Anthology: The Colpix Years

~ Release by Nina Simone (see all versions of this release, 1 available)

Annotation

Label: Rhino/WEA - Cat#: 72567 - ASIN: B0000033WH

Label: Rhino/WEA - Cat#: 72567 - ASIN: B0000033WH

Annotation last modified on 2012-03-04 12:00 UTC.

Tracklist

| |
▼ CD 1
#TitleRatingLength
1Blue Prelude
recording engineer:
Rudy van Gelder (in 1959-04)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959-04)
vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959-04)
cover recording of:
Blue Prelude (in 1959-04)
lyricist:
Gordon Jenkins
composer:
Joe Bishop
43:22
2That’s Him Over There
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
That’s Him Over There (in 1959)
lyricist:
Marilyn Bergman
composer:
Lew Spence
4.352:33
3Theme From “Middle of the Night”
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959)
recording of:
Theme from “Middle of the Night” (in 1959)
writer:
George Bassman and Paddy Chayefsky
32:31
4Willow Weep for Me
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano and lead vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
Willow Weep for Me (in 1959)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3.353:14
5Solitaire
recording engineer:
Rudy van Gelder (in 1959)
producer:
Hecky Krasnow
piano:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959)
cover recording of:
Solitaire (in 1959)
writer:
Reneé Borek, King Guion and Carl Nutter
53:26
6Black Is the Color of My True Love’s Hair
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall")
bass:
Jimmy Bond (on 1959-09-12)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-12)
piano:
Nina Simone (on 1959-09-12)
vocals:
Nina Simone (on 1959-09-12)
recorded at:
The Town Hall (New York City) in New York, New York, United States (on 1959-09-12)
live cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone) (on 1959-09-12)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Nina Simone
arrangement of:
Black Is the Colour (of My True Love’s Hair)
43:37
7Exactly Like You
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond (on 1959-09-12)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-12)
piano:
Nina Simone (on 1959-09-12)
vocals:
Nina Simone (on 1959-09-12)
recorded at:
The Town Hall (New York City) in New York, New York, United States (on 1959-09-12)
live cover recording of:
Exactly Like You (on 1959-09-12)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1930)
composer:
Jimmy McHugh (songwriter) (in 1930)
33:19
8The Other Woman
recorded in:
New York, New York, United States (in 1959-10)
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond (in 1959-10)
drums (drum set):
Albert “Tootie” Heath (in 1959-10)
piano:
Nina Simone (in 1959-10)
vocals:
Nina Simone (in 1959-10)
cover recording of:
The Other Woman (in 1959-10)
writer:
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
53:01
9You Can Have Him
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond (on 1959-09-15)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-15)
piano and lead vocals:
Nina Simone (on 1959-09-15)
recorded at:
The Town Hall (New York City) in New York, New York, United States (on 1959-09-12)
live cover recording of:
You Can Have Him (on 1959-09-12)
lyricist and composer:
Irving Berlin (in 1949)
5:56
10Cotton‐Eyed Joe
recorded in:
New York, New York, United States (in 1959-10)
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond (in 1959-10)
drums (drum set):
Albert “Tootie” Heath (in 1959-10)
piano:
Nina Simone (in 1959-10)
vocals:
Nina Simone (in 1959-10)
cover recording of:
Cotton‐Eyed Joe (traditional song) (in 1959-10)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 942)
22:59
11Fine and Mellow
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond (on 1959-09-12)
drums (drum set):
Albert “Tootie” Heath (on 1959-09-12)
piano and lead vocals:
Nina Simone (on 1959-09-12)
recorded at:
The Town Hall (New York City) in New York, New York, United States (on 1959-09-12)
live cover recording of:
Fine and Mellow (on 1959-09-12)
lyricist and composer:
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:30
12Nobody Knows You When You’re Down and Out
producer:
Hal Mooney
arranger:
Stu Phillips (US TV/film composer, conductor & producer)
cover recording of:
Nobody Knows You When You’re Down and Out (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Jimmy Cox
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
3.52:41
13Trouble in Mind
recording of:
Trouble in Mind
lyricist and composer:
Richard M. Jones
publisher:
State Street Music Publ. Co. Inc., Universal Studios, Inc. (formerly known as MCA Inc.) and Universal‐MCA Music Publishing (US)
45:31
14Porgy
5:07
15Little Liza Jane
cover recording of:
Little Liza Jane
lyricist and composer:
[traditional] (special purpose artist)
4:34
16Rags and Old Iron
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano:
Nina Simone (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
Rags and Old Iron (in 1961)
lyricist and composer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
4.54:12
17No Good Man
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano:
Nina Simone (in 1961)
vocals:
Nina Simone (in 1961)
cover recording of:
No Good Man (in 1961)
lyricist:
Sammy Gallop
composer:
Dan Fisher and Irene Higginbotham
43:42
18Gin House Blues
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (in 1961)
cover recording of:
Gin House Blues (in 1961)
composer:
Fletcher Henderson (in 1925) and Henry Troy (in 1925)
publisher:
Carlin Music Corp
33:06
19Work Song
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (in 1961)
cover recording of:
Work Song (lyrics added by Oscar Brown Jr.) (in 1961)
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Nat Adderley
publisher:
Upam Music Co. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
version of:
Work Song (original instrumental)
4.52:36
20Forbidden Fruit
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (in 1961)
recording of:
Forbidden Fruit (in 1961)
writer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
33:48
21Come on Back, Jack
DJ-mixer:
Bart&Baker
2:15
▼ CD 2
#TitleRatingLength
1He Was Too Good to Me
live recording of:
He Was Too Good to Me
lyricist:
Lorenz Hart (in 1930)
composer:
Richard Rodgers (composer)
publisher:
Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Williamson Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Simple Simon
4:57
2House of the Rising Sun
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
lead vocals:
Nina Simone (in 1961)
recorded at:
The Village Gate in Greenwich Village, New York, New York, United States (in 1961)
live recording of:
House of the Rising Sun (in 1961)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Beechwood Music Corp., Ole Cantaloupe Music and Sonet Publishing Ltd.
54:35
3Brown Baby
cover recording of:
Brown Baby
lyricist and composer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), EMHA, Knock Music and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
5:48
4Children Go Where I Send You
live recording of:
Children Go Where I Send Thee
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 133)
7:46
5Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
3.52:48
6I Got It Bad
lead vocals:
Nina Simone (in 1962)
cover recording of:
I Got It Bad (and That Ain’t Good) (in 1962)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
44:04
7Hey, Buddy Bolden
lead vocals:
Nina Simone
recording of:
Hey, Buddy Bolden
writer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
32:28
8Solitude
lead vocals:
Nina Simone (in 1962)
cover recording of:
(In My) Solitude (in 1962)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
53:42
9The Gal From Joe’s
cover recording of:
The Gal From Joe’s
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
4.52:11
10Blackbird
producer:
Jack Lewis (jazz producer)
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
live recording of:
Blackbird (on 1963-04-12)
writer:
Herbert Sacker and Nina Simone
3:54
11If You Knew
recording of:
If You Knew
lyricist and composer:
Nina Simone
3:20
12The Twelfth of Never
cover recording of:
The Twelfth of Never
lyricist:
Paul Francis Webster
composer:
Jerry Livingston (songwriter)
publisher:
Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Webster Music Co.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
is based on:
The Riddle Song (aka “I Gave My Love a Cherry”)
53:30
13When I Was a Young Girl
cover recording of:
When I Was a Young Girl
lyricist and composer:
[traditional] (special purpose artist)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) and Delabel Éditions (publisher; do NOT use as release label)
5:59
14Erets Zavat Chalav
recording of:
Eretz zavat chalav u’dvash
4:17
15The Young Knight
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
live recording of:
The Young Knight (on 1963-04-12)
3.55:29
16Spring Is Here
cover recording of:
Spring Is Here
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
2:38
17Falling in Love Again (Can’t Help It)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966)
cover recording of:
Falling in Love Again (Can’t Help It)
lyricist and composer:
Friedrich Hollaender
translator:
Reginald Connelly and Sammy Lerner
publisher:
Campbell Connelly, BMG Songs, Inc. (in 1930) and Samuel M. Lerner Publications (in 1930)
translated version of:
Ich bin von Kopf bis Fuß auf Liebe eingestellt
42:36
18That’s All
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
cover recording of:
That’s All
lyricist:
Alan Brandt
composer:
Alan Brandt and Bob Haymes
publisher:
Mixed Bag Music Inc. and Travis Music
42:23
19Porgy, I Is Your Woman (Bess You Is My Woman)
cover recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
43:20

Credits

Release

ASIN:US: B0000033WH [info]