I'm Walkin'

~ Release by Harumi Kaneko, Ron Carter (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1I'm Walkin'
recording engineer:
Rudy van Gelder (from 1988-05-06 until 1988-05-07)
producer:
Ron Carter (US jazz double-bassist) and 児山紀芳
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1988-05-06 until 1988-05-07)
drums (drum set):
Grady Tate (from 1988-05-06 until 1988-05-07)
guitar:
Eric Gale (from 1988-05-06 until 1988-05-07)
piano:
Cedar Walton (from 1988-05-06 until 1988-05-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1988-05-06 until 1988-05-07)
recording of:
I’m Walkin’ (in 1988-05)
lyricist and composer:
Antoine Dominique Domino (Fats Domino) and Dave Bartholomew
publisher:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. and Rolf Budde Musikverlag (aka Budde Music)
4:19
2Sweet Georgia Brown
recording engineer:
Rudy van Gelder (from 1988-05-06 until 1988-05-07)
producer:
Ron Carter (US jazz double-bassist) and 児山紀芳
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1988-05-06 until 1988-05-07)
drums (drum set):
Grady Tate (from 1988-05-06 until 1988-05-07)
guitar:
Gene Bertoncini (guitar player) (from 1988-05-06 until 1988-05-07)
piano:
Cedar Walton (from 1988-05-06 until 1988-05-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1988-05-06 until 1988-05-07)
instrumental recording of:
Sweet Georgia Brown (in 1988-05)
lyricist:
Kenneth Casey (in 1925)
composer:
Ben Bernie (in 1925) and Maceo Pinkard (in 1925)
publisher:
Remick Music Corp. and Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
4:01
3Gee Baby, Ain't I Good to You
recording engineer:
Rudy van Gelder (from 1988-05-06 until 1988-05-07)
producer:
Ron Carter (US jazz double-bassist) and 児山紀芳
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1988-05-06 until 1988-05-07)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1988-05-06 until 1988-05-07)
guitar:
Gene Bertoncini (guitar player) (from 1988-05-06 until 1988-05-07)
piano:
Cedar Walton (from 1988-05-06 until 1988-05-07)
vocals:
Grady Tate (from 1988-05-06 until 1988-05-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1988-05-06 until 1988-05-07)
instrumental recording of:
Gee, Baby Ain’t I Good to You (in 1988-05)
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
3:45
4Squatty Boo
recording engineer:
Rudy van Gelder (from 1988-05-06 until 1988-05-07)
producer:
Ron Carter (US jazz double-bassist) and 児山紀芳
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1988-05-06 until 1988-05-07)
drums (drum set):
Grady Tate (from 1988-05-06 until 1988-05-07)
guitar:
Eric Gale (from 1988-05-06 until 1988-05-07)
piano:
Cedar Walton (from 1988-05-06 until 1988-05-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1988-05-06 until 1988-05-07)
recording of:
Squatty Roo (in 1988-05)
composer:
Johnny Hodges
3:41
5Moanin'
recording engineer:
Rudy van Gelder (from 1988-05-06 until 1988-05-07)
producer:
Ron Carter (US jazz double-bassist) and 児山紀芳
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1988-05-06 until 1988-05-07)
drums (drum set):
Grady Tate (from 1988-05-06 until 1988-05-07)
guitar:
Eric Gale (from 1988-05-06 until 1988-05-07)
piano:
Cedar Walton (from 1988-05-06 until 1988-05-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1988-05-06 until 1988-05-07)
recording of:
Moanin’ (in 1988-05)
composer:
Bobby Timmons
publisher:
Orphum Music Inc.
5:31
6Cute
recording engineer:
Rudy van Gelder (from 1988-05-06 until 1988-05-07)
producer:
Ron Carter (US jazz double-bassist) and 児山紀芳
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1988-05-06 until 1988-05-07)
drums (drum set):
Grady Tate (from 1988-05-06 until 1988-05-07)
guitar:
Gene Bertoncini (guitar player) (from 1988-05-06 until 1988-05-07)
piano:
Cedar Walton (from 1988-05-06 until 1988-05-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1988-05-06 until 1988-05-07)
recording of:
Cute (in 1988-05)
lyricist:
Stanley Styne
composer and arranger:
Neal Hefti
publisher:
WB Music Corp. (1929–2019)
3:48
7Baby Won't You Please Come Home
recording engineer:
Rudy van Gelder (from 1988-05-06 until 1988-05-07)
producer:
Ron Carter (US jazz double-bassist) and 児山紀芳
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1988-05-06 until 1988-05-07)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1988-05-06 until 1988-05-07)
guitar:
Gene Bertoncini (guitar player) (from 1988-05-06 until 1988-05-07)
piano:
Cedar Walton (from 1988-05-06 until 1988-05-07)
vocals:
Grady Tate (from 1988-05-06 until 1988-05-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1988-05-06 until 1988-05-07)
instrumental recording of:
Baby Won’t You Please Come Home (in 1988-05)
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
4:09
8In a Mellow Tone
recording engineer:
Rudy van Gelder (from 1988-05-06 until 1988-05-07)
producer:
Ron Carter (US jazz double-bassist) and 児山紀芳
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1988-05-06 until 1988-05-07)
drums (drum set):
Grady Tate (from 1988-05-06 until 1988-05-07)
guitar:
Gene Bertoncini (guitar player) (from 1988-05-06 until 1988-05-07)
piano:
Cedar Walton (from 1988-05-06 until 1988-05-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1988-05-06 until 1988-05-07)
instrumental recording of:
In a Mellow Tone (in 1988-05)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
4:21
9What a Little Moonlight Can Do
recording engineer:
Rudy van Gelder (from 1988-05-06 until 1988-05-07)
producer:
Ron Carter (US jazz double-bassist) and 児山紀芳
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1988-05-06 until 1988-05-07)
drums (drum set):
Grady Tate (from 1988-05-06 until 1988-05-07)
guitar:
Gene Bertoncini (guitar player) (from 1988-05-06 until 1988-05-07)
piano:
Cedar Walton (from 1988-05-06 until 1988-05-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1988-05-06 until 1988-05-07)
instrumental recording of:
What a Little Moonlight Can Do (in 1988-05)
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) and Warner Brothers Music Inc.
2:24
10Take the A Train
recording engineer:
Rudy van Gelder (from 1988-05-06 until 1988-05-07)
producer:
Ron Carter (US jazz double-bassist) and 児山紀芳
double bass [bass]:
Ron Carter (US jazz double-bassist) (from 1988-05-06 until 1988-05-07)
drums (drum set):
Grady Tate (from 1988-05-06 until 1988-05-07)
guitar:
Gene Bertoncini (guitar player) (from 1988-05-06 until 1988-05-07)
piano:
Cedar Walton (from 1988-05-06 until 1988-05-07)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1988-05-06 until 1988-05-07)
instrumental recording of:
Take the “A” Train (version with lyrics by Sherrill) (in 1988-05)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
5:50