| # | Title | Artist | Rating | Length |
|---|
| 1 | The James Bond Fanfare | David Arnold | | 0:24 |
| 2 | The Living Daylights | a‐ha | 4 | 4:13 |
| 3 | Where Has Everybody Gone (The Living Daylights) | Chrissie Hynde | | 3:36 |
| 4 | If There Was a Man (The Living Daylights) | Chrissie Hynde | | 2:49 |
| 5 | Licence to Kill | Gladys Knight | 4 | 4:11 |
| 6 | Goldeneye | Tina Turner | 3.35 | 3:29 |
| 7 | The Experience of Love (Goldeneye) | Éric Serra | | 5:54 |
| 8 | Tomorrow Never Dies | Sheryl Crow | 4 | 4:52 |
| 9 | Surrender (Tomorrow Never Dies) | k.d. lang | 4 | 3:55 |
| 10 | The World Is Not Enough | Garbage | 3.95 | 3:56 |
| 11 | Only Myself to Blame (The World Is Not Enough) | Scott Walker | | 3:35 |
| 12 | Die Another Day | Madonna | 3.45 | 4:36 |
| 13 | You Know My Name (Casino Royale) | Chris Cornell | 3.8 | 4:01 |
| 14 | Another Way to Die (Quantum of Solace)- assistant engineer:
- Nathan Yarboro, Mark Petaccia and Josh Smith
- engineer:
- Vance Powell and Vance Powell (task: mixdown engineer)
- producer and mixer:
- Jack White
- baritone guitar and bass guitar:
- Jack Lawrence
- brass [horns]:
- Jack Hale , Wayne Jackson and Tom McGinley
- cello:
- Lindsay Smith-Trostle
- double bass:
- Michael Rinne
- drums (drum set) [drums] and guitar:
- Jack White
- piano:
- Laura Matula
- violin and violin [5-string violin]:
- Lyndsay Pruett
- vocals:
- Alicia Keys and Jack White
- recorded at:
- Blackbird Studio in Nashville, Tennessee, United States and Sputnik Sound in Nashville, Tennessee, United States
- mixed at:
- Blackbird Studio in Nashville, Tennessee, United States
- recording of:
- Another Way to Die
- writer:
- Jack White
- publisher:
- Colpix Music, Inc., Third String Tunes and United Lion Music Inc.
- part of:
- James Bond themes
| Jack White & Alicia Keys | 3.65 | 4:23 |
| 15 | Skyfall | Adele | 3.85 | 4:46 |
| 16 | Writing’s on the Wall (Spectre)- assistant recording engineer:
- Gordon Davidson , Darren Heelis , Mike Horner, Toby Hulbert, Christina Paakkari and Charles Wong
- recording engineer:
- Steve Fitzmaurice , Darren Heelis and Steve Price
- additional programming:
- Steve Fitzmaurice , Guy Lawrence and Howard Lawrence
- additional producer:
- Disclosure
- producer:
- Steve Fitzmaurice , Guy Lawrence and Jimmy Napes
- mixer:
- Steve Fitzmaurice
- bass synthesizer [Korg Bass]:
- Darren Heelis
- piano:
- James Napes
- vocals:
- Sam Smith
- conductor:
- Simon Hale
- orchestrator:
- Simon Hale
- concertmaster:
- Everton Nelson
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom, RAK Studios in London , England, United Kingdom and The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom
- mixed at:
- The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom
- recording of:
- Writing’s on the Wall
- writer:
- Jimmy Napes and Sam Smith
- part of:
- The 88th Academy Award for Best Original Song (number: 1), James Bond themes and Academy Award for Best Original Song (number: 88)
| Sam Smith | | 4:39 |
| 17 | Writing’s on the Wall (instrumental version) | Sam Smith | | 2:10 |
| 18 | Spectre | Radiohead | | 3:19 |
| 19 | No Time to Die | Billie Eilish | 3.75 | 4:02 |
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