The Chronological Classics: Louis Armstrong and His Orchestra 1934-1936

~ Veröffentlichung von Louis Armstrong and His Orchestra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelBewertungLänge
1St. Louis Blues
alto saxophone:
Henry Tyree (in 1934-10)
alto saxophone und Klarinette:
Peter du Congé (American jazz reedist) (in 1934-10)
Gitarre:
Maceo Jefferson (in 1934-10)
Klavier:
Herman Chittison (in 1934-10)
Kontrabass:
German Arago (in 1934-10)
Posaune:
Lionel Guimarães (in 1934-10)
Schlagzeug:
Oliver Tines (in 1934-10)
Tenorsaxophon:
Alfred Pratt (in 1934-10)
Trompete:
Louis Armstrong (in 1934-10), Jack Hamilton (jazz trumpeter) (in 1934-10) und Leslie Thompson (in 1934-10)
vocals:
Louis Armstrong (in 1934-10)
recording of:
St. Louis Blues (in 1934-10)
Texter und Komponist(in):
William Christopher Handy (in 1913)
sub-publisher:
Reuter & Reuter Förlags AB
2:43
2Tiger Rag
recorded in:
Paris, Île-de-France, Frankreich (in 1934-10)
alto saxophone:
Henry Tyree
alto saxophone und Klarinette:
Peter du Congé (American jazz reedist)
Gitarre:
Maceo Jefferson (in 1934-10)
Klavier:
Herman Chittison (in 1934-10)
Kontrabass:
German Arago (in 1934-10)
Posaune:
Lionel Guimarães (in 1934-10)
Saxophon:
Peter DuConge (American jazz reedist) (in 1934-10) und Henry Tyree (in 1934-10)
Schlagzeug:
Oliver Tines (in 1934-10)
Tenorsaxophon:
Alfred Pratt (in 1934-10)
Trompete:
Jack Hamilton (jazz trumpeter), Louis Armstrong (in 1934-10), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (in 1934-10) und Lesley Thompson (in 1934-10)
vocals:
Louis Armstrong (in 1934-10)
recording of:
Tiger Rag (original 1917 instrumental version) (in 1934-10)
Komponist(in):
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro und Larry Shields
3:07
3Will You, Wont You Be My Baby?
alto saxophone:
Henry Tyree (am 1934-11-07)
alto saxophone und Klarinette:
Peter DuConge (American jazz reedist) (am 1934-11-07)
Gitarre:
Maceo Jefferson (am 1934-11-07)
Klavier:
Herman Chittison (am 1934-11-07)
Kontrabass:
German Arago (am 1934-11-07)
Posaune:
Lionel Guimarães (am 1934-11-07)
Schlagzeug:
Oliver Tines (am 1934-11-07)
Tenorsaxophon:
Alfred Pratt (am 1934-11-07)
Trompete:
Louis Armstrong (am 1934-11-07), Jack Hamilton (jazz trumpeter) (am 1934-11-07) und Leslie Thompson (am 1934-11-07)
vocals:
Louis Armstrong (am 1934-11-07)
aufgenommen bei:
Studio Polydor in Paris, Île-de-France, Frankreich (am 1934-11-07)
2:49
4On the Sunny Side of the Street
Kompilation von:
On the Sunny Side of the Street, Part 1 (studio, 1934-11-07; Brunswick matrix # 1481 1/2 wpp) von Louis Armstrong and His Orchestra (am 1934-11-07) und On the Sunny Side of the Street, Part 2 (studio, 1934-11-07; Brunswick matrix # 1482 1/2 wpp) von Louis Armstrong and His Orchestra (am 1934-11-07)
recording of:
On the Sunny Side of the Street (am 1934-11-07)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
6:02
5St. Louis Blues
alto saxophone:
Henry Tyree (in 1934-10)
alto saxophone und Klarinette:
Peter du Congé (American jazz reedist) (in 1934-10)
Gitarre:
Maceo Jefferson (in 1934-10)
Klavier:
Herman Chittison (in 1934-10)
Kontrabass:
German Arago (in 1934-10)
Posaune:
Lionel Guimarães (in 1934-10)
Schlagzeug:
Oliver Tines (in 1934-10)
Tenorsaxophon:
Alfred Pratt (in 1934-10)
Trompete:
Louis Armstrong (in 1934-10), Jack Hamilton (jazz trumpeter) (in 1934-10) und Leslie Thompson (in 1934-10)
vocals:
Louis Armstrong (in 1934-10)
recording of:
St. Louis Blues (in 1934-10)
Texter und Komponist(in):
William Christopher Handy (in 1913)
sub-publisher:
Reuter & Reuter Förlags AB
3:07
6Song of the Vipers
alto saxophone:
Henry Tyree (am 1934-11-07)
alto saxophone und Klarinette:
Peter DuConge (American jazz reedist) (am 1934-11-07)
Gitarre:
Maceo Jefferson (am 1934-11-07)
Klavier:
Herman Chittison (am 1934-11-07)
Kontrabass:
German Arago (am 1934-11-07)
Posaune:
Lionel Guimarães (am 1934-11-07)
Schlagzeug:
Oliver Tines (am 1934-11-07)
Tenorsaxophon:
Alfred Pratt (am 1934-11-07)
Trompete:
Louis Armstrong (am 1934-11-07), Jack Hamilton (jazz trumpeter) (am 1934-11-07) und Leslie Thompson (am 1934-11-07)
vocals:
Louis Armstrong (am 1934-11-07)
aufgenommen bei:
Studio Polydor in Paris, Île-de-France, Frankreich (am 1934-11-07)
recording of:
Song of the Vipers (am 1934-11-07)
Komponist(in):
Louis Armstrong
2:54
7I'm in the Mood for Love
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Bass:
George "Pops" Foster (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
I’m in the Mood for Love (am 1935-10-03)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
recording of:
I’m in the Mood for Love
Texter:
Dorothy Fields (American librettist and lyricist)
Verfasser(in):
James Moody (jazz saxophonist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
CBS Hastings Catalog inc. und SBK Robbins Catalog, Inc.
Version von:
I’m in the Mood for Love
43:13
8You Are My Lucky Star
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Kontrabass:
George "Pops" Foster (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
You Are My Lucky Star (from 1935’s “Broadway Melody of 1936” and 1952’s “Singin’ in the Rain”) (am 1934-10-03)
Texter:
Arthur Freed (bis 1935-08-25)
Komponist(in):
Nacio Herb Brown (US songwriter) (bis 1935-08-25)
publisher:
Robbins Music Corporation
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Singin’ in the Rain (soundtrack of the 1952 film)
Teil von:
Singin’ in the Rain (stage musical)
3:04
9La Cucaracha
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Kontrabass:
George "Pops" Foster (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
La cucaracha (am 1934-10-03)
Texter und Komponist(in):
[traditional] (special purpose artist)
2:44
10Got a Bran' New Suit
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Kontrabass:
George "Pops" Foster (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
Got a Bran’ New Suit (am 1935-10-03)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
Teil von:
The Band Wagon (1953 film)
2:56
11I've Got My Fingers Crossed
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-21)
Gitarre:
Lee Blair (am 1935-11-21)
Klavier:
Luis Russell (am 1935-11-21)
Kontrabass:
George "Pops" Foster (am 1935-11-21)
Posaune:
Jimmy Archey (am 1935-11-21) und Harry White (jazz trombonist) (am 1935-11-21)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-11-21), Henry “Moon” Jones (swing era reeds) (am 1935-11-21) und Bingie Madison (am 1935-11-21)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-11-21)
Tenorsaxophon:
Greely Walton (am 1935-11-21)
Trompete:
Gus Aiken (am 1935-11-21), Louis Armstrong (am 1935-11-21), Louis Bacon (am 1935-11-21) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-11-21)
vocals:
Louis Armstrong (am 1935-11-21)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-21)
recording of:
I've Got My Fingers Crossed (am 1935-11-21)
Texter:
Ted Koehler
Komponist(in):
Jimmy McHugh (songwriter)
2:32
12Ol' Man Mose
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-22)
Bass:
George "Pops" Foster (am 1935-11-22)
Gitarre:
Lee Blair (am 1935-11-22)
Klavier:
Luis Russell (am 1935-11-22)
Posaune:
Jimmy Archey (am 1935-11-22) und Harry White (jazz trombonist) (am 1935-11-22)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-11-22), Henry “Moon” Jones (swing era reeds) (am 1935-11-22) und Bingie Madison (am 1935-11-22)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-11-22)
Tenorsaxophon:
Greely Walton (am 1935-11-22)
Trompete:
Gus Aiken (am 1935-11-22), Louis Armstrong (am 1935-11-22), Louis Bacon (am 1935-11-22) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-11-22)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-22)
recording of:
Ol’ Man Mose (am 1935-11-22)
Verfasser(in):
Louis Armstrong und Zilner Randolph
42:38
13I'm Shooting High
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-22)
Gitarre:
Lee Blair (am 1935-11-22)
Klavier:
Luis Russell (am 1935-11-22)
Kontrabass:
George "Pops" Foster (am 1935-11-22)
Posaune:
Jimmy Archey (am 1935-11-22) und Harry White (jazz trombonist) (am 1935-11-22)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-11-22), Henry “Moon” Jones (swing era reeds) (am 1935-11-22) und Bingie Madison (am 1935-11-22)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-11-22)
Tenorsaxophon:
Greely Walton (am 1935-11-22)
Trompete:
Gus Aiken (am 1935-11-22), Louis Armstrong (am 1935-11-22), Louis Bacon (am 1935-11-22) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-11-22)
vocals:
Louis Armstrong (am 1935-11-22)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-22)
recording of:
I’m Shooting High (am 1935-11-22)
Verfasser(in):
Ted Koehler und Jimmy McHugh (songwriter)
42:56
14Falling in Love With You
recorded in:
New York, New York, Vereinigte Staaten (am 1935-11-22)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-11-22) und Henry “Moon” Jones (swing era reeds) (am 1935-11-22)
Gitarre:
Lee Blair (am 1935-11-22)
Klarinette:
Bingie Madison (am 1935-11-22)
Klavier:
Luis Russell (am 1935-11-22)
Kontrabass:
George "Pops" Foster (am 1935-11-22)
Posaune:
Jimmy Archey (am 1935-11-22) und Harry White (jazz trombonist) (am 1935-11-22)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-11-22)
Tenorsaxophon:
Greely Walton (am 1935-11-22)
Trompete:
Gus Aiken (am 1935-11-22), Louis Armstrong (am 1935-11-22), Louis Bacon (am 1935-11-22) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-11-22)
vocals:
Louis Armstrong (am 1935-11-22)
Orchester:
Louis Armstrong & His Orchestra (am 1935-11-22)
recording of:
(Was I to Blame for) Falling in Love With You (am 1935-11-22)
Verfasser(in):
Chester Conn, Gus Kahn und Victor Young (American composer, arranger, violinist & conductor)
3:12
15Red Sails in the Sunset
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-13)
Gitarre:
Lee Blair (am 1935-12-13)
Klavier:
Luis Russell (am 1935-12-13)
Kontrabass:
George "Pops" Foster (am 1935-12-13)
Posaune:
Jimmy Archey (am 1935-12-13) und Harry White (jazz trombonist) (am 1935-12-13)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-13), Henry “Moon” Jones (swing era reeds) (am 1935-12-13) und Bingie Madison (am 1935-12-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-13)
Tenorsaxophon:
Greely Walton (am 1935-12-13)
Trompete:
Gus Aiken (am 1935-12-13), Louis Armstrong (am 1935-12-13), Louis Bacon (am 1935-12-13) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-13)
vocals:
Louis Armstrong (am 1935-12-13)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-13)
recording of:
Red Sails in the Sunset (am 1935-12-13)
Texter:
James B. Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
3:04
16On Treasure Island
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-13)
Gitarre:
Lee Blair (am 1935-12-13)
Klavier:
Luis Russell (am 1935-12-13)
Kontrabass:
George "Pops" Foster (am 1935-12-13)
Posaune:
Jimmy Archey (am 1935-12-13) und Harry White (jazz trombonist) (am 1935-12-13)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-13), Henry “Moon” Jones (swing era reeds) (am 1935-12-13) und Bingie Madison (am 1935-12-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-13)
Tenorsaxophon:
Greely Walton (am 1935-12-13)
Trompete:
Gus Aiken (am 1935-12-13), Louis Armstrong (am 1935-12-13), Louis Bacon (am 1935-12-13) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-13)
vocals:
Louis Armstrong (am 1935-12-13)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-13)
recording of:
On Treasure Island (am 1935-12-13)
Texter:
Edgar Leslie
Komponist(in):
Joe Burke (American composer)
3:07
17Thanks a Million
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-19)
Gitarre:
Lee Blair (am 1935-12-19)
Klavier:
Luis Russell (am 1935-12-19)
Kontrabass:
George "Pops" Foster (am 1935-12-19)
Posaune:
Jimmy Archey (am 1935-12-19) und Harry White (jazz trombonist) (am 1935-12-19)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-19), Henry “Moon” Jones (swing era reeds) (am 1935-12-19) und Bingie Madison (am 1935-12-19)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-19)
Tenorsaxophon:
Greely Walton (am 1935-12-19)
Trompete:
Gus Aiken (am 1935-12-19), Louis Armstrong (am 1935-12-19), Louis Bacon (am 1935-12-19) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-19)
vocals:
Louis Armstrong (am 1935-12-19)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-19)
recording of:
Thanks a Million (am 1935-12-19)
Texter:
Gus Kahn
Komponist(in):
Arthur Johnston (American composer and songwriter)
2:39
18Shoe Shine Boy
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-19)
Gitarre:
Lee Blair (am 1935-12-19)
Klavier:
Luis Russell (am 1935-12-19)
Kontrabass:
George "Pops" Foster (am 1935-12-19)
Posaune:
Jimmy Archey (am 1935-12-19) und Harry White (jazz trombonist) (am 1935-12-19)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-19), Henry “Moon” Jones (swing era reeds) (am 1935-12-19) und Bingie Madison (am 1935-12-19)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-19)
Tenorsaxophon:
Greely Walton (am 1935-12-19)
Trompete:
Gus Aiken (am 1935-12-19), Louis Armstrong (am 1935-12-19), Louis Bacon (am 1935-12-19) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-19)
vocals:
Louis Armstrong (am 1935-12-19)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-19)
recording of:
Shoe Shine Boy (am 1934-12-19)
Texter:
Sammy Cahn
Komponist(in):
Saul Chaplin
3:20
19Solitude
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-19)
Gitarre:
Lee Blair (am 1935-12-19)
Klavier:
Luis Russell (am 1935-12-19)
Kontrabass:
George "Pops" Foster (am 1935-12-19)
Posaune:
Jimmy Archey (am 1935-12-19) und Harry White (jazz trombonist) (am 1935-12-19)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-19), Henry “Moon” Jones (swing era reeds) (am 1935-12-19) und Bingie Madison (am 1935-12-19)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-19)
Tenorsaxophon:
Greely Walton (am 1935-12-19)
Trompete:
Gus Aiken (am 1935-12-19), Louis Armstrong (am 1935-12-19), Louis Bacon (am 1935-12-19) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-19)
vocals:
Louis Armstrong (am 1935-12-19)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-19)
recording of:
(In My) Solitude (am 1935-12-19)
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
3:01
20I Hope Gabriel Likes My Music
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-19)
Gitarre:
Lee Blair (am 1935-12-19)
Klavier:
Luis Russell (am 1935-12-19)
Kontrabass:
George "Pops" Foster (am 1935-12-19)
Posaune:
Jimmy Archey (am 1935-12-19) und Harry White (jazz trombonist) (am 1935-12-19)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-19), Henry “Moon” Jones (swing era reeds) (am 1935-12-19) und Bingie Madison (am 1935-12-19)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-19)
Tenorsaxophon:
Greely Walton (am 1935-12-19)
Trompete:
Gus Aiken (am 1935-12-19), Louis Armstrong (am 1935-12-19), Louis Bacon (am 1935-12-19) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-19)
vocals:
Louis Armstrong (am 1935-12-19)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-19)
recording of:
I Hope Gabriel Likes My Music (am 1935-12-19)
Komponist(in):
Dave Franklin (cartoon music composer)
3:19
21The Music Goes 'round and Around
recorded in:
New York, New York, Vereinigte Staaten (am 1936-01-18)
Gitarre:
Lee Blair (am 1936-01-18)
Klavier:
Luis Russell (am 1936-01-18)
Kontrabass:
George "Pops" Foster (am 1936-01-18)
Posaune:
Jimmy Archey (am 1936-01-18) und Harry White (jazz trombonist) (am 1936-01-18)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1936-01-18), Henry “Moon” Jones (swing era reeds) (am 1936-01-18) und Bingie Madison (am 1936-01-18)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1936-01-18)
Tenorsaxophon:
Greely Walton (am 1936-01-18)
Trompete:
Gus Aiken (am 1936-01-18), Louis Armstrong (am 1936-01-18), Louis Bacon (am 1936-01-18) und Leonard "Ham" Davis (American jazz trumpeter) (am 1936-01-18)
vocals:
Louis Armstrong (am 1936-01-18)
Orchester:
Louis Armstrong & His Orchestra (am 1936-01-18)
recording of:
The Music Goes Round and Round (by E. Farley, M. Riley, R. Hodgson) (am 1936-01-18)
Texter:
Red Hodgson (in 1935)
Komponist(in):
Edward Farley (US trumpeter, multi-instrumentalist & composer) (in 1935) und Mike Riley (US jazz trombonist & songwriter) (in 1935)
3:19
22Rhythm Saved the World
recorded in:
New York, New York, Vereinigte Staaten (am 1936-01-18)
Bass:
George "Pops" Foster (am 1936-01-18)
Gitarre:
Lee Blair (am 1936-01-18)
Klavier:
Luis Russell (am 1936-01-18)
Posaune:
Jimmy Archey (am 1936-01-18) und Harry White (jazz trombonist) (am 1936-01-18)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1936-01-18), Henry “Moon” Jones (swing era reeds) (am 1936-01-18) und Bingie Madison (am 1936-01-18)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1936-01-18)
Tenorsaxophon:
Greely Walton (am 1936-01-18)
Trompete:
Gus Aiken (am 1936-01-18), Louis Armstrong (am 1936-01-18), Louis Bacon (am 1936-01-18) und Leonard "Ham" Davis (American jazz trumpeter) (am 1936-01-18)
vocals:
Louis Armstrong (am 1936-01-18)
Orchester:
Louis Armstrong & His Orchestra (am 1936-01-18)
recording of:
Rhythm Saved the World (am 1936-01-18)
Texter:
Sammy Cahn
Komponist(in):
Saul Chaplin
3:06
23I'm Putting All My Eggs in One Basket
recorded in:
New York, New York, Vereinigte Staaten (am 1936-02-04)
alto saxophone:
Phil Waltzer (am 1936-02-04)
Gitarre:
Dave Barbour (am 1936-02-04)
Klarinette:
Sid Trucker (am 1936-02-04)
Klavier:
Fulton McGrath (am 1936-02-04)
Kontrabass:
Pete Peterson (jazz bassist) (am 1936-02-04)
Posaune:
Al Philburn (am 1936-02-04)
Schlagzeug:
Stan King (Big band-era drummer) (am 1936-02-04)
Tenorsaxophon:
Paul Ricci (am 1936-02-04)
Trompete:
Louis Armstrong (am 1936-02-04), Bunny Berigan (am 1936-02-04) und Bob Mayhew (am 1936-02-04)
vocals:
Louis Armstrong (am 1936-02-04)
Orchester:
Louis Armstrong & His Orchestra (am 1936-02-04)
recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (am 1936-02-04)
Texter und Komponist(in):
Irving Berlin (in 1936)
2:59

Nennungen

Veröffentlichung

ASIN:FR: B00007GX3Y [Info]

Veröffentlichungsgruppe

Teil von:The Chronological Classics (Nummer: 509) (Reihenfolge: 18)
Discogs:https://www.discogs.com/master/2721035 [Info]
Wikidata:Q48833403 [Info]