The Chronological Classics: Coleman Hawkins 1934-1937

~ Veröffentlichung von Coleman Hawkins (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

CD 1
Nr.TitelBewertungLänge
1Lullaby2:59
2Lady Be Good
Tenorsaxophon:
Coleman Hawkins (am 1934-11-18)
instrumental recording of:
Oh, Lady Be Good! (am 1934-11-18)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
American Splendor
Teil von:
Lady, Be Good (full musical)
2:46
3Lost In a Fog
Tenorsaxophon:
Coleman Hawkins (am 1934-11-18)
instrumental recording of:
Lost in a Fog (am 1934-11-18)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
3:06
4Honeysuckle Rose
recording of:
Honeysuckle Rose (am 1934-11-18)
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
3:05
5Some of These Days
Tenorsaxophon:
Coleman Hawkins (am 1935-02-04)
recording of:
Some of These Days (am 1935-02-04)
Texter und Komponist(in):
Shelton Brooks
2:35
6After You've Gone
Tenorsaxophon:
Coleman Hawkins (am 1935-02-04)
instrumental cover recording of:
After You’ve Gone (am 1935-02-04)
Texter:
Henry Creamer (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
2:39
7I Only Have Eyes for You
Tenorsaxophon:
Coleman Hawkins (am 1935-02-04)
instrumental cover recording of:
I Only Have Eyes for You (am 1935-02-04)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
2:45
8I Wish I Were Twins
Tenorsaxophon:
Coleman Hawkins (am 1935-02-04)
instrumental recording of:
I Wish I Were Twins (am 1935-02-04)
Texter:
Eddie DeLange
Komponist(in):
Frank Loesser und Joseph Meyer (US songwriter)
2:35
9Hands Across the Table
Tenorsaxophon:
Coleman Hawkins (am 1935-02-04)
instrumental recording of:
Hands Across the Table (am 1935-02-04)
Texter:
Mitchell Parish
Komponist(in):
Jean Delettre
3:08
10Blue Moon
recorded in:
Paris, Île-de-France, Frankreich (am 1935-03-02)
alto saxophone und Klarinette:
André Ekyan (am 1935-03-02) und Charles Lisée (am 1935-03-02)
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1935-03-02)
Klarinette und Tenorsaxophon:
Alix Combelle (am 1935-03-02)
Klavier:
Stéphane Grappelli (jazz violinist) (am 1935-03-02)
Kontrabass:
Eugène d’Hellemmes (am 1935-03-02)
Posaune:
Guy Paquinet (am 1935-03-02)
Schlagzeug:
Maurice Chaillou (am 1935-03-02)
Tenorsaxophon:
Coleman Hawkins (am 1935-03-02)
Trompete:
Pierre Allier (am 1935-03-02), Arthur Briggs (am 1935-03-02) und Noël Chiboust (am 1935-03-02)
cover recording of:
Blue Moon (am 1935-03-02)
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
3:14
11Avalon
recorded in:
Paris, Île-de-France, Frankreich (am 1935-03-02)
alto saxophone und Klarinette:
André Ekyan (am 1935-03-02) und Charles Lisée (am 1935-03-02)
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1935-03-02)
Klarinette und Tenorsaxophon:
Alix Combelle (am 1935-03-02)
Klavier:
Stéphane Grappelli (jazz violinist) (am 1935-03-02)
Kontrabass:
Eugène d’Hellemmes (am 1935-03-02)
Posaune:
Guy Paquinet (am 1935-03-02)
Schlagzeug:
Maurice Chaillou (am 1935-03-02)
Tenorsaxophon:
Coleman Hawkins (am 1935-03-02)
Trompete:
Pierre Allier (am 1935-03-02), Arthur Briggs (am 1935-03-02) und Noël Chiboust (am 1935-03-02)
cover recording of:
Avalon (am 1935-03-02)
Verfasser(in):
B. G. DeSylva, Al Jolson und Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Stephen Ballentine Music, Warner Bros. Music (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Jerome H. Remick & Co. (am 1920-09-04)
3:01
12What a Difference a Day Made
recorded in:
Paris, Île-de-France, Frankreich (am 1935-03-02)
alto saxophone und Klarinette:
André Ekyan (am 1935-03-02)
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1935-03-02)
Klarinette und Tenorsaxophon:
Alix Combelle (am 1935-03-02)
Klavier:
Stéphane Grappelli (jazz violinist) (am 1935-03-02)
Kontrabass:
Eugène d’Hellemmes (am 1935-03-02)
Posaune:
Guy Paquinet (am 1935-03-02)
Schlagzeug:
Maurice Chaillou (am 1935-03-02)
Solo-Trompete:
Arthur Briggs (am 1935-03-02)
Tenorsaxophon:
Coleman Hawkins (am 1935-03-02)
Trompete:
Pierre Allier (am 1935-03-02) und Noël Chiboust (am 1935-03-02)
cover recording of:
What a Diff’rence a Day Made (am 1935-03-02)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
3:20
13Star Dust
recorded in:
Paris, Île-de-France, Frankreich (am 1935-03-02)
Gitarre:
Django Reinhardt (French jazz guitarist and composer) (am 1935-03-02)
Klavier:
Stéphane Grappelli (jazz violinist) (am 1935-03-02)
Tenorsaxophon:
Coleman Hawkins (am 1935-03-02)
instrumental cover recording of:
Stardust (the jazz standard) (am 1935-03-02)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
3:13
14Chicago
Tenorsaxophon:
Coleman Hawkins (am 1935-08-26)
instrumental recording of:
Chicago (That Toddlin’ Town) (am 1935-08-26)
Texter und Komponist(in):
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. und Salabert
3:04
15Meditation3:04
16What Harlem is to Me2:46
17Netcha's Dream2:37
18Love Cries...3:09
19Sorrow3:08
20Tiger Rag
Tenorsaxophon:
Coleman Hawkins (am 1936-05-04)
recording of:
Tiger Rag (original 1917 instrumental version) (am 1936-05-04)
Komponist(in):
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro und Larry Shields
2:26
21It May Not Be True
Tenorsaxophon:
Coleman Hawkins (am 1936-05-04)
recording of:
It May Not Be True (am 1935-05-04)
Verfasser(in):
Coleman Hawkins
3:12
22I'm in the Mood for Love
Tenorsaxophon:
Coleman Hawkins (in 1937)
instrumental recording of:
I’m in the Mood for Love (in 1937)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
3:09