オトナのアイのうた -ジャズ編-

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1What a Wonderful World
recording of:
What a Wonderful World
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Memory Lane Music (publishing company), Quartet Music Inc. and Range Road Music Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong2:20
2A Lover’s Concerto
cover recording of:
A Lover’s Concerto
writer:
Sandy Linzer and Denny Randell
is based on:
Minuet in G major, BWV Anh. 114 (for keyboard)
Sarah Vaughan2:48
3The Girl from Ipanema
recording engineer:
Phil Ramone
producer:
Creed Taylor
bass guitar:
Tommy Williams (jazz bassist) (from 1963-03-18 until 1963-03-19)
double bass [bass]:
Tommy Williams (jazz bassist) (in 1963-03)
drums (drum set):
Milton Banana (from 1963-03-18 until 1963-03-19)
drums (drum set) [drums]:
Milton Banana (in 1963-03)
guest piano:
Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
guitar:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (in 1963-03, from 1963-03-18 until 1963-03-19)
piano:
Antonio Carlos Jobim (in 1963-03) and Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
tenor saxophone:
Stan Getz (in 1963-03, from 1963-03-18 until 1963-03-19)
vocals:
Astrud Gilberto (in 1963-03, from 1963-03-18 until 1963-03-19) and João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (in 1963-03, from 1963-03-18 until 1963-03-19)
performer:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) and Antônio Carlos Jobim
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (in 1963-03) and A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-03-18 until 1963-03-19)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 461)
recording of:
The Girl From Ipanema (from 1963-03-18 until 1963-03-19)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
Garota de Ipanema
orchestrator:
Alexandre Desplat (French score composer)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Alexandre Desplat (French score composer), Antônio Carlos Jobim and Vinicius de Moraes (O poetinha)
publisher:
Universal Duchess Music Corp.
Stan Getz & João Gilberto3.655:26
4Fly Me to the Moon
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (from 1964-10-21 until 1965-02-04)
conductor:
Claus Ogerman (from 1964-10-21 until 1965-02-04)
arranger:
Claus Ogerman
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1964-10-21)
cover recording of:
Fly Me to the Moon (from 1964-10-21 until 1965-02-04)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Astrud Gilberto2:22
5Calling You
cover recording of:
Calling You
lyricist and composer:
Bob Telson
publisher:
Boodle Music (in 1987)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 61st Academy Award for Best Original Song (number: 2)
Natalie Cole5:02
6Timer after Time
cover recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended), CBS Songs Ltd., Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Rella Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Paul Anka4:03
7Our Love Is Here to Stay (mono)
cover recording of:
Love Is Here to Stay (on 1957-08-23)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
Ella Fitzgerald & Louis Armstrong4:01
8Love Letters (mono)
cover recording of:
Love Letters
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and Warner/Chappell Music Ltd. (1996–2019)
part of:
The 18th Academy Award for Best Original Song (number: 2)
Peggy Lee2:49
9What a Difference a Day Made
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (on 1959-02-19)
arranger:
Belford Hendricks
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington3.352:31
10Takin’ a Chance on Love (mono)
recording of:
Taking a Chance on Love
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
Anita O’Day2:25
11You’d Be Nice to Come Home To (mono)
producer:
Quincy Jones
baritone saxophone and bass clarinet:
Danny Bank (reeds) (on 1954-12-22)
bass:
Milt Hinton (on 1954-12-22)
guitar:
Barry Galbraith (on 1954-12-22)
instruments:
Osie Johnson (on 1954-12-22)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1954-12-22)
trumpet:
Clifford Brown (trumpet) (on 1954-12-22)
lead vocals:
Helen Merrill (on 1954-12-22)
conductor:
Quincy Jones
arranger:
Quincy Jones
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1954-12-22)
cover recording of:
You’d Be So Nice to Come Home To (on 1954-12-22)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Helen Merrill4:23
12Everything Happens to Me
recording of:
Everything Happens to Me
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Chet Baker5:04
13The Look of Love
arranger:
Dave Grusin (American pianist and score composer)
cover recording of:
The Look of Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Sérgio Mendes & Brasil ’662:46
14The Man I Love
producer:
Robert Sadin
mixer:
Bruce Swedien
bass:
Ira Coleman (from 1998-03 until 1998-06)
drums (drum set):
Terri Lyne Carrington (from 1998-03 until 1998-06)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1998-03 until 1998-06)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (from 1998-03 until 1998-06)
vocals:
Joni Mitchell (from 1998-03 until 1998-06)
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Robert Sadin
phonographic copyright (℗) by:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States
recording of:
The Man I Love (from 1998-03 until 1998-06)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
Herbie Hancock feat. Joni Mitchell5:59
15Moon River
cover recording of:
Moon River
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 34)
Jane Monheit4:45
16Ai No Corrida
synthesizer programming:
Ian Underwood
producer:
Quincy Jones
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
clavinet:
David “Hawk” Wolinski
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
guitar:
Steve Lukather
membranophone:
John “JR” Robinson (session drummer)
percussion, percussion [mouth percussion] and other vocals:
Paulinho da Costa (Brazilian percussionist)
saxophone:
Kim Hutchcroft and Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
synthesizer:
Craig Hundley, Greg Phillinganes and Ian Underwood
trombone:
Bill Reichenbach, Jr. (jazz trombonist)
trumpet:
Chuck Findley (trumpet, trombone, horn player) and Jerry Hey
background vocals:
Patti Austin, Tom Bahler and Jim Gilstrap
lead vocals:
Charles May
brass arranger:
Jerry Hey
percussion arranger:
Quincy Jones
synthesizer arranger:
Jerry Hey and Quincy Jones
vocals arranger:
Patti Austin and Quincy Jones
cover recording of:
Ai no corrida
writer:
Chaz Jankel (English musician and songwriter) and Kenny Young
publisher:
Lazy Lizard Music Inc.
Quincy Jones46:27

Credits

Release

ASIN:JP: B001QL36J4 [info]

Release group

part of:アイのうた (UNIVERSAL‐related series, all have a ♥‐shaped something on cover) (order: 3)