Tracklist

12" Vinyl 1
#TitleArtistRatingLength
A1Introduction
recorded in:
U.S.A.
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
spoken vocals [Milton Host]:
Will Jordan (character actor and comedian) (in 1970)
Will Jordan1:14
A2The Stoned Guest (Part One)
recorded in:
U.S.A.
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
countertenor vocals [Don Octave]:
John Ferrante (tenor) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
spoken vocals:
Professor Peter Schickele (composer) (in 1970) and Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
spoken vocals [Milton Host]:
Will Jordan (character actor and comedian) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
compilation of:
The Stoned Guest, Part 1: Overture by The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Aria: “Let’s face it — I’m lost” by Marlene Kleinman (aka Marlena Kleinman Malas), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Recitative: “Boy!” by Marlene Kleinman (aka Marlena Kleinman Malas), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Aria: “Now is the season” by Lorna Haywood (soprano), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Recitative: “Gesundheit!” by Marlene Kleinman (aka Marlena Kleinman Malas), Lorna Haywood (soprano), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Duet: “Woe” by Marlene Kleinman (aka Marlena Kleinman Malas), Lorna Haywood (soprano), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Recitative: “Hark!” by Marlene Kleinman (aka Marlena Kleinman Malas), Lorna Haywood (soprano), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Aria: “Look at me” by John Ferrante (tenor), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 1: Recitative: “That’s the end” by John Ferrante (tenor), Lorna Haywood (soprano), Marlene Kleinman (aka Marlena Kleinman Malas), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor) and The Stoned Guest, Part 1: Trio: “I’m sure I’d be” by Lorna Haywood (soprano), Marlene Kleinman (aka Marlena Kleinman Malas), John Ferrante (tenor), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor)
recording of:
The Stoned Guest: Aria: “Let’s face it—I’m lost” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
recording of:
The Stoned Guest: Aria: “Look at me” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
recording of:
The Stoned Guest: Aria: “Now is the season” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
recording of:
The Stoned Guest: Duet: “Woe” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
recording of:
The Stoned Guest: Overture (in 1970)
composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
recording of:
The Stoned Guest: Recitative: “Boy!” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
recording of:
The Stoned Guest: Recitative: “Gesundheit!” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
recording of:
The Stoned Guest: Recitative: “Hark!” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
recording of:
The Stoned Guest: Recitative: “That’s the end” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
partial recording of:
The Stoned Guest: Trio: “I’m sure I’d be” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach23:47
B1Intermission Feature: Opera Whiz
recorded in:
U.S.A.
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
spoken vocals:
Professor Peter Schickele (composer) (in 1970)
spoken vocals [Paul Henry Lung]:
Bill Macy (in 1970)
Peter Schickele4:25
B2Plot Synopsis
recorded in:
U.S.A.
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
spoken vocals [Milton Host]:
Will Jordan (character actor and comedian) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
partial recording of:
The Stoned Guest: Trio: “I’m sure I’d be” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
Will Jordan4:01
B3The Stoned Guest (Completion): Ⅺ. Recitative: “I hate to interrupt” / Ⅻ. Quartet: “Don Octave” / XIII. Finale: “O saviour” / Announcement
recorded in:
U.S.A.
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
bass vocals [Il Commendatoreador]:
Prof. Peter Schickele (composer) (in 1970)
countertenor vocals [Don Octave]:
John Ferrante (tenor) (in 1970)
mezzo-soprano vocals [Donna Ribalda]:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
soprano vocals [Carmen Ghia]:
Lorna Haywood (soprano) (in 1970)
spoken vocals [Milton Host]:
Will Jordan (character actor and comedian) (in 1970)
tenor vocals [houndentenor]:
Bernice (fictional Bernese Mountain Dog cast in P.D.Q. Bach’s “The Stoned Guest”) (in 1970)
whistling:
Peter Schickele (composer) (in 1970)
orchestra:
The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach) (in 1970)
conductor:
John Nelson (American conductor) (in 1970)
compilation of:
The Stoned Guest, Part 2: Recitative: “I hate to interrupt” by Marlene Kleinman (aka Marlena Kleinman Malas), John Ferrante (tenor), Lorna Haywood (soprano), Bernice (fictional Bernese Mountain Dog cast in P.D.Q. Bach’s “The Stoned Guest”), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 2: Quartet: “Don Octave” by Prof. Peter Schickele (composer), John Ferrante (tenor), Lorna Haywood (soprano), Marlene Kleinman (aka Marlena Kleinman Malas), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor), The Stoned Guest, Part 2: Finale: “O saviour” by Marlene Kleinman (aka Marlena Kleinman Malas), Lorna Haywood (soprano), John Ferrante (tenor), Bernice (fictional Bernese Mountain Dog cast in P.D.Q. Bach’s “The Stoned Guest”), Prof. Peter Schickele (composer), The Orchestra of the University of Southern North Dakota at Hoople Heavy Opera Company (fictitious orchestra, associated with P.D.Q. Bach), John Nelson (American conductor) and Announcement by Will Jordan (character actor and comedian)
recording of:
The Stoned Guest: Finale: “O saviour” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
recording of:
The Stoned Guest: Quartet: “Don Octave” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
recording of:
The Stoned Guest: Recitative: “I hate to interrupt” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
The Stoned Guest
P.D.Q. Bach8:24
B4Two Madrigals from The Triumphs of Thusnelda: “The Queen to me a royal pain doth give” / “My bonnie lass she smelleth”
recorded in:
U.S.A.
recording engineer and mixer:
Ed Friedner (engineer) (in 1970)
assistant producer:
Stephen Schmidt (engineer) (in 1970)
producer:
Seymour Solomon (producer and founder of Vanguard Records) (in 1970)
editor:
Jack Lothrop (in 1970) and Geoff Turner (engineer and producer) (in 1970)
alto vocals:
Marlena Kleinman (aka Marlena Kleinman Malas) (in 1970)
baritone vocals:
John Nelson (American conductor) (in 1970)
bass vocals:
Professor Schickele (composer) (in 1970)
soprano vocals:
Lorna Haywood (soprano) (in 1970)
spoken vocals [Milton Host]:
Will Jordan (character actor and comedian) (in 1970)
tenor vocals:
John Ferrante (tenor) (in 1970)
compilation of:
Two Madrigals from The Triumphs of Thusnelda: “The queen to me a royal pain doth give” by Lorna Haywood (soprano), Marlene Kleinman (aka Marlena Kleinman Malas), John Ferrante (tenor), John Nelson (American conductor), Peter Schickele (composer), Two Madrigals from The Triumphs of Thusnelda: “My bonnie lass she smelleth” by Lorna Haywood (soprano), Marlene Kleinman (aka Marlena Kleinman Malas), John Ferrante (tenor), John Nelson (American conductor), Peter Schickele (composer) and Final Announcement by Will Jordan (character actor and comedian)
recording of:
Two Madrigals from The Triumphs of Thusnelda, S. 1601: 1. “The queen to me a royal pain doth give” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
part of:
Two Madrigals from The Triumphs of Thusnelda, S. 1601
recording of:
Two Madrigals from The Triumphs of Thusnelda, S. 1601: 2. “My bonnie lass she smelleth” (in 1970)
lyricist and composer:
P.D.Q. Bach (fictional composer created by musical satirist Peter Schickele)
parody version of:
Balletts to Five Voices: My bonnie lass she smileth
part of:
Two Madrigals from The Triumphs of Thusnelda, S. 1601
P.D.Q. Bach6:25

Credits

Release

photography:Buck Hoeffler (American photographer based in Toronto, Canada since 1971) (in 1970)
liner notes:Peter Schickele (composer) (in 1970)
design:Jules Halfant (in 1970)
copyrighted (©) by:Vanguard Recording Society, Inc. (not for release label use, for company relationships use only) (in 1970)
Discogs:https://www.discogs.com/release/3153668 [info]
purchase for mail-order:http://www.schickele.com/shoppe/pdqrec/stoned.htm [info]

Release group

Discogs:https://www.discogs.com/master/881281 [info]
Wikidata:Q7766631 [info]