That’s Jazz: Simply the Best of Jazz

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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▼ CD 1
#TitoloArtistaValutazioneDurata
1Birdland
assistente tecnico:
Jerry Hudgins e Brian Risner
tecnico:
Ron Malo
assistente produttore:
Wayne Shorter (US jazz saxophonist and composer)
co-produttore:
Jaco Pastorius
produttore:
Jaco Pastorius, Wayne Shorter (US jazz saxophonist and composer) e Joe Zawinul (jazz and fusion keyboard player)
basso elettrico [bass] e mandoloncello :
Jaco Pastorius (dal 1976 al 1977)
batteria :
Alex Acuña (dal 1976 al 1977)
melodica , pianoforte a coda [acoustic piano] e sintetizzatore analogico [Oberheim Polyphonic] :
Joe Zawinul (jazz and fusion keyboard player) (dal 1976 al 1977)
sassofono soprano e sassofono tenore :
Wayne Shorter (US jazz saxophonist and composer) (dal 1976 al 1977)
sintetizzatore analogico [Arp 2600] :
Joe Zawinul (jazz and fusion keyboard player)
tamburello :
Manolo Badrena (dal 1976 al 1977)
voce:
Jaco Pastorius (dal 1976 al 1977) e Joe Zawinul (jazz and fusion keyboard player) (dal 1976 al 1977)
orchestratore:
Joe Zawinul (jazz and fusion keyboard player)
registrata presso:
Devonshire Sound Studios in North Hollywood, Los Angeles, California, Stati Uniti (dal 1976 al 1977)
registrazione di:
Birdland (instrumental) (dal 1976 al 1977)
compositore:
Joe Zawinul (jazz and fusion keyboard player)
editore:
Mulatto Music, Songs of Universal, Inc. (BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Weather Report56:00
2Morning Dance
Spyro Gyra3:57
3Cantaloupe Island
registrazione di:
Cantaloupe Island
compositore:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
editore:
Hancock Music Company
Herbie Hancock4:05
4Have You Ever Had It Blue?
registrazione di:
Have You Ever Had It Blue
autore:
Paul Weller (English singer-songwriter and musician)
The Style Council5:37
5The Girl From Ipanema
registrazione di:
The Girl From Ipanema
paroliere:
Vinicius de Moraes (O poetinha)
compositore:
Antônio Carlos Jobim
traduttore:
Norman Gimbel
editore:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. e Words West LLC
sub-editore:
Universal Music Publishing Ltd. (Hong Kong)
versione tradotta di:
Garota de Ipanema
parte di:
The Real Book (compilation of jazz standards, Volume I)
Astrud Gilberto3:38
6My Baby Just Cares for Me
registrata a:
New York, New York, Stati Uniti (nel 1957-12)
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte :
Nina Simone (nel 1957-12)
voce:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone43:35
7Fever
registrazione cover di:
Fever
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee3:17
8At Last
Dianne Reeves & Lou Rawls3:37
9Songbird
registrazione di:
Songbird
compositore:
Kenny G (saxophonist)
editore:
EMI Blackwood Music Inc., High Tech Music, Kenny G Music e Kuzu Music (publisher)
Kenny G5:01
10Midnight at the Oasis
tecnico:
Lee Herschberg e Donn Landee
produttore:
Joe Boyd (US producer, founder of Hannibal Records) e Lenny Waronker
tecnico di missaggio:
Lee Herschberg
batteria :
Jim Gordon (US drummer with Derek and the Dominos)
chitarra acustica :
David Nichtern
chitarra basso :
Freebo
chitarra elettrica :
Amos Garrett
pianoforte :
Mark T. Jordan
voce:
Maria Muldaur
voce parlata:
Greg Prestopino
arrangiatore archi :
Nick de Caro
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Midnight at the Oasis
paroliere e compositore:
David Nichtern
editore:
Space Potato Music (nel 1974)
Maria Muldaur43:46
11Lily Was Here
tecnico di registrazione:
Steve McLaughlin (British producer, engineer, musician and film producer)
produttore:
David A. Stewart (UK guitarist/singer for Eurythmics)
tecnico di missaggio:
Gary Bradshaw
chitarra :
David A. Stewart (UK guitarist/singer for Eurythmics)
sassofono ospite :
Candy Dulfer
diritti fonografici (℗) detenuti da:
Eligible Music Ltd. (nel 1989)
registrazione di:
Lily Was Here
compositore:
David A. Stewart (UK guitarist/singer for Eurythmics)
editore:
BMG Music Publishing Ltd. e Eligible Music Ltd.
Dave Stewart feat. Candy Dulfer3.754:18
12Walk on the Wild Side
Jimmy Smith5:53
13Moanin’
Art Blakey4:01
14Song for My Father
Horace Silver5:11
15Always There
Ronnie Laws4:41
16Walkin’ in Rhythm
registrazione di:
Walking in Rhythm
autore:
Barney Perry
The Blackbyrds4:13
17Change (Make’s You Want to Hustle)
tecnico:
Val Garay, Steve Maslow e Jim Nipar
produttore:
Fonce Mizell e Larry Mizell
tecnico di missaggio:
David Hassinger
basso elettrico [fender] :
Chuck Rainey (American bassist) (il 1975-08-18)
batteria :
Harvey Mason (jazz drummer) (il 1975-08-18)
chitarra :
Craig McMullen (il 1975-08-18) e John Rowin (jazz guitarist) (il 1975-08-18)
clavinet e tromba :
Fonce Mizell (il 1975-08-18)
congas :
Mayuto Correa (il 1975-08-18) e King Errisson (conguero) (il 1975-08-18)
flicorno soprano e tromba :
Donald Byrd (American jazz trumpeter) (il 1975-08-18)
percussione :
Mayuto Correa (il 1975-08-18)
pianoforte :
Larry Mizell (il 1975-08-18)
pianoforte elettrico :
Skip Scarborough (il 1975-08-18)
sassofono tenore :
Tyree Glenn, Jr. (il 1975-08-18)
tromba :
Ray Brown (soul/jazz trumpet player Raymond Lee Brown, 75-) (il 1975-08-18)
trombone :
George Bohanon (il 1975-08-18)
voce:
Donald Byrd (American jazz trumpeter) (il 1975-08-18)
voce di accompagnamento:
Kay Haith (vocalist) (il 1975-08-18), Fonce Mizell (il 1975-08-18) e Larry Mizell (il 1975-08-18)
direttore d'orchestra:
Wade Marcus (il 1975-08-18)
arrangiatore archi :
Wade Marcus
arrangiatore:
Larry Mizell
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (il 1975-08-18)
registrazione di:
Change (Makes You Want to Hustle) (il 1975-08-18)
paroliere e compositore:
Laurence C. Clinton Mizell
editore:
Alruby Music Inc.
Donald Byrd5:06
▼ CD 2
#TitoloArtistaValutazioneDurata
1Let’s Face the Music and Dance
registrazione di:
Let’s Face the Music and Dance (from “Follow the Fleet”)
paroliere e compositore:
Irving Berlin (nel 1936)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp. e Williamson Music Company
parte di:
Follow the Fleet (1936 film)
Nat King Cole2:26
2Everytime We Say Goodbye
registrazione cover di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (nel 1956)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3:33
3We Have All the Time in the World
produttore:
John Barry (English score composer) e Phil Ramone
voce principale:
Louis Armstrong
direttore d'orchestra:
John Barry (English score composer)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
registrazione di:
We Have All the Time in the World (from the film "On Her Majesty’s Secret Service")
paroliere:
Hal David
compositore:
John Barry (English score composer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e EMI United Partnership Ltd.
parte di:
James Bond themes
parte di:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:14
4Mack the Knife
produttore:
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun e Jerry Wexler
voce:
Bobby Darin
direttore d'orchestra:
Richard Wess
arrangiatore:
Richard Wess
parte di:
Grammy Award: Record of the Year nominees (numero: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (numero: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 40) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 251)
registrazione cover di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:04
5Body and Soul
registrazione di:
Body and Soul
paroliere:
Frank Eyton (nel 1930), Edward Heyman (nel 1930) e Robert Sour (nel 1930)
compositore:
Edward Heyman, Robert Sour e John Green (composer and conductor, often credited as John Green) (nel 1930)
editore:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Manhattan Transfer4:26
6Take Five
Dave Brubeck5:24
7I Wish I Knew (How It Would Feel to Be Free)
Billy Taylor Trio3:40
8I’ve Got the World on a String
registrazione di:
I’ve Got the World on a String
paroliere:
Ted Koehler (nel 1932)
compositore:
Harold Arlen (nel 1932)
editore:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. e S.A. Music Co.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Anita O’Day3:59
9Love for Sale
registrata a:
New York, New York, Stati Uniti (il 1965-02-10)
produttore:
Clyde Otis (American songwriter and record producer)
tecnico di missaggio:
Leo Sacks e Mark Wilder (US recording/mastering engineer)
basso :
James Richardson (il 1965-02-10)
batteria :
Hindal Butts (il 1965-02-10)
chitarra :
Kenny Burrell (il 1965-02-10)
voce:
Aretha Franklin (il 1965-02-10)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1965)
registrazione dal vivo cover di:
Love for Sale (il 1965-02-10)
paroliere e compositore:
Cole Porter (composer) (nel 1930)
editore:
Chappell & Co., Chappell Music Ltd., Harms, Inc. e Warner Bros., Inc. (not for release label use!)
registrazione cover di:
Love for Sale
paroliere e compositore:
Cole Porter (composer) (nel 1930)
editore:
Chappell & Co., Chappell Music Ltd., Harms, Inc. e Warner Bros., Inc. (not for release label use!)
Aretha Franklin32:30
10Passing Strangers
registrazione di:
Passing Strangers
autore:
Rita Mann (songwriter) (nel 1957) e Mel Mitchell (songwriter) (nel 1957)
Billy Eckstine & Sarah Vaughan32:39
11Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
voce:
Julie London (nel 1955-08)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.52:56
12My Funny Valentine
produttore:
Richard Bock (record producer)
batteria :
Bob Neel (il 1954-02-15)
contrabbasso :
Carson Smith (il 1954-02-15)
pianoforte :
Russ Freeman (pianist) (il 1954-02-15)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1954) e Blue Note (nel 1989)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-02-15)
registrazione cover di:
My Funny Valentine (from “Babes in Arms”) (il 1954-02-15)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, Volume I)
parte di:
Waiting to Exhale (1995 film)
Chet Baker2.52:18
13Yesterdays
produttore:
Alfred Lion
basso e contrabbasso :
Oscar Pettiford (il 1952-05-09)
batteria :
Kenny Clarke (il 1952-05-09)
pianoforte :
Gil Coggins (il 1952-05-09)
sassofono contralto :
Jackie McLean (jazz saxophonist) (il 1952-05-09)
tromba :
Miles Davis (jazz trumpeter, bandleader, songwriter) (il 1952-05-09)
trombone :
J.J. Johnson (jazz/bop trombonist/session leader) (il 1952-05-09)
registrata presso:
WOR Studios in New York, New York, Stati Uniti (il 1952-05-09)
registrazione strumentale di:
Yesterdays (il 1952-05-09)
paroliere:
Otto Harbach
compositore:
Jerome Kern
editore:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
Roberta
Miles Davis3:45
14Take the ‘A’ Train
registrazione di:
Take the “A” Train (version with lyrics by Sherrill)
paroliere:
Joya Sherrill (nel 1944)
compositore:
Billy Strayhorn (nel 1939)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
versione di:
Take the “A” Train (original instrumental version)
Duke Ellington2:56
15Ain’t Misbehavin’
Fats Waller3:53
16Call Me Irresponsible
registrazione cover di:
Call Me Irresponsible
paroliere:
Sammy Cahn
compositore:
Jimmy Van Heusen
editore:
Paramount Music Corporation
parte di:
The 36th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 36)
Dinah Washington2:18
17Thinkin’ About Your Body
Bobby McFerrin3:12
18Stormy Monday Blues
registrazione di:
Stormy Monday Blues
autore:
Bob Crowder (tenor saxophone), Billy Eckstine e Earl Hines (jazz pianist and bandleader)
editore:
7 Arts e Warner Bros. (holding: File NO Releases)
Count Basie and Billy Eckstine3:11
19Summertime
voce:
Sarah Vaughan (il 1949-12-21)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1949)
registrazione cover di:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (il 1949-12-21)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan3:13
20Misty
registrazione strumentale di:
Misty
paroliere:
Johnny Burke (American lyricist, 1908-1964)
compositore:
Erroll Garner
editore:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) e WB Music Corp. (1929–2019)
si basa su:
Misty (original instrumental work)
Erroll Garner2:47
21Round Midnight
Mel Tormé3:13
22Let There Be Love
pianoforte :
George Shearing (British jazz pianist)
voce:
Nat King Cole
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1962)
registrazione cover di:
Let There Be Love (il 1961-12-20)
paroliere:
Ian Grant (lyricist)
compositore:
Lionel Rand
editore:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole2.52:45
23Chicago
produttore:
Teddy Reig
batteria :
Sonny Payne (nel 1959-01)
chitarra :
Freddie Green (nel 1959-01)
contrabbasso :
Eddie Jones (US jazz double bassist) (nel 1959-01)
pianoforte :
Ralph Sharon e Count Basie (pianist) (nel 1959-01)
sassofono baritono :
Charlie Fowlkes (nel 1959-01)
sassofono contralto :
Marshall Royal (nel 1959-01) e Frank Wess (nel 1959-01)
sassofono tenore :
Frank Foster (saxophonist) (nel 1959-01) e Billy Mitchell (US jazz saxophonist) (nel 1959-01)
tromba :
Wendell Culley (nel 1959-01), Thad Jones (nel 1959-01), Joe Newman (US jazz trumpeter) (nel 1959-01) e Snooky Young (nel 1959-01)
trombone :
Henry Coker (nel 1959-01), Al Grey (trombone) (nel 1959-01) e Benny Powell (nel 1959-01)
voce:
Tony Bennett (US jazz/standards vocalist) (nel 1959-01)
esecutore:
Tony Bennett (US jazz/standards vocalist)
arrangiatore:
Ralph Sharon
registrazione dal vivo cover di:
Chicago (That Toddlin’ Town) (nel 1959-01)
paroliere e compositore:
Fred Fisher (nel 1922)
editore:
Fisher Music Corp. e Salabert
Tony Bennett42:06

Accreditamenti