Notting Hill

~ Release by Various Artists (see all versions of this release, 11 available)

Tracklist

CD 1
#TitleArtistRatingLength
1You've Got a Way (Notting Hill remix)
programming:
Olle Romo (Swedish music producer, songwriter, and drummer)
producer:
Robert John “Mutt” Lange (Robert John Lange)
bass:
Joe Chemay
drums (drum set):
Paul Leim
electric sitar:
Dann Huff
guitar:
Joe Chemay, Dann Huff and Bill Watson
synthesizer:
Arthur Stead
remixer:
Olle Romo (Swedish music producer, songwriter, and drummer)
recording of:
You’ve Got a Way
writer:
Eilleen Regina Lange and Robert John Lange
publisher:
Out-of-Pocket Productions Ltd.
Shania Twain3:24
2I Do (Cherish You)
assistant recording engineer:
Greg Parker (engineer)
recording engineer and mixer:
Bill Whittington
drum machine programming:
Mark Hammond (US drummer/producer/drum programmer)
producer:
Keith Thomas (CCM, country, pop producer & songwriter)
bass and keyboard:
Keith Thomas (CCM, country, pop producer & songwriter)
guitar family:
Gordon Kennedy (US country/bluegrass songwriter/musician)
lead vocals:
Nick Lachey
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1998)
recorded at and mixed at:
The Bennett House in Franklin, Tennessee, United States
cover recording of:
I Do (Cherish You)
writer:
Dan Hill (Canadian singer/songwriter) and Keith Stegall (American country singer / songwriter and record producer)
publisher:
Big Picture Entertainment, If Dreams Had Wings Music Ltd., November One Songs, Songs of Kobalt Music Publishing, Universal Music–Z Songs and Smash Vegas Music (in 1997)
98 Degrees53:47
3She
recording engineer:
Gareth Cousins and Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Paul Hicks
producer:
Trevor Jones (South African score composer)
mixer:
Gareth Cousins
bass guitar:
Trevor Barry
drums (drum set):
Paul Clarvis (percussionist)
instruments:
Clem Clempson
piano:
Dave Hartley (pianist)
vibraphone:
Frank Ricotti (percussionist)
vocals:
Elvis Costello
orchestra:
London Symphony Orchestra
conductor:
Geoffrey Alexander
arranger:
Julian Kershaw
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1999)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
cover recording of:
She (Seven Faces of Woman)
lyricist:
Herbert Kretzmer
composer:
Charles Aznavour
publisher:
Essex Music International, Inc. and Standard Music Publishing Ltd.
translated version of:
Tous les visages de l’amour
Elvis Costello2.53:08
4Ain't No Sunshine
recording engineer:
Bill Halverson (in 1971) and Bill Lazarus (in 1971)
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills (in 1971)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
lead vocals:
Bill Withers (in 1971)
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.52:05
5How Can You Mend a Broken Heart
producer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
organ and piano:
Charles Hodges (soul organist)
saxophone:
James Mitchell (US saxophonist/arranger)
tenor saxophone:
Ed Logan
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
recorded at:
Royal Studios in Memphis, Tennessee, United States
cover recording of:
How Can You Mend a Broken Heart
written in:
Kensington, Kensington and Chelsea, London (Greater London), England, United Kingdom
writer:
Barry Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Songs of Universal, Inc. (BMI), Universal Music Careers and Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Al Green3.76:25
6In Our Lifetime
recording engineer:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Johnny Mac, Kenny McDonald (engineer) and Sharleen Spiteri
additional programming:
Kenny MacDonald
programming:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Johnny McElhone, Sharleen Spiteri and Texas (Scottish pop rock band)
producer:
Johnny Mac
mixer:
Mark “Spike” Stent (producer, engineer)
additional percussion [beats]:
Ben Chapman
drums (drum set):
Richard Hynd
guitar:
Johnny McElhone and Ally McErlaine (Scottish guitarist)
keyboard:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Johnny McElhone and Sharleen Spiteri
background vocals:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Robert Hodgens and Sharleen Spiteri
phonographic copyright (℗) by:
Grand Central Records Ltd. and Mercury Records Ltd. (London) (for copyrights use only)
recorded at:
Park Lane Studios in Glasgow, Scotland, United Kingdom and Shar's House in Scotland, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Mix Suite in London (Greater London), England, United Kingdom
recording of:
In Our Lifetime
lyricist and composer:
Johnny McElhone and Sharleen Spiteri
publisher:
EMI 10 Music
Texas34:07
7Gimme Some Lovin
producer:
Chris Blackwell (Island Records) and Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographic copyright (℗) by:
Island Records Ltd. (Island Records Limited, not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 244)
recording of:
Gimme Some Lovin’
writer:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) and Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
The Spencer Davis Group4.63:00
8When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
cover recording of:
When You Say Nothing at All
writer:
Paul Overstreet and Don Schlitz
Ronan Keating2.554:15
9Ain't No Sunshine
recording engineer and mixer:
Phil Bodger (engineer)
programming:
Gota Yashiki
producer:
Tim Laws and Paul Tucker
bass:
Wayne Stobbart
guitar:
Mark Jalmes
piano:
Pete Wingfield (keyboardist, singer, producer, songwriter)
background vocals:
Lawrence Johnson and Priscilla-Mae Jones
strings arranger:
Wil Malone
recorded at and mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
cover recording of:
Ain’t No Sunshine
lyricist and composer:
Bill Withers
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Lighthouse Family3:43
10From the Heart
engineer:
Ali Boudris and Mario Luccy
executive producer:
Diane Warren (US songwriter)
producer:
Khris Kellow
assistant mixer:
Tom Bender (engineer)
mixer:
Mick Guzauski
guitar:
Ali Boudris
recorded at:
Bananaboat Studios in Burbank, California, United States and Realsongs in Los Angeles, California, United States
mixed at:
Barking Doctor Recording in Mount Kisco, New York, United States
recording of:
From the Heart
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Realsongs
Another Level4:54
11Everything About You
recording of:
Everything About You
lyricist and composer:
Steve Poltz
Steve Poltz3:57
12Will and Anna
recording engineer and mixer:
Gareth Cousins and Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Paul Hicks
producer:
Trevor Jones (South African score composer)
acoustic guitar:
Craig Ogden (guitarist)
piano:
Dave Arch (pianist, conductor, arranger and composer)
synthesizer:
Trevor Jones (South African score composer)
orchestra:
The London Symphony Orchestra (London Symphony Orchestra)
conductor:
Geoffrey Alexander
orchestrator:
Geoffrey Alexander, Trevor Jones (South African score composer) and Julian Kershaw
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and CMMP Studios in London (Greater London), England, United Kingdom
recording of:
Will and Anna (Notting Hill)
composer:
Trevor Jones (South African score composer)
Trevor Jones3:38
13Notting Hill
recording engineer and mixer:
Gareth Cousins and Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Paul Hicks
producer:
Trevor Jones (South African score composer)
acoustic guitar:
Craig Ogden (guitarist)
guitar:
Clem Clempson
piano:
Dave Arch (pianist, conductor, arranger and composer)
synthesizer:
Trevor Jones (South African score composer)
orchestra:
The London Symphony Orchestra (London Symphony Orchestra)
conductor:
Geoffrey Alexander
orchestrator:
Geoffrey Alexander, Trevor Jones (South African score composer) and Julian Kershaw
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and CMMP Studios in London (Greater London), England, United Kingdom
recording of:
Notting Hill
composer:
Trevor Jones (South African score composer)
Trevor Jones4:45

Credits

Release

manufactured in:Europe
copyrighted (©) by and phonographic copyright (℗) by:Island Records, Inc. (US) (in 1999)