Piano Player

~ Release by Bill Evans (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleRatingLength
1All About Rosie (3rd Section)
recorded in:
New York, New York, United States (on 1957-06-10)
producer:
George Avakian (US 1940-90s record producer)
alto saxophone:
John LaPorta (on 1957-06-10)
bassoon:
Manuel Zegler (on 1957-06-10)
double bass [bass]:
Joe Benjamin (US jazz bassist) (on 1957-06-10)
drums (drum set):
Teddy Summer (on 1957-06-10)
flute:
Robert Di Domenica (on 1957-06-10)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (on 1957-06-10)
guitar:
Barry Galbraith (on 1957-06-10)
harp:
Margaret Rose (harp) (on 1957-06-10)
piano:
Bill Evans (pianist) (on 1957-06-10)
tenor saxophone:
Hal McKusick (on 1957-06-10)
trombone:
Jimmy Knepper (Trombonist) (on 1957-06-10)
trumpet:
Art Farmer (on 1957-06-10) and Louis Mucci (trumpetist) (on 1957-06-10)
vibraphone:
Teddy Charles (on 1957-06-10)
orchestra:
George Russell Orchestra (on 1957-06-10)
conductor:
George Russell (jazz pianist) (on 1957-06-10)
arranger:
George Russell (jazz pianist)
recording of:
All About Rosie (on 1957-06-10)
composer:
George Russell (jazz pianist) (in 1957)
5:19
2My Funny Valentine
producer:
Teo Macero and Irving Townsend
alto saxophone:
Cannonball Adderley (on 1958-09-09, on 1958-10-09)
double bass:
Paul Chambers (US jazz bassist) (on 1958-10-09)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1958-09-09)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-09-09, on 1958-10-09)
piano:
Bill Evans (pianist) (on 1958-09-09, on 1958-10-09)
tenor saxophone:
John Coltrane (on 1958-09-09, on 1958-10-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-09-09, on 1958-10-09)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1973)
recorded at:
Plaza Hotel (New York) in New York, New York, United States (on 1958-09-09) and Plaza Hotel: Persian Room in New York, New York, United States (on 1958-10-09)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (on 1958-09-09)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
live instrumental cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1958-09-09)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
live instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (on 1958-10-09)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
cover recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
10:20
3Vierd Blues
recorded in:
New York, New York, United States (from 1962-02-06 until 1962-02-08)
producer:
Mike Berniker
double bass [bass]:
Herbie Lewis (from 1962-02-06 until 1962-02-08)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (from 1962-02-06 until 1962-02-08)
piano:
Bill Evans (pianist) (from 1962-02-06 until 1962-02-08)
vibraphone:
Dave Pike (jazz vibraphone and marimba player) (from 1962-02-06 until 1962-02-08)
recording of:
Vierd Blues (from 1962-02-06 until 1962-02-08)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) (in 1956)
publisher:
Prestige Music Co. (US, affiliated with BMI)
5:58
4Besame Mucho
recorded in:
New York, New York, United States (from 1962-02-06 until 1962-02-08)
producer:
Mike Berniker
double bass [bass]:
Herbie Lewis (from 1962-02-06 until 1962-02-08)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (from 1962-02-06 until 1962-02-08)
piano:
Bill Evans (pianist) (from 1962-02-06 until 1962-02-08)
vibraphone:
Dave Pike (jazz vibraphone and marimba player) (from 1962-02-06 until 1962-02-08)
instrumental recording of:
Bésame mucho (Kiss Me Much, Bésame, bésame mucho como si fuera esta noche la última vez) (from 1962-02-06 until 1962-02-08)
lyricist and composer:
Consuelo Velázquez (in 1940)
publisher:
Peer International Corporation (BMI)
6:53
5Morning Glory
recorded in:
New York, New York, United States (on 1970-11-23)
producer:
Teo Macero
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1970-11-23)
piano:
Bill Evans (pianist) (on 1970-11-23)
instrumental cover recording of:
Mornin’ Glory (on 1970-11-23)
lyricist and composer:
Bobbie Gentry
publisher:
Northridge Music Co.
6:44
6Django
recorded in:
New York, New York, United States (on 1970-11-24)
producer:
Teo Macero
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1970-11-24)
piano:
Bill Evans (pianist) (on 1970-11-24)
recording of:
Django (on 1970-11-24)
composer:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1954)
publisher:
MJQ Music, Inc.
8:09
7Waltz for Debby
recorded in:
New York, New York, United States (on 1970-11-24)
producer:
Teo Macero
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1970-11-24)
piano:
Bill Evans (pianist) (on 1970-11-24)
recording of:
Waltz for Debby (instrumental) (on 1970-11-24)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
5:13
8T T T (Twelve Tone Tune)
recorded in:
New York, New York, United States (on 1970-11-24)
producer:
Teo Macero
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1970-11-24)
piano:
Bill Evans (pianist) (on 1970-11-24)
recording of:
TTT (Twelve Tone Tune) (on 1970-11-24)
composer:
Bill Evans (pianist)
publisher:
Orpheum Music
3:38
9Comrade Conrad
recorded in:
New York, New York, United States (on 1970-11-24)
producer:
Teo Macero
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1970-11-24)
piano:
Bill Evans (pianist) (on 1970-11-24)
recording of:
Comrade Conrad (on 1970-11-24)
composer:
Bill Evans (pianist)
publisher:
Orpheum Music
6:40
10Gone With the Wind
recorded in:
New York, New York, United States (on 1970-11-24)
producer:
Teo Macero
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1970-11-24)
piano:
Bill Evans (pianist) (on 1970-11-24)
instrumental recording of:
Gone With the Wind (on 1970-11-24)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
6:43
11Fun Ride
recorded in:
New York, New York, United States (on 1971-05-17)
producer:
Helen Keane
double bass [bass]:
Eddie Gomez (jazz double bassist) (on 1971-05-17)
drums (drum set):
Marty Morell (drums) (on 1971-05-17)
piano:
Bill Evans (pianist) (on 1971-05-17)
recording of:
Fun Ride (on 1971-05-17)
composer:
Bill Evans (pianist)
6:38

Credits

Release

photography:Don Hunstein (photographer)
Urve Kuusik
Wendie Lombardi
liner notes:Eddie Gomez (jazz double bassist) (in 1998-05)
Orrin Keepnews (in 1998-05)
manufactured by:Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding)
copyrighted (©) by and phonographic copyright (℗) by:Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1998)