Lady Sings the Blues

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

▼ CD 1
Nr.TitelKünstlerBewertungLänge
1Don’t Know Why
assistierende(r) Techniker(in):
Mark Birkey
Techniker(in):
Jay Newland
Produzent(in):
Norah Jones und Jay Newland
zusätzliche(r) Produzent(in):
Arif Mardin
Mix:
Arif Mardin und Jay Newland
Akustikgitarre und E-Gitarre:
Jesse Harris
Bassgitarre:
Lee Alexander (US bassist, songwriter & producer)
Klavier und Sologesang:
Norah Jones
Schlagzeug:
Dan Rieser
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
aufgenommen bei:
Allaire Studios in Bearsville, New York, Vereinigte Staaten und Sorcerer Sound in New York, New York, Vereinigte Staaten
mixed at:
Sear Sound in New York, New York, Vereinigte Staaten
cover recording of:
Don’t Know Why (in 2000-10)
Texter und Komponist(in):
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Norah Jones3.43:07
2Rainy Night in Georgia
cover recording of:
Rainy Night in Georgia
Texter und Komponist(in):
Tony Joe White
publisher:
Combine Music Corp. und EMI Songs Limited
Randy Crawford4:21
3(You Make Me Feel Like) a Natural Woman
recording engineer:
Tom Dowd (am 1967-02-16)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-02-16)
Klavier:
Spooner Oldham (am 1967-02-16)
Schlagzeug:
Gene Chrisman (am 1967-02-16)
Trompete:
Bernie Glow (am 1967-02-16), Melvin Lastie (am 1967-02-16) und Joe Newman (US jazz trumpeter) (am 1967-02-16)
Chorgesang:
Carolyn Franklin (am 1967-02-16), Erma Franklin (am 1967-02-16) und The Sweet Inspirations (am 1967-02-16)
vocals:
Aretha Franklin (am 1967-02-16)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-16)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 10) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 90)
cover recording of:
(You Make Me Feel Like) A Natural Woman (am 1967-02-16)
Texter:
Gerry Goffin
zusätzliche(r) Verfasser(in):
Jerry Wexler
Komponist(in):
Carole King
publisher:
Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:46
4The Look of Love
recording of:
The Look of Love
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 40th Academy Award for Best Original Song (Nummer: 2)
Dusty Springfield53:31
5I Just Wanna Make Love to You
recording of:
I Just Wanna Make Love to You
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Hoochie Coochie Music
Etta James3:05
6Light My Fire
cover recording of:
Light My Fire
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. und 日音 Synch事業部 (NICHION, INC. Synch Division)
Erma Franklin2:43
7Night Time Is the Right Time
cover recording of:
Night Time Is the Right Time
Komponist(in):
Lew Herman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. und Tro-Essex Music
Tina Turner3:29
8I Can’t Make You Love Me
recording engineer und Mix:
Ed Cherney
assistierende(r) Techniker(in):
Bryant Arnett, Ray Blair, Dan Bosworth (Engineer) und Christina Paakkari
Produzent(in):
Bonnie Raitt und Don Was
Bassgitarre:
James "Hutch" Hutchinson (in 1991)
Hammond-Orgel [C3]:
Benmont Tench (in 1991)
Klavier und zusätzlich Keyboard:
Bruce Hornsby (in 1991)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 1991)
Schlagzeug:
Tony Braunagel (in 1991)
Hintergrundgesang:
Bonnie (in 1991), David Lasley (in 1991) und Arnold McCuller (in 1991)
vocals:
Bonnie (in 1991)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1991, in 2005)
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1991)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 331) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 372)
recording of:
I Can’t Make You Love Me (in 1991)
Verfasser(in):
Mike Reid (US country artist & former football player) und Allen Shamblin
publisher:
Universal Music–MGB Songs, Almo Music Corp. (USA, affiliated with ASCAP) (in 1991), Brio Blues Music (in 1991) und Hayes Street Music, Inc. (in 1991)
sub-publisher:
Universal Music Publishing Ltd. (Taiwan subsidiary of Universal Music Publishing Group)
Bonnie Raitt55:32
9Walk On By
vocals:
Dionne Warwick
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 129)
recording of:
Walk On By
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:54
10Mad About the Boy
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1961-12-04)
Klavier:
Jack Wilson (jazz pianist) (am 1961-12-04)
Posaune:
Billy Byers (am 1961-12-04)
Trompete:
Joe Newman (US jazz trumpeter) (am 1961-12-04)
vocals:
Dinah Washington
Orchester:
Quincy Jones and His Orchestra (am 1961-12-04)
arranger:
Quincy Jones (am 1961-12-04)
cover recording of:
Mad About the Boy (in 1961)
Texter und Komponist(in):
Noël Coward
publisher:
Chappell & Co. und Chappell Music Ltd.
Teil von:
Words and Music
Dinah Washington52:47
11Night and Day
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-03-27) und Bud Shank (am 1956-03-27)
baritone saxophone:
Chuck Gentry (am 1956-03-27)
Bassposaune:
George Roberts (american bass trombone) (am 1956-03-27)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-03-27) und Edgar Lustgarten (am 1956-03-27)
Gitarre:
Barney Kessel (am 1956-03-27)
Harfe:
Corky Hale (am 1956-03-27)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-03-27)
Kontrabass:
Joe Mondragon (am 1956-03-27)
Posaune:
Milt Bernhart (am 1956-03-27), Joe Howard (american trombone player) (am 1956-03-27) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-03-27)
Schlagzeug:
Alvin Stoller (am 1956-03-27)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-03-27) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-03-27)
Trompete:
Pete Candoli (am 1956-03-27), Harry “Sweets” Edison (am 1956-03-27), Maynard Ferguson (am 1956-03-27) und Conrad Gozzo (am 1956-03-27)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-03-27)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-03-27)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1956-03-27)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Ella Fitzgerald3:05
12That Ole Devil Called Love
alto saxophone:
Jack Cressey (am 1944-11-08) und Hymie Shertzer (am 1944-11-08)
Gitarre:
Carl Kress (am 1944-11-08)
Klavier:
Dave Bowman (jazz pianist) (am 1944-11-08)
Kontrabass:
Haig Stephens (am 1944-11-08)
Schlagzeug:
George Wettling (am 1944-11-08)
Tenorsaxophon:
Larry Binyon (am 1944-11-08) und Dave Harris (tenor saxo) (am 1944-11-08)
Trompete:
Russ Case (US trumpeter & bandleader) (am 1944-11-08)
vocals:
Billie Holiday (am 1944-11-08)
recording of:
That Ole Devil Called Love (am 1944-11-08)
Texter:
Doris Fisher (in 1944)
Komponist(in):
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday42:54
13Misty
cover recording of:
Misty
Texter:
Johnny Burke (American lyricist, 1908-1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
Sarah Vaughan5:59
14Cry Me a River
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Cry Me a River
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London52:50
15My Funny Valentine
Klavier:
André Previn (pianist, conductor, composer, arranger)
vocals:
Dinah Shore
Interpret(in):
André Previn (pianist, conductor, composer, arranger)
recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Teil von:
Waiting to Exhale (1995 film)
Dinah Shore feat. André Previn3:35
16Summertime
vocals:
Louis Armstrong
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Ella Fitzgerald4:55
17I Loves You Porgy
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone4:03
18Me and Bobby McGee
Techniker(in):
Phil Macy (50s-70s engineer)
Produzent(in):
Paul Rothchild
Akustikgitarre und Sologesang:
Janis Joplin
Bassgitarre:
Brad Campbell (bassist, member of Full Tilt Boogie)
Gast-Bongos und Conga:
Bobbye Hall
Gast-Tamburin:
Sandra Crouch
Gitarre:
John Till (rock guitarist)
Klavier:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin)
Orgel:
Ken Pearson
Schlagzeug:
Clark Pierson
Hintergrundgesang:
Phil Badella, Richard Bell (Canadian keyboardist for The Band/Janis Joplin), Brad Campbell (bassist, member of Full Tilt Boogie), John Cooke, Janis Joplin, Vince Mitchell, Ken Pearson, Clark Pierson und John Till (rock guitarist)
Interpret(in):
Full Tilt Boogie
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 31) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 148)
cover recording of:
Me and Bobby McGee (am 1970-09-25)
Texter und Komponist(in):
Fred Foster und Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.254:30
19In a Sentimental Mood
Dianne Reeves5:18
20Stormy Weather
cover recording of:
Stormy Weather
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
Sarah Vaughan feat. Jimmy Jones and His Orchestra3:29

Nennungen

Veröffentlichungsgruppe

Teil von:Lady Sings the Blues (Nummer: 1) (Reihenfolge: 1)