50 Romantic Records

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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▼ CD 1
#TitoloArtistaValutazioneDurata
1It's All in the Game
direttore d'orchestra:
Leroy Holmes
arrangiatore:
Leroy Holmes
registrazione cover di:
It’s All in the Game
paroliere:
Carl Sigman (nel 1951)
compositore:
Charles Dawes (nel 1911)
editore:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
si basa su:
Melody in A major (instrumental)
Tommy Edwards42:38
2Laughter in the Rain
Neil Sedaka2:50
3My Special Angel
registrazione di:
My Special Angel
paroliere e compositore:
Jimmy Duncan (US songwriter & producer from Texas)
editore:
Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Bobby Helms2:58
4Will You Love Me Tomorrow
batteria [drums] :
Gary Chester (studio drummer and educator) (nel 1960)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1960)
timpano :
Carole King (nel 1960)
voce:
Doris Coley (nel 1960), Addie Harris (nel 1960) e Beverly Lee (singer for The Shirelles) (nel 1960)
voce principale:
Shirley Owens (nel 1960)
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd.
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 33), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 125) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 151)
registrazione di:
Will You Love Me Tomorrow (Carole King song) (nel 1960)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles3.82:41
5Come Go With Me
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 441)
registrazione di:
Come Go With Me
editore:
Joseph M. Averbach
paroliere e compositore:
C.E. Quick
editore:
Fee Bee Music Company e Gil Music Corporation
The Del‐Vikings4.52:38
6Sincerely
chitarra :
Walter Scott (US blues guitarist) (nel 1954-10)
chitarra basso :
Willie Dixon (nel 1954-10)
membranofono :
Wesley Landers (Jazz drummer) (nel 1954-10)
pianoforte :
Johnny Young (jazz pianist) (nel 1954-10)
sassofono tenore :
Eddie Chamblee (nel 1954-10)
voce di baritono:
Harvey Fuqua (nel 1954-10)
voce di basso:
Prentiss Barnes (nel 1954-10)
voce di tenore:
Pete Graves (US doo-wop vocalist, member of The Moonglows) (nel 1954-10)
voce principale:
Bobby Lester (nel 1954-10)
registrazione di:
Sincerely
autore:
Alan Freed (American disc jockey) (fino al 1954-10) e Harvey Fuqua (fino al 1954-10)
editore:
Alan Freed Music, Arc Music (U.S. rock & blues publisher), Irving Music (BMI), Quazical Music, Regent Music Corp. (BMI) e ロックンロール ミュージック (Rock ’n’ Roll Music)
The Moonglows3:12
7Chances Are
registrazione di:
Chances Are
paroliere:
Al Stillman
compositore:
Robert Allen (US songwriter/arranger/pianist)
editore:
Kitty Anne Music Co., Inc. (conclusa), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd. e Music Sales Corporation (American copyright holder in both popular and classical music)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:05
8Moments to Remember
voce:
The Four Lads
voce di mezzosoprano [singing voice on 1st lead and harmony]:
Lois Winters
voce parlata [poetic spoken voice]:
Pat Kirby (American jazz singer)
orchestra:
Ray Ellis and His Orchestra & Chorus
direttore d'orchestra:
Ray Ellis (US producer, arranger and conductor)
registrazione di:
Moments to Remember (1955 song)
paroliere:
Al Stillman
compositore:
Robert Allen (US songwriter/arranger/pianist)
editore:
Adaken Music Holding LLC, Charlie Deitcher Productions, Inc., Memory Lane Music Ltd. e フジパシフィックミュージック (Fujipacific Music, Inc.)
The Four Lads3:19
9Theme From "A Summer Place"
esecutore:
Percy Faith & His Orchestra
registrazione di:
Theme from “A Summer Place” (original instrumental version)
compositore:
Max Steiner (nel 1959)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America
registrazione cover di:
Theme from “A Summer Place” (original instrumental version)
compositore:
Max Steiner (nel 1959)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America
Percy Faith3.652:24
10Goin' Out of My Head/Can't Take My Eyes Off You
The Lettermen3:09
11There, I've Said It Again
produttore:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
registrazione cover di:
There I’ve Said it Again
autore:
Redd Evans e David Mann (American songwriter)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
Bobby Vinton2:22
12Only Love Can Break a Heart
Gene Pitney2:50
13Happy, Happy Birthday Baby
registrazione di:
Happy, Happy Birthday Baby
autore:
Gilbert Lopez e Margo Sylvia
editore:
Arc Music Corp. (U.S. rock & blues publisher)
The Tune Weavers2:19
14That'll Be the Day
registrazione di:
That’ll Be the Day
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
Buddy Holly & The Crickets2:17
15All I Have to Do Is Dream
registrazione di:
All I Have to Do Is Dream
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Acuff-Rose Publications, Inc. (BMI) (il 1958-04-21)
The Everly Brothers2:23
16Love Is a Many Splendored Thing (feat. Al Alberts)
registrazione di:
Love Is a Many‐Splendored Thing
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) e WC Music Corp.
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 28)
The Four Aces3:00
17If You Don't Know Me by Now
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce di accompagnamento:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s)
voce principale:
Harold Melvin
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1972, nel 1991)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
If You Don’t Know Me by Now (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Harold Melvin & The Blue Notes4.153:29
18Lonely Teardrops
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 308)
registrazione di:
Lonely Teardrops
autore:
Tyran Carlo, Berry Gordy e Gwen Gordy (US songwriter/composer, née Gwendolyn Gordy)
editore:
Lena Music, Regent Music (BMI) e The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Jackie Wilson2:41
19He's So Fine
registrazione di:
He’s So Fine (nel 1962)
paroliere e compositore:
Ronnie Mack (1960s US songwriter)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Chiffons3.351:52
20Till Then
The Classics2:17
21Donna
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
registrazione di:
Donna
paroliere e compositore:
Ritchie Valens
editore:
Carlin Music Corporation
Ritchie Valens4.82:25
22Where or When
Dion & The Belmonts2:39
23There's a Moon Out Tonight
registrazione di:
There’s a Moon Out Tonight
autore:
Alfonso Gentile, Joe Luccisano e Al Striano
editore:
Embassy Music Corporation
The Capris2:14
24Blueberry Hill
diritti fonografici (℗) detenuti da:
Everest Records (classical) e Liberty (a division of UMG Recordings, Inc.) (nel 1957)
edit di:
Blueberry Hill (Imperial) di Fats Domino
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 147)
registrazione cover di:
Blueberry Hill (il 1956-06-27)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino4.652:22
25Venus
voce:
Frankie Avalon (American actor, singer)
direttore d'orchestra e maestro del coro:
Peter de Angelis
diritti fonografici (℗) detenuti da:
Chancellor Records Inc. (nel 1959)
registrazione di:
Venus
paroliere e compositore:
Ed Marshall
editore:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:20