The Best of Solid Gold, Vol 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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▼ CD 1
Nr.TitelKünstlerBewertungLänge
1Somebody to Love
recording of:
Somebody to Love (Queen song)
Texter, Verfasser(in) und Komponist(in):
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
Teil von:
We Will Rock You (Queen musical)
Teil von:
We Will Rock You (German version of the Queen musical)
Queen4:48
2The Living Years
recording of:
The Living Years
Verfasser(in):
B.A. Robertson und Mike Rutherford
publisher:
Bug Music (music publishing), EMI Blackwood Music Inc., Hidden Pun Music, Inc., Michael Rutherford Ltd., R & BA Music Ltd. und R and B. A. Music Ltd.
Mike + the Mechanics5:27
3Baker Street
recording engineer:
Barry Hammond
Produzent(in):
Hugh Murphy (UK producer, engineer) und Gerry Rafferty
Mix:
Declan O’Doherty
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
E-Gitarre:
Hugh Burns und Nigel Jenkins
Moog und Keyboard:
Tommy Eyre
Perkussion:
Glen LeFleur
Saxophon:
Raphael Ravenscroft
Schlagzeug:
Henry Spinetti
Sologesang:
Gerry Rafferty
Saiteninstrumente arranger:
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977), EMI (EMI Records, EMI Records, since 1972) (in 1978), EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 26)
recording of:
Baker Street
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, EMI Music Publishing (do not use as a release label!), Icon Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.55:44
4Miss You Nights
recording of:
Miss You Nights
Komponist(in):
Dave Townsend (English songwriter, wrote "Miss You Nights", performed with Alan Parsons Project)
publisher:
Off the Wall Music
Cliff Richard3:54
5Fool (If You Think It’s Over)
recording of:
Fool (If You Think It’s Over)
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea4:01
6Arthur’s Theme
assistierende(r) Techniker(in):
Stuart Gitlin und Margaret Gwynne (engineer)
zusätzliche(r) Techniker(in):
John Guess, Lee Herschberg, Mark Linett und Richard Mullen
Produzent(in):
Michael Omartian
Mix:
Chet Himes
Sologesang:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
Saiteninstrumente arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
concertmaster:
Assa Drori
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
aufgenommen bei und mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
Verfasser(in):
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager und Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 54)
Christopher Cross53:47
7Suddenly
recording of:
Suddenly
Verfasser(in):
Keith Diamond und Billy Ocean
Billy Ocean3:47
8The Best
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
Island Music Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner5:27
9You Make Me Feel Like Dancing
phonographisches Urheberrecht (℗) von:
Silverbird Ltd. (in 1976)
recording of:
You Make Me Feel Like Dancing
Texter:
Leo Sayer
Komponist(in):
Vini Poncia
publisher:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music und Silverbird Songs Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer3:34
10Kingston Town
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1989)
cover recording of:
Kingston Town
Texter und Komponist(in):
Kenrick Patrick
UB404.53:45
11Year of the Cat
recording of:
Year of the Cat
Verfasser(in):
Al Stewart (UK folk singer/songwriter) und Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (AU subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Al Stewart5:28
12At Seventeen
recording of:
At Seventeen
Texter und Komponist(in):
Janis Ian (in 1974)
publisher:
EMI Blackwood Music Inc. und Mine Music Ltd.
Janis Ian4:40
13A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
übersetzte Version von:
青い影
Procol Harum4.14:01
14I’ll Have to Say I Love You in a Song
Akustikgitarre [lead acoustic guitar]:
Maury Muehleisen
Bass:
Joe Macho
Gitarre [rhythm guitar]:
Jim Croce
Hybrid-Piano:
Tommy West
Perkussion:
George Devens
Schlagzeug:
Gary Chester (studio drummer and educator)
Hintergrundgesang:
Marty Nelson und Tommy West
vocals:
Jim Croce (am 1973-06-07)
conductor:
Terence Minogue
arranger:
Terence Minogue
phonographisches Urheberrecht (℗) von:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973) und Lastrada Entertainment Co., Ltd. (in 1973)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1973-06-07)
recording of:
I’ll Have to Say I Love You in a Song (am 1973-06-07)
Texter und Komponist(in):
Jim Croce
publisher:
Blendingwell Music, Inc., DenJac Music Company und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce52:30
15Mr. Tambourine Man
Produzent(in):
Terry Melcher
Bass:
Chris Hillman
Gitarre:
David Crosby
Schlagzeug:
Michael Clarke (drummer for the 1960s rock group The Byrds)
zwölfsaitige Gitarre:
Jim McGuinn
vocals:
David Crosby, Chris Hillman und Jim McGuinn
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 79) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 230)
cover recording of:
Mr. Tambourine Man (in 1965)
Texter und Komponist(in):
Bob Dylan (von 1964-02 bis 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
The Byrds4.152:16
16San Francisco
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) und Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Wingate Music Corp.
Scott McKenzie3.752:56
17Ballad of Lucy Jordan
recording of:
The Ballad of Lucy Jordan
Texter und Komponist(in):
Shel Silverstein
publisher:
Evil Eye Music Inc.
Marianne Faithfull4:03
18I’m Not in Love
recording of:
I’m Not in Love
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music und St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
10cc4:49
19Sweet Home Alabama
recording of:
Sweet Home Alabama
sonstige Unterstützung:
Ronnie Van Zant
Verfasser(in):
Ed King (US guitarist, bassist & songwriter), Gary Rossington und Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd3:59
▼ CD 2
Nr.TitelKünstlerBewertungLänge
1Vincent
Techniker(in):
Tom Flye
Produzent(in):
Ed Freeman (producer, arranger, musician, and photographer)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1971-05 bis 1971-06)
recording of:
Vincent (Starry Starry Night)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal/MCA Music Ltd. (not for release label use!)
übersetzte Version von:
Wim
Don McLean4.254:00
2Making Love Out of Nothing at All
recording of:
Making Love out of Nothing at All
Texter und Komponist(in):
Jim Steinman
Air Supply4:55
3Bridge Over Troubled Water
recording of:
Bridge Over Troubled Water
Texter:
Paul Simon (of Simon & Garfunkel)
Komponist(in):
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Simon & Garfunkel4:52
4Something’s Gotten Hold of My Heart
recording of:
Something’s Gotten Hold of My Heart
Texter und Komponist(in):
Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
publisher:
PolyGram Music Publishing
Marc Almond & Gene Pitney4:38
5Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
6Eloise
recording of:
Eloise
Texter und Komponist(in):
Paul Ryan (UK singer, songwriter & producer) (in 1968)
publisher:
Carlin Music Corporation und Hill & Range (publisher)
Barry Ryan5:33
7Every Time You Go Away
Produzent(in):
Laurie Latham
vocals:
Paul Young (English pop singer and musician)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1985) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
cover recording of:
Everytime You Go Away
Texter und Komponist(in):
Daryl Hall
publisher:
Hot Cha Music Co., Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Paul Young4.54:23
8Lady
Sologesang:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographisches Urheberrecht (℗) von:
Liberty Records, Inc. (in 1980)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 67)
recording of:
Lady (in 1980)
Texter und Komponist(in):
Lionel Richie, Jr.
publisher:
Brockman Music
Kenny Rogers3.43:52
9All I Have to Do Is Dream
recording of:
All I Have to Do Is Dream
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Acuff-Rose Publications, Inc. (BMI) (am 1958-04-21)
The Everly Brothers2:19
10I Believe
The Bachelors2:06
11Never, Never, Never
recording of:
Never Never Never
Texter und Komponist(in):
David Buskin
Shirley Bassey3:39
12Paradise Road
recording of:
Paradise Road
Verfasser(in):
Fransua Roos und Patric William van Blerk
Joy4:20
13Rhinestone Cowboy
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1975)
cover recording of:
Rhinestone Cowboy
Texter und Komponist(in):
Larry Weiss (American singer-songwriter)
publisher:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Glen Campbell4.53:15
14When You’re in Love With a Beautiful Woman
recording of:
When You’re in Love With a Beautiful Woman
Texter und Komponist(in):
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Screen Gems–EMI Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook5:12
15Mr. Bojangles
recording of:
Mr. Bojangles
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
The Nitty Gritty Dirt Band3:35
16Substitute
Produzent(in):
Grahame Beggs
recording of:
Substitute (in 1978)
Texter und Komponist(in):
Willie Wilson
Clout43:22
17Young Girl
recording of:
Young Girl
Texter und Komponist(in):
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (South East Asia) Limited)
Gary Puckett & the Union Gap3:13
18The Loco‐Motion
recording of:
The Loco‐Motion (aka Locomotion)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (vom 1962 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Little Eva2:24
19The House of the Rising Sun
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, Keith Prowse, Keith Prowse Music Publishing Co. Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4:29
20Long Cool Woman in a Black Dress
Techniker(in):
John Punter
Produzent(in):
The Hollies und Ron Richards
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 1971) und Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1971-07-16, von 1971-07-27 bis 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (am 1971-07-16)
Verfasser(in):
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
The Hollies4.23:16