 n° 8, RV 64 ré mineur: Giga. Allegro
Cello:
Käthi Gohl (cellist)
Cembalo:
Jesper Bøje Christensen (Danish harpsichord and pianoforte player, specialized in continuo.)
Geige / Violine:
Chiara Banchini (violinist and conductor) und Véronique Méjean (violinist)
Orchester:
Ensemble 415 (Swiss Baroque ensemble)
recording of:
Trio Sonata in D minor, op. 1 no. 8, RV 64: IV. Giga
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Trio Sonata in D minor, op. 1 no. 8, RV 64
Antonio Vivaldi2:19
11Sinfonia de L'Olimpiade, RV 725, Ut majeur: I. Allegro
Orchester:
Gli Incogniti
conductor:
Amandine Beyer (violinist)
recording of:
L'Olimpiade, RV 725: Sinfonia: I. Allegro
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
L'Olimpiade, RV 725: Sinfonia
Antonio Vivaldi2:11
12Sinfonia de L'Olimpiade, RV 725, Ut majeur: II. Andante
Orchester:
Gli Incogniti
conductor:
Amandine Beyer (violinist)
recording of:
L'Olimpiade, RV 725: Sinfonia: II. Andante
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
L'Olimpiade, RV 725: Sinfonia
Antonio Vivaldi2:34
13Sinfonia de L'Olimpiade, RV 725, Ut majeur: III. Allegro
Orchester:
Gli Incogniti
conductor:
Amandine Beyer (violinist)
recording of:
L'Olimpiade, RV 725: Sinfonia: III. Allegro Molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
L'Olimpiade, RV 725: Sinfonia
Antonio Vivaldi1:13
14Concerto per Violino, RV 282, Fa majeur: I. Allegro poco
Orchester:
Gli Incogniti
conductor:
Amandine Beyer (violinist)
recording of:
Concerto for Violin, Strings, and Continuo in F major, RV 282: I. Allegro poco
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Violin, Strings, and Continuo in F major, RV 282
Antonio Vivaldi4:29
15Concerto per Violino, RV 282, Fa majeur: II. Largo
Orchester:
Gli Incogniti
conductor:
Amandine Beyer (violinist)
recording of:
Concerto for Violin, Strings, and Continuo in F major, RV 282: II. Largo
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Violin, Strings, and Continuo in F major, RV 282
Antonio Vivaldi2:05
16Concerto per Violino, RV 282, Fa majeur: III. Allegro
Orchester:
Gli Incogniti
conductor:
Amandine Beyer (violinist)
recording of:
Concerto for Violin, Strings, and Continuo in F major, RV 282: III. Presto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Violin, Strings, and Continuo in F major, RV 282
Antonio Vivaldi3:50
17Concerto per Violino scordato, RV 391, si mineur: I. Allegro non molto
Orchester:
Gli Incogniti
conductor:
Amandine Beyer (violinist)
recording of:
Violin Concerto in B minor, op. 9 no. 12, RV 391: I. Allegro non molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Violin Concerto in B minor, op. 9 no. 12, RV 391
Antonio Vivaldi4:33
18Concerto per Violino scordato, RV 391, si mineur: II. Largo
Orchester:
Gli Incogniti
conductor:
Amandine Beyer (violinist)
recording of:
Violin Concerto in B minor, op. 9 no. 12, RV 391: II. Largo
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Violin Concerto in B minor, op. 9 no. 12, RV 391
Antonio Vivaldi2:43
19Concerto per Violino scordato, RV 391, si mineur: III. Allegro
Orchester:
Gli Incogniti
conductor:
Amandine Beyer (violinist)
recording of:
Violin Concerto in B minor, op. 9 no. 12, RV 391: III. Allegro
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Violin Concerto in B minor, op. 9 no. 12, RV 391
Antonio Vivaldi3:45
▼ CD 4: Les Nouveaux Claviers
Nr.TitelKünstlerBewertungLänge
1Troisième Livre de Pièces de clavecin: Le Rossignol en Amour. Lentement et très tendement, quoique mesuré
Cembalo:
Christophe Rousset (French harpsichordist & conductor)
recording of:
Quatorzième ordre de clavecin en ré majeur: No. 1. Le Rossignol-en-amour
Komponist(in):
François Couperin (French composer of the Baroque era) (in 1722)
Teil von:
Quatorzième ordre de clavecin en ré majeur
François Couperin4:32
2Troisième Livre de Pièces de clavecin: Double du Rossignol
Cembalo:
Christophe Rousset (French harpsichordist & conductor)
recording of:
Quatorzième ordre de clavecin en ré majeur: No. 2. Double du rossignol
Komponist(in):
François Couperin (French composer of the Baroque era) (in 1722)
Teil von:
Quatorzième ordre de clavecin en ré majeur
François Couperin4:50
3Troisième Livre de Pièces de clavecin: La Linote éfarouchée. Rondeau. Légèrement
Cembalo:
Christophe Rousset (French harpsichordist & conductor)
recording of:
Quatorzième ordre de clavecin en ré majeur: No. 3. La Linote éfarouchée
Komponist(in):
François Couperin (French composer of the Baroque era) (in 1722)
Teil von:
Quatorzième ordre de clavecin en ré majeur
François Couperin2:01
4Troisième Livre de Pièces de clavecin: Les Fauvétes plaintives. Très tendrement
Cembalo:
Christophe Rousset (French harpsichordist & conductor)
recording of:
Quatorzième ordre de clavecin en ré majeur: No. 4. Les Fauvétes plaintives
Komponist(in):
François Couperin (French composer of the Baroque era) (in 1722)
Teil von:
Quatorzième ordre de clavecin en ré majeur
François Couperin4:35
5Troisième Livre de Pièces de clavecin: Le Rossignol vainqueur. Très tendrement
Cembalo:
Christophe Rousset (French harpsichordist & conductor)
recording of:
Quatorzième ordre de clavecin en ré majeur: No. 5. Le Rossignol-vainqueur
Komponist(in):
François Couperin (French composer of the Baroque era) (in 1722)
Teil von:
Quatorzième ordre de clavecin en ré majeur
François Couperin1:58
6Troisième Livre de Pièces de clavecin: La Julliet. Rondeau. Gayement
Cembalo:
Blandine Rannou (harpsichordist and organist) und Christophe Rousset (French harpsichordist & conductor)
recording of:
Quatorzième ordre de clavecin en ré majeur: No. 6. La Julliet
Komponist(in):
François Couperin (French composer of the Baroque era) (in 1722)
Teil von:
Quatorzième ordre de clavecin en ré majeur
François Couperin1:44
7Suite n°1, BWV 812, ré mineur: I. Allemande
Cembalo:
Richard Egarr (conductor)
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: I. Allemande
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Französische Suite Nr. 1 d-Moll, BWV 812 (French Suite No. 1 in D minor, BWV 812)
Johann Sebastian Bach4:13
8Suite n°1, BWV 812, ré mineur: II. Courante
Cembalo:
Richard Egarr (conductor)
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: II. Courante
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Französische Suite Nr. 1 d-Moll, BWV 812 (French Suite No. 1 in D minor, BWV 812)
Johann Sebastian Bach2:00
9Suite n°1, BWV 812, ré mineur: III. Sarabande
Cembalo:
Richard Egarr (conductor)
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: III. Sarabande
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Französische Suite Nr. 1 d-Moll, BWV 812 (French Suite No. 1 in D minor, BWV 812)
Johann Sebastian Bach2:43
10Suite n°1, BWV 812, ré mineur: IV. Menuets I & II
Cembalo:
Richard Egarr (conductor)
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: IV. Menuet I
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Französische Suite Nr. 1 d-Moll, BWV 812 (French Suite No. 1 in D minor, BWV 812)
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: V. Menuet II - Menuet I da capo
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Französische Suite Nr. 1 d-Moll, BWV 812 (French Suite No. 1 in D minor, BWV 812)
Johann Sebastian Bach3:19
11Suite n°1, BWV 812, ré mineur: V. Gigue
Cembalo:
Richard Egarr (conductor)
recording of:
Französische Suite Nr. 1 d-Moll, BWV 812: VI. Gigue
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Französische Suite Nr. 1 d-Moll, BWV 812 (French Suite No. 1 in D minor, BWV 812)
Johann Sebastian Bach3:06
12Prélude n°3, Ut majeur
Cembalo:
Diego Ares
Padre Antonio Soler0:56
13Sonate n°1, Ut majeur
Cembalo:
Diego Ares
Padre Antonio Soler2:56
14Sonate n°2, Ut majeur
Cembalo:
Diego Ares
Padre Antonio Soler4:54
15Sonate n°17, la mineur
Cembalo:
Diego Ares
Padre Antonio Soler2:48
16Sonate n°18, la mineur
Cembalo:
Diego Ares
Padre Antonio Soler3:26
17Sonate n°40, ré mineur
Cembalo:
Diego Ares
Padre Antonio Soler5:11
18Sonate, K. 333, Si bémol majeur: I. Allegro
Cembalo und Hammerklavier:
Kristian Bezuidenhout (fortepianist, harpsichordist and pianist)
recording of:
Sonata for Piano no. 13 in B-flat major, K. 315c/333: I. Allegro
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Sonata for Piano no. 13 in B-flat major, K. 315c/333
Wolfgang Amadeus Mozart7:14
19Sonate, K. 333, Si bémol majeur: II. Andante cantabile
Cembalo und Hammerklavier:
Kristian Bezuidenhout (fortepianist, harpsichordist and pianist)
recording of:
Sonata for Piano no. 13 in B-flat major, K. 315c/333: II. Andante cantabile
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Sonata for Piano no. 13 in B-flat major, K. 315c/333
Wolfgang Amadeus Mozart10:50
20Sonate, K. 333, Si bémol majeur: III. Allegretto grazioso
Cembalo und Hammerklavier:
Kristian Bezuidenhout (fortepianist, harpsichordist and pianist)
recording of:
Sonata for Piano no. 13 in B-flat major, K. 315c/333: III. Allegretto grazioso
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Sonata for Piano no. 13 in B-flat major, K. 315c/333
Wolfgang Amadeus Mozart6:39
▶ CD 5: Les Nouveaux Claviers
▶ CD 6: Le Style classique revisité
▶ CD 7: Le Style classique revisité
▶ CD 8: Le Style classique revisité
▶ CD 9: Le Style classique revisité
▶ CD 10: Les Violoncelles français
▶ CD 11: "Die Neue Romantik"
▶ CD 12: Vers une interprétation historiquement informée
▶ CD 13: Un trio de stars... et la star des trios
▶ CD 14: Les Maîtres du lied
▶ CD 15: Les Nouveaux Explorateurs
▶ CD 16: Les Nouveaux Explorateurs
▶ CD 17: La Nouvelle Génération
▶ CD 18: Conjuguer les pratiques

Nennungen