The Sun Recordings

~ Pubblicazione di Elvis Presley (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

▼ CD 1
#TitoloValutazioneDurata
1ABC News Clip
0:11
2That’s All Right Mama
registrazione cover di:
That’s All Right
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
1:58
3Blue Moon of Kentucky
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-07)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-07)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-07)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-07)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-07-07)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 49)
registrazione cover di:
Blue Moon of Kentucky (il 1954-07-07)
paroliere e compositore:
Bill Monroe (nel 1946)
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3.52:05
4I Don’t Care If the Sun Don’t Shine
registrazione cover di:
I Don’t Care If the Sun Don’t Shine
paroliere e compositore:
Mack David (American lyricist and songwriter)
editore:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
52:31
5Good Rockin’ Tonight
voce:
Elvis Presley (“The King of Rock and Roll”)
registrazione cover di:
Good Rockin’ Tonight
paroliere e compositore:
Roy Brown (blues musician) (nel 1947-07)
editore:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. e Wixen Music UK Ltd.
2:16
6Milkcow Blues Boogie
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1954-11 al 1954-12)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (dal 1954-11 al 1954-12)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1954-11 al 1954-12)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1954-11 al 1954-12)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1953)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (dal 1954-11 al 1954-12)
registrazione cover di:
Milk Cow Blues (Kokomo Arnold's version) (dal 1954-11 al 1954-12)
paroliere e arrangiatore:
Kokomo Arnold
compositore:
[traditional] (special purpose artist) e Kokomo Arnold
editore:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) e Universal Music Corp. (USA, affiliated with ASCAP)
versione di:
Milk Cow Blues
32:41
7You’re a Heartbreaker
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1954-11 al 1954-12)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (dal 1954-11 al 1954-12)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1954-11 al 1954-12)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1954-11 al 1954-12)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (dal 1954-11 al 1954-12)
registrazione di:
You’re a Heartbreaker (dal 1954-11 al 1954-12)
autore:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
42:12
8I’m Left, You’re Right, She’s Gone
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-04)
batteria :
Jimmie Lott (nel 1955-04)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (nel 1955-04)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (nel 1955-04)
voce:
Elvis Presley (“The King of Rock and Roll”) (nel 1955-04)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1955-04)
registrazione cover di:
I’m Left, You’re Right, She’s Gone (nel 1955-04)
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
32:39
9Baby Let’s Play House
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1955-01-30 al 1955-02-04)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (dal 1955-01-30 al 1955-02-04)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1955-01-30 al 1955-02-04)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1955-01-30 al 1955-02-04)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1953, nel 1955)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (dal 1955-01-30 al 1955-02-04)
registrazione cover di:
Baby Let’s Play House (dal 1955-01-30 al 1955-02-04)
paroliere e compositore:
Arthur Gunter
editore:
Embassy Music Corp. e LPGV Music (BMI)
3.82:18
10Mystery Train
produttore:
Sam Phillips (founder of Sun Records)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1955)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 77)
registrazione cover di:
Mystery Train (il 1955-07-11)
autore:
Junior Parker e Sam Phillips (founder of Sun Records)
editore:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Hilo Music Inc. (nel 1953)
3.352:27
11I Forgot to Remember to Forget
tecnico e produttore:
Sam Phillips (founder of Sun Records)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1955-07-11)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1955) e Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1955-07-11)
registrazione cover di:
I Forgot to Remember to Forget (il 1955-07-11)
autore:
Charlie Feathers e Stan Kesler (US session musician, composer and producer)
editore:
Carlin Music Corporation e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
32:29
12I Love You Because
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05) e Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954, nel 1956, nel 1957)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-07-05)
registrazione cover di:
I Love You Because (il 1954-07-05)
paroliere e compositore:
Leon Payne (Country/Rockabilly artist)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1949-10-12)
42:46
13Blue Moon
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-08-19)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-08-19) e Elvis Presley (“The King of Rock and Roll”) (il 1954-08-19)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-08-19)
registrazione cover di:
Blue Moon (il 1954-08-19)
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
42:41
14I’ll Never Let You Go
registrazione cover di:
I’ll Never Let You Go Little Darlin’
paroliere e compositore:
Jimmy Wakely (Country and western singer and songwriter)
editore:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) e Sunshine Music Co., Inc. (il 1941-11-17)
2:27
15Just Because
registrazione cover di:
Just Because (il 1954-09-12)
paroliere:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) e Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
compositore:
Leon Chappelear e Sid Robin (US lyricist & composer)
editore:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) e State Street Music Publ. Co. Inc. (il 1936-03-19)
2:34
16Trying to Get to You
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1955-07-11)
batteria :
Johnny Bernero (il 1955-07-11)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1955-07-11) e Elvis Presley (“The King of Rock and Roll”) (il 1955-07-11)
registrata presso:
Sun Studios in Memphis, Tennessee, Stati Uniti (il 1955-07-11)
registrazione cover di:
Trying to Get to You (il 1955-07-11)
autore:
Rose Marie McCoy e Charles Singleton (composer/lyricist)
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific e You Look Good Music Publishing
42:33
17Interview – Jackson, Florida, 1955
registrata a:
Florida, Stati Uniti (nel 1955)
2:03
18Blue Moon of Kentucky (take 3 – slow version)
registrazione cover di:
Blue Moon of Kentucky
paroliere e compositore:
Bill Monroe (nel 1946)
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
1:05
19Tomorrow Night (take 7 – without guitar solo)
registrazione cover di:
Tomorrow Night
autore:
Sam Coslow e Wilhelm Grosz (aka Hugh Williams)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Wilhelm Grosz Music Co
3:00
20Blue Moon (take 2)
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
3:17
21Blue Moon (take 5)
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
3:06
22I’m Left, You’re Right, She’s Gone (take 9)
registrazione di:
I’m Left, You’re Right, She’s Gone
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
2:43
23I’m Left, You’re Right, She’s Gone (take 12)
registrazione cover di:
I’m Left, You’re Right, She’s Gone
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
2:35
24Interview – Texarkana Radio, 1955
5:07
25That’s All Right Mama (live)
registrazione dal vivo cover di:
That’s All Right
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
2:37
26Blue Moon of Kentucky (live)
registrazione dal vivo cover di:
Blue Moon of Kentucky
paroliere e compositore:
Bill Monroe (nel 1946)
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2:41
27Tweedle Dee (live)
registrazione dal vivo cover di:
Tweedlee Dee
paroliere e compositore:
Winfield Scott (nel 1954)
editore:
Hill & Range Songs, Inc. (publisher) e Unichappell Music
2:19
28Hearts of Stone (live)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (nel 1955)
chitarra steel :
Sonny Trammell (nel 1955)
pianoforte :
Leon Post (nel 1955)
registrazione dal vivo cover di:
Hearts of Stone (nel 1955)
autore:
Rudy Jackson (1950s-60s R&B vocalist) e Eddie Ray (US record company executive, producer & songwriter)
editore:
Regent Music (BMI)
1:58
29Money Honey (live)
registrazione dal vivo cover di:
Money Honey
paroliere e compositore:
Jesse Stone
editore:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) e ZFC Music
2:40
30Maybelline (live)
registrazione dal vivo cover di:
Maybellene
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e Salee Music Company
2:34
31My Happiness (demo)
registrazione cover di:
My Happiness
paroliere:
Borney Bergantine (nel 1933) e Betty Peterson (nel 1948)
compositore:
Borney Bergantine (nel 1933)
editore:
Chappell Music (UK) e Happiness Music Corp.
2:32
32That’s When Your Heartaches Begin (demo)
registrazione cover di:
That’s When Your Heartaches Begin
autore:
Fred Fisher, Billy Hill (US songwriter) e William Raskin
editore:
Fred Fisher Music Co., Inc. e Sony/ATV Tunes LLC (ASCAP)
2:46

Accreditamenti

Pubblicazione

ASIN:DE: B000MV9NAA [info]