Der Rosenkavalier

~ Release by Richard Strauss; Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Teresa Stich‐Randall, Otto Edelmann, Eberhard Wächter, Philharmonia Orchestra, Philharmonia Chorus (see all versions of this release, 9 available)

Annotation

Original Sound recording made in 1957 by EMI Records
Digitally remastered in 1987 by EMI Records
Doubtless the same performance as this, but with different track division.

EMI CDS 7 49354 2 represents the three disc boxed set.
EMI CDC 7 49355 2, CDC 7 49356 2 and CDC 7 49357 2 represent the individual discs.

Annotation last modified on 2014-03-11 19:10 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Der Rosenkavalier, Op. 59: Aufzug I. Einleitung
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. Einleitung (The Rose-knight, Act 1: Introduction) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:36
2Der Rosenkavalier, Op. 59: Aufzug I. "Wie du warst! Wie du bist!" (Octavian, Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Wie du warst! Wie du bist!" (Octavian, Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:57
3Der Rosenkavalier, Op. 59: Aufzug I. "Du bist mein Bub', du bist mein Schatz!" (Marschallin, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Du bist mein Bub', du bist mein Schatz!" (Marschallin, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:39
4Der Rosenkavalier, Op. 59: Aufzug I. "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:10
5Der Rosenkavalier, Op. 59: Aufzug I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Erich Majkut (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Quinquin, es ist ein Besuch" (Marschallin, Haushofmeister, Baron, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:49
6Der Rosenkavalier, Op. 59: Aufzug I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Harald Pröglhöf (Austrian operatic bass-baritone) (from 1956-12-10 until 1956-12-22) and Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Erich Majkut (tenor) (from 1956-12-10 until 1956-12-22) and Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Selbstverständlich empfängt mich Ihro Gnaden" (Baron, Lakaien, Marschallin, Haushofmeister) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss8:17
7Der Rosenkavalier, Op. 59: Aufzug I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Hat Sie schon einmal" (Baron, Octavian, Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss0:56
8Der Rosenkavalier, Op. 59: Aufzug I. "Macht das einen lahmen Esel aus mir?" (Baron, Marschallin, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Macht das einen lahmen Esel aus mir?" (Baron, Marschallin, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:57
9Der Rosenkavalier, Op. 59: Aufzug I. "Geben mir Euer Gnaden den Grasaff' da" (Baron, Marschallin, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Geben mir Euer Gnaden den Grasaff' da" (Baron, Marschallin, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:45
10Der Rosenkavalier, Op. 59: Aufzug I. "Wollen Euer Gnaden leicht den Jungen Herren da" (Marschallin, Baron, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Wollen Euer Gnaden leicht den Jungen Herren da" (Marschallin, Baron, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss1:22
11Der Rosenkavalier, Op. 59: Aufzug I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
alto vocals:
Kerstin Meyer (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Anny Felbermayer (soprano) (from 1956-12-10 until 1956-12-22) and Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Paul Kuën (tenor) (from 1956-12-10 until 1956-12-22) and Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "I komm' glei" … "Drei arme adelige Waisen" (Octavian, Die drei Waisen, Modistin, Tierhändler, Marschallin, Valzacchi) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:57
12Der Rosenkavalier, Op. 59: Aufzug I. "Di rigori armato il seno" (Ein Sänger)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
tenor vocals:
Nicolai Gedda (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Di rigori armato il seno" (Ein Sänger) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:10
13Der Rosenkavalier, Op. 59: Aufzug I. "Als Morgengabe …" (Baron, Notar, Sänger)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Harald Pröglhöf (Austrian operatic bass-baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Nicolai Gedda (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Als Morgengabe …" (Baron, Notar, Sänger) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:02
14Der Rosenkavalier, Op. 59: Aufzug I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
alto vocals:
Kerstin Meyer (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Paul Kuën (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein lieber Hippolyte" (Marschallin, Valzacchi, Baron, Annina) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:39
15Der Rosenkavalier, Op. 59: Aufzug I. "Da geht er hin, der aufgeblasene schlechte Kerl" (Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1956-12-10 until 1956-12-22)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. “Da geht er hin, der aufgeblasene schlechte Kerl” (Marschallin, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:18
16Der Rosenkavalier, Op. 59: Aufzug I. "Ach, du bist wieder da!" (Marschallin, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ach, du bist wieder da!" (Marschallin, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss5:33
17Der Rosenkavalier, Op. 59: Aufzug I. "Die Zeit, die ist ein sonderbar Ding" (Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Die Zeit, die ist ein sonderbar Ding" (Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss2:26
18Der Rosenkavalier, Op. 59: Aufzug I. "Mein schöner Schatz" (Octavian, Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Mein schöner Schatz" (Octavian, Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss4:20
19Der Rosenkavalier, Op. 59: Aufzug I. "Ich werd' jetzt in die Kirchen" (Marschallin, Octavian, Lakaien)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Harald Pröglhöf (Austrian operatic bass-baritone) (from 1956-12-10 until 1956-12-22) and Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Erich Majkut (tenor) (from 1956-12-10 until 1956-12-22) and Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt I. "Ich werd' jetzt in die Kirchen" (Marschallin, Octavian, Lakaien) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss7:18
▼ CD 2
#TitleArtistRatingLength
1Der Rosenkavalier, Op. 59: Aufzug II. Einleitung
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. Einleitung (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss0:39
2Der Rosenkavalier, Op. 59: Aufzug II. "Ein ernster Tag, ein grosser Tag" (Faninal, Marianne, Haushofmeister)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Ljuba Welitsch (soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Ein ernster Tag, ein grosser Tag" (Faninal, Marianne, Haushofmeister) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss1:09
3Der Rosenkavalier, Op. 59: Aufzug II. "In dieser feierlichen Stunde der Prüfung" (Sophie, Marianne, Drei Läufer)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22) and Ljuba Welitsch (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "In dieser feierlichen Stunde der Prüfung" (Sophie, Marianne, Drei Läufer) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:43
4Der Rosenkavalier, Op. 59: Aufzug II. "Mir ist die Ehre widerfahren" (Octavian, Sophie)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Mir ist die Ehre widerfahren" (Octavian, Sophie) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss7:20
5Der Rosenkavalier, Op. 59: Aufzug II. "Ich kenn' ihn schon recht wohl" (Sophie, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Ich kenn' ihn schon recht wohl" (Sophie, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss4:02
6Der Rosenkavalier, Op. 59: Aufzug II. "Jetzt aber kommt mein Herr Zukünftiger" (Sophie, Faninal, Baron, Octavian, Marianne)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22) and Ljuba Welitsch (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Jetzt aber kommt mein Herr Zukünftiger" (Sophie, Faninal, Baron, Octavian, Marianne) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:00
7Der Rosenkavalier, Op. 59: Aufzug II. "Brav, Faninal, er weiss, was sich gehört" (Baron, Octavian, Sophie, Faninal, Marianne)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22) and Ljuba Welitsch (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Brav, Faninal, er weiss, was sich gehört" (Baron, Octavian, Sophie, Faninal, Marianne) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
recording of:
Der Rosenkavalier: Akt II. "Belieben jetzt vielleicht ... ist ein alter Tokaier" (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer)
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss4:30
8Der Rosenkavalier, Op. 59: Aufzug II. "Wird kommen über Nacht" (Baron, Octavian, Marianne, Faninal)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Ljuba Welitsch (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Wird kommen über Nacht" (Baron, Octavian, Marianne, Faninal) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss2:09
9Der Rosenkavalier, Op. 59: Aufzug II. "Hab' nichts dawider" (Baron, Octavian, Sophie, Faninals Haushofmeister, Marianne)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22) and Ljuba Welitsch (soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Hab' nichts dawider" (Baron, Octavian, Sophie, Faninals Haushofmeister, Marianne) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:46
10Der Rosenkavalier, Op. 59: Aufzug II. "Was sie ist … mit ihren Augen voll Tränen" (Octavian, Sophie)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Was sie ist … mit ihren Augen voll Tränen" (Octavian, Sophie) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss3:41
11Der Rosenkavalier, Op. 59: Aufzug II. "Herr Baron von Lerchenau!" (Valzacchi, Annina, Baron, Sophie, Octavian, Die Lerchenauschen, Faninals Dienerschaft, Marianne, Faninal)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
alto vocals:
Kerstin Meyer (from 1956-12-10 until 1956-12-22)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22) and Ljuba Welitsch (soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Paul Kuën (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Herr Baron von Lerchenau!" (Valzacchi, Annina, Baron, Sophie, Octavian, Die Lerchenauschen, Faninals Dienerschaft, Marianne, Faninal) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss7:44
12Der Rosenkavalier, Op. 59: Aufzug II. "Er muss mich pardonieren" (Octavian, Faninal, Sophie, Marianne, Baron)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22) and Ljuba Welitsch (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Er muss mich pardonieren" (Octavian, Faninal, Sophie, Marianne, Baron) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss6:32
13Der Rosenkavalier, Op. 59: Aufzug II. "Da lieg' ich!" (Baron, Die Lerchenauschen, Annina)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
alto vocals:
Kerstin Meyer (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Da lieg' ich!" (Baron, Die Lerchenauschen, Annina) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss6:38
14Der Rosenkavalier, Op. 59: Aufzug II. "Da" … "Herr Cavalier" (Baron, Annina)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
alto vocals:
Kerstin Meyer (from 1956-12-10 until 1956-12-22)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt II. "Da" … "Herr Cavalier" (Baron, Annina) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt II
Richard Strauss4:49
▼ CD 3
#TitleArtistRatingLength
1Der Rosenkavalier, Op. 59: Aufzug III. Einleitung und Pantomime
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. Einleitung und Pantomime (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss6:49
2Der Rosenkavalier, Op. 59: Aufzug III. "Hab'n Euer Gnaden noch weitre Befehle?" (Der Wirt, Kellner, Baron)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Franz Bierbach (operatic bass) (from 1956-12-10 until 1956-12-22) and Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Karl Friedrich (tenor) (from 1956-12-10 until 1956-12-22), Erich Majkut (tenor) (from 1956-12-10 until 1956-12-22) and Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Hab'n Euer Gnaden noch weitre Befehle?" (Der Wirt, Kellner, Baron) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:33
3Der Rosenkavalier, Op. 59: Aufzug III. "Nein, nein, nein! I trink' kein Wein" (Octavian, Baron)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Nein, nein, nein! I trink' kein Wein" (Octavian, Baron) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss1:32
4Der Rosenkavalier, Op. 59: Aufzug III. "Ach, lass Sie schon einmal das fade Wort!" (Baron, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ach, lass Sie schon einmal das fade Wort!" (Baron, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:19
5Der Rosenkavalier, Op. 59: Aufzug III. "Die schöne Musi!" (Octavian, Baron)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Die schöne Musi!" (Octavian, Baron) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:47
6Der Rosenkavalier, Op. 59: Aufzug III. "Wie die Stund' hengeht" (Octavian, Baron, Annina, Wirt, Vier Kinder, Kellner, Valzacchi)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
alto vocals:
Kerstin Meyer (from 1956-12-10 until 1956-12-22)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Franz Bierbach (operatic bass) (from 1956-12-10 until 1956-12-22) and Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Karl Friedrich (tenor) (from 1956-12-10 until 1956-12-22), Paul Kuën (tenor) (from 1956-12-10 until 1956-12-22), Erich Majkut (tenor) (from 1956-12-10 until 1956-12-22) and Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Wie die Stund' hengeht" (Octavian, Baron, Annina, Wirt, Vier Kinder, Kellner, Valzacchi) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss4:53
7Der Rosenkavalier, Op. 59: Aufzug III. "Oh weh, was maken wir?" … "Halt! Keiner rührt sich!" (Valzacchi, Kommissarius, Octavian, Baron, Wirt, Faninal, Vier Kinder)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Franz Bierbach (operatic bass) (from 1956-12-10 until 1956-12-22) and Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Karl Friedrich (tenor) (from 1956-12-10 until 1956-12-22) and Paul Kuën (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Oh weh, was maken wir?" … "Halt! Keiner rührt sich!" (Valzacchi, Kommissarius, Octavian, Baron, Wirt, Faninal, Vier Kinder) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss5:37
8Der Rosenkavalier, Op. 59: Aufzug III. "Sind desto eher im Klaren" (Baron, Kommissarius, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Franz Bierbach (operatic bass) (from 1956-12-10 until 1956-12-22) and Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Sind desto eher im Klaren" (Baron, Kommissarius, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss1:44
9Der Rosenkavalier, Op. 59: Aufzug III. "Muss jetzt partout zu ihr!" … "Ihre hochfürstliche Gnaden" (Baron, Wirt, Octavian, Kommissarius, Marschallin, Sophie)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
bass vocals:
Franz Bierbach (operatic bass) (from 1956-12-10 until 1956-12-22) and Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22) and Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Karl Friedrich (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Muss jetzt partout zu ihr!" … "Ihre hochfürstliche Gnaden" (Baron, Wirt, Octavian, Kommissarius, Marschallin, Sophie) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss10:03
10Der Rosenkavalier, Op. 59: Aufzug III. "Ist halt vorbei" (Marschallin, Sophie, Baron, Annina, Die Kinder, Kellner, Wirt, Valzacchi, Die Musikanten, Die Kutscher, Hausknecht)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
alto vocals:
Kerstin Meyer (from 1956-12-10 until 1956-12-22)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
bass vocals:
Franz Bierbach (operatic bass) (from 1956-12-10 until 1956-12-22) and Otto Edelmann (austrian bass-baritone) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22) and Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
tenor vocals:
Karl Friedrich (tenor) (from 1956-12-10 until 1956-12-22), Paul Kuën (tenor) (from 1956-12-10 until 1956-12-22), Erich Majkut (tenor) (from 1956-12-10 until 1956-12-22) and Gerhard Unger (tenor) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ist halt vorbei" (Marschallin, Sophie, Baron, Annina, Die Kinder, Kellner, Wirt, Valzacchi, Die Musikanten, Die Kutscher, Hausknecht) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:37
11Der Rosenkavalier, Op. 59: Aufzug III. "Mein Gott, es war nicht mehr als eine Farce" (Sophie, Octavian, Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22) and Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Mein Gott, es war nicht mehr als eine Farce" (Sophie, Octavian, Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:19
12Der Rosenkavalier, Op. 59: Aufzug III. "Heut oder morgen oder den übernächsten Tag" (Marschallin, Octavian, Sophie)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22) and Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Heut oder morgen oder den übernächsten Tag" (Marschallin, Octavian, Sophie) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss4:33
13Der Rosenkavalier, Op. 59: Aufzug III. "Marie Theres'!" … "Hab'mir's gelobt" (Octavian, Marschallin, Sophie)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22) and Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. “Marie Theres’!” … “Hab’ mir’s gelobt” (Octavian, Marschallin, Sophie, Faninal) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss6:03
14Der Rosenkavalier, Op. 59: Aufzug III. "Ist ein Traum, kann nicht wirklich sein" (Sophie, Octavian, Faninal, Marschallin)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
baritone vocals:
Eberhard Wächter (baritone) (from 1956-12-10 until 1956-12-22)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (from 1956-12-10 until 1956-12-22) and Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum, kann nicht wirklich sein" (Sophie, Octavian, Faninal, Marschallin) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss3:49
15Der Rosenkavalier, Op. 59: Aufzug III. "Ist ein Traum" … "Spür nur dich" (Sophie, Octavian)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1956-12-10 until 1956-12-22)
soprano vocals:
Teresa Stich‐Randall (soprano) (from 1956-12-10 until 1956-12-22)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1956-12-10 until 1956-12-22)
conductor:
Herbert von Karajan (conductor) (from 1956-12-10 until 1956-12-22)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1956-12-10 until 1956-12-22)
recording of:
Der Rosenkavalier, op. 59: Akt III. "Ist ein Traum" … "Spür nur dich" (Sophie, Octavian) (from 1956-12-10 until 1956-12-22)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
librettist:
Hugo von Hofmannsthal
part of:
Der Rosenkavalier, op. 59: Akt III
Richard Strauss2:56

Credits

Release

mastering:Christopher Parker (classical recording and balance engineer, active from 1950s)
chorus master:Wilhelm Pitz (chorus master)
choir vocals:Bancroft's School Choir
Loughton High School for Girls
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)