The Classic Albums Collection 1957-1962

~ Release by Benny Golson (see all versions of this release, 1 available)

Annotation

Eight Golson albums in this 4 CD set -

CD 1:
Benny Golson's New York Scene, tracks 1 - 7
The Modern Touch, tracks 8 - 13

CD 2:
The Other Side Of Benny Golson, tracks 1 - 6
Benny Golson and the Philadelphians, tracks 7 - 12

CD 3:
Gone With Golson, tracks 1 - 5
Winchester Special, tracks 6 - 11

CD 4:
Take A Number From 1 to 10, tracks 1 - 10
Pop + Jazz = Swing, tracks 11 - 20

Annotation last modified on 2020-05-12 03:54 UTC.

Tracklist

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▼ CD 1: Benny Golson's New York Scene / The Modern Touch
#TitleRatingLength
1Something in B Flat
recorded in:
New York, New York, United States (on 1957-10-17)
producer:
Nat Hentoff
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-10-17)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-10-17)
piano:
Wynton Kelly (on 1957-10-17)
tenor saxophone:
Benny Golson (on 1957-10-17)
trumpet:
Art Farmer (on 1957-10-17)
6:06
2Whisper Not
recorded in:
New York, New York, United States (on 1957-10-14)
producer:
Nat Hentoff
alto saxophone:
Gigi Gryce (on 1957-10-14)
baritone saxophone:
Sahib Shihab (American jazz musician) (on 1957-10-14)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-10-14)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-10-14)
French horn:
Julius Watkins (on 1957-10-14)
piano:
Wynton Kelly (on 1957-10-14)
tenor saxophone:
Benny Golson (on 1957-10-14)
trombone:
James Cleveland (US jazz trombonist) (on 1957-10-14)
trumpet:
Art Farmer (on 1957-10-14)
instrumental recording of:
Whisper Not (original instrumental composition) (on 1957-10-14)
composer:
Benny Golson (in 1956)
6:02
3Step Lightly
recorded in:
New York, New York, United States (on 1957-10-17)
producer:
Nat Hentoff
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-10-17)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-10-17)
piano:
Wynton Kelly (on 1957-10-17)
tenor saxophone:
Benny Golson (on 1957-10-17)
trumpet:
Art Farmer (on 1957-10-17)
6:55
4Just by Myself
recorded in:
New York, New York, United States (on 1957-10-14)
producer:
Nat Hentoff
alto saxophone:
Gigi Gryce (on 1957-10-14)
baritone saxophone:
Sahib Shihab (American jazz musician) (on 1957-10-14)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-10-14)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-10-14)
French horn:
Julius Watkins (on 1957-10-14)
piano:
Wynton Kelly (on 1957-10-14)
tenor saxophone:
Benny Golson (on 1957-10-14)
trombone:
James Cleveland (US jazz trombonist) (on 1957-10-14)
trumpet:
Art Farmer (on 1957-10-14)
recording of:
Just by Myself (on 1957-10-14)
composer:
Benny Golson
4:12
5Blues It
recorded in:
New York, New York, United States (on 1957-10-17)
producer:
Nat Hentoff
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-10-17)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-10-17)
piano:
Wynton Kelly (on 1957-10-17)
tenor saxophone:
Benny Golson (on 1957-10-17)
trumpet:
Art Farmer (on 1957-10-17)
6:52
6You're Mine, You
recorded in:
New York, New York, United States (on 1957-10-17)
producer:
Nat Hentoff
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-10-17)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-10-17)
piano:
Wynton Kelly (on 1957-10-17)
tenor saxophone:
Benny Golson (on 1957-10-17)
trumpet:
Art Farmer (on 1957-10-17)
instrumental recording of:
You’re Mine, You (on 1957-10-17)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
4:22
7Capri
recorded in:
New York, New York, United States (on 1957-10-14)
producer:
Nat Hentoff
alto saxophone:
Gigi Gryce (on 1957-10-14)
baritone saxophone:
Sahib Shihab (American jazz musician) (on 1957-10-14)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-10-14)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1957-10-14)
French horn:
Julius Watkins (on 1957-10-14)
piano:
Wynton Kelly (on 1957-10-14)
tenor saxophone:
Benny Golson (on 1957-10-14)
trombone:
James Cleveland (US jazz trombonist) (on 1957-10-14)
trumpet:
Art Farmer (on 1957-10-14)
4:03
8Out of the Past
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-12-23)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-12-23)
piano:
Wynton Kelly (on 1957-12-23)
tenor saxophone:
Benny Golson (on 1957-12-23)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-12-23)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-12-23)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-12-23)
instrumental recording of:
Out of the Past (on 1957-12-23)
lyricist:
Jon Hendricks
composer:
Benny Golson
6:29
9Reunion
7:21
10Venetian Breeze
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-12-23)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-12-23)
piano:
Wynton Kelly (on 1957-12-23)
tenor saxophone:
Benny Golson (on 1957-12-23)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-12-23)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-12-23)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-12-23)
5:42
11Hymn to the Orient
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-12-19)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-12-19)
piano:
Wynton Kelly (on 1957-12-19)
tenor saxophone:
Benny Golson (on 1957-12-19)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-12-19)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-12-19)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-12-19)
recording of:
Hymn of the Orient (on 1957-12-19)
composer:
Gigi Gryce
4:15
12Namely You
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1957-12-19)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-12-19)
piano:
Wynton Kelly (on 1957-12-19)
tenor saxophone:
Benny Golson (on 1957-12-19)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-12-19)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-12-19)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-12-19)
instrumental recording of:
Namely You (on 1957-12-19)
lyricist:
Johnny Mercer (in 1956)
composer:
Gene de Paul (in 1956)
4:48
13Blues on Down
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1957-12-19)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1957-12-19)
piano:
Wynton Kelly (on 1957-12-19)
tenor saxophone:
Benny Golson (on 1957-12-19)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1957-12-19)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1957-12-19)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1957-12-19)
recording of:
Blues On Down (on 1957-12-19)
composer:
Benny Golson
11:43
▼ CD 2: The Other Side of Benny Golson / Benny Golson and the Philadelphians
#TitleRatingLength
1Strut Time
recorded in:
New York, New York, United States (on 1958-11-12)
producer:
Orrin Keepnews
bass:
Jymie Merritt (on 1958-11-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-11-12)
piano:
Barry Harris (Jazz pianist) (on 1958-11-12)
tenor saxophone:
Benny Golson (on 1958-11-12)
trombone:
Curtis Fuller (on 1958-11-12)
6:10
2Jubilation
recorded in:
New York, New York, United States (on 1958-11-12)
producer:
Orrin Keepnews
bass:
Jymie Merritt (on 1958-11-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-11-12)
piano:
Barry Harris (Jazz pianist) (on 1958-11-12)
tenor saxophone:
Benny Golson (on 1958-11-12)
trombone:
Curtis Fuller (on 1958-11-12)
6:27
3Symptoms
recorded in:
New York, New York, United States (on 1958-11-12)
producer:
Orrin Keepnews
bass:
Jymie Merritt (on 1958-11-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-11-12)
piano:
Barry Harris (Jazz pianist) (on 1958-11-12)
tenor saxophone:
Benny Golson (on 1958-11-12)
trombone:
Curtis Fuller (on 1958-11-12)
6:06
4Are You Real?
recorded in:
New York, New York, United States (on 1958-11-12)
producer:
Orrin Keepnews
bass:
Jymie Merritt (on 1958-11-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-11-12)
piano:
Barry Harris (Jazz pianist) (on 1958-11-12)
tenor saxophone:
Benny Golson (on 1958-11-12)
trombone:
Curtis Fuller (on 1958-11-12)
5:41
5Cry a Blue Tear
recorded in:
New York, New York, United States (on 1958-11-12)
producer:
Orrin Keepnews
bass:
Jymie Merritt (on 1958-11-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-11-12)
piano:
Barry Harris (Jazz pianist) (on 1958-11-12)
tenor saxophone:
Benny Golson (on 1958-11-12)
trombone:
Curtis Fuller (on 1958-11-12)
5:24
6This Night
recorded in:
New York, New York, United States (on 1958-11-12)
producer:
Orrin Keepnews
bass:
Jymie Merritt (on 1958-11-12)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-11-12)
piano:
Barry Harris (Jazz pianist) (on 1958-11-12)
tenor saxophone:
Benny Golson (on 1958-11-12)
trombone:
Curtis Fuller (on 1958-11-12)
7:53
7You're Not the Kind
double bass:
Percy Heath (on 1958-11-17)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-11-17)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1958-11-17)
tenor saxophone:
Benny Golson (on 1958-11-17)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-11-17)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-11-17)
recording of:
You’re Not the Kind (on 1958-11-17)
writer:
Will Hudson and Irving Mills
4:21
8Blues on My Mind
double bass:
Percy Heath (on 1958-11-17)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-11-17)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1958-11-17)
tenor saxophone:
Benny Golson (on 1958-11-17)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-11-17)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-11-17)
7:30
9Stablemates
double bass:
Percy Heath (on 1958-11-17)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-11-17)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1958-11-17)
tenor saxophone:
Benny Golson (on 1958-11-17)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-11-17)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-11-17)
recording of:
Stablemates (on 1958-11-17)
composer:
Benny Golson
5:48
10Thursday's Theme
double bass:
Percy Heath (on 1958-11-17)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-11-17)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1958-11-17)
tenor saxophone:
Benny Golson (on 1958-11-17)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-11-17)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-11-17)
7:38
11Afternoon in Paris
double bass:
Percy Heath (on 1958-11-17)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-11-17)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1958-11-17)
tenor saxophone:
Benny Golson (on 1958-11-17)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-11-17)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-11-17)
recording of:
Afternoon in Paris (on 1958-11-17)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
6:54
12Calgary
double bass:
Percy Heath (on 1958-11-17)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-11-17)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1958-11-17)
tenor saxophone:
Benny Golson (on 1958-11-17)
trumpet:
Lee Morgan (jazz trumpeter / composer) (on 1958-11-17)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (on 1958-11-17)
3:41
▼ CD 3: Gone With Golson / Winchester Special
#TitleRatingLength
1Staccato Swing
recording engineer:
Rudy van Gelder (on 1959-06-20)
bass:
Tommy Bryant (on 1959-06-20)
drums (drum set):
Al Harewood (on 1959-06-20)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1959-06-20)
tenor saxophone:
Benny Golson (on 1959-06-20)
trombone:
Curtis Fuller (on 1959-06-20)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1959-06-20)
4:53
2Autumn Leaves
recording engineer:
Rudy van Gelder (on 1959-06-20)
bass:
Tommy Bryant (on 1959-06-20)
drums (drum set):
Al Harewood (on 1959-06-20)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1959-06-20)
tenor saxophone:
Benny Golson (on 1959-06-20)
trombone:
Curtis Fuller (on 1959-06-20)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1959-06-20)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1959-06-20)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes
6:50
3Soul Me
recording engineer:
Rudy van Gelder (on 1959-06-20)
bass:
Tommy Bryant (on 1959-06-20)
drums (drum set):
Al Harewood (on 1959-06-20)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1959-06-20)
tenor saxophone:
Benny Golson (on 1959-06-20)
trombone:
Curtis Fuller (on 1959-06-20)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1959-06-20)
6:41
4Blues After Dark
recording engineer:
Rudy van Gelder (on 1959-06-20)
bass:
Tommy Bryant (on 1959-06-20)
drums (drum set):
Al Harewood (on 1959-06-20)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1959-06-20)
tenor saxophone:
Benny Golson (on 1959-06-20)
trombone:
Curtis Fuller (on 1959-06-20)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1959-06-20)
recording of:
Blues After Dark (on 1959-06-20)
composer:
Benny Golson
8:38
5Jam for Bobbie
recording engineer:
Rudy van Gelder (on 1959-06-20)
bass:
Tommy Bryant (on 1959-06-20)
drums (drum set):
Al Harewood (on 1959-06-20)
piano:
Ray Bryant (US jazz pianist, composer, and arranger) (on 1959-06-20)
tenor saxophone:
Benny Golson (on 1959-06-20)
trombone:
Curtis Fuller (on 1959-06-20)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1959-06-20)
9:26
6Down Fuzz
recording engineer:
Rudy van Gelder (on 1959-09-25)
double bass [bass]:
Wendell Marshall (on 1959-09-25)
drums (drum set):
Art Taylor (on 1959-09-25)
piano:
Tommy Flanagan (on 1959-09-25)
tenor saxophone:
Benny Golson (on 1959-09-25)
vibraphone:
Lem Winchester (on 1959-09-25)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1959-09-25)
10:02
7If I Were a Bell
recording engineer:
Rudy van Gelder (on 1959-09-25)
double bass [bass]:
Wendell Marshall (on 1959-09-25)
drums (drum set):
Art Taylor (on 1959-09-25)
piano:
Tommy Flanagan (on 1959-09-25)
tenor saxophone:
Benny Golson (on 1959-09-25)
vibraphone:
Lem Winchester (on 1959-09-25)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1959-09-25)
instrumental recording of:
If I Were a Bell (Guys and Dolls) (on 1959-09-25)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
4:01
8Will You Still Be Mine?
recording engineer:
Rudy van Gelder (on 1959-09-25)
double bass [bass]:
Wendell Marshall (on 1959-09-25)
drums (drum set):
Art Taylor (on 1959-09-25)
piano:
Tommy Flanagan (on 1959-09-25)
tenor saxophone:
Benny Golson (on 1959-09-25)
vibraphone:
Lem Winchester (on 1959-09-25)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1959-09-25)
instrumental recording of:
Will You Still Be Mine? (on 1959-09-25)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
7:01
9Mysticism
recording engineer:
Rudy van Gelder (on 1959-09-25)
double bass [bass]:
Wendell Marshall (on 1959-09-25)
drums (drum set):
Art Taylor (on 1959-09-25)
piano:
Tommy Flanagan (on 1959-09-25)
tenor saxophone:
Benny Golson (on 1959-09-25)
vibraphone:
Lem Winchester (on 1959-09-25)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1959-09-25)
7:31
10How Are Things in Glocca Morra?
recording engineer:
Rudy van Gelder (on 1959-09-25)
double bass [bass]:
Wendell Marshall (on 1959-09-25)
drums (drum set):
Art Taylor (on 1959-09-25)
piano:
Tommy Flanagan (on 1959-09-25)
tenor saxophone:
Benny Golson (on 1959-09-25)
vibraphone:
Lem Winchester (on 1959-09-25)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1959-09-25)
instrumental recording of:
How Are Things in Glocca Morra? (from "Finian's Rainbow") (on 1959-09-25)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA) and Glocca Morra Music Corp.
part of:
Finian’s Rainbow (1947 Broadway musical)
4:11
11The Dude
recording engineer:
Rudy van Gelder (on 1959-09-25)
double bass [bass]:
Wendell Marshall (on 1959-09-25)
drums (drum set):
Art Taylor (on 1959-09-25)
piano:
Tommy Flanagan (on 1959-09-25)
tenor saxophone:
Benny Golson (on 1959-09-25)
vibraphone:
Lem Winchester (on 1959-09-25)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1959-09-25)
6:44
▼ CD 4: Take a Number From 1 to 10 / Pop + Jazz = Swing
#TitleRatingLength
1You're My Thrill
tenor saxophone:
Benny Golson (on 1960-12-13)
recording of:
You’re My Thrill (on 1960-12-13)
lyricist:
Sidney Clare
composer:
Jay Gorney
publisher:
Bourne Co. (not for release label use, this is a music publisher), Gorney Music Publisher, Next Decade Entertainment, Productions et Éditions Cinématographiques Françaises, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
1:37
2My Heart Belongs to Daddy
double bass:
Tommy Williams (jazz bassist) (on 1960-12-13)
tenor saxophone:
Benny Golson (on 1960-12-13)
instrumental recording of:
My Heart Belongs to Daddy (on 1960-12-13)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
4:11
3The Best Thing for You Is Me
double bass:
Tommy Williams (jazz bassist) (on 1960-12-13)
drums (drum set):
Albert “Tootie” Heath (on 1960-12-13)
piano:
Cedar Walton (on 1960-12-13)
tenor saxophone:
Benny Golson (on 1960-12-13)
instrumental recording of:
The Best Thing for You (Would Be Me) (on 1960-12-13)
lyricist and composer:
Irving Berlin (in 1950)
2:49
4Impromptune
double bass:
Tommy Williams (jazz bassist) (on 1960-12-13)
drums (drum set):
Albert “Tootie” Heath (on 1960-12-13)
piano:
Cedar Walton (on 1960-12-13)
tenor saxophone:
Benny Golson (on 1960-12-13)
trumpet:
Freddie Hubbard (on 1960-12-13)
3:03
5Little Karin
double bass:
Tommy Williams (jazz bassist) (on 1960-12-14)
drums (drum set):
Albert “Tootie” Heath (on 1960-12-14)
piano:
Cedar Walton (on 1960-12-14)
tenor saxophone:
Benny Golson (on 1960-12-14)
trombone:
Curtis Fuller (on 1960-12-14)
trumpet:
Freddie Hubbard (on 1960-12-14)
recording of:
Little Karin (on 1960-12-14)
composer:
Benny Golson
3:37
6Swing It
baritone saxophone:
Sahib Shihab (American jazz musician) (on 1960-12-14)
double bass:
Tommy Williams (jazz bassist) (on 1960-12-14)
drums (drum set):
Albert “Tootie” Heath (on 1960-12-14)
piano:
Cedar Walton (on 1960-12-14)
tenor saxophone:
Benny Golson (on 1960-12-14)
trombone:
Curtis Fuller (on 1960-12-14)
trumpet:
Freddie Hubbard (on 1960-12-14)
4:27
7I Fall in Love Too Easily
alto saxophone:
Hal McKusick (on 1960-12-14)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1960-12-14)
double bass:
Tommy Williams (jazz bassist) (on 1960-12-14)
drums (drum set):
Albert “Tootie” Heath (on 1960-12-14)
French horn:
Willie Ruff (on 1960-12-14)
tenor saxophone:
Benny Golson (on 1960-12-14)
trombone:
Bill Elton (on 1960-12-14)
trumpet:
Nick Travis (on 1960-12-14)
instrumental recording of:
I Fall in Love Too Easily (on 1960-12-14)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
AF Encore Fund LLC, Applause and Encore Music, EMI Feist Catalog Inc., EMI United Partnership Ltd. and Leo Feist, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 2)
4:48
8Out of This World
alto saxophone:
Hal McKusick (on 1961-04-11)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1961-04-11)
double bass:
Tommy Williams (jazz bassist) (on 1961-04-11)
drums (drum set):
Albert “Tootie” Heath (on 1961-04-11)
French horn:
Willie Ruff (on 1961-04-11)
tenor saxophone:
Benny Golson (on 1961-04-11)
trombone:
Bill Elton (on 1961-04-11)
trumpet:
Nick Travis (on 1961-04-11)
instrumental recording of:
Out of This World (on 1961-04-11)
lyricist:
Johnny Mercer (in 1945)
composer:
Harold Arlen (in 1945)
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
3:51
9The Touch
alto saxophone:
Hal McKusick (on 1961-04-11)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1961-04-11)
double bass:
Tommy Williams (jazz bassist) (on 1961-04-11)
drums (drum set):
Albert “Tootie” Heath (on 1961-04-11)
French horn:
Willie Ruff (on 1961-04-11)
tenor saxophone:
Benny Golson (on 1961-04-11)
trombone:
Bill Elton (on 1961-04-11)
trumpet:
Bernie Glow (on 1961-04-11) and Nick Travis (on 1961-04-11)
5:17
10Time
alto saxophone:
Hal McKusick (on 1961-04-11)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1961-04-11)
double bass:
Tommy Williams (jazz bassist) (on 1961-04-11)
drums (drum set):
Albert “Tootie” Heath (on 1961-04-11)
French horn:
Willie Ruff (on 1961-04-11)
tenor saxophone:
Benny Golson (on 1961-04-11)
trombone:
Bill Elton (on 1961-04-11)
trumpet:
Art Farmer (on 1961-04-11), Bernie Glow (on 1961-04-11) and Nick Travis (on 1961-04-11)
recording of:
Time (on 1961-04-11)
composer:
Benny Golson
3:35
11You're Driving Me Crazy / Moten Swing
4:14
12Out of Nowhere
4:17
13Whispering / Groovin' High
3:14
14Autumn Leaves
4:39
15Indiana / Donna Lee
2:45
16Lover Come Back to Me / Quicksilver
3:53
17Stella by Starlight
4:20
18How High the Moon / Ornithology
3:43
19If I Should Lose You
3:01
20St. Louis Blues / Walkin'
3:41