Shadowlands: Original Film Soundtrack

~ Release by George Fenton; The London Symphony Orchestra, The Choir of Magdalen College, Oxford (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Veni Sancte Spiritus (front titles)
recording engineer and mixer:
Keith Grant (classical recording engineer)
producer:
George Fenton (English score composer)
editor:
Kevin Lane
orchestra:
London Symphony Orchestra
conductor:
George Fenton (English score composer)
phonographic copyright (℗) by:
Angel Records (Angel, please read annotations before use! primarily classical genre imprint, EMI subsidiary)
recording of:
Veni Sancte Spiritus (front titles)
orchestrator:
Michael Davis (classical violinist) and Lennox Mackenzie
composer:
George Fenton (English score composer)
The Choir of Magdalen College, Oxford2:18
2The Golden Valley
recording engineer and mixer:
Keith Grant (classical recording engineer)
producer:
George Fenton (English score composer)
editor:
Kevin Lane
orchestra:
London Symphony Orchestra
conductor:
George Fenton (English score composer)
phonographic copyright (℗) by:
Angel Records (Angel, please read annotations before use! primarily classical genre imprint, EMI subsidiary)
recording of:
The Golden Valley
orchestrator:
Michael Davis (classical violinist) and Lennox Mackenzie
composer:
George Fenton (English score composer)
George Fenton1:57
3Quartet in D ‘The Randolph’
recording engineer and mixer:
Keith Grant (classical recording engineer)
producer:
George Fenton (English score composer)
editor:
Kevin Lane
orchestra:
London Symphony Orchestra
conductor:
George Fenton (English score composer)
phonographic copyright (℗) by:
Angel Records (Angel, please read annotations before use! primarily classical genre imprint, EMI subsidiary)
recording of:
Quartet in D ‘The Randolph’
orchestrator:
Michael Davis (classical violinist) and Lennox Mackenzie
composer:
George Fenton (English score composer)
Michael Davis, Janice Graham, Paul Silverthorne & Rod McGrath1:50
4The Wardrobe
recording engineer and mixer:
Keith Grant (classical recording engineer)
producer:
George Fenton (English score composer)
editor:
Kevin Lane
orchestra:
London Symphony Orchestra
conductor:
George Fenton (English score composer)
phonographic copyright (℗) by:
Angel Records (Angel, please read annotations before use! primarily classical genre imprint, EMI subsidiary)
recording of:
The Wardrobe
orchestrator:
Michael Davis (classical violinist) and Lennox Mackenzie
composer:
George Fenton (English score composer)
George Fenton2:39
5“The Plot Thickens”
recording engineer and mixer:
Keith Grant (classical recording engineer)
producer:
George Fenton (English score composer)
editor:
Kevin Lane
orchestra:
London Symphony Orchestra
conductor:
George Fenton (English score composer)
phonographic copyright (℗) by:
Angel Records (Angel, please read annotations before use! primarily classical genre imprint, EMI subsidiary)
recording of:
“The Plot Thickens”
orchestrator:
Michael Davis (classical violinist) and Lennox Mackenzie
composer:
George Fenton (English score composer)
George Fenton2:34
6The Lake
recording engineer and mixer:
Keith Grant (classical recording engineer)
producer:
George Fenton (English score composer)
editor:
Kevin Lane
orchestra:
London Symphony Orchestra
conductor:
George Fenton (English score composer)
phonographic copyright (℗) by:
Angel Records (Angel, please read annotations before use! primarily classical genre imprint, EMI subsidiary)
recording of:
The Lake
orchestrator:
Michael Davis (classical violinist) and Lennox Mackenzie
composer:
George Fenton (English score composer)
George Fenton3:14
7O Little Town of Bethlehem
George Fenton2:12
8Once in Royal David’s City
The Choir of Magdalen College, Oxford1:38
9The Friendship
recording engineer and mixer:
Keith Grant (classical recording engineer)
producer:
George Fenton (English score composer)
editor:
Kevin Lane
orchestra:
London Symphony Orchestra
conductor:
George Fenton (English score composer)
phonographic copyright (℗) by:
Angel Records (Angel, please read annotations before use! primarily classical genre imprint, EMI subsidiary)
recording of:
The Friendship
orchestrator:
Michael Davis (classical violinist) and Lennox Mackenzie
composer:
George Fenton (English score composer)
George Fenton2:09
10The Wedding
recording engineer and mixer:
Keith Grant (classical recording engineer)
producer:
George Fenton (English score composer)
editor:
Kevin Lane
orchestra:
London Symphony Orchestra
conductor:
George Fenton (English score composer)
phonographic copyright (℗) by:
Angel Records (Angel, please read annotations before use! primarily classical genre imprint, EMI subsidiary)
recording of:
The Wedding
orchestrator:
Michael Davis (classical violinist) and Lennox Mackenzie
composer:
George Fenton (English score composer)
George Fenton2:44
11Sumer Is Icumen In
recording of:
Sumer is icumen in
composer:
[anonymous] (special purpose artist)
The Choir of Magdalen College, Oxford1:38
12The Drive to the Hotel
recording engineer and mixer:
Keith Grant (classical recording engineer)
producer:
George Fenton (English score composer)
editor:
Kevin Lane
orchestra:
London Symphony Orchestra
conductor:
George Fenton (English score composer)
phonographic copyright (℗) by:
Angel Records (Angel, please read annotations before use! primarily classical genre imprint, EMI subsidiary)
recording of:
The Drive to the Hotel
orchestrator:
Michael Davis (classical violinist) and Lennox Mackenzie
composer:
George Fenton (English score composer)
George Fenton1:32
13The Golden Valley Part Two
recording engineer and mixer:
Keith Grant (classical recording engineer)
producer:
George Fenton (English score composer)
editor:
Kevin Lane
orchestra:
London Symphony Orchestra
conductor:
George Fenton (English score composer)
phonographic copyright (℗) by:
Angel Records (Angel, please read annotations before use! primarily classical genre imprint, EMI subsidiary)
recording of:
The Golden Valley Part Two
orchestrator:
Michael Davis (classical violinist) and Lennox Mackenzie
composer:
George Fenton (English score composer)
George Fenton1:57
14Mr. C.S. Lewis
recording engineer and mixer:
Keith Grant (classical recording engineer)
producer:
George Fenton (English score composer)
editor:
Kevin Lane
orchestra:
London Symphony Orchestra
conductor:
George Fenton (English score composer)
phonographic copyright (℗) by:
Angel Records (Angel, please read annotations before use! primarily classical genre imprint, EMI subsidiary)
recording of:
Mr. C.S. Lewis
orchestrator:
Michael Davis (classical violinist) and Lennox Mackenzie
composer:
George Fenton (English score composer)
George Fenton1:43
15Joy Goes Home
recording engineer and mixer:
Keith Grant (classical recording engineer)
producer:
George Fenton (English score composer)
editor:
Kevin Lane
orchestra:
London Symphony Orchestra
conductor:
George Fenton (English score composer)
phonographic copyright (℗) by:
Angel Records (Angel, please read annotations before use! primarily classical genre imprint, EMI subsidiary)
recording of:
Joy Goes Home
orchestrator:
Michael Davis (classical violinist) and Lennox Mackenzie
composer:
George Fenton (English score composer)
George Fenton2:33
16“I’ll Be Here Too”
recording engineer and mixer:
Keith Grant (classical recording engineer)
producer:
George Fenton (English score composer)
editor:
Kevin Lane
orchestra:
London Symphony Orchestra
conductor:
George Fenton (English score composer)
phonographic copyright (℗) by:
Angel Records (Angel, please read annotations before use! primarily classical genre imprint, EMI subsidiary)
recording of:
“I’ll Be Here Too”
orchestrator:
Michael Davis (classical violinist) and Lennox Mackenzie
composer:
George Fenton (English score composer)
George Fenton1:56
17The Silence
recording engineer and mixer:
Keith Grant (classical recording engineer)
producer:
George Fenton (English score composer)
editor:
Kevin Lane
orchestra:
London Symphony Orchestra
conductor:
George Fenton (English score composer)
phonographic copyright (℗) by:
Angel Records (Angel, please read annotations before use! primarily classical genre imprint, EMI subsidiary)
recording of:
The Silence
orchestrator:
Michael Davis (classical violinist) and Lennox Mackenzie
composer:
George Fenton (English score composer)
George Fenton1:54
18“As a Boy and as a Man”
recording engineer and mixer:
Keith Grant (classical recording engineer)
producer:
George Fenton (English score composer)
editor:
Kevin Lane
orchestra:
London Symphony Orchestra
conductor:
George Fenton (English score composer)
phonographic copyright (℗) by:
Angel Records (Angel, please read annotations before use! primarily classical genre imprint, EMI subsidiary)
recording of:
“As a Boy and as a Man”
orchestrator:
Michael Davis (classical violinist) and Lennox Mackenzie
composer:
George Fenton (English score composer)
George Fenton3:26
19Sanctis Solemniis
recording engineer and mixer:
Keith Grant (classical recording engineer)
producer:
George Fenton (English score composer)
editor:
Kevin Lane
orchestra:
London Symphony Orchestra
conductor:
George Fenton (English score composer)
phonographic copyright (℗) by:
Angel Records (Angel, please read annotations before use! primarily classical genre imprint, EMI subsidiary)
recording of:
Sanctis Solemniis
orchestrator:
Michael Davis (classical violinist) and Lennox Mackenzie
composer:
George Fenton (English score composer)
The Choir of Magdalen College, Oxford2:05
20Joy and Douglas
recording engineer and mixer:
Keith Grant (classical recording engineer)
producer:
George Fenton (English score composer)
editor:
Kevin Lane
orchestra:
London Symphony Orchestra
conductor:
George Fenton (English score composer)
phonographic copyright (℗) by:
Angel Records (Angel, please read annotations before use! primarily classical genre imprint, EMI subsidiary)
recording of:
Joy and Douglas
orchestrator:
Michael Davis (classical violinist) and Lennox Mackenzie
composer:
George Fenton (English score composer)
George Fenton1:40
21Shadowlands (end credits)
recording engineer and mixer:
Keith Grant (classical recording engineer)
producer:
George Fenton (English score composer)
editor:
Kevin Lane
orchestra:
London Symphony Orchestra
conductor:
George Fenton (English score composer)
phonographic copyright (℗) by:
Angel Records (Angel, please read annotations before use! primarily classical genre imprint, EMI subsidiary)
recording of:
Shadowlands (end credits)
orchestrator:
Michael Davis (classical violinist) and Lennox Mackenzie
composer:
George Fenton (English score composer)
George Fenton3:35