The Alltime Greatest Rock Classics 4 of the 70s, 80s & 90s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Call It Rock 'n' Roll
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recording of:
Call It Rock ’n’ Roll
writer:
Michael Lardie, Mark Kendall, Tony Montana (US metal bassist for Great White), Alan Niven and Jack Russell (original singer for Great White)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Great White3:57
2Lonesome Loser
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979)
recording of:
Lonesome Loser
lyricist and composer:
David Briggs (producer, guitarist of Little River Band)
publisher:
American Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. and Wheatley Music Pty Ltd.
Little River Band3:54
3Two Silhouettes
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1984)
recording of:
Two Silhouettes
writer:
Russ Ballard
publisher:
Island Music (Island Music Ltd.) and Russell Ballard Ltd
Russ Ballard4:18
4Out in the Fields
engineer:
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990's-2020's)
producer:
Peter Collins (producer)
assistant mixer:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990's-2020's)
guest bass guitar [bass] and guest vocals:
Philip Lynott
guest drums (drum set) [drums]:
Charlie Morgan (British drummer and percussionist)
guest keyboard [keyboards]:
Don Airey and Andy Richards (Strawbs keyboard player/record producer)
guitar [guitars] and lead vocals:
Gary Moore (Thin Lizzy, blues guitar)
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 2002)
produced at:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
Out in the Fields
lyricist and composer:
Gary Moore (Thin Lizzy, blues guitar)
Gary Moore3.34:18
5Entre dos tierras
phonographic copyright (℗) by:
EMI‐Odeon, S.A. (not for release label use! subsidiary of EMI Music Spain, S.A.) (in 1990)
recording of:
Entre dos tierras
lyricist:
Rodrigo Rosado
writer:
Pedro Andreu, Joaquín Cardiel, Enrique Bunbury and Juan Valdivia
publisher:
EMI‐Odeon, S.A. (not for release label use! subsidiary of EMI Music Spain, S.A.)
Heroes del Silencio6:06
6Centerfold
engineer:
Dave Thoener
producer:
Seth Justman
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) and EMI Catalog (in 2006)
recorded at:
Long View Farm in North Brookfield, Massachusetts, United States
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, United States
part of:
TV Cream: Real 100 Best Singles Ever (number: 38), Billboard: Greatest of All Time Hot 100 Songs (number: 73) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 314)
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019/5/16) and Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band4.13:37
7Your Mama Don't Dance
engineer:
Duane Baron
producer:
Tom Werman
mixer:
Duane Baron, John Purdell and Tom Werman
bass guitar:
Bobby Dall
drums (drum set):
Rikki Rockett
guitar:
C.C. DeVille
lead vocals:
Bret Michaels
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
cover recording of:
Your Mama Don’t Dance
writer:
Kenny Loggins and Jim Messina
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996) and Universal Music Corp. (USA, affiliated with ASCAP)
Poison43:00
8Atomic
engineer:
Peter Coleman (British engineer & producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
guest background vocals:
Ellie Greenwich (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Atomic (from 1979-05 until 1979-06)
writer:
Jimmy Destri and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher (affiliated with PRS)), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) and Rare Blue Music Inc
Blondie43:47
9Golden Brown
co-producer:
Steve Churchyard
producer:
Steve Churchyard and The Stranglers
mixer:
Tony Visconti
performer:
The Stranglers
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers4.43:27
10Road to Nowhere
recording engineer and mixer:
Eric “E.T.” Thorngren
assistant engineer:
Melanie West (engineer) (task: second engineer)
producer:
Talking Heads
bass synthesizer [synth bass]:
Tina Weymouth
drums (drum set):
Chris Frantz
guest accordion:
Jimmy MacDonell
guest saxophone:
Lenny Pickett (saxophone)
guest washboard:
Andrew Cader
guitar:
David Byrne (Talking Heads)
guitar and keyboard:
Jerry Harrison (Talking Heads)
background vocals:
Jerry Harrison (Talking Heads) and Tina Weymouth
guest background vocals:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves and Kurt Yahijian
vocals:
David Byrne (Talking Heads)
arranger:
Byrne (Talking Heads), Frantz, Harrison (Talking Heads) and Weymouth
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1985) and Sire Records Company (not for release label use!) (in 1985)
recorded at and mixed at:
Sigma Sound (New York) in New York, New York, United States
recording of:
Road to Nowhere
lyricist and composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc. and Warner Bros. Music Corp.
Talking Heads4.24:20
11We're an American Band
assistant recording engineer:
Seth Snyder
engineer and producer:
Todd Rundgren
acoustic guitar, congas, electric piano and guitar:
Mark Farner
bass:
Mel Schacher
clavinet, Moog, organ and piano:
Craig Frost
drums (drum set) and percussion:
Don Brewer (drummer for Grand Funk Railroad)
vocals:
Don Brewer (drummer for Grand Funk Railroad) and Mark Farner
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1987, in 1991)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 99) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
We’re an American Band
lyricist and composer:
Don Brewer (drummer for Grand Funk Railroad)
publisher:
Brew Music Company
Grand Funk Railroad4.43:26
12Eyes of a Stranger
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1988)
recording of:
Eyes of a Stranger
writer:
Chris DeGarmo and Geoff Tate
publisher:
Queensrÿche Publishing Company and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Queensryche6:38
13Comin' on Strong
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1987)
recording of:
Comin' On Strong
writer:
Steve Elson (founder of UK rock band Broken English; songwriter, producer)
publisher:
Steve Elson Business
Broken English3:53
14Let's Work Together
producer:
Canned Heat and Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1994)
cover recording of:
Let’s Work Together
lyricist:
Wilbert Harrison
publisher:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. and United Artists Musik GmbH
Canned Heat3:13
15Year of the Cat
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
Al Stewart (UK folk singer/songwriter) (in 1976)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981)
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 13)
recording of:
Year of the Cat
writer:
Al Stewart (UK folk singer/songwriter) and Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (AU subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.36:34
16You Ain't Seen Nothing Yet
recording engineer and mixer:
Mark K. Smith (Canadian engineer)
assistant engineer:
Buzz Richmond
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
assistant mixer:
Richard Dashut
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label) (in 1974) and UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
recorded at:
Kaye–Smith Studios in Seattle, Washington, United States
mixed at:
Sound City Studios in Van Nuys, California, United States
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
Ranbach Music (publisher), Ranbach Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Sony/ATV Songs LLC and Top Soil Music (publisher)
B.T.O.4.353:52
▼ CD 2
#TitleArtistRatingLength
1Bad to the Bone
engineer:
Paul Mufson and John Nagy
assistant producer:
Ken Irwin and John Nagy
producer:
Terry Manning (US recording engineer) and The Delaware Destroyers (George Thorogood & the Destroyers)
mixer:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood and Terry Manning (US recording engineer) (in 1992)
bass:
Bill Blough (from 1981 until 1982)
drums (drum set):
Jeff Simon (from 1981 until 1982)
guitar and lead vocals:
George Thorogood (from 1981 until 1982)
keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (from 1981 until 1982)
piano:
Ian Stewart (piano/keyboard, Rolling Stones member)
saxophone:
Hank Carter (Hank "Hurricane" Carter) (from 1981 until 1982)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recorded at:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, United States (from 1981 until 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, United States
recording of:
Bad to the Bone (from 1981 until 1982)
lyricist and composer:
George Thorogood
publisher:
Del Sound Music
George Thorogood4.554:50
2Dancing With Myself
bass:
Tony James (UK bassist/guitarist) (in 1981)
drums (drum set):
Terry Chimes (in 1981)
guitar:
Billy Idol (English rock singer‐songwriter) (in 1981) and Steve New (in 1981)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1981)
arranger:
Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981, in 1984, in 2001) and Chrysalis Records, Inc. (not for release label use!) (in 1981, in 1982, in 2002)
edit of:
Dancing With Myself (“Don’t Stop” remix) by Billy Idol (English rock singer‐songwriter) with Gen X (English post‐punk band aka “Gen X”)
recording of:
Dancing With Myself
writer:
Billy Idol (English rock singer‐songwriter) and Tony James (UK bassist/guitarist)
publisher:
Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher (affiliated with PRS)), Chrysalis Music Publishing Ltd., Rare Blue Music Inc and Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group)
Billy Idol4.353:18
3Bette Davis Eyes
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981)
cover recording of:
Bette Davis Eyes
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Plain and Simple Music, Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3:46
4The Heart of Rock & Roll
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1984)
recording of:
The Heart of Rock & Roll
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Huey Lewis
publisher:
Chrysalis Music Ltd. (music publisher (affiliated with PRS))
Huey Lewis & the News4:05
5Soul Twist
producer:
Jack Nitzsche (American musician and score composer)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978)
produced for:
North Spur Productions
recording of:
Soul Twist
writer:
Willy DeVille
publisher:
Fire Escape Music, Glenwood Music Corp. and Jockamo Music
sub-publisher:
Budde Music France
Mink DeVille2:32
6The Doctor
co-producer:
Rodney Mills
producer:
Charlie Midnight and Eddie Schwartz
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
recording of:
The Doctor
writer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Charlie Midnight and Eddie Schwartz
publisher:
EMI Songs Ltd., High Frontier Music, Janiceps Music, Round Hill Works, Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019/5/16), Windecor Publishing, ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 大洋音楽 (Taiyō Music) and 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:45
7Stage Fright
producer:
The Band (Canadian-American rock band)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Stage Fright
lyricist and composer:
Robbie Robertson
publisher:
Canaan Music Inc and WB Music Corp. (1929–2019)
The Band3:42
8I Touch Myself
assistant engineer:
Chris Albert (US engineer) and Vince Caro (engineer, music editor, producer)
producer:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) and David Tickle
phonographic copyright (℗) by:
Virgin Records America, Inc. (Virgin Records America, Incorporated, for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990)
recorded at:
BMG Recording Studios in Theater District, New York, New York, United States
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 326)
recording of:
I Touch Myself
lyricist and composer:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) and William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019/5/16)
Divinyls43:46
9God Is a Bullet
phonographic copyright (℗) by:
I.R.S. Records, Inc. (in 1989)
recording of:
God Is a Bullet
writer:
James Mankey and Johnette Napolitano
publisher:
I.R.S. Music, Inc. and International Velvet Music
Concrete Blonde4:24
10Once Bitten Twice Shy
engineer and producer:
Michael Lardie
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
cover recording of:
Once Bitten Twice Shy
lyricist and composer:
Ian Hunter (Mott the Hoople)
publisher:
April (publisher), EMI April Music Inc. and Ian Hunter Music Inc.
Great White5:23
11Drop Dead Beautiful (radio version)
phonographic copyright (℗) by:
Virgin Schallplatten GmbH (not for release label use! for copyrights use only, former DE division of Virgin Records Ltd.) (in 1994)
recording of:
Drop Dead Beautiful
writer:
Mick Leeson and Peter Benson Vale (writer/arranger)
publisher:
EMI Virgin Musikverlag GmbH
Six Was Nine3.354:01
12Love Is a Battlefield
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1983)
recording of:
Love Is a Battlefield
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing Ltd.
Pat Benatar4:09
13Just Another Night
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1999)
recording of:
Just Another Night
writer:
Mick Ronson (British guitarist)
publisher:
EMI Songs Ltd.
Ian Hunter44:36
14Nutbush City Limits
producer:
Ike Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973) and EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
Ike & Tina Turner3.452:57
15Thank You
engineer:
Peter Tattersall
producer:
Barclay James Harvest
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1972)
recording of:
Thank You
writer:
John Lees
publisher:
RAK Publishing Ltd.
Barclay James Harvest4:20
16Bitch
drum machine [drum/loop] programming:
Geza X
assistant engineer:
Husky Hoskulds, Cappy Japngie, Mauricio Iragorri and Charles Nasser
engineer:
Jim Ebert and Geza X
producer:
Geza X
mixer:
Jim Ebert
acoustic guitar, electric guitar and background vocals:
Meredith Brooks (US singer/songwriter and guitarist)
bass and fretless bass:
Paul Bushnell (session bassist, producer and music director)
drums (drum set):
Josh Freese (American drummer)
keyboard [keyboards]:
David Ricketts (of David & David)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recorded at:
City Lab Sound Design in Hollywood, Los Angeles, California, United States
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
recording of:
Bitch
writer:
Meredith Brooks (US singer/songwriter and guitarist) and Shelly Peiken
publisher:
Hidden Pun Music, Kissing Booth Music, Sushi Too Music and Warner–Tamerlane Music Corp.
Meredith Brooks4.054:13

Credits

Release

manufactured in:Europe
printed in:Europe
mastering:Peter Iversen (audio engineer)
remastering:Larry Walsh (in 1990)
licensed from:Talking Heads
distributed by and marketed by:EMI (EMI Records, EMI Records, since 1972)
copyrighted (©) by:EMI Marketing (in 2003)
EMI Music Germany GmbH & Co. KG (do not use this as a release label!) (in 2003)
phonographic copyright (℗) by:EMI Marketing (in 2003)
licensed to:EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012)
mastered at:Puk Digital Mastering (Danish mastering studio established in 1994, affiliated with Puk Recording Studios and located at the same address)
remastered at:Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
Discogs:https://www.discogs.com/release/9736059 [info]
ASIN:DE: B00012BD26 [info]