The Number One's: Rock It Up

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

▼ CD 1
#TitoloArtistaValutazioneDurata
1You Ain’t Seen Nothing Yet
tecnico di registrazione e tecnico di missaggio:
Mark K. Smith (Canadian engineer)
assistente tecnico:
Buzz Richmond
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
assistente tecnico di missaggio:
Richard Dashut
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label) (nel 1974) e UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974)
registrata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti
mixata presso:
Sound City Studios in Van Nuys, California, Stati Uniti
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
Ranbach Music (publisher), Ranbach Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Sony/ATV Songs LLC e Top Soil Music (publisher)
Bachman–Turner Overdrive4.353:54
2Do You Believe in Love
registrazione di:
Do You Believe in Love
paroliere e compositore:
Robert John “Mutt” Lange (Robert John Lange)
editore:
Out-of-Pocket Productions Ltd.
Huey Lewis and the News3:29
3My Sharona
registrazione di:
My Sharona
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing MGB Australia
The Knack4:54
4Hot Child in the City
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1976, nel 1978), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (nel 1978) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 22)
registrazione di:
Hot Child in the City
autore:
Nick Gilder e Jim McCulloch (Canadian guitarist for Sweeney Todd/Nick Gilder)
editore:
Beechwood Music Canada e Beechwood Music Corp.
Nick Gilder53:08
5Walk on the Wild Side
produttore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
basso elettrico e contrabbasso :
Herbie Flowers (nel 1972-08)
batteria :
John Halsey (nel 1972-08)
sassofono baritono :
Ronnie Ross (nel 1972-08)
voce di accompagnamento:
The Thunder Thighs (70s UK vocal group) (nel 1972-08)
voce principale:
Lou Reed (nel 1972-08)
arrangiatore archi e arrangiatore ottoni :
Mick Ronson (British guitarist)
arrangiatore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1972) e Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1972-08)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 180) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 221)
registrazione di:
Walk on the Wild Side (nel 1972-08)
paroliere e compositore:
Lou Reed
editore:
EMI Music Publishing Australia Pty. Limited, Oakfield Avenue Music Ltd. e Screen Gems–EMI Music Ltd.
Lou Reed4.254:12
6Hit Me With Your Best Shot
registrazione di:
Hit Me With Your Best Shot
paroliere e compositore:
Eddie Schwartz
editore:
Round Hill Songs e Sony Music Publishing (Germany) GmbH
Pat Benatar2:52
7The Stroke
registrazione di:
The Stroke
paroliere e compositore:
Billy Squier
Billy Squier3:39
8Rock Me
registrazione di:
Rock Me
autore:
Michael Lardie, Mark Kendall, Alan Niven e Jack Russell (original singer for Great White)
editore:
Sony/ATV Tunes LLC (ASCAP) e WC Music Corp.
sub-editore:
Sony Music Publishing France e Warner Chappell Music France
Great White7:16
9One Way or Another
assistente tecnico:
Grey Russell e Peter Coleman (British engineer & producer)
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1978-06 al 1978-07)
chitarra :
Frank Infante (dal 1978-06 al 1978-07) e Chris Stein (dal 1978-06 al 1978-07)
chitarra basso :
Nigel Harrison (dal 1978-06 al 1978-07)
tastiera :
Jimmy Destri (dal 1978-06 al 1978-07)
voce principale:
Deborah Harry (dal 1978-06 al 1978-07)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978, nel 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 2001) e Capitol Records (imprint of Capitol Records, Inc.) (nel 2001)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 298)
registrazione di:
One Way or Another (dal 1978-06 al 1978-07)
autore:
Nigel Harrison e Deborah Harry
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher (affiliated with PRS)), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. e Rare Blue Music Inc (nel 1978)
Blondie4.153:27
10Two Tickets to Paradise
tecnico di registrazione:
Andy Johns (nel 1977-06)
produttore:
Bruce Botnick
tecnico di missaggio:
Andy Johns
armonica (a bocca) , sassofono e voce principale:
Eddie Money
batteria :
Gary Mallaber
chitarra :
Jimmy Lyon (rock guitarist, worked with Eddie Money)
chitarra basso :
Lonnie Turner
percussione :
Kevin Calhoun (percussionist)
sassofono contralto :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
tastiera :
Eddie Money, Alan Pasqua e Freddie Webb (keyboardist)
voce di accompagnamento:
Randy Nichols
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977) e Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (nel 1978)
registrata presso:
CBS Studios (San Francisco) in San Francisco, California, Stati Uniti (nel 1977-06) e Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1977-06)
registrazione di:
Two Tickets to Paradise (nel 1977-06)
paroliere e compositore:
Eddie Money
editore:
Cashola Music, Three Wise Boys Music LLC e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.153:59
11Bad Case of Loving You (Doctor, Doctor)
tecnico di registrazione e tecnico di missaggio:
Karl Pitterson
produttore:
Robert Palmer (English singer‐songwriter)
assistente tecnico di missaggio:
Benjamin Armbrister e Kendal Stubbs
basso elettrico :
Pierre Brock
batteria :
Dony Wynn
chitarra :
Eddie Martinez (guitar) e Kenny Mazur
tastiera :
Steve Robbins (US keyboardist) e Jack Waldman
voce:
Robert Palmer (English singer‐songwriter)
remixer:
Eric Thorngren
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label) (nel 1979)
registrazione cover di:
Bad Case of Lovin’ You
paroliere e compositore:
Moon Martin
editore:
Bug Music Ltd.
Robert Palmer4.653:12
12Freeze-Frame
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981)
registrazione di:
Freeze-Frame
autore:
Seth Justman e Peter Wolf (US rock vocalist, member of J. Geils Band)
J. Geils Band53:57
13Just Between You and Me
registrazione di:
Just Between You and Me
paroliere e compositore:
Myles Goodwyn
editore:
Northern Goody Two-Tunes Inc.
April Wine3:55
14Lonesome Loser
registrazione di:
Lonesome Loser
paroliere e compositore:
David Briggs (producer, guitarist of Little River Band)
editore:
American Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. e Wheatley Music Pty Ltd.
Little River Band3:54
15Fox on the Run
tecnico:
Peter Coleman (British engineer & producer)
produttore:
Sweet (UK glam rock band)
arrangiatore:
Sweet (UK glam rock band)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1973, nel 1974, nel 1975) e Chinebridge Ltd. (The Sweet) (nel 1974)
registrata presso:
Kingsway Studios in Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
lavorazione tecnica effettuata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Fox on the Run
autore:
Brian Connolly (Scottish, member of Sweet), Steve Priest, Andy Scott (Member of Sweet) e Mick Tucker (drummer for The Sweet)
editore:
Maxwood Music Ltd., Sweet Publishing Ltd. e Warner Chappell Music (publisher as Warner/Chappell Music)
Sweet4.83:23
16Mony Mony
tecnico:
Brian Reeves
produttore:
Keith Forsey (drummer, producer and songwriter)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1981-07)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981) e Chrysalis Records, Inc. (not for release label use!) (nel 1981)
video musicali:
Mony, Mony (live) di Billy Idol (English rock singer‐songwriter)
registrazione cover di:
Mony Mony (nel 1981-07)
autore:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry e Tommy James (American musician, singer, songwriter and record producer)
editore:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Planetary Nom (London) Ltd.
Billy Idol3.155:00

Accreditamenti

Pubblicazione

stampata a:Stati Uniti
produttore esecutivo:Dick Greener
Sam Goff
distribuito da:Simitar Entertainment, Inc.
copyright (©) detenuto da:Simitar Entertainment, Inc. (nel 1998)
diritti fonografici (℗) detenuti da:EMI‐Capitol Music Special Markets (nel 1998)
Discogs:https://www.discogs.com/release/6066159 [info]
ASIN:US: B0000063I3 [info]