Classics at the Movies

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Also sprach Zarathustra (from 2001: A Space Odyssey)
orchestra:
Rochester Pops (Eastman-Rochester Orchestra, use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Thus Spake Zoroaster, op. 30: Introduction, Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra (Thus Spake Zoroaster, op. 30, op 30; TrV 176)
Richard Strauss1:46
2Ride of the Valkyries (from Apocalypse Now)
orchestra:
San Diego Symphony Orchestra
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner4:50
3Gayane Suite: Sabre Dance (from Punchline)
orchestra:
Houston Symphony
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance
composer:
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Արամ Խաչատրյան2:40
4Canon in D (from Ordinary People)
orchestra:
Collegium Aureum, The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Canon and Gigue in D major, T. 337: I. Canon (Canon and Gigue in D major, T. 377: I. Canon)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, T. 337
Johann Pachelbel4:50
5Pagliacci: Vesti la giubba (from The Untouchables)
tenor vocals [Canio]:
José Perez (Peruvian tenor)
orchestra:
Nuremberg Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:24
6Hungarian Rhapsody no. 2 for Piano (from Who Framed Roger Rabbit?)
piano:
Josef Bulva (pianist)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 2 in C-sharp minor, S. 244 no. 2 (original piano solo version)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt9:26
7Prince Igor: Polovstian Dances nos. 8 and 17
orchestra:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra)
recording of:
Polovtsian Dances no. 8, “Dance of the Polovtsian Maidens”: Presto, 6/8, F major
orchestrator:
Александр Константинович Глазунов (Alexander Konstantinovich Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky-Korsakov, Russian composer)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arrangement of:
Prince Igor: Act II. Dance of the Polovtsian Maidens
part of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
recording of:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”
orchestrator:
Александр Константинович Глазунов (Alexander Konstantinovich Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky-Korsakov, Russian composer)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arrangement of:
Prince Igor: Act II. Polovtsian Dance with Choir
part of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
Александр Порфирьевич Бородин13:52
8Symphony no. 4, "Italian": IV. Saltarello. Presto (from A Midsummer Night's Dream)
orchestra:
Bamberg Philharmonic Orchestra (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian” (Symphony no. 4 in A major, op. 90 "Italian")
Felix Mendelssohn6:16
9Emperor Waltz (from The Last Emperor)
orchestra:
Vienna Folk Opera Orchestra
recording of:
Kaiser-Walzer, op. 437 (Emperor Waltz, op. 437)
premiered in:
Berlin, Germany (on 1889-10-21)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1889)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 437)
Johann Strauss II12:03
10Bolero (from "10")
piano:
Mee Chou Lee (pianist)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphony Orchestra Ljubljana (name used by Alfred Scholz, may be incorrect)
conductor:
Samo Hubad (conductor), Anton Nanut (Alfred Scholz pseudonym) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Boléro
composer:
Maurice Ravel (classical composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel13:46
▼ CD 2
#TitleArtistRatingLength
1Carmina Burana: Introduction (from The Doors)
baritone vocals:
Rudolf Knoll (operatic baritone)
choir vocals:
Salzburg Mozarteum Chorus
soprano vocals:
Gerda Hartmann (soprano)
tenor vocals:
Richard Brünner (tenor)
orchestra:
The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name) and Salzburg Mozarteum Orchestra
conductor:
Hymisher Greenburg (probably a pseudonym of Alfred Sholz) and Kurt Prestel (conductor, chorus master)
chorus master:
Ernst Hinreiner (conductor)
phonographic copyright (℗) by:
Long Island (not an imprint; rights holders/licensors of music recordings) (in 1996)
compilation of:
Carmina Burana: Fortuna imperatrix mundi: O Fortuna by Salzburg Mozarteum Chorus, Russian State Chorus, Salzburg Boys Choir, Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Государственный академический симфонический оркестр России (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO), Russian State Symphony Orchestra (State Symphony Orchestra "Novaya Rossiya"), Kurt Prestel (conductor, chorus master), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related) and Carmina Burana: Fortuna Imperatrix Mundi: II. Fortune plango vulnera by Mozarteum Orchester (Salzburg Mozarteum Orchestra) & Chor Salzburg, Kurt Prestel (conductor, chorus master)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff5:39
2Adagio for Strings (from Platoon)
orchestra:
Milwaukee Symphony Orchestra
recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1938)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber10:00
3"Double" Concerto: Allegro (from Children of a Lesser God)
violin:
Joseph Brezina (violinist) and Feliz Elias (violinist)
orchestra:
Camerata Romana (an Alfred Scholz pseudonym)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach5:14
4La bohème: Act 1, "Che Gelida Manina" (from Moonstruck)
tenor vocals [Rodolfo]:
José Perez (Peruvian tenor)
orchestra:
Nuremberg Symphony Orchestra (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini3:57
5Madama Butterfly: Act 2, "Un bel dì" (from Fatal Attraction)
soprano vocals:
Vanda Gerlovič (soprano)
orchestra:
Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:21
6Mandoline Concerto: Allegro (from Kramer vs. Kramer)
orchestra:
Camerata Romana (an Alfred Scholz pseudonym) and Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi3:14
7Cavalleria Rusticana: Intermezzo (from The Godfather, Part 3)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Cavalleria rusticana: Intermezzo
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (german lyrics)
Pietro Mascagni3:27
8Lieutenant Kijé Suite: Kijé's Wedding (from Crossing Delancey)
orchestra:
Dallas Symphony Orchestra
recording of:
Lieutenant Kijé Suite, op. 60: III. Kijé's Wedding
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1933)
part of:
Lieutenant Kijé Suite, op. 60
Сергей Сергеевич Прокофьев2:31
9Lieutenant Kijé Suite: Troïka (from Love and Death)
orchestra:
Dallas Symphony Orchestra
recording of:
Lieutenant Kijé Suite, op. 60: IV. Troika
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1933)
part of:
Lieutenant Kijé Suite, op. 60
Сергей Сергеевич Прокофьев2:44
10Clarinet Concerto in A major, K. 622: II. Adagio (from Out of Africa)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:25
11Lohengrin: Prelude (from Ludwig)
orchestra:
Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym)
recording of:
Lohengrin, WWV 75: Vorspiel (prelude to Act I)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75
Richard Wagner3:43
12Martha: Ach, so fromm (from The Grey Fox)
orchestra:
Nuremburg Symphony Orchestra (Nuremberg Symphony Orchestra, the real orchestra)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
part of:
Martha: Akt III
Friedrich von Flotow2:59
13Warsaw Concerto: Introduction (from The Eagle Squadron)
orchestra:
Toronto Festival Pops Orchestra
partial recording of:
Warsaw Concerto (Dangerous Moonlight)
orchestrator:
Roy Douglas (British composer, pianist)
composer:
Richard Addinsell (composer)
part of:
Dangerous Moonlight (film soundtrack)
Richard Addinsell3:35
14William Tell Overture (from A Clockwork Orange)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) and Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
conductor:
Alfred Scholz
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
Guillaume Tell : Ouverture (William Tell: Overture)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini12:06
▼ CD 3
#TitleArtistRatingLength
1Toccata and Fugue (from Rollerball)
organ:
Hans-Christoph Becker-Foss (organist and choir leader)
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1982 to present)
recorded at:
Marktkirche St. Nicolai (Beckerath-Organ, Hameln) in Hamelin, Niedersachsen (Lower Saxony), Germany
recording of:
Toccata und Fuge d-Moll, BWV 565
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 565)
Johann Sebastian Bach48:11
2The Nutcracker Suite: Dance of the Sugar Plum Fairy (from Fantasia)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Пётр Ильич Чайковский2:10
3The Sorcerer's Apprentice (from Fantasia)
orchestra:
Denver Symphony Orchestra
recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
composer:
Paul Dukas (composer) (from 1896 until 1897)
part of:
Fantasia (Disney soundtrack)
Paul Dukas11:47
4Night on Bald Mountain (from Fantasia)
orchestra:
South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
recording of:
A Night on Bare Mountain (orchestrated by Stokowski)
orchestrator:
Leopold Stokowski (conductor)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
is based on:
A Night on Bald Mountain (orchestrated by Rimsky-Korsakov)
Модест Петрович Мусоргский10:40
5The Barber of Seville: Overture (from Prizzi's Honor)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke), Philharmonia Slavonica (Alfred Scholz pseudonym), Plovdid Philharmonic Orchestra (Plovdiv Philharmonic Orchestra), Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Anton Nanut (conductor), Rouslan Raychev (Rouslan Raichev, conductor) and Alfred Scholz
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
Il barbiere di Siviglia: Sinfonia
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini47:47
6Rigoletto: Questo a quella (from Wall Street)
choir vocals:
Chor der Staatsoper München (Alfred Scholz related)
tenor vocals [Duca]:
Juan Perez (Peruvian tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym) and Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi1:47
7The Four Seasons "The Spring": Allegro (from The Four Seasons)
orchestra:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:27
8Gianni Schicchi: O mio babbino caro (from A Room With a View)
soprano vocals:
Ljiljan Molnar‐Talajac
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:23
9La traviata: E strano e strano (from Pretty Woman)
soprano vocals and soprano vocals [Violetta]:
Biserka Cvejic (mezzo-soprano)
orchestra:
Nuremberg Symphony Orchestra (Alfred Scholz pseudonym)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi8:57
10The Marriage of Figaro: Overture (from Trading Places)
orchestra:
Berlin Symphony Orchestra (almost certainly a Scholz fake artist), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym) and Philharmonia Slovanica Orchester (Alfred Scholz pseudonym)
conductor:
Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Laurence Gordon Siegel (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Le nozze di Figaro, K. 492: Sinfonia
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart44:19
11Piano Sonata no. 11 (Rondo) All Turca (from Fame)
piano:
Philippe Entremont (French pianist/conductor)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:43
12Samson and Delilah: Mon cœur s’ouvre à ta voix (from Slam Dance)
contralto vocals:
Marijana Radev (contralto)
orchestra:
Zagreb Opera Orchestra
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns5:48
▼ CD 4
#TitleArtistRatingLength
1Eine kleine Nachtmusik, K. 525: Allegro (from Amadeus)
sound engineer:
Bernhard Mahne (Classical music producer) (from 1986-04-22 until 1986-04-24) and Lutz Wildner (from 1986-04-22 until 1986-04-24)
orchestra:
Camerata Academica (Austrian chamber orchestra), Camerata Academica Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (name used by Alfred Scholz, may be incorrect), Mainz Chamber Orchestra, Mozart Festival Orchestra (an Alfred Scholz pseudonym), The Northstar Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Camerata Labacensis (Slovenian chamber orchestra) (from 1986-04-22 until 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz and Alexander von Pitamic (Alfred Scholz pseudonym) (from 1986-04-22 until 1986-04-24)
recorded at:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (from 1986-04-22 until 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (from 1986-04-22 until 1986-04-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:35
2Piano Concerto no. 20 in D minor, K. 466: II. Romance (from Amadeus)
piano:
Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart8:47
3On the Beautiful, Blue Danube (from 2001: A Space Odyssey)
orchestra:
Vienna Folk Opera Orchestra
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II10:05
4Rhapsody in Blue (from Manhattan)
orchestra:
Slavonic Philharmonic Orchestra (Alfred Scholz pseudonym)
recording of:
Rhapsody in Blue (standard 1942 orchestration)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
revision of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin16:32
5Habañera (from Carmen Jones)
orchestra:
Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra)
recording of:
Carmen Jones: Act I. Dat’s Love (Habañera)
orchestrator:
Robert Russell Bennett
composer:
Georges Bizet (composer)
librettist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
version of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen Jones: Act I
Georges Bizet2:11
6Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": Andante
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart35:38
7Romeo and Juliet, Fantasy Overture (from Now, Voyager)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Royal Promenade Orchestra, Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra)
conductor:
Alfred Gehardt (conductor), Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym), Nodar Tsatishvili, George Ralph Warren and Peter Wohlert
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский18:09
8Finale from Symphony no. 9, "Choral" (from Die Hard)
choir vocals:
London Festival Chorus
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
is based on:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven3:42