La Folia 1490–1701

~ Release by Corelli, Marais, Martín y Coll, Ortiz, Anónimos; Jordi Savall, Rolf Lislevand, Michael Behringer, Arianna Savall, Bruno Cocset, Pedro Estevan, Adela Gonzalez-Campa (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Folia: Rodrigo Martinez (1490)
assistant recording engineer:
Nicolas de Becco (from 1998-07-31 until 1998-08-02)
recording engineer:
Nicolas Bartholomée (from 1998-07-31 until 1998-08-02)
editor:
Claire Luhan and Marianne Populer
bell [grelots (cascabeles)]:
Adela González-Campa (from 1998-07-31 until 1998-08-02)
classical guitar [guitare Lourdes Uncilla (El Escorial, 1998) d’après anonyme italien du XVIIème siècle]:
Rolf Lislevand (Baroque guitar, lute and theorbo player) (from 1998-07-31 until 1998-08-02)
harp [harpe triple Simon Capp (1997) d’après modèle italien du XVIIème siècle]:
Arianna Savall (harpist, soprano) (from 1998-07-31 until 1998-08-02)
organ [organo di legno Bernhard Fleig (Basel, 1989) d’après anonyme italien de 1600]:
Michael Behringer (conductor, organist and harpsichordist) (from 1998-07-31 until 1998-08-02)
percussion [tambour]:
Pedro Estevan (from 1998-07-31 until 1998-08-02)
viola da gamba [viole de gambe (soprano) italienne vers 1550]:
Jordi Savall (viol player, conductor and composer) (from 1998-07-31 until 1998-08-02)
phonographic copyright (℗) by:
Alia Vox (in 1998)
recorded at:
Studio Fondation Tibor Varga in Sion, Valais (Canton of Valais), Switzerland (from 1998-07-31 until 1998-08-02)
recording of:
Rodrigo Martinez (from 1998-07-31 until 1998-08-02)
composer:
[anonymous] (special purpose artist)
part of:
Cancionero de Palacio
Anonyme5:36
2Recercada Quarta sobre la Folia (1553)
assistant recording engineer:
Nicolas de Becco (from 1998-07-31 until 1998-08-02)
recording engineer:
Nicolas Bartholomée (from 1998-07-31 until 1998-08-02)
editor:
Claire Luhan and Marianne Populer
harpsichord [clavecin]:
Michael Behringer (conductor, organist and harpsichordist) (from 1998-07-31 until 1998-08-02)
vihuela [vihuela de mano Lourdes Uncilla (El Escorial, 1989) d’après anonyme du XVIIème siècle]:
Rolf Lislevand (Baroque guitar, lute and theorbo player) (from 1998-07-31 until 1998-08-02)
viola da gamba [viole de gambe (basse) à six cordes de Pellegrino Zanetti, Venise 1550]:
Jordi Savall (viol player, conductor and composer) (from 1998-07-31 until 1998-08-02)
phonographic copyright (℗) by:
Alia Vox (in 1998)
recorded at:
Studio Fondation Tibor Varga in Sion, Valais (Canton of Valais), Switzerland (from 1998-07-31 until 1998-08-02)
recording of:
Trattado de Glosas: Recercada quarta sobre la Folía (from 1998-07-31 until 1998-08-02)
composer:
Diego Ortiz (Spanish Renaissance composer)
Diego Ortiz1:30
3Folia: Para quien crié yo cabellos (1557)
assistant recording engineer:
Nicolas de Becco (from 1998-07-31 until 1998-08-02)
recording engineer:
Nicolas Bartholomée (from 1998-07-31 until 1998-08-02)
editor:
Claire Luhan and Marianne Populer
organ [organo di legno Bernhard Fleig (Basel, 1989) d’après anonyme italien de 1600]:
Michael Behringer (conductor, organist and harpsichordist) (from 1998-07-31 until 1998-08-02)
viola da gamba [viole de gambe (basse) à six cordes de Pellegrino Zanetti, Venise 1550]:
Jordi Savall (viol player, conductor and composer) (from 1998-07-31 until 1998-08-02)
phonographic copyright (℗) by:
Alia Vox (in 1998)
recorded at:
Studio Fondation Tibor Varga in Sion, Valais (Canton of Valais), Switzerland (from 1998-07-31 until 1998-08-02)
recording of:
Romance "Para quien crie yo cabellos" (from 1998-07-31 until 1998-08-02)
composer:
Antonio de Cabezón (Spanish composer & organist, 1510-1566)
Antonio de Cabezón2:11
4Recercada Ottava sobre la Folia (1553)
assistant recording engineer:
Nicolas de Becco (from 1998-07-31 until 1998-08-02)
recording engineer:
Nicolas Bartholomée (from 1998-07-31 until 1998-08-02)
editor:
Claire Luhan and Marianne Populer
harpsichord [clavecin]:
Michael Behringer (conductor, organist and harpsichordist) (from 1998-07-31 until 1998-08-02)
vihuela [vihuela de mano Lourdes Uncilla (El Escorial, 1989) d’après anonyme du XVIIème siècle]:
Rolf Lislevand (Baroque guitar, lute and theorbo player) (from 1998-07-31 until 1998-08-02)
viola da gamba [viole de gambe (basse) à six cordes de Pellegrino Zanetti, Venise 1550]:
Jordi Savall (viol player, conductor and composer) (from 1998-07-31 until 1998-08-02)
phonographic copyright (℗) by:
Alia Vox (in 1998)
recorded at:
Studio Fondation Tibor Varga in Sion, Valais (Canton of Valais), Switzerland (from 1998-07-31 until 1998-08-02)
recording of:
Tratado de glosas: Recercada ottaua sobre la folia (from 1998-07-31 until 1998-08-02)
composer:
Diego Ortiz (Spanish Renaissance composer)
Diego Ortiz1:45
5Folia: Hoy comamos y bebamos (1520)
assistant recording engineer:
Nicolas de Becco (from 1998-07-31 until 1998-08-02)
recording engineer:
Nicolas Bartholomée (from 1998-07-31 until 1998-08-02)
editor:
Claire Luhan and Marianne Populer
claviorganum [claviorganum Philippe Humeau et Etienne Fouss d’après anonyme du XVIIème siècle]:
Michael Behringer (conductor, organist and harpsichordist) (from 1998-07-31 until 1998-08-02)
viola da gamba [viole de gambe (soprano) italienne vers 1550]:
Jordi Savall (viol player, conductor and composer) (from 1998-07-31 until 1998-08-02)
phonographic copyright (℗) by:
Alia Vox (in 1998)
recorded at:
Studio Fondation Tibor Varga in Sion, Valais (Canton of Valais), Switzerland (from 1998-07-31 until 1998-08-02)
recording of:
Cancionero de Palacio, no. 357: Hoy comamos y bebamos (from 1998-07-31 until 1998-08-02)
composer:
Juan del Encina (Spanish composer, poet, priest, playwright, c. 1468-1529/30)
part of:
Cancionero de Palacio
Juan del Enzina3:25
6Diferencias sobre las Folias
assistant recording engineer:
Nicolas de Becco (from 1998-07-31 until 1998-08-02)
recording engineer:
Nicolas Bartholomée (from 1998-07-31 until 1998-08-02)
editor:
Claire Luhan and Marianne Populer
castanets [castagnettes]:
Adela González-Campa (from 1998-07-31 until 1998-08-02)
classical guitar [guitare Lourdes Uncilla (El Escorial, 1998) d’après anonyme italien du XVIIème siècle]:
Rolf Lislevand (Baroque guitar, lute and theorbo player) (from 1998-07-31 until 1998-08-02)
harp [harpe triple Simon Capp (1997) d’après modèle italien du XVIIème siècle]:
Arianna Savall (harpist, soprano) (from 1998-07-31 until 1998-08-02)
viola da gamba [viole de gambe (basse) à six cordes de Pellegrino Zanetti, Venise 1550]:
Jordi Savall (viol player, conductor and composer) (from 1998-07-31 until 1998-08-02)
phonographic copyright (℗) by:
Alia Vox (in 1998)
recorded at:
Studio Fondation Tibor Varga in Sion, Valais (Canton of Valais), Switzerland (from 1998-07-31 until 1998-08-02)
recording of:
Diferencias sobre las Folias (from 1998-07-31 until 1998-08-02)
composer:
Antonio Martín y Coll
is based on:
Folia
Antonio Martín y Coll10:55
7Follias (1700)
assistant recording engineer:
Nicolas de Becco (from 1998-07-31 until 1998-08-02)
recording engineer:
Nicolas Bartholomée (from 1998-07-31 until 1998-08-02)
editor:
Claire Luhan and Marianne Populer
bass violin [basse de violon Alain Meyer (1989) d’après Borbon (XVIIème siècle)]:
Bruno Cocset (cello and viol player) (from 1998-07-31 until 1998-08-02)
harpsichord [clavecin Hemsch, 1751 (avec l’aimable permission de Mme. Françoise Molinié)]:
Michael Behringer (conductor, organist and harpsichordist) (from 1998-07-31 until 1998-08-02)
viola da gamba [viole de gambe (soprano) italienne vers 1550]:
Jordi Savall (viol player, conductor and composer) (from 1998-07-31 until 1998-08-02)
phonographic copyright (℗) by:
Alia Vox (in 1998)
recorded at:
Studio Fondation Tibor Varga in Sion, Valais (Canton of Valais), Switzerland (from 1998-07-31 until 1998-08-02)
cover recording of:
Violin Sonata in D minor "Follia", op. 5 no. 12 (from 1998-07-31 until 1998-08-02)
composer:
Arcangelo Corelli (Italian baroque composer and violinist) (in 1700)
part of:
12 sonate a due per violino e basso continuo, op. 5
Arcangelo Corelli11:21
8Couplets de Folies (1701)
assistant recording engineer:
Nicolas de Becco (from 1998-09-21 until 1998-09-22)
recording engineer:
Nicolas Bartholomée (from 1998-09-21 until 1998-09-22)
editor:
Claire Luhan and Marianne Populer
bass viol [basse de viole à sept cordes de Barak Norman, Londres 1697]:
Jordi Savall (viol player, conductor and composer) (from 1998-09-21 until 1998-09-22)
harpsichord [clavecin]:
Michael Behringer (conductor, organist and harpsichordist) (from 1998-09-21 until 1998-09-22)
theorbo [théorbe Lourdes Uncilla (El Escorial, 1998) d’après anonyme française du XVIIème siècle]:
Rolf Lislevand (Baroque guitar, lute and theorbo player) (from 1998-09-21 until 1998-09-22)
phonographic copyright (℗) by:
Alia Vox (in 1998)
recorded at:
Église de St. Hippolyte in Castres, Tarn, Occitanie (Occitania), France (from 1998-09-21 until 1998-09-22)
recording of:
Les Folies d'Espagne (from 1998-09-21 until 1998-09-22)
composer:
Marin Marais (composer)
is based on:
Folia
Marin Marais18:08

Credits

Release

manufactured in:Austria
liner notes:Rui Vieira Nery
Jordi Savall (viol player, conductor and composer) (in 1998)
liner notes translator:Jacqueline Minett (liner notes, English translator, mainly for Alia Vox)
design:Loni Geest (graphic designer)
Tone Høverstad (designer for Alia Vox)
manufactured by:Sony DADC Austria AG
copyrighted (©) by:Alia Vox (in 1998)
Discogs:https://www.discogs.com/release/3259693 [info]
ASIN:FR: B000023YPG [info]