Charlie Parker With Strings: The Master Takes

~ Veröffentlichung von Charlie Parker (alle Versionen dieser Veröffentlichung ansehen, 7 vorhanden)

Titelliste

CD 1
Nr.TitelBewertungLänge
1Just Friends
recorded in:
New York, New York, Vereinigte Staaten (am 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1949-11-30)
Bratsche / Viola:
Frank Brieff (am 1949-11-30)
Cello:
Frank Miller (US cellist) (am 1949-11-30)
Englischhorn und Oboe:
Mitch Miller (am 1949-11-30)
Geige / Violine:
Bronislaw Gimpel (violinist) (am 1949-11-30), Max Hollander (am 1949-11-30) und Milton Lomask (am 1949-11-30)
Harfe:
Meyer Rosen (Musician - Harp Player) (am 1949-11-30) und Myor Rosen (am 1949-11-30)
Klavier:
Stan Freeman (am 1949-11-30)
Kontrabass:
Ray Brown (jazz bassist) (am 1949-11-30)
Schlagzeug:
Buddy Rich (am 1949-11-30)
Orchester:
Jimmy Carroll & His Orchestra (Orchester Jimmy Carroll) (am 1949-11-30) und Charlie Parker Quartet (am 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (am 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental recording of:
Just Friends (am 1949-11-30)
Texter:
Sam M. Lewis (1930s lyricist)
Komponist(in):
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
3:33
2Everything Happens to Me
recorded in:
New York, New York, Vereinigte Staaten (am 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1949-11-30)
Bratsche / Viola:
Frank Brieff (am 1949-11-30)
Cello:
Frank Miller (US cellist) (am 1949-11-30)
Englischhorn und Oboe:
Mitch Miller (am 1949-11-30)
Geige / Violine:
Bronislaw Gimpel (violinist) (am 1949-11-30), Max Hollander (am 1949-11-30) und Milton Lomask (am 1949-11-30)
Harfe:
Meyer Rosen (Musician - Harp Player) (am 1949-11-30) und Myor Rosen (am 1949-11-30)
Klavier:
Stan Freeman (am 1949-11-30)
Kontrabass:
Ray Brown (jazz bassist) (am 1949-11-30)
Schlagzeug:
Buddy Rich (am 1949-11-30)
Orchester:
Jimmy Carroll & His Orchestra (Orchester Jimmy Carroll) (am 1949-11-30) und Charlie Parker Quartet (am 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (am 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental cover recording of:
Everything Happens to Me (am 1949-11-30)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:18
3April in Paris
recorded in:
New York, New York, Vereinigte Staaten (am 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1949-11-30)
Bratsche / Viola:
Frank Brieff (am 1949-11-30)
Cello:
Frank Miller (US cellist) (am 1949-11-30)
Englischhorn und Oboe:
Mitch Miller (am 1949-11-30)
Geige / Violine:
Bronislaw Gimpel (violinist) (am 1949-11-30), Max Hollander (am 1949-11-30) und Milton Lomask (am 1949-11-30)
Harfe:
Meyer Rosen (Musician - Harp Player) (am 1949-11-30) und Myor Rosen (am 1949-11-30)
Klavier:
Stan Freeman (am 1949-11-30)
Kontrabass:
Ray Brown (jazz bassist) (am 1949-11-30)
Schlagzeug:
Buddy Rich (am 1949-11-30)
Orchester:
Jimmy Carroll & His Orchestra (Orchester Jimmy Carroll) (am 1949-11-30) und Charlie Parker Quartet (am 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (am 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental recording of:
April in Paris (am 1949-11-30)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
3:09
4Summertime
recorded in:
New York, New York, Vereinigte Staaten (am 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1949-11-30)
Bratsche / Viola:
Frank Brieff (am 1949-11-30)
Cello:
Frank Miller (US cellist) (am 1949-11-30)
Englischhorn und Oboe:
Mitch Miller (am 1949-11-30)
Geige / Violine:
Bronislaw Gimpel (violinist) (am 1949-11-30), Max Hollander (am 1949-11-30) und Milton Lomask (am 1949-11-30)
Harfe:
Meyer Rosen (Musician - Harp Player) (am 1949-11-30) und Myor Rosen (am 1949-11-30)
Klavier:
Stan Freeman (am 1949-11-30)
Kontrabass:
Ray Brown (jazz bassist) (am 1949-11-30)
Schlagzeug:
Buddy Rich (am 1949-11-30)
Orchester:
Jimmy Carroll & His Orchestra (Orchester Jimmy Carroll) (am 1949-11-30) und Charlie Parker Quartet (am 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (am 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1949-11-30)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2:49
5I Didn't Know What Time It Was
recorded in:
New York, New York, Vereinigte Staaten (am 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1949-11-30)
Bratsche / Viola:
Frank Brieff (am 1949-11-30)
Cello:
Frank Miller (US cellist) (am 1949-11-30)
Englischhorn und Oboe:
Mitch Miller (am 1949-11-30)
Geige / Violine:
Bronislaw Gimpel (violinist) (am 1949-11-30), Max Hollander (am 1949-11-30) und Milton Lomask (am 1949-11-30)
Harfe:
Meyer Rosen (Musician - Harp Player) (am 1949-11-30) und Myor Rosen (am 1949-11-30)
Klavier:
Stan Freeman (am 1949-11-30)
Kontrabass:
Ray Brown (jazz bassist) (am 1949-11-30)
Schlagzeug:
Buddy Rich (am 1949-11-30)
Orchester:
Jimmy Carroll & His Orchestra (Orchester Jimmy Carroll) (am 1949-11-30) und Charlie Parker Quartet (am 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (am 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental recording of:
I Didn’t Know What Time It Was (Pal Joey) (am 1949-11-30)
Texter:
Lorenz Hart (in 1939)
Komponist(in):
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. und Williamson Music Company
Teil von:
Pal Joey
3:15
6If I Should Lose You
recorded in:
New York, New York, Vereinigte Staaten (am 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1949-11-30)
Bratsche / Viola:
Frank Brieff (am 1949-11-30)
Cello:
Frank Miller (US cellist) (am 1949-11-30)
Englischhorn und Oboe:
Mitch Miller (am 1949-11-30)
Geige / Violine:
Bronislaw Gimpel (violinist) (am 1949-11-30), Max Hollander (am 1949-11-30) und Milton Lomask (am 1949-11-30)
Harfe:
Meyer Rosen (Musician - Harp Player) (am 1949-11-30) und Myor Rosen (am 1949-11-30)
Klavier:
Stan Freeman (am 1949-11-30)
Kontrabass:
Ray Brown (jazz bassist) (am 1949-11-30)
Schlagzeug:
Buddy Rich (am 1949-11-30)
Orchester:
Jimmy Carroll & His Orchestra (Orchester Jimmy Carroll) (am 1949-11-30) und Charlie Parker Quartet (am 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (am 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
aufgenommen bei:
Mercury Sound Studios in New York, New York, Vereinigte Staaten (am 1949-11-30)
instrumental recording of:
If I Should Lose You (am 1949-11-30)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:49
7Dancing in the Dark
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (in 1950-07)
Bratsche / Viola:
Isadore Zir (aka Isadore Zit viola player) (in 1950-07)
Cello:
Maurice Brown (jazz cellist) (in 1950-07)
Geige / Violine:
Sam Caplan (in 1950-07), Howard Kay (Violin player) (in 1950-07), Harry Melnikoff (in 1950-07), Sam Rand (violinist) (in 1950-07) und Zelly Smirnoff (violinist) (in 1950-07)
Harfe:
Verlye Mills (in 1950-07)
Klavier:
Bernie Leighton (in 1950-07)
Kontrabass:
Ray Brown (jazz bassist) (in 1950-07)
Oboe:
Eddie Brown (Oboist) (in 1950-07)
Schlagzeug:
Buddy Rich (in 1950-07)
Tuba und xylophone:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Waldhorn:
Joseph Singer (in 1950-07)
conductor:
Joe Lipman (Joseph P. Lippman) (in 1950-07)
arranger:
Joe Lipman (Joseph P. Lippman)
instrumental cover recording of:
Dancing in the Dark (in 1950-07)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
3:13
8Out of Nowhere
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1950-07-05)
Bratsche / Viola:
Isadore Zir (aka Isadore Zit viola player) (am 1950-07-05)
Cello:
Maurice Brown (jazz cellist) (am 1950-07-05)
Geige / Violine:
Sam Caplan (am 1950-07-05), Howard Kay (Violin player) (am 1950-07-05), Harry Melnikoff (am 1950-07-05), Sam Rand (violinist) (am 1950-07-05) und Zelly Smirnoff (violinist) (am 1950-07-05)
Harfe:
Verlye Mills (am 1950-07-05)
Klavier:
Bernie Leighton (am 1950-07-05)
Kontrabass:
Ray Brown (jazz bassist) (am 1950-07-05)
Oboe:
Eddie Brown (Oboist) (am 1950-07-05)
Schlagzeug:
Buddy Rich (am 1950-07-05)
Tuba und xylophone:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1950-07-05)
Waldhorn:
Joseph Singer (am 1950-07-05)
conductor:
Joe Lipman (Joseph P. Lippman) (am 1950-07-05)
arranger:
Joe Lipman (Joseph P. Lippman)
instrumental recording of:
Out of Nowhere (am 1950-07-05)
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:10
9Laura
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1950-07-05)
Bratsche / Viola:
Isadore Zir (aka Isadore Zit viola player) (am 1950-07-05)
Cello:
Maurice Brown (jazz cellist) (am 1950-07-05)
Geige / Violine:
Sam Caplan (am 1950-07-05), Howard Kay (Violin player) (am 1950-07-05), Harry Melnikoff (am 1950-07-05), Sam Rand (violinist) (am 1950-07-05) und Zelly Smirnoff (violinist) (am 1950-07-05)
Harfe:
Verlye Mills (am 1950-07-05)
Klavier:
Bernie Leighton (am 1950-07-05)
Kontrabass:
Ray Brown (jazz bassist) (am 1950-07-05)
Oboe:
Eddie Brown (Oboist) (am 1950-07-05)
Schlagzeug:
Buddy Rich (am 1950-07-05)
Tuba und xylophone:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1950-07-05)
Waldhorn:
Joseph Singer (am 1950-07-05)
conductor:
Joe Lipman (Joseph P. Lippman) (am 1950-07-05)
arranger:
Joe Lipman (Joseph P. Lippman)
instrumental recording of:
Laura (1945 song) (am 1950-07-05)
Texter:
Johnny Mercer (in 1945)
Komponist(in):
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. und United Partnership Ltd.
Version von:
Laura (original 1944 film theme)
3:02
10East of the Sun (and West of the Moon)
recorded in:
New York, New York, Vereinigte Staaten (am 1950-07-05)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1950-07-05)
Bratsche / Viola:
Isadore Zir (aka Isadore Zit viola player) (am 1950-07-05)
Cello:
Maurice Brown (jazz cellist) (am 1950-07-05)
Geige / Violine:
Sam Caplan (am 1950-07-05), Sam Kaplan (violinist) (am 1950-07-05), Howard Kay (Violin player) (am 1950-07-05), Harry Melnikoff (am 1950-07-05), Sam Rand (violinist) (am 1950-07-05) und Zelly Smirnoff (violinist) (am 1950-07-05)
Harfe:
Verlye Mills (am 1950-07-05)
Klavier:
Bernie Leighton (am 1950-07-05)
Kontrabass:
Ray Brown (jazz bassist) (am 1950-07-05)
Oboe:
Eddie Brown (Oboist) (am 1950-07-05) und Edwin Brown (am 1950-07-05)
Schlagzeug:
Buddy Rich (am 1950-07-05)
Tuba und xylophone:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1950-07-05)
Waldhorn:
Joseph Singer (am 1950-07-05)
Orchester:
Joe Lipman & His Orchestra (am 1950-07-05)
conductor:
Joe Lipman (Joseph P. Lippman) (am 1950-07-05)
arranger:
Joe Lipman (Joseph P. Lippman)
instrumental recording of:
East of the Sun (and West of the Moon) (am 1950-07-05)
Texter und Komponist(in):
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. und Chappell & Co.
3:42
11They Can't Take That Away From Me
recorded in:
New York, New York, Vereinigte Staaten (am 1950-07-05)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1950-07-05)
Bratsche / Viola:
Isadore Zir (aka Isadore Zit viola player) (am 1950-07-05)
Cello:
Maurice Brown (jazz cellist) (am 1950-07-05)
Geige / Violine:
Sam Caplan (am 1950-07-05), Howard Kay (Violin player) (am 1950-07-05), Harry Melnikoff (am 1950-07-05), Sam Rand (violinist) (am 1950-07-05) und Zelly Smirnoff (violinist) (am 1950-07-05)
Harfe:
Verlye Mills (am 1950-07-05)
Klavier:
Bernie Leighton (am 1950-07-05)
Kontrabass:
Ray Brown (jazz bassist) (am 1950-07-05)
Oboe:
Eddie Brown (Oboist) (am 1950-07-05)
Schlagzeug:
Buddy Rich (am 1950-07-05)
Tuba und xylophone:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1950-07-05)
Waldhorn:
Joseph Singer (am 1950-07-05)
conductor:
Joe Lipman (Joseph P. Lippman) (am 1950-07-05)
arranger:
Joe Lipman (Joseph P. Lippman)
instrumental cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1950-07-05)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
3:21
12Easy to Love
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (in 1950-07)
Bratsche / Viola:
Isadore Zir (aka Isadore Zit viola player) (in 1950-07)
Cello:
Maurice Brown (jazz cellist) (in 1950-07)
Geige / Violine:
Sam Caplan (in 1950-07), Howard Kay (Violin player) (in 1950-07), Harry Melnikoff (in 1950-07), Sam Rand (violinist) (in 1950-07) und Zelly Smirnoff (violinist) (in 1950-07)
Harfe:
Verlye Mills (in 1950-07)
Klavier:
Bernie Leighton (in 1950-07)
Kontrabass:
Ray Brown (jazz bassist) (in 1950-07)
Oboe:
Eddie Brown (Oboist) (in 1950-07)
Schlagzeug:
Buddy Rich (in 1950-07)
Tuba und xylophone:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Waldhorn:
Joseph Singer (in 1950-07)
conductor:
Joe Lipman (Joseph P. Lippman) (in 1950-07)
arranger:
Joe Lipman (Joseph P. Lippman)
instrumental cover recording of:
Easy to Love (in 1950-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
3:33
13I'm in the Mood for Love
recorded in:
New York, New York, Vereinigte Staaten (am 1950-07-05)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1950-07-05)
Bratsche / Viola:
Isadore Zir (aka Isadore Zit viola player) (am 1950-07-05)
Cello:
Maurice Brown (jazz cellist) (am 1950-07-05)
Geige / Violine:
Sam Caplan (am 1950-07-05), Howard Kay (Violin player) (am 1950-07-05), Harry Melnikoff (am 1950-07-05), Sam Rand (violinist) (am 1950-07-05) und Zelly Smirnoff (violinist) (am 1950-07-05)
Harfe:
Verlye Mills (am 1950-07-05)
Klavier:
Bernie Leighton (am 1950-07-05)
Kontrabass:
Ray Brown (jazz bassist) (am 1950-07-05)
Oboe:
Eddie Brown (Oboist) (am 1950-07-05)
Schlagzeug:
Buddy Rich (am 1950-07-05)
Tuba und xylophone:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1950-07-05)
Waldhorn:
Joseph Singer (am 1950-07-05)
conductor:
Joe Lipman (Joseph P. Lippman) (am 1950-07-05)
arranger:
Joe Lipman (Joseph P. Lippman)
instrumental cover recording of:
I’m in the Mood for Love (am 1950-07-05)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
3:37
14I'll Remember April
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1950-07-05)
Bratsche / Viola:
Isadore Zir (aka Isadore Zit viola player) (am 1950-07-05)
Cello:
Maurice Brown (jazz cellist) (am 1950-07-05)
Geige / Violine:
Sam Caplan (am 1950-07-05), Howard Kay (Violin player) (am 1950-07-05), Harry Melnikoff (am 1950-07-05), Sam Rand (violinist) (am 1950-07-05) und Zelly Smirnoff (violinist) (am 1950-07-05)
Harfe:
Verlye Mills (am 1950-07-05)
Klavier:
Bernie Leighton (am 1950-07-05)
Kontrabass:
Ray Brown (jazz bassist) (am 1950-07-05)
Oboe:
Eddie Brown (Oboist) (am 1950-07-05)
Schlagzeug:
Buddy Rich (am 1950-07-05)
Tuba und xylophone:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1950-07-05)
Waldhorn:
Joseph Singer (am 1950-07-05)
conductor:
Joe Lipman (Joseph P. Lippman) (am 1950-07-05)
arranger:
Joe Lipman (Joseph P. Lippman)
instrumental recording of:
I’ll Remember April (am 1950-07-05)
Texter:
Patricia Johnston und Don Raye
Komponist(in):
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music, MCA Music Ltd., Rytvoc, Inc. (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
3:05
15What Is This Thing Called Love?
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1950-09-17)
Bratsche / Viola:
Dave Uchitel (am 1950-09-17)
Cello:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1950-09-17)
Geige / Violine:
Ted Blume (am 1950-09-17), Sam Caplan (am 1950-09-17) und Stan Karpenia (am 1950-09-17)
Harfe:
Wallace McManus (am 1950-09-17)
Klavier:
Al Haig (am 1950-09-17)
Kontrabass:
Tommy Potter (am 1950-09-17)
Oboe:
Tommy Mace (am 1950-09-17)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1950-09-17)
instrumental cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1950-09-17)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
2:54
16April in Paris (take 2)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1950-09-17)
Bratsche / Viola:
Dave Uchitel (am 1950-09-17)
Cello:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1950-09-17)
Geige / Violine:
Ted Blume (am 1950-09-17), Sam Caplan (am 1950-09-17) und Stan Karpenia (am 1950-09-17)
Harfe:
Wallace McManus (am 1950-09-17)
Klavier:
Al Haig (am 1950-09-17)
Kontrabass:
Tommy Potter (am 1950-09-17)
Oboe:
Tommy Mace (am 1950-09-17)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1950-09-17)
instrumental cover recording of:
April in Paris (am 1950-09-17)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
3:13
17Repetition (take 2)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1950-09-17)
Bratsche / Viola:
Dave Uchitel (am 1950-09-17)
Cello:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1950-09-17)
Geige / Violine:
Ted Blume (am 1950-09-17), Sam Caplan (am 1950-09-17) und Stan Karpenia (am 1950-09-17)
Harfe:
Wallace McManus (am 1950-09-17)
Klavier:
Al Haig (am 1950-09-17)
Kontrabass:
Tommy Potter (am 1950-09-17)
Oboe:
Tommy Mace (am 1950-09-17)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1950-09-17)
cover recording of:
Repetition (am 1950-09-17)
Komponist(in):
Neal Hefti
publisher:
Cinephonic Music Co., Ltd.
2:52
18Easy to Love (take 2)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1950-09-17)
Bratsche / Viola:
Dave Uchitel (am 1950-09-17)
Cello:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1950-09-17)
Geige / Violine:
Ted Blume (am 1950-09-17), Sam Caplan (am 1950-09-17) und Stan Karpenia (am 1950-09-17)
Harfe:
Wallace McManus (am 1950-09-17)
Klavier:
Al Haig (am 1950-09-17)
Kontrabass:
Tommy Potter (am 1950-09-17)
Oboe:
Tommy Mace (am 1950-09-17)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1950-09-17)
instrumental cover recording of:
Easy to Love (am 1950-09-17)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
2:25
19Rocker
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1950-09-17)
Bratsche / Viola:
Dave Uchitel (am 1950-09-17)
Cello:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1950-09-17)
Geige / Violine:
Ted Blume (am 1950-09-17), Sam Caplan (am 1950-09-17) und Stan Karpenia (am 1950-09-17)
Harfe:
Wallace McManus (am 1950-09-17)
Klavier:
Al Haig (am 1950-09-17)
Kontrabass:
Tommy Potter (am 1950-09-17)
Oboe:
Tommy Mace (am 1950-09-17)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1950-09-17)
cover recording of:
Rocker (am 1950-09-17)
Komponist(in):
Gerry Mulligan
3:04
20Temptation
recorded in:
New York, New York, Vereinigte Staaten (am 1952-01-22)
Produzent(in):
Norman Granz
alto saxophone:
Toots Mondello (am 1952-01-22), Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1952-01-22, von 1952-01-22 bis 1952-01-23) und Murray Williams (am 1952-01-22)
baritone saxophone:
Stan Webb (US jazz saxophone, flute) (am 1952-01-22)
Bratsche / Viola und Cello:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1952-01-22)
Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1952-01-22), Sam Caplan (am 1952-01-22), Sylvan Shulman (violinist) (am 1952-01-22) und Jack Zayde (am 1952-01-22)
Gitarre:
Art Ryerson (am 1952-01-22)
Harfe:
Verlye Mills (am 1952-01-22)
Klavier:
Lou Stein (am 1952-01-22)
Kontrabass:
Bob Haggart (am 1952-01-22)
Posaune:
Will Bradley (US boogie woogie trombonist & bandleader) (am 1952-01-22) und Bill Harris (jazz trombonist) (am 1952-01-22)
Schlagzeug:
Don Lamond (am 1952-01-22)
Tenorsaxophon:
Hank Ross (am 1952-01-22)
Tenorsaxophon und Holzblasinstrumente:
Art Drelinger (am 1952-01-22)
Trompete:
Chris Griffin (Gordon Claude Griffin, trumpeter) (am 1952-01-22), Al Porcino (am 1952-01-22) und Bernie Privin (am 1952-01-22)
conductor:
Joe Lipman (Joseph P. Lippman) (am 1952-01-22)
arranger:
Joe Lipman (Joseph P. Lippman)
live instrumental recording of:
Temptation (am 1952-01-22)
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
Teil von:
Going Hollywood (1933 film)
Teil von:
Singin’ in the Rain (soundtrack of the 1952 film)
3:33
21Lover
recorded in:
New York, New York, Vereinigte Staaten (am 1952-01-22)
Produzent(in):
Norman Granz
alto saxophone:
Toots Mondello (am 1952-01-22), Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1952-01-22, am 1952-01-23) und Murray Williams (am 1952-01-22)
baritone saxophone:
Stan Webb (US jazz saxophone, flute) (am 1952-01-22)
Bratsche / Viola und Cello:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1952-01-22)
Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1952-01-22), Sam Caplan (am 1952-01-22), Sylvan Shulman (violinist) (am 1952-01-22) und Jack Zayde (am 1952-01-22)
Gitarre:
Art Ryerson (am 1952-01-22)
Harfe:
Verlye Mills (am 1952-01-22)
Klavier:
Lou Stein (am 1952-01-22)
Kontrabass:
Bob Haggart (am 1952-01-22)
Posaune:
Will Bradley (US boogie woogie trombonist & bandleader) (am 1952-01-22) und Bill Harris (jazz trombonist) (am 1952-01-22)
Schlagzeug:
Don Lamond (am 1952-01-22)
Tenorsaxophon:
Hank Ross (am 1952-01-22)
Tenorsaxophon und Holzblasinstrumente:
Art Drelinger (am 1952-01-22)
Trompete:
Chris Griffin (Gordon Claude Griffin, trumpeter) (am 1952-01-22), Al Porcino (am 1952-01-22) und Bernie Privin (am 1952-01-22)
conductor:
Joe Lipman (Joseph P. Lippman) (am 1952-01-22)
arranger:
Joe Lipman (Joseph P. Lippman)
live instrumental recording of:
Lover (am 1952-01-22)
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:10
22Autumn in New York
alto saxophone:
Toots Mondello (von 1952-01-22 bis 1952-01-23), Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (von 1952-01-22 bis 1952-01-23) und Murray Williams (von 1952-01-22 bis 1952-01-23)
baritone saxophone:
Stan Webb (US jazz saxophone, flute) (von 1952-01-22 bis 1952-01-23)
Bratsche / Viola und Cello:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.), Sam Caplan (von 1952-01-22 bis 1952-01-23), Sylvan Shulman (violinist) (von 1952-01-22 bis 1952-01-23) und Jack Zayde (von 1952-01-22 bis 1952-01-23)
Gitarre:
Art Ryerson (von 1952-01-22 bis 1952-01-23)
Harfe:
Verlye Mills (von 1952-01-22 bis 1952-01-23)
Klavier:
Lou Stein (von 1952-01-22 bis 1952-01-23)
Kontrabass:
Bob Haggart (von 1952-01-22 bis 1952-01-23)
Posaune:
Will Bradley (US boogie woogie trombonist & bandleader) (von 1952-01-22 bis 1952-01-23) und Bill Harris (jazz trombonist) (von 1952-01-22 bis 1952-01-23)
Schlagzeug:
Don Lamond (von 1952-01-22 bis 1952-01-23)
Tenorsaxophon:
Hank Ross (von 1952-01-22 bis 1952-01-23)
Tenorsaxophon und Holzblasinstrumente:
Art Drelinger (von 1952-01-22 bis 1952-01-23)
Trompete:
Chris Griffin (Gordon Claude Griffin, trumpeter) (von 1952-01-22 bis 1952-01-23), Al Porcino (von 1952-01-22 bis 1952-01-23) und Bernie Privin (von 1952-01-22 bis 1952-01-23)
conductor:
Joe Lipman (Joseph P. Lippman) (von 1952-01-22 bis 1952-01-23)
arranger:
Joe Lipman (Joseph P. Lippman)
instrumental cover recording of:
Autumn in New York (1934) (von 1952-01-22 bis 1952-01-23)
Texter und Komponist(in):
Vernon Duke
publisher:
Chappell & Co. und Warner Bros., Inc. (not for release label use!)
3:33
23Stella by Starlight
recorded in:
New York, New York, Vereinigte Staaten (am 1952-01-23)
alto saxophone:
Toots Mondello (am 1952-01-23), Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (am 1952-01-23) und Murray Williams (am 1952-01-23)
baritone saxophone:
Stan Webb (US jazz saxophone, flute) (am 1952-01-23)
Cello:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1952-01-23)
Geige / Violine:
Sam Caplan (am 1952-01-23), Sylvan Shulman (violinist) (am 1952-01-23) und Jack Zayde (am 1952-01-23)
Gitarre:
Art Ryerson (am 1952-01-23)
Harfe:
Verlye Mills (am 1952-01-23)
Klavier:
Lou Stein (am 1952-01-23)
Kontrabass:
Bob Haggart (am 1952-01-23)
Posaune:
Will Bradley (US boogie woogie trombonist & bandleader) (am 1952-01-23) und Bill Harris (jazz trombonist) (am 1952-01-23)
Schlagzeug:
Don Lamond (am 1952-01-23)
Tenorsaxophon:
Hank Ross (am 1952-01-23)
Tenorsaxophon und Holzblasinstrumente:
Art Drelinger (am 1952-01-23)
Trompete:
Chris Griffin (Gordon Claude Griffin, trumpeter) (am 1952-01-23), Al Porcino (am 1952-01-23) und Bernie Privin (am 1952-01-23)
conductor:
Joe Lipman (Joseph P. Lippman) (am 1952-01-23)
arranger:
Joe Lipman (Joseph P. Lippman)
live instrumental cover recording of:
Stella by Starlight (am 1952-01-23)
Texter:
Ned Washington (in 1946)
Verfasser(in):
Ned Washington und Victor Young (American composer, arranger, violinist & conductor)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
2:59
24Repetition
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (in 1947-12), Sonny Salad (in 1947-12) und Murray Williams (in 1947-12)
baritone saxophone:
Manny Albam (in 1947-12)
Bongos und Conga:
Diego Iborra (jazz percussionist)
Bratsche / Viola:
Nat Nathanson (in 1947-12) und Fred Ruzilla (in 1947-12)
Cello:
Joe Benaventi (in 1947-12)
Geige / Violine:
Sam Kaplan (violinist), Harry Katzman, Sammy Caplan (in 1947-12), Manny Fidler (in 1947-12), Sid Harris (in 1947-12), Harry Kaltzman (in 1947-12), Gene Orloff (in 1947-12) und Zelly Smirnoff (violinist) (in 1947-12)
Klarinette:
John LaPorta (in 1947-12)
Klavier:
Tony Aless (in 1947-12)
Kontrabass:
Curley Russell (in 1947-12)
Perkussion:
Diego Iborra (jazz percussionist) (in 1947-12)
Posaune:
Bill Harris (jazz trombonist) (in 1947-12) und Bart Varsalona (in 1947-12)
Schlagzeug:
Shelly Manne (US jazz drummer) (, in 1947-12)
Tenorsaxophon:
Pete Mondello (in 1947-12) und Flip Phillips (in 1947-12)
Trompete:
Doug Mettome (in 1947-12), Al Porcino (in 1947-12) und Ray Wetzel (in 1947-12)
Waldhorn:
Vincent Jacobs (Musician - French Horn Player) und Vinnie Jacobs (in 1947-12)
Orchester:
Neal Hefti Orchestra
conductor:
Neal Hefti
arranger:
Neal Hefti
recording of:
Repetition (in 1947-12)
Komponist(in):
Neal Hefti
publisher:
Cinephonic Music Co., Ltd.
2:57