A Bride’s Guide to Wedding Music

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Jesu, Joy of Man’s Desiring, BWV 147
organ:
Bertalan Hock (organist)
pipe organ:
Bertalan Hock (organist) (from 1992-12-15 until 1992-12-18)
recorded at:
Mátyás-Templom in Budapest, Hungary (from 1992-12-15 until 1992-12-18)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (from 1992-12-15 until 1992-12-18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:44
2The 4 Seasons: Violin Concerto in F minor, op. 8, no. 4, RV 297, “L’inverno” (Winter) : II. Largo
producer:
Günter Appenheimer (producer/engineer)
violin:
Takako Nishizaki (violinist) (from 1987-07-12 until 1987-07-22)
orchestra:
Capella Istropolitana (from 1987-07-12 until 1987-07-22)
conductor:
Stephen Gunzenhauser (conductor) (from 1987-07-12 until 1987-07-22)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-07-12 until 1987-07-22)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1987-07-12 until 1987-07-22)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:20
3Air on a G String, BWV 1068
producer:
Hubert Geschwandtner (producer/engineer) (from 1989-01 until 1989-03) and Karol Kopernický (producer) (from 1989-01 until 1989-03)
orchestra:
Capella Istropolitana (from 1989-01 until 1989-03)
conductor:
Jaroslav Dvořák (Jaroslav Krcek) (from 1989-01 until 1989-03)
phonographic copyright (℗) by:
Naxos International
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1989-01 until 1989-03)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string) (from 1989-01 until 1989-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:11
4Sonata a 5 in D major: I. Andante
producer:
Günter Appenheimer (producer/engineer)
orchestra:
Capella Istropolitana (in 1988-01)
conductor:
Richard Edlinger (conductor and composer) (in 1988-01)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-01)
edit of:
Trumpet Concerto: II by Capella Istropolitana, Richard Edlinger (conductor and composer)
recording of:
Sonata a cinque in D major, G. 1: I. Andante (in 1988-01)
composer:
Giuseppe Torelli (violinist and composer) (in 1690)
part of:
Sonata a cinque in D major, G. 1 (Suonata con stromenti e tromba)
Giuseppe Torelli2:25
5Sheep May Safely Graze, BWV 208
organ:
Bertalan Hock (organist)
pipe organ:
Bertalan Hock (organist) (in 1992-12)
recorded at:
Mátyás-Templom in Budapest, Hungary (from 1992-12-15 until 1992-12-18)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach5:10
6Samson, HWV 57, Act III: Let the Bright Seraphim
engineer and editor:
Torbjörn Samuelsson (engineer) (in 1996-07)
producer:
Edward H. Tarr (trumpet player) (in 1996-07)
baroque trumpet and trumpet:
Niklas Eklund (Swedish baroque trumpeter, Gothenburg) (from 1996-07-09 until 1996-07-13)
instruments and orchestra:
London Baroque (founded 1978 by Charles Medlam) (from 1996-07-09 until 1996-07-13)
soprano vocals:
Susanne Rydén (soprano) (from 1996-07-09 until 1996-07-13)
conductor:
Charles Medlam (cellist, viol player and conductor) (from 1996-07-09 until 1996-07-13)
recorded at:
Jonsereds kyrka (from 1996-07-09 until 1996-07-13)
recording of:
Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman) (from 1996-07-09 until 1996-07-13)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
Georg Friedrich Händel5:23
7Messiah: Pastoral Symphony
producer:
Hubert Geschwandtner (producer/engineer) (from 1989-09-01 until 1989-09-05) and Karol Kopernický (producer) (from 1989-09-01 until 1989-09-05)
orchestra:
Capella Istropolitana (from 1989-09-01 until 1989-09-05)
conductor:
Jaroslav Krček (Jaroslav Krcek) (from 1989-09-01 until 1989-09-05)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1989)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1989-09-01 until 1989-09-05)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (from 1989-09-01 until 1989-09-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:04
8String Quintet in E major, G. 275: III. Minuetto
cello:
György Éder (from 1992-08-17 until 1992-08-21)
classical guitar:
Zoltán Tokos (Classical guitarist) (from 1992-08-17 until 1992-08-21)
performer:
Danubius Quartet (from 1992-08-17 until 1992-08-21)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (on 1992-08-17)
composer:
Luigi Boccherini (composer) (in 1771)
part of:
Quintet in E major, G. 275, op. 11 no. 5
Luigi Boccherini3:26
9Mendelssohn - Auf Flugeln des Gesanges (On Wings of Song) (from op. 34, no. 2), S547/R217, no. 1
engineer:
István Berényi (engineer)
producer:
Jenő Simon
piano:
Péter Nagy (Hungarian pianist) (from 1987-12 until 1988-01)
performer:
Péter Nagy (Hungarian pianist) (from 1987-12 until 1988-01)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-12 until 1988-01)
recording of:
Mendelssohns Lieder, S. 547: No. 1. Auf Flügeln des Gesanges (for solo piano, Liszt) (from 1987-12 until 1988-01)
composer:
Felix Mendelssohn (composer)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano)
part of:
Mendelssohns Lieder, S. 547
Franz Liszt4:34
10Liebestraume, S541/R211: no. 3. Nocturne in A-flat major
engineer:
István Berényi (engineer) (in 1987-09)
producer:
Mónika Feszler (producer) (in 1987-09) and János Mátyás (producer) (in 1987-09)
piano:
Balázs Szokolay (pianist) (from 1987-09-09 until 1987-09-11)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-09-09 until 1987-09-11)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano) (from 1987-09-09 until 1987-09-11)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt3:41
11Vocalise, op. 34, no. 14 (arr. for piano solo by Z. Kocsis)
recording of:
Vocalise, op. 34 no. 14 (for piano, Kocsis)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer)
piano arranger:
Zoltán Kocsis (pianist)
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Сергей Васильевич Рахманинов7:08
12Suite bergamasque: III. Clair de lune
engineer:
István Berényi (engineer)
producer:
Jenő Simon
piano:
Péter Nagy (Hungarian pianist) (from 1987-12 until 1988-01)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-12 until 1988-01)
recording of:
Suite bergamasque, L. 75, CD 82a : III. Clair de lune (for piano) (from 1987-12 until 1988-01)
composer:
Claude Debussy (composer) (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82a (for piano)
Claude Debussy5:44
13Gymnopedie no. 1 (arr. for flute and harp)
flute:
Nora Shulman
harp:
Judy Loman (harpist)
Erik Satie2:59
14Orfeo ed Euridice: Dance of the Blessed Spirits (arr. for flute and harp)
flute:
Nora Shulman
harp:
Judy Loman (harpist)
Christoph Willibald Gluck4:43
15Arabesque no. 1 (arr. for flute and harp)
flute:
Nora Shulman
harp:
Judy Loman (harpist)
arranger:
Judy Loman (harpist)
recording of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (catch-all for arrangements)
composer:
Claude Debussy (composer) (from 1890 until 1891)
arrangement of:
Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano)
Claude Debussy4:11
16Carmen: Entr’acte to Act III (arr. for flute and harp)
flute and harp:
Judy Loman (harpist)
Georges Bizet2:28
17Salut d’amour
Sir Edward Elgar3:24
18Prelude a l’apres-midi d’un faun
flute:
Nora Shulman
harp:
Judy Loman (harpist)
partial recording of:
Prélude à l’après-midi d’un faune, L. 86, CD 87 (catch-all for arrangements)
composer:
Claude Debussy (composer) (from 1891 until 1894-09)
arrangement of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
Claude Debussy1:57
▼ CD 2
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1Bridal Chorus
organ:
Bertalan Hock (organist)
pipe organ:
Bertalan Hock (organist) (in 1992-12)
recorded at:
Mátyás-Templom in Budapest, Hungary (from 1992-12-15 until 1992-12-18)
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir))
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner2:07
2Trumpet Voluntary
pipe organ:
Bertalan Hock (organist) (in 1992-12)
trumpet:
Gyorgy Geiger (Hungarian trumpet player) (in 1992-12)
orchestra:
Budapest Strauss Ensemble
conductor:
István Bogár
recorded at:
Mátyás-Templom in Budapest, Hungary (from 1992-12-15 until 1992-12-18)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
composer:
Jeremiah Clarke (English baroque composer and organist) (in 1700)
Jeremiah Clarke2:27
3Royal Fireworks Music, Overture
producer:
Martin Sauer (engineer/producer) (in 1988-01)
orchestra:
Capella Istropolitana (in 1988-01)
conductor:
Bohdan Warchal (violinist, conductor) (in 1988-01)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-01)
recording of:
Music for the Royal Fireworks, HWV 351: I. Ouverture (in 1988-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel8:08
4Canzon V
Giovanni Gabrieli2:50
5Te Deum
organ:
Simon Lindley (UK organist)
recording of:
Te Deum, H. 146: Prélude
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier2:22
6Trumpet Tune
organ:
Bertalan Hock (organist)
pipe organ:
Bertalan Hock (organist) (in 1992-12)
trumpet:
György Geiger (Hungarian trumpet player) (in 1992-12)
recorded at:
Mátyás-Templom in Budapest, Hungary (from 1992-12-15 until 1992-12-18)
recording of:
The Indian Queen, Z. 630: Trumpet Overture
composer:
Henry Purcell (baroque composer)
part of:
The Indian Queen, Z. 630
Henry Purcell1:19
7Promenade
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (from 1987-07-04 until 1987-07-09)
conductor:
Daniel Nazareth (conductor and composer) (from 1987-07-04 until 1987-07-09)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-07-04 until 1987-07-09)
recording of:
Tableaux d’une exposition: Promenade (orchestrated by Ravel, 1st promenade) (from 1987-07-04 until 1987-07-09)
orchestrator:
Maurice Ravel (classical composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Модест Петрович Мусоргский1:55
8Canon In D
producer:
Günter Appenheimer (producer/engineer) (in 1988-08)
orchestra:
Capella Istropolitana (in 1988-08)
conductor:
Richard Edlinger (conductor and composer) (in 1988-08)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia and Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-08)
cover recording of:
Canon and Gigue in D major, T. 337: I. Canon (Canon and Gigue in D major, T. 377: I. Canon) (in 1988-08)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, T. 337
Johann Pachelbel4:45
9Larghetto
engineer:
Jozef Hanak (engineer) (in 1986-03) and Ladislav Krajkovic (engineer) (in 1986-03)
producer:
Leoš Komárek (in 1986-03)
oboe:
Jozef Cejka (in 1986-03)
orchestra:
Capella Istropolitana (in 1986-03)
conductor:
Richard Edlinger (conductor and composer) (in 1986-03)
phonographic copyright (℗) by:
Pacific Music Co., Ltd. (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1986-03)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (in 1986-03)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Georg Friedrich Händel3:40
10Guitar Concerto in D major, Largo
engineer:
Otto Nopp (producer and engineer)
producer:
Jaroslav Rybář
guitar:
Gerald Garcia (guitarist) (from 1990-06-06 until 1990-06-08)
orchestra:
Camerata Cassovia (from 1990-06-06 until 1990-06-08)
conductor:
Peter Breiner (pianist, conductor, composer) (from 1990-06-06 until 1990-06-08)
guitar arranger:
Gerald Garcia (guitarist)
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1990-06-06 until 1990-06-08)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (from 1990-06-06 until 1990-06-08)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
Antonio Vivaldi4:36
11Water Music, Air
producer:
Martin Sauer (engineer/producer) (in 1988-01)
orchestra:
Capella Istropolitana (in 1988-01)
conductor:
Bohdan Warchal (violinist, conductor) (in 1988-01)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-01)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto (in 1988-01)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel1:58
12To a Wild Rose
piano:
James Barbagallo (pianist)
recording of:
10 Woodland Sketches, op. 51, no. 1: To a Wild Rose (original for solo piano)
composer:
Edward MacDowell (American composer, pianist) (in 1896)
part of:
10 Woodland Sketches, op. 51
Edward MacDowell1:24
13Pathétique Sonata, op. 13: II. Adagio cantabile
engineer:
Mónika Feszler (producer)
producer:
Horváth János (János Horváth, engineer)
piano:
Jenő Jandó (pianist) (from 1987-04-21 until 1987-04-23)
phonographic copyright (℗) by:
Naxos and HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-04-21 until 1987-04-23)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (from 1987-04-21 until 1987-04-23)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven4:42
14Adagio
engineer:
Morten Lindberg
producer:
Edward H. Tarr (trumpet player)
baroque trumpet:
Niklas Eklund (Swedish baroque trumpeter, Gothenburg)
conductor:
Nils‐Erik Sparf
performer:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble)
recorded at:
Petruskyrkan (Petrus Church, Stocksund) in Danderyd municipality, Stockholms län (Stockholm county), Sweden (from 1995-08-08 until 1995-08-11)
recording of:
Trumpet Concerto no. 1 in D major, MWV4/12: II. Adagio (in 1995-08)
composer:
Johann Melchior Molter
part of:
Trumpet Concerto no. 1 in D major, MWV4/12
Johann Melchior Molter5:15
15Ave Maria
Charles‐François Gounod2:42
16Ave Maria
soprano vocals:
Ingrid Kertesi (soprano)
orchestra:
Budapest Camerata
conductor:
László Kovács (conductor)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Franz Schubert54:50
17Panis Angelicus
choir vocals:
Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus, Hungarian State Opera Chorus)
tenor vocals:
Josef Mukk (tenor)
orchestra:
Camerata Budapest
conductor:
Laszlo Hovaks (conductor)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian-born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
César Franck3:58
18Pie Jesu
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:27
19Rhapsody
engineer:
Horváth János (János Horváth, engineer) (in 1989-05)
producer:
Jenő Simon (from 1989-05-21 until 1989-05-27)
piano:
Jenő Jandó (pianist) (from 1989-05-21 until 1989-05-27)
violin:
Takako Nishizaki (violinist) (from 1989-05-21 until 1989-05-27)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII (for violin and piano, Kreisler) (from 1989-05-21 until 1989-05-27)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1934-07-03 until 1934-08-18)
piano and violin arranger:
Fritz Kreisler (violinist / composer)
arrangement of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
Сергей Васильевич Рахманинов2:55
20Romance for the Violin and Piano
producer:
Wolfgang Seikritt (from 1982 until 1984)
piano:
Wolf Harden (from 1982 until 1984)
violin:
Takako Nishizaki (violinist) (from 1982 until 1984)
piano and violin arranger:
Fritz Kreisler (violinist / composer)
recorded at:
Festeburgkirche in Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany (from 1982 until 1984)
recording of:
3 Romanzen, op. 94: No. 2. Einfach, innig (for oboe and piano) (from 1982 until 1984)
composer:
Robert Schumann (German classical composer) (from 1849-12-07 until 1849-12-12)
part of:
3 Romanzen, op. 94 (for oboe and piano)
Robert Schumann3:58
21Meditation
engineer:
Horváth János (János Horváth, engineer) (in 1989-05)
producer:
Jenő Simon (from 1989-05-21 until 1989-05-27)
piano:
Jenő Jandó (pianist) (from 1989-05-21 until 1989-05-27)
violin:
Takako Nishizaki (violinist) (from 1989-05-21 until 1989-05-27)
recording of:
Meditation from Thaïs (for violin and piano, arr. Marsick) (from 1989-05-21 until 1989-05-27)
composer:
Jules Massenet (French Romantic composer)
piano arranger and violin arranger:
Martin-Pierre Marsick (Belgian 19/20th century violinist & composer)
arrangement of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
Jules Massenet5:13
▼ CD 3
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1A Midsummer Night’s Dream, op. 61: Wedding March (arr. for organ)
pipe organ:
Bertalan Hock (organist) (in 1992-12)
recorded at:
Mátyás-Templom in Budapest, Hungary (from 1992-12-15 until 1992-12-18)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn6:08
2Concerto for 2 Trumpets in C major, RV 537: I. Allegro
engineer:
Jozef Hanak (engineer) (in 1986-03) and Ladislav Krajkovic (engineer) (in 1986-03)
producer:
Leoš Komárek (in 1986-03)
trumpet:
Karol Luspai (trumpet player) (in 1986-03) and Kamil Roško (trumpet player) (in 1986-03)
orchestra:
Capella Istropolitana (in 1986-03)
conductor:
Richard Edlinger (conductor and composer) (in 1986-03)
phonographic copyright (℗) by:
Pacific Music Co., Ltd. (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1986-03)
recording of:
Concerto for Two Trumpets in C major, RV 537: III. Allegro (in 1986-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Two Trumpets in C major, RV 537
Antonio Vivaldi3:20
3Trumpet Concerto in D major, TWV 51:D7: II. Allegro
engineer:
Morten Lindberg
producer:
Edward H. Tarr (trumpet player)
baroque trumpet:
Niklas Eklund (Swedish baroque trumpeter, Gothenburg) (from 1995-08-08 until 1995-08-11)
orchestra:
Drottningholms Barockensemble (Drottningholm Baroque Ensemble) (from 1995-08-08 until 1995-08-11)
conductor:
Nils‐Erik Sparf (from 1995-08-08 until 1995-08-11)
recorded at:
Petruskyrkan (Petrus Church, Stocksund) in Danderyd municipality, Stockholms län (Stockholm county), Sweden (from 1995-08-08 until 1995-08-11)
recording of:
Trumpet Concerto in D major, TWV 51:D7: II. Allegro (from 1995-08-08 until 1995-08-11)
composer:
Georg Philipp Telemann (composer)
part of:
Trumpet Concerto in D major, TWV 51:D7
Georg Philipp Telemann1:59
4The Four Seasons: Violin Concerto in E major, op. 8, no. 1, RV 269, “Spring”: I. Allegro
producer:
Günter Appenheimer (producer/engineer)
violin:
Takako Nishizaki (violinist) (from 1987-07-12 until 1987-07-22)
orchestra:
Capella Istropolitana (from 1987-07-12 until 1987-07-22)
conductor:
Stephen Gunzenhauser (conductor) (from 1987-07-12 until 1987-07-22)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-07-12 until 1987-07-22)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro) (from 1987-07-12 until 1987-07-22)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:29
5Trumpet Concerto in B-flat major: I. Allegro
producer:
Günter Appenheimer (producer/engineer)
orchestra:
Capella Istropolitana (in 1988-08)
conductor:
Richard Edlinger (conductor and composer) (in 1988-08)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1998-08)
recording of:
Trumpet Concerto in B-flat major: I. Allegro (in 1988-08)
composer:
Georg Philipp Telemann (composer)
Georg Philipp Telemann2:47
6Concerto Grosso, op. 6, no. 7, Hornpipe
producer:
Günter Appenheimer (producer/engineer) (in 1988-01)
orchestra:
Capella Istropolitana (in 1988-01)
conductor:
Richard Edlinger (conductor and composer) (in 1988-01)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-01)
recording of:
Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: V. Hornpipe (in 1988-01)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in B-flat major, op. 6 no. 7, HWV 325
Georg Friedrich Händel2:31
7Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro
recording engineer:
Uwe Walter (classical engineer)
producer:
Ludwig Rink
recorder:
Daniel Rothert (from 1999-03 until 1999-04) and Nadja Schubert (flutist) (from 1999-03 until 1999-04)
violin:
Corinne Chapelle (violinist) (from 1999-03 until 1999-04)
orchestra:
Kölner Kammerorchester (from 1999-03 until 1999-04)
conductor:
Helmut Müller‐Brühl (conductor) (from 1999-03 until 1999-04)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1999-03 until 1999-04)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (from 1999-03 until 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach6:20
8Solomon, HWV 67, Act III: Sinfonia, “Arrival of the Queen of Sheba”
engineer:
János Bohus (Hungarian sound engineer.) (in 1991-11)
producer:
Ibolya Tóth (in 1991-11)
strings:
Budapest Strings (Budapest String Orchestra; Budapest Strings) (in 1991-11)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings) and London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings) and Robert Ashey (conductor, an Alfred Scholz pseudonym)
recorded at:
Unitarian Church in Budapest, Hungary (in 1991-11)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (Solomon, HWV 67: Act III. Sinfonia "The Arrival of the Queen of Sheba") (in 1991-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
Georg Friedrich Händel3:23
9Piano Quintet in E-flat major, op. 44: Allegro, ma non troppo
engineer:
István Berényi (engineer) (in 1990-02)
producer:
Ibolya Tóth (in 1990-02)
piano:
Jenő Jandó (pianist) (from 1990-02-01 until 1990-02-07)
strings:
Kodály Quartet (from 1990-02-01 until 1990-02-07)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1990-02-01 until 1990-02-07)
recording of:
Piano Quintet in E-flat major, op. 44: IV. Allegro, ma non troppo (from 1990-02-01 until 1990-02-07)
composer:
Robert Schumann (German classical composer) (in 1842)
part of:
Piano Quintet in E-flat major, op. 44
Robert Schumann7:06
10Organ Symphony no. 5: Toccata
pipe organ:
Bertalan Hock (organist) (in 1992-12)
recorded at:
Mátyás-Templom in Budapest, Hungary (from 1992-12-15 until 1992-12-18)
recording of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata
composer:
Charles‐Marie Widor (French organist, composer and teacher) (in 1879)
part of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1
Charles‐Marie Widor6:09
11Douze Pieces: Toccata
organ:
Andrew Lucas (organist)
recording of:
Douze pièces pour orgue: No. 3. Toccata
composer:
Théodore Dubois (in 1886)
part of:
Douze pièces pour orgue
Théodore Dubois2:26
12Crown Imperial
orchestra:
English Northern Philharmonia (English Northern Philharmonia)
conductor:
Paul Daniel (conductor)
partial recording of:
Crown Imperial (march)
composer:
William Walton (composer and conductor) (in 1937)
publisher:
Oxford University Press
Sir William Walton1:48
13Cantata “Jauchzet Gott in allen Landen”, BWV 51: Alleluia
soprano vocals:
Ingrid Kertesi (soprano)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra)
conductor:
Mátyás Antal (conductor)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1992)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1992)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach4:34
14Exsultate, jubilate, K. 165: Alleluia
Wolfgang Amadeus Mozart2:42
15Water Music: Suite no. 2 in D major, HWV 349: II. Alla Hornpipe
Georg Friedrich Händel2:32
16Variations on a Theme from ’La Cenerentola’
engineer:
János Gyóri
producer:
László Beck
flute:
János Bálint (flutist) (from 1992-12-14 until 1992-12-18)
harp:
Nóra Mercz (Hungarian harpist) (from 1992-12-14 until 1992-12-18)
arranger:
Nóra Mercz (Hungarian harpist)
recorded at:
Rottenbiller Studio in Budapest, Hungary (from 1992-12-14 until 1992-12-18)
recording of:
Variations for Flute and Piano in E major on the Theme "Non più mesta", B. 9 (from 1992-12-14 until 1992-12-18)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
is based on:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico)
Fryderyk Chopin5:05
17Sicilienne, op. 78 (arr. for flute and harp)
flute:
Nora Shulman
harp:
Judy Loman (harpist)
recording of:
Sicilienne, op. 78 (original; for cello and piano)
composer:
Gabriel Fauré (French composer)
part of:
Works of Gabriel Fauré by opus number (number: op. 78)
Gabriel Fauré3:36
18The Tales of Hoffmann: Barcarolle
Jacques Offenbach2:09
19Berceuse, op. 16 (arr. for flute and harp)
Gabriel Fauré2:49
20Carnival of the Animals: XIII. Le Cygne (The Swan) (arr. for piano solo)
engineer:
István Berényi (engineer) (from 1987-09 until 1988-01)
producer:
János Mátyás (producer) (from 1987-09 until 1988-01)
piano:
Balázs Szokolay (pianist) (from 1987-09-11 until 1988-01-18)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-09-11 until 1988-01-18)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) (from 1987-09-11 until 1988-01-18)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns2:42
21Waltz in A-flat major, op. 39, no. 15
engineer:
István Berényi (engineer) (from 1987-09 until 1988-01)
producer:
János Mátyás (producer) (from 1987-09 until 1988-01)
piano:
Balázs Szokolay (pianist) (from 1987-09-11 until 1988-01-18)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-09-11 until 1988-01-18)
recording of:
Waltzes, op. 39: No. 15 in A‐flat major (for solo piano) (from 1987-09-11 until 1988-01-18)
composer:
Johannes Brahms (German composer) (in 1865)
arrangement of:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands)
part of:
16 Waltzes, op. 39 (for solo piano)
Johannes Brahms1:17
22Wedding Day at Troldhaugen, op. 65, no. 6 00:0
Edvard Grieg1:47