Let’s Party

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Individual barcodes:

CD 1: 8711539022372
CD 2: 8711539022389
CD 3: 8711539022396

Annotation last modified on 2011-07-05 07:23 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Wannabe
assistant recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
programming and producer:
Richard Stannard and Matt Rowe
mixer:
Mark “Spike” Stent (producer, engineer)
keyboard:
Richard Stannard and Matt Rowe
publisher:
SSO
music videos:
Wannabe (video) by Spice Girls
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 36)
recording of:
Wannabe
writer:
Melanie Brown (Mel B, Scary Spice), Emma Bunton, Geri Halliwell (Ginger Spice), Melanie Chisholm, Richard Stannard, Matt Rowe and Victoria Beckham (née Adams, Posh Spice)
publisher:
PolyGram Music Publishing Ltd. and Windswept Pacific Music Ltd.
Spice Girls3.852:53
2Let’s Go Around Again
cover recording of:
Let’s Go Round Again
writer:
Alan Gorrie
publisher:
Hit & Run Music (Publishing) Ltd
Louise3:45
3That’s the Way (I Like It)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975, in 1976) and T.K. Records (Miami‐based disco label) (in 1975)
edit of:
That’s the Way (I Like It) by KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music, EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) and Mushroom Music (Mushroom label's publishing company)
KC and the Sunshine Band4.43:04
4More Than a Woman
producer:
Freddie Perren
drums (drum set):
James Gadson (American drummer)
guitar:
Bob Bowles
percussion:
Bob Zimmitti and Paulinho da Costa (Brazilian percussionist)
piano:
Sonny Burke (soul/jazz/funk keyboardist)
phonographic copyright (℗) by:
POLYGRAM International Music (not for release label use!) (in 1977)
cover recording of:
More Than a Woman
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music and Stigwood Music, Inc.
recording of:
More Than a Woman
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music and Stigwood Music, Inc.
Tavares4.53:15
5I Haven’t Stopped Dancing Yet
recording of:
I Haven’t Stopped Dancing Yet
composer:
Gloria Jones (US singer/songwriter, known for “Tainted Love”)
publisher:
Buckwheat Music, Old Eye Music and Wizard (Bahamas) Ltd.
Gonzalez3:51
6You Can’t Touch This
co-producer:
James Earley and Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
producer:
MC Hammer
mixer:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) and MC Hammer
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
samples:
Super Freak by Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
writer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) and Stanley Kirk Burrell
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs and Mushroom Music (Mushroom label's publishing company)
is based on:
Super Freak
MC Hammer4.24:15
7I Hear You Knockin’
producer:
Dave Edmunds
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
cover recording of:
I Hear You Knocking
lyricist and composer:
Dave Bartholomew and Pearl King
publisher:
Commodore Music Corp., EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier and World Music (publisher)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:47
8Nutbush City Limits
producer:
Ike Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973) and EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
Ike & Tina Turner3.452:56
9Can the Can
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1973) and RAK Records (copyrights holder) (in 1975)
recorded at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
Can the Can
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
BMG Music, Chinnichap (production company and publisher) and Universal Music Publishing MGB Australia
Suzi Quatro4.23:34
10See My Baby Jive
producer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1972, in 1973)
recording of:
See My Baby Jive
lyricist and composer:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Belinda Music, EMI Belinda Music Australia Pty. Ltd. and Roy Wood Music Ltd.
Wizzard55:00
11Hi Ho Silver Lining
producer:
Mickie Most (English record producer) (on 1967-01-19)
bass guitar:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (on 1967-01-19)
drums (drum set):
Clem Cattini (on 1967-01-19)
electric guitar and lead vocals:
Jeff Beck (English rock guitarist) (on 1967-01-19)
background vocals:
Rod Stewart (on 1967-01-19)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1967)
engineered at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (on 1967-01-19)
recording of:
Hi Ho Silver Lining (on 1967-01-19)
writer:
Scott English and Larry Weiss (American singer-songwriter)
Jeff Beck22:52
12Motor Bikin’
Chris Spedding2:35
13Geno
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
writer:
Al Archer and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:28
14Girls on Film
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Gloucester Place Music Ltd.
version of:
Girls on Film (Pre-Le Bon version)
Duran Duran3.653:28
15Fantastic Day
producer:
Bob Sargeant
recording of:
Fantastic Day
lyricist and composer:
Nick Heyward
Haircut One Hundred23:14
16Call Me
engineer:
Harold Faltermeyer
producer:
Giorgio Moroder
additional synthesizer:
Giorgio Moroder (in 1980-01)
bass guitar [bass]:
Nigel Harrison (in 1980-01)
drums (drum set) [drums]:
Clem Burke (in 1980-01)
electric piano:
Jimmy Destri (in 1980-01)
guitar:
Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
lead vocals:
Debbie Harry (in 1980-01)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979) and The Power Station (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 157)
recording of:
Call Me (in 1980-01)
lyricist:
Deborah Harry
composer:
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher (affiliated with PRS)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.23:29
17You Take Me Up
engineer and mixer:
Phil Thornalley
producer:
Tom Bailey (Thompson Twins) and Alex Sadkin
recording of:
You Take Me Up
writer:
Tom Bailey (Thompson Twins), Alannah Currie and Joe Leeway
Thompson Twins3.54:26
18Rebel Yell
engineer:
Michael Frondelli
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Dave Wittman
bass guitar:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
bass, guitar and keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
drums (drum set):
Thommy Price (in 1983)
keyboard:
Judi Dozier (in 1983)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983) and Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Rebel Yell by Billy Idol (English rock singer‐songwriter)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 79)
recording of:
Rebel Yell (in 1983)
lyricist and composer:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher (affiliated with PRS)), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd. and WB Music Corp. (1929–2019)
Billy Idol4.74:49
192‐4‐6‐8 Motorway
producer:
Vic Maile
bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
drums (drum set):
Dolphin Taylor (on 1977-09-14)
guitar:
Danny Kustow (on 1977-09-14)
organ and piano:
Mark Ambler (on 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1977)
recorded at:
Berwick Street Studios in Westminster, London (Greater London), England, United Kingdom (on 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (on 1977-09-14)
lyricist and composer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:19
20Swords of a Thousand Men
producer:
Bob Andrews (keyboardist and producer) and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1981)
recording of:
Swords of a Thousand Men
lyricist and composer:
Edward Tudor-Pole
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.22:56
▼ CD 2
#TitleArtistRatingLength
1Hippy Hippy Shake
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1963)
cover recording of:
Hippy Hippy Shake
lyricist and composer:
Chan Romero
publisher:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) and Universal Music Careers
The Swinging Blue Jeans4.351:46
2I Like It
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1963)
recording of:
I Like It (in 1963)
lyricist and composer:
Mitch Murray
Gerry & the Pacemakers22:15
35‐4‐3‐2‐1
producer:
John Burgess (British record producer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-12-17)
recording of:
5-4-3-2-1
composer:
Mike Hugg (drummer & founding member of Manfred Mann), Paul Jones (singer, formerly of Manfred Mann, The Blues Band, was also in musical theatre) and Manfred Mann (the person)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Keith Prowse Music Publishing Ltd.
Manfred Mann4.51:59
4Walkin’ Back to Happiness
recording of:
Walking Back to Happiness
writer:
Mike Hawker and John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Helen Shapiro2:29
5Shakin’ All Over
recording of:
Shakin’ All Over
lyricist and composer:
Johnny Kidd
publisher:
Belwin Mills Music Ltd.
Johnny Kidd and the Pirates3.52:21
6C’mon Everybody
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 403)
recording of:
C’mon Everybody
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) and Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Eddie Cochran31:57
7The Locomotion
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 1) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 351)
recording of:
The Loco‐Motion (aka Locomotion) (in 1962)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1962 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Little Eva2:27
8Chain Reaction
assistant engineer:
Scott Glasel and John Haig (engineer)
engineer:
Jack Joseph-Puig, Karl Richardson and Brian Tench
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
mixer:
Jack Joseph-Puig
phonographic copyright (℗) by:
Barry Gibb (in 1985), Maurice Gibb (in 1985) and Robin Gibb (in 1985)
recorded at:
Middle Ear Studio in Miami Beach, Florida, United States
recording of:
Chain Reaction
composer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music Publishing Ltd. and Gibb Brothers Music
Diana Ross4.353:48
9Tiger Feet
co-producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
performer:
Mud (UK glam rock band)
phonographic copyright (℗) by:
RAK (in 1974)
recording of:
Tiger Feet
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) and BMG Music Publishing Ltd.
Mud53:51
10The Bump
recording of:
The Bump
writer:
Phil Coulter and Bill Martin (Scottish songwriter & producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kenny52:33
11Some Girls
Racey3:24
12Walking on Sunshine
recorded in:
England, United Kingdom
assistant engineer:
Jon Goldberger (engineer)
engineer and mixer:
Scott Litt (producer and engineer)
additional producer:
Scott Litt (producer and engineer)
producer:
Pat Collier and Katrina and the Waves (British-American rock band)
bass guitar:
Vince de la Cruz
drums (drum set) and percussion:
Alex Cooper (drummer, member of "Katrina and the Waves")
guest brass [Rumour Brass Section]:
Ray Beavis, Dick Hanson and John "Irish" Earl
guest organ:
Nick Glennie‐Smith
guitar [lead guitar]:
Kimberley Rew
guitar [rhythm guitar] and lead vocals:
Katrina Leskanich
background vocals:
Alex Cooper (drummer, member of "Katrina and the Waves"), Vince de la Cruz and Kimberley Rew
brass arranger:
Eamon Fitzpatrick
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recorded at:
Alaska Studios in London (Greater London), England, United Kingdom and Greenhouse Studio (London) in London (Greater London), England, United Kingdom
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 378)
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:57
13Don’t Call Me Baby
recording of:
Don’t Call Me Baby
writer:
Andrew Van Dorsselaer, Giuseppe Chierchia, Cheyne Coates, Jerry Cohen, Gene McFadden, Duane Morrison and John Whitehead
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crisler and Universal Music Publishing Pty Ltd. (AU subsidiary of Universal Music Publishing Group)
Madison Avenue3:48
14Good Life
recording of:
Good Life
writer:
Paris Grey, Roy Holmon, Jackson, Ann Saunderson and Kevin Saunderson
publisher:
Drive On Music and Virgin Songs
Inner City3:57
15It Ain’t What You Do It’s the Way That You Do It
cover recording of:
It Ain’t What You Do (It’s the Way That You Do It)
writer:
Sy Oliver and Trummy Young
Fun Boy Three & Bananarama3.652:48
16You Make Me Feel Like Dancing
recording engineer:
Bill Schnee
assistant engineer:
Dana Latham
producer:
Richard Perry (producer)
bass:
Chuck Rainey (American bassist)
clavinet:
John Barns
drums (drum set):
Steve Gadd (drummer)
guitar:
Larry Carlton and Ray Parker Jr.
background vocals:
Clydie King, Becky Louis and Sherlie Matthews (US vocalist)
vocals:
Leo Sayer
conductor:
Gene Page
strings arranger:
Gene Page
phonographic copyright (℗) by:
Chrysalis (in 1976)
recording of:
You Make Me Feel Like Dancing
lyricist:
Leo Sayer
composer:
Vini Poncia
publisher:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music and Silverbird Songs Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer53:35
17Blockbuster
recording of:
Block Buster!
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap Music Ltd. and RAK Publ. Ltd.
The Sweet3:12
18Get It On
additional engineer:
Rob Eaton, Steve Rinkoff and Tony Taverner
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Bernard Edwards
bass guitar:
John Taylor (UK bassist for Duran Duran)
drums (drum set):
Tony Thompson (drummer, best known for his work in CHIC)
guitar:
Andy Taylor (of Duran Duran)
lead vocals:
Robert Palmer (English singer‐songwriter)
mixed at and engineered at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
cover recording of:
Get It On (Bang a Gong)
lyricist and composer:
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. and Westminster Music Ltd.
The Power Station45:32
19Unbelievable
producer and mixer:
Ralph Jezzard
drums (drum set):
Mark Decloedt (in 1990)
electric bass guitar:
Zac Foley (in 1990)
electric guitar, guitar and keyboard:
Ian Dench (in 1990)
sampler [samples]:
Derry Brownson (in 1990)
background vocals:
Claudia Fontaine (vocals, background vocals) (in 1990)
lead vocals:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1990)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 421)
recording of:
Unbelievable (in 1990)
writer:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench and Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Canada Ltd.
EMF3.653:32
20The Whole of the Moon
producer:
Mike Scott (The Waterboys)
mixer:
Mick Glossop (producer & engineer)
bass synthesizer and synthesizer:
Karl Wallinger (in 1985-05)
drums (drum set):
Chris Whitten (in 1985-05)
guitar and piano:
Mike Scott (The Waterboys) (in 1985-05)
percussion:
Martin Ditcham (in 1985-05)
saxophone:
Anthony Thistlethwaite (in 1985-05)
trumpet:
Roddy Lorimer (in 1985-05)
background vocals:
Max Edie (in 1985-05) and Karl Wallinger (in 1985-05)
vocals:
Mike Scott (The Waterboys) (in 1985-05)
recording of:
The Whole of the Moon (in 1985-05)
lyricist and composer:
Mike Scott (The Waterboys)
The Waterboys4.455:03
▼ CD 3
#TitleArtistRatingLength
1Uptown Top Ranking
recording of:
Uptown Top Ranking
writer:
Althea Forrest, Joe Gibbs, Donna Reid and Errol Thompson (Jamaican reggae/dub producer & engineer)
publisher:
Carlin Music and EMI Virgin Music Ltd. (do not use this as a release label!)
Althea and Donna3.53:44
2Boombastic
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1995)
recording of:
Boombastic
writer:
King Floyd, Robert Livingston (Jamaican reggae and dancehall producer) and Orville Richard Burrell (Orville Richard Burrell, dancehall and reggae singer)
publisher:
Jobete Music Co., Inc., Malaco Music Company, Pedigree Ranch Music, Peermusic III, Ltd. (BMI), Roffignac Music Co., Scikron Music Publishing and Stone Diamond Music Corp.
Shaggy3.653:51
3Baby Come Back
producer:
Stoker (production/remixing)
guest performer:
Ali Campbell (UB40’s former vocalist) and Robin Campbell
cover recording of:
Baby, Come Back
lyricist and composer:
Eddy Grant
publisher:
Kassner Music Ltd.
Pato Banton2.653:51
4It’s Raining Men
membranophone programming:
Andy Duncan (UK drummer and producer)
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
strings arranger:
Nick Ingman
cover recording of:
It’s Raining Men
writer:
Paul Jabara and Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
publisher:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16)
Geri Halliwell34:12
5Groovejet (If This Ain’t Love)
engineer:
Gabriel Covacich
co-producer:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") and Boris Dlugosch
background vocals:
Sharon Scott (UK acid jazz singer)
guest lead vocals:
Sophie Ellis‐Bextor
phonographic copyright (℗) by:
Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (from 2000 to present) and Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (in 2000)
co-produced for:
F&G Management UK
samples:
Love Is You by Carol Williams (US disco musician) and Love Is You (original mix) by Carol Williams (US disco musician)
recording of:
Groovejet (If This Ain’t Love)
lyricist:
Sophie Ellis‐Bextor
composer:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") and Rob Davis (songwriter/producer was in Mud)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lucky Three Music Publishing, Rondor Music and Universal Music (plain logo: “Universal Music”)
is based on:
Love Is You
version of:
Groovejet
Spiller33:46
6You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.84:04
7I Wanna Be the Only One
producer:
Nigel Lowis
guest vocals:
BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
recording of:
I Wanna Be the Only One
lyricist:
BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
composer:
Rhett Lawrence and BeBe Winans (American gospel - soul singer, R&B producer and radio presenter)
publisher:
Benny's Music, BMG Songs Inc., EMI Blackwood Music Inc. and Rhettrhyme Music
Eternal feat. BeBe Winans34:16
8Greased Lightnin’
producer:
Louis St. Louis (American songwriter, music arranger and singer)
mixer:
David J. Holman
saxophone:
Ray Pizzi
additional vocals:
Jeff Conaway (actor)
lead vocals:
John Travolta (American actor and singer)
horn arranger and strings arranger:
Michael Melvoin
arranger:
John Farrar, Michael Gibson (trombone) and Louis St. Louis (American songwriter, music arranger and singer)
phonographic copyright (℗) by:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (from 1978 to present) and RSO Records (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Greased Lightnin’ (Grease, 1971 musical)
writer:
Warren Casey and Jim Jacobs
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) (from 1978 to present)
part of:
Grease (1971 musical)
John Travolta4.653:17
99 to 5
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1980)
recording of:
9 to 5
lyricist and composer:
Florrie Palmer
publisher:
Chappell Music (UK), Pendulum Music (publisher) and Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton4.353:18
10Respectable
music videos:
Respectable by Mel & Kim (Appleby sisters)
recording of:
Respectable
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Gilbey and Mushroom Music (Mushroom label's publishing company)
Mel & Kim2.53:18
11Right Back Where We Started From
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
writer:
J. Vincent Edwards and Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Sony/ATV Songs LLC
Maxine Nightingale4.43:13
12Solid
recording of:
Solid
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson35:09
13Everybody’s Free (to Feel Good)
producer:
3MI and Band of Gypsies (house duo Nigel Swanston & Tim Cox)
mixer:
Band of Gypsies (house duo Nigel Swanston & Tim Cox)
arranger:
3MI
vocals arranger:
Rozalla
recording of:
Everybody’s Free (to Feel Good)
composer:
Tim Cox and Nigel Andrew Swanston
publisher:
Peermusic (UK) Limited
Rozalla43:29
14Use It Up Wear It Out
recording of:
Use It Up and Wear It Out
writer:
Lawrence Russell Brown (lyricist) and Sandy Linzer
publisher:
ATV Music Ltd., Chappell & Co Ltd., Featherbed, Larball Music (publisher), Peermusic (UK) Limited and Unichappell (publisher)
Odyssey43:49
15Boogie Oogie Oogie
recording of:
Boogie Oogie Oogie
writer:
Janice Marie Johnson and Perry L. Kibble
publisher:
Conducive Music, Inc. and On Time Music, Inc.
A Taste of Honey5:28
16Never Gonna Give You Up
keyboard [Fairlight] programming:
Ian Curnow
additional engineer:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) and Karen Hewitt
assistant engineer:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
engineer:
Mark McGuire (UK producer/engineer)
producer:
Aitken, Stock (of Stock Aitken Waterman) and Waterman
mixer:
Mixmasters Pete Hammond (UK producer aka "Mixmaster")
drums (drum set) [drums]:
A Linn (Linn 9000)
guitar [guitars]:
Matt Aitken (in 1986-10)
keyboard [keyboards]:
Matt Aitken (in 1986-10) and Mike Stock (of Stock Aitken Waterman) (in 1986-10)
background vocals [backing vocals]:
Dee Lewis, Shirley Lewis, Mae McKenna (vocalist) and Suzanne Rhatigan
lead vocals:
Rick (English singer, songwriter and radio personality) (in 1986-10)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
Pete Waterman Ltd. (copyrights holder) (in 1987)
miscellaneous support:
PWL (task: original sound recordings made by)
recorded at:
PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) and PWL Studios (London) in London (Greater London), England, United Kingdom (in 1986-10)
mixed at:
PWL Studio 1 (on 1987-01-01) and PWL Studio 2 (on 1987-01-01)
music videos:
Never Gonna Give You Up by Rick Astley (English singer, songwriter and radio personality)
part of:
Cachitos Nochevieja 2022 (number: 48) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 244)
recording of:
Never Gonna Give You Up (in 1986-10)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Careers, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Terrace Music (in 1987)
Rick Astley4.453:31
17Tequila
producer:
Edwyn Collins
remixer:
Mint Royale
recording of:
Tequila (Terrorvision cover)
additional writer:
Terrorvision
writer:
Chuck Rio (Daniel Flores)
is based on:
Tequila
Terrorvision3.54:09
18Can You Dig It?
producer:
Martin Coogan
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1991)
music videos:
Can You Dig It? by The Mock Turtles
recording of:
Can You Dig It?
lyricist and composer:
Martin Coogan
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Mock Turtles3.254:11
19Tubthumping
phonographic copyright (℗) by:
Chumbawamba (in 1997)
edit of:
Tubthumping (album version) by Chumbawamba
recording of:
Tubthumping
publisher:
Chumbawamba (in 1997)
writer:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts and Boff Whalley
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Leosong (publisher) (in 1997)
Chumbawamba43:22
20The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis (in 1985) and Chrysalis Records, Inc. (not for release label use!) (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
music videos:
The Power of Love (full length) by Huey Lewis and the News (American pop rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 108)
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music and Mushroom Music (Mushroom label's publishing company)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2)
part of:
Back to the Future: the Musical
Huey Lewis & the News43:53