Délire des lyres: Chant au luth et à la viole

~ Release by Francisco Mañalich, Marco Horvat & Duo Faenza (see all versions of this release, 1 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1Apollon ! C'est toi que j'implore
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
recording of:
Apollon ! C'est toi que j'implore
François Campion6:18
2Music for a While
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
recording of:
Music for a While
lyricist:
John Dryden (English poet)
composer:
Henry Purcell (baroque composer)
Henry Purcell3:35
3Non voglio amare
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
recording of:
Non voglio amare
Carlo Milanuzzi2:18
4Prélude
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
recording of:
Prélude (Prélude de suite pour basse de viole seule.)
Jean Lacquemant1:20
5Viens, ma lyre
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
recording of:
Viens, ma lyre, par tes charmes (Parodie spirituelle d’un air d’André Campra)
composer:
André Campra (composer)
André Campra3:34
6Passacaglia della vita
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
[anonymous]2:44
7Prélude en arpègement
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
recording of:
Pièces de Viole: Livre V: Suite no. 1 in A minor: 16. Prélude en harpègement
composer:
Marin Marais (composer) (in 1725)
part of:
Pièces de Viole: Livre V: Suite no. 1 in A minor
Marin Marais2:28
8Chi vidde più lieto e felice di me
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
recording of:
Chi vidde piu lieto e felice di me (Oeuvre contenue dans le manuscrit Ms. Mus G 239 conservé à la Biblioteca Estense, à Modène en Italie.)
composer:
Bellerofonte Castaldi
Bellerofonte Castaldi3:20
9A New Ground
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
recording of:
A new ground, ZT. 682
composer:
Henry Purcell (baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: ZT. 682)
Henry Purcell2:45
10Lamento d'Apollo
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
recording of:
Gli amori d'Apollo e di Dafne: Lamento di Apollo
composer:
Francesco Cavalli (Baroque composer)
part of:
Gli amori d'Apollo e di Dafne
Francesco Cavalli4:47
11Si jamais je vais à la taverne
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
recording of:
Si jamais je vais à la taverne
Charles Hurel1:31
12Partite variate sopra quest'aria francese detta l'Alemana
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
recording of:
Partite variate sopra la folia aria Romanesca
composer:
Alessandro Piccinini
Alessandro Piccinini6:07
13Tempro la cetra
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
recording of:
Settimo libro de madrigali: Tempro la cetra, SV 117
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 117)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi4:42
14When to Her Lute Corinna Sings
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
recording of:
When to Her Lute Corrina Sings
writer:
Thomas Campion (English composer, poet & physician, 1567-1620) (in 1600)
composer:
William Faith (in 1994)
vocals arranger:
Monica Richards (in 1994)
Thomas Campion1:48
15Julia
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
recording of:
Julia
Henry Purcell1:51
16Rondeau moitié pincé et moitié coup d'archet
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
recording of:
Pièces de Viole: Livre II: 141. Rondeau moitie pincé et moité a coup d’archet
composer:
Marin Marais (composer)
part of:
Pièces de Viole: Livre II: Suite no. 8 in A major
Marin Marais2:53
17Depuis que j'aime Lisette
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
[anonymous]4:14
18Ut, re, mi, fa, sol, la
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
recording of:
Ut, re, mi, fa, sol, la
Carlo Milanuzzi2:23
19Passacaglia (Transcription de Arto Wikla et Marco Horvat)
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
recording of:
Passacaglia for solo lute
composer:
Heinrich Ignaz Franz von Biber (composer)
Heinrich Ignaz Franz von Biber7:14
20On n'entend rien dans ce bocage
recording engineer:
Cyrille Métivier (engineer)
archlute, lute and theorbo:
Marco Horvat (bass vocalist and luthenist)
baroque guitar:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
vielle and viola:
Francisco Mañalich
vocals:
Marco Horvat (bass vocalist and luthenist) and Francisco Mañalich
recorded at:
Eglise Anglicane Saint-Georges (Eglise Anglicane Paris) in Paris, Île-de-France, France
recording of:
On n'entend rien dans ce bocage
composer:
Sébastien Le Camus
part of:
Airs à deux et trois parties (Sébastien Le Camus, a theorbo and treble viol player at the French Court, was also a frequent performer in the salons of seventeenth-century Parisian society)
Sébastien Le Camus4:39