Don't Stop the 80's

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

First edition with yellow 2-D cover.

FIXME: The track times on disc 1 differ significantly from those on disc 1 of the second edition. I'm skeptical whether that is correct.

Annotation last modified on 2015-12-28 17:02 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1The Great Commandment
recording of:
The Great Commandment
lyricist:
Marcus Meyn
composer:
Oliver Kreyssig, Heiko Maile and Marcus Meyn
publisher:
Blue Box Publishing Promotion Karin Wirthmann
Camouflage3:09
2True Faith
recording of:
True Faith
writer:
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
American Psycho
New Order4:01
3The Wild Boys
recording of:
The Wild Boys
writer:
Andrew Taylor (of Duran Duran), Nicholas James Bates, Nigel John Taylor (UK bassist for Duran Duran), Roger Andrew Taylor (Duran Duran drummer) and Simon John Charles Le Bon (singer for Duran Duran)
publisher:
EMI Music Publishing (do not use as a release label!), Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. and Noticevale Ltd.
Duran Duran4:29
4Oh L'amour
recording of:
Oh l’amour
writer:
Andy Bell (singer / songwriter for Erasure) and Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
Erasure3:25
5Such a Shame
producer:
Tim Friese‐Greene
recording of:
Such a Shame
lyricist and composer:
Mark Hollis
publisher:
Hollis Songs Ltd., Island Music (Island Music Ltd.), Island Music Ltd., Universal Music Ltd. (Universal Music Limited, Hong Kong holding company - do not use as imprint. Legal name of Universal Music Hong Kong.), Universal–Songs of PolyGram International, Inc. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Talk Talk3.955:43
6Shout
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 2014)
recording of:
Shout (in 1984)
writer:
Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use!), Roland Orzabal Ltd. and Virgin Music (Publishers) Ltd.
Tears for Fears4.54:05
7Hold Me Now
recording of:
Hold Me Now (Thompson Twins song)
writer:
Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey (Thompson Twins)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. and Point Music (publisher)
Thompson Twins4:11
8I Ran
recording engineer:
Mike Score
engineer:
Mike Shipley (audio engineer, mixer, producer)
producer:
Mike Howlett
bass guitar and background vocals:
Frank Maudsley
drums (drum set):
Ali Score
guitar:
Paul Reynolds (UK guitarist, in A Flock of Seagulls) and Mike Score
keyboard and lead vocals:
Mike Score
phonographic copyright (℗) by:
Zomba Productions Limited (in 1982) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
music videos:
I Ran by A Flock of Seagulls
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 55)
recording of:
I Ran
writer:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score and Mike Score
publisher:
Universal Music Publishing Pty Ltd. (AU subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.45:03
9The Look of Love, Part 1
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
keyboard:
Mark White (ABC/Vice Versa)
lead vocals:
Martin Fry
strings arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1982)
part of:
TV Cream: Real 100 Best Singles Ever (number: 4), VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 43) and The Downloader’s Music Source Book (number: 73)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (the American arm of Virgin’s publishing company)
part of:
Mantrap (ABC long-form film)
ABC43:28
10Dancing With Tears in My Eyes
recording of:
Dancing With Tears in My Eyes
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
publisher:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) and Sing Sing Songs Ltd.
Ultravox5:00
11Relax
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luis Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (member of Frankie Goes to Hollywood)
conductor:
Stuart Bruce
phonographic copyright (℗) by:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 10) and Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax
lyricist:
William Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Mark O’Toole (former bassist of Frankie Goes to Hollywood) and William Johnson
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood4.13:53
12Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:39
13Don't Go
engineer:
John Fryer (British producer and engineer) and Eric Radcliffe
producer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) and Daniel Miller (British music producer and founder of Mute Records)
vocals:
Alison Moyet
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1982)
recording of:
Don’t Go
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Mega Music Ltd., Musical Moments Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Music Publishing Scandinavia KB
Yazoo4.753:00
14Living in a Box
recording of:
Living in a Box
lyricist and composer:
Steve Piggott and Marcus Vere
publisher:
Brampton Music International and Empire Music Ltd.
Living in a Box3:02
15Gold
recording of:
Gold
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet34:45
16Living on Video
recording of:
Living on Video
lyricist and composer:
Pascal Languirand
publisher:
Costa Demo Productions (publisher) (in 1983)
Trans‐X3:34
17You Spin Me Round
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 19)
recording of:
You Spin Me Round (Like a Record)
writer:
Pete Burns, Steve Coy, Tim Lever and Mike Percy
publisher:
Burning Music Ltd., Métisse Music, Warner Chappell Music France and Westbury Music Ltd.
part of:
American Psycho
Dead or Alive3.54:26
18Fade to Grey
producer:
Midge Ure and Visage (new romantic band from London)
arranger:
Visage (new romantic band from London)
recording of:
Fade to Grey
writer:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) and Midge Ure
publisher:
Island Music Ltd.
Visage4.653:52
19Hypnotic Tango
recording of:
Hypnotic Tango
writer:
Mauro Malavasi and Stefano Micheli (Tayx)
publisher:
Abramo Allione Edizioni Musicali S.R.L.
My Mine6:07
▼ CD 2
#TitleArtistRatingLength
1Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
music videos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) by a‐ha (Norwegian synth‐pop band) and Take On Me (official music video, 1985 version) by a‐ha (Norwegian synth‐pop band)
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 3), VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 26) and The Downloader’s Music Source Book (number: 284)
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy
publisher:
ATV Music Ltd. and EMI Music Publishing (do not use as a release label!)
version of:
Miss Eerie
a‐ha4.53:49
2Sweet Dreams (Are Made of This)
engineer:
A. Williams, D. A. Stewart (UK guitarist/singer for Eurythmics) and R. Crash
producer:
David A. Stewart (UK guitarist/singer for Eurythmics)
performer:
Eurythmics
phonographic copyright (℗) by:
RCA Ltd. (UK arm of RCA) (in 1983)
music videos:
Sweet Dreams by Eurythmics
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 50), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 141), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 353) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 357)
recording of:
Sweet Dreams (Are Made of This)
lyricist:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
composer:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
arranger:
Miriama Young
publisher:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. and Universal Music–MGB Songs
Eurythmics4.153:36
3Big in Japan
producer:
Orlando
phonographic copyright (℗) by:
WEA MUSIK GMBH (company, not a label) (from 1984 to present)
recording of:
Big in Japan
lyricist:
Marian Gold
composer:
Marian Gold, Lloyd Bernhard and Frank Mertens (German synthpop keyboardist Frank Sorgatz)
publisher:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville53:53
4Like a Virgin
recording of:
Like a Virgin
writer:
Tom Kelly (songwriter) and Billy Steinberg
publisher:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.)
Madonna6:08
5Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Jörn‐Uwe Fahrenkrog‐Petersen and Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (UK drummer of The Enid) (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London (Greater London), England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!) and Finchley Music Corp.
Kim Wilde4.43:26
6Running Up That Hill
assistant engineer:
Pearse Dunne
engineer:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker (UK producer/engineer/guitarist)
producer:
Kate Bush
mixer:
Brian Tench
balalaika:
Paddy Bush
bass:
Del Palmer
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel)
guitar:
Alan Murphy (UK session guitarist)
vocals:
Kate Bush
phonographic copyright (℗) by:
EMI America Records (holding - file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
recorded at:
Wickham Farm Home Studio in Welling, Bexley (London Borough of Bexley), London (Greater London), England, United Kingdom
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
music videos:
Running Up That Hill (music video) by Kate Bush
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 60) and Indie 88: Top 500 Indie Rock Songs (number: 279)
recording of:
Running Up That Hill
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works)
Kate Bush3.955:00
7Love Is a Battlefield
producer:
Neil Geraldo, Peter Coleman and Peter Coleman (British engineer & producer)
mixer:
Neil Giraldo and Peter Coleman (British engineer & producer)
bass guitar:
Roger Capps
drums (drum set):
Myron Grombacher
electric guitar:
Neil Giraldo
keyboard:
Charles Giordano (American keyboardist and accordionist)
lead vocals:
Pat Benatar
vocals:
Pat Benatar
phonographic copyright (℗) by:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1983) and Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1984)
recorded at:
MCA Whitney Recording Studios in Glendale, California, United States (in 1983)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Love Is a Battlefield
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing Ltd.
Pat Benatar3.954:10
8I'm Not Scared
recording of:
I’m Not Scared
writer:
Chris Lowe (1/2 of Pet Shop Boys) and Neil Tennant
publisher:
10 Music Ltd. (in 1988) and Cage Music Ltd. (in 1988)
Eighth Wonder3:46
9I Engineer
Animotion4:15
10Too Shy
drums (drum set) programming:
Jez Strode
engineer:
Colin Thurston
producer:
Nick Rhodes and Colin Thurston
bass guitar:
Nick Beggs
ebow [e bow] and guitar:
Steve Askew
synthesizer:
Stuart Croxford Neale
additional vocals:
Nick Beggs and Stuart Croxford Neale
lead vocals:
Limahl
arranger:
Kajagoogoo
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1982)
music videos:
Too Shy by Kajagoogoo
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 9) and VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 27)
recording of:
Too Shy
lyricist:
Nick Beggs and Christopher Hamill
composer:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale and Jez Strode
publisher:
EMI Songs
Kajagoogoo3.853:46
11Dance Hall Days
producer:
Ross Cullum and Chris Hughes (Producer. aka Merrick)
recording of:
Dance Hall Days
writer:
Darren Costin, Nick Feldman and Jack Hues
Wang Chung3.23:56
12Cold Days Hot Nights
recording of:
Cold Days, Hot Nights
lyricist:
Richard Palmer‐James
composer:
Tissy Thiers
Moti Special3:40
13Smalltown Boy
recording of:
Smalltown Boy
writer:
Steve Bronski, Jimmy Somerville and Larry Steinbachek
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), Bronski Music Ltd., Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
Gotcha! (1985 film soundtrack)
Bronski Beat3:58
14Square Rooms
recording of:
Square Rooms
writer:
Al Corley, Harold Faltermeyer and Peter Wood (UK keyboardist/pianist)
Al Corley3:42
15Precious Little Diamond
recording of:
Precious Little Diamond
lyricist:
Silhouette Musmin
composer:
Berth Tamaëla
Fox the Fox3:51
16If I Was
guest performer:
Mark King
recording of:
If I Was
writer:
Danny Mitchell (Scottish songwriter and member of Messengers) and Midge Ure
Midge Ure45:21
17New Song
engineer and producer:
Colin Thurston
lead vocals:
Howard Jones (English singer, songwriter)
part of:
Anti-Hit List: March 18, 1996 (number: 9)
recording of:
New Song
lyricist and composer:
Howard Jones (English singer, songwriter)
Howard Jones4.54:16
18Everything's Coming Up Roses
producer:
Dave Dix (Dave Dix)
mixer:
Dave Dix (Dave Dix) and Bill Price (UK producer/engineer)
recording of:
Everything’s Coming Up Roses
lyricist and composer:
Colin Vearncombe
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!) and Copyright Control Shares (not for release label use! this is only for copyrights and publishing relationships)
Black4.54:08
19Cry
recording of:
Cry
writer:
Lol Creme and Kevin Godley
publisher:
St. Anne’s Music Ltd. (in 1985)
Godley & Creme3:55

Credits

Release group

part of:Don’t Stop the 80’s (number: 1) (order: 1)
Allmusic:https://www.allmusic.com/album/mw0001212454 [info]