Going Back to My Roots: The Best of the Early Years

~ Release by Bob Marley & The Wailers (see all versions of this release, 1 available)

Annotation

There's some confusion around the nature of track 11 on CD2 here. Although the Disc ID seems to corroborate a 4:18 running time, this is twice the length of any other extent recording of Back Out.

This is combined with a) the packaging specifying a 2:10 running time, b) the absence of any recording of similar duration (cf. https://musicbrainz.org/work/d6fadafa-87ef-4b6d-81f2-70eadbe8ac39, and the meticulously researched—at least until 2010, well after this compilation was released—Compared Discography) and c) the presence of a disabled AcoustID for the track with matching metadata and a link to a recording with the current (shorter) length.

Annotation last modified on 2024-09-28 14:13 UTC.

Tracklist

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CD 1
#TitleRatingLength
1Soul Rebel
producer:
Arthur Jenkins (in 1968) and Johnny Nash (in 1968)
lead vocals:
Bob Marley (Jamaican reggae artist)
arranger:
Arthur Jenkins
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1968-09)
recording of:
Soul Rebel (in 1968-09)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Because Éditions, Blue Mountain Music, Cayman Music Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fifty Six Hope Road Music Limited, Jamrec Music, Odnil Music and Rondor Music (London) Ltd.
43:48
2Try Me
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer) (in 1970-08)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
lead vocals:
Bob Marley (Jamaican reggae artist)
publisher:
Trojan Records
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-08)
edit of:
Try Me (longer mix) by Bob Marley & The Wailers
recording of:
Try Me (in 1970-08)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
52:48
3It's Alright
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Lee “Scratch” Perry
bass:
Lloyd Parks (Jamaican bassist) (in 1970-11)
drums (drum set):
Carlton “Carly” Barrett (in 1970-11)
guitar:
Alva “Reggie” Lewis (in 1970-11) and Rannie “Bop” Williams (in 1970-11)
keyboard:
Glen Adams (in 1970-11)
percussion:
Uziah “Sticky” Thompson (in 1970-11)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-11)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-11) and Bunny Wailer (in 1970-11)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica
recording of:
It’s Alright (in 1970-11)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
52:36
4No Sympathy
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
lead vocals:
Peter Tosh
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica (in 1970-12)
edit of:
No Sympathy (longer mix) by Bob Marley & The Wailers
recording of:
No Sympathy (in 1970-12)
lyricist and composer:
Peter Tosh
publisher:
Jamrec Music and Rondor Music (London) Ltd.
2:17
5My Cup
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica
recording of:
My Cup (in 1970-08)
writer and arranger:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music and Rondor Music (London) Ltd.
arrangement of:
I Guess I'll Have to Cry, Cry, Cry
53:34
6Corner Stone
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica
recording of:
Corner Stone (in 1970-12)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
42:30
7No Water
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica
recording of:
No Water (in 1970-11)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
52:11
8There She Goes
producer:
Arthur Jenkins (in 1968) and Johnny Nash (in 1968)
lead vocals:
Bob Marley (Jamaican reggae artist)
arranger:
Arthur Jenkins
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1968-06)
recording of:
There She Goes (in 1968-06)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
52:34
9Mellow Mood
engineer:
Carlton Lee
producer:
Danny Sims, Arthur Jenkins (in 1968) and Johnny Nash (in 1968)
bass:
Jackie Jackson (reggae bassist) (in 1968-06)
drums (drum set):
Hugh Malcolm (Jamaican drummer) (in 1968-06)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1968-06)
percussion:
Denzil Laing (in 1968-06)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1968-06)
tenor vocals [harmony vocals]:
Rita Marley and Peter Tosh
arranger:
Arthur Jenkins
recorded at:
Wirl Studio in Kingston (Kingston Parish), Jamaica (in 1968-06)
recording of:
Mellow Mood (in 1968-06)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Irish Town Songs
52:34
10Treat You Right
producer:
Arthur Jenkins (in 1968) and Johnny Nash (in 1968)
lead vocals:
Bunny Wailer
arranger:
Arthur Jenkins
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica
recording of:
Treat You Right
writer:
Jimmy Norman and Al Pyfrom
2:12
11Chances Are
recording of:
Chances Are (in 1968-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
3:19
12Hammer
engineer:
Carlton Lee
producer:
Danny Sims
bass:
Jackie Jackson (reggae bassist) (in 1968-06)
drums (drum set):
Hugh Malcolm (Jamaican drummer) (in 1968-06)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1968-06)
tenor vocals [harmony vocals]:
Rita Marley (in 1968-06) and Peter Tosh (in 1968-06)
recorded at:
Wirl Studio in Kingston (Kingston Parish), Jamaica (in 1968-06)
recording of:
Hammer (in 1968-06)
writer:
Bob Marley (Jamaican reggae artist)
42:54
13Touch Me
producer:
Arthur Jenkins (in 1968) and Johnny Nash (in 1968)
lead vocals:
Bob Marley (Jamaican reggae artist)
arranger:
Arthur Jenkins
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica
recording of:
Touch Me (in 1968)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
3:08
14How Many Times
edit of:
How Many Times (1968 re-recording) by The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
recording of:
How Many Times (Bob Marley song) (in 1968-06)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
EMI April Music Inc. and Shakat Music Publishing
2:25
15Caution
engineer:
Carlton Lee
producer:
Leslie Kong
bass:
Jackie Jackson (reggae bassist) (in 1970-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (in 1970-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1970-05), Alva “Reggie” Lewis (in 1970-05) and Peter Tosh (in 1970-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1970-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (in 1970-05)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-05)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-05) and Bunny Wailer (in 1970-05)
publisher:
Trojan Records
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-05)
recording of:
Caution (in 1970-05)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc
52:46
16Mr. Brown
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Lee “Scratch” Perry
publisher:
Trojan Records
recorded at:
Studio 17 in Jamaica
recording of:
Mr. Brown (in 1971-01)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Rondor Music (London) Ltd.
43:30
CD 2
#TitleRatingLength
1Duppy Conqueror
performer:
The Upsetters (Lee Perry's reggae house band)
recording of:
Duppy Conqueror (in 1970-09)
writer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
publisher:
Bronjo Music, Cayman Music Inc and Rondor Music (London) Ltd.
3:30
2Small Axe
edit of:
Small Axe (1970 studio session) by Bob Marley & The Wailers
recording of:
Small Axe (in 1970-09)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Fifty Six Hope Road
4.63:45
3Rebel's Hop
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
bass:
Lloyd Parks (Jamaican bassist) (in 1970-12)
drums (drum set):
Carlton “Carly” Barrett (in 1970-12)
guitar:
Alva “Reggie” Lewis (in 1970-12), Peter Tosh (in 1970-12) and Rannie “Bop” Williams (in 1970-12)
keyboard:
Glen Adams (in 1970-12)
percussion:
Uziah “Sticky” Thompson (in 1970-12)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-12)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-12) and Bunny Wailer (in 1970-12)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica (in 1970-12)
recording of:
Rebel’s Hop (in 1970-12)
writer:
Bob Marley (Jamaican reggae artist), Curtis Mayfield, Barrett Strong and Norman Whitfield
publisher:
Jamrec Music and Rondor Music (London) Ltd.
medley of:
Keep On Moving
medley of:
Rude Boy
medley of:
Cloud Nine
2:40
4Soul Almighty
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica (in 1970-12)
recording of:
Soul Almighty (in 1970-12)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
2:41
5Kaya
edit of:
Kaya (1971 studio session) by Bob Marley & The Wailers
recording of:
Kaya (Lee “Scratch” Perry song) (in 1971-01)
lyricist and composer:
Lee “Scratch” Perry
publisher:
Bronjo Music and New Town Sound Ltd.
2:32
6Trench Town Rock
producer:
Bob Marley (Jamaican reggae artist)
publisher:
Trojan Records
edit of:
Trench Town Rock by The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
recording of:
Trenchtown Rock (in 1971-07)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc
4.23:00
7All in One
producer:
Lee “Scratch” Perry
lead vocals:
Bob Marley (Jamaican reggae artist)
publisher:
Trojan Records
recording of:
All in One (in 1971-01)
writer:
Al Anderson (Bob Marley & The Wailers guitarist), Junior Braithwaite, Bob Marley (Jamaican reggae artist), Lee “Scratch” Perry and Bunny Wailer
publisher:
Cayman Music Inc
medley of:
One Love / People Get Ready
medley of:
Simmer Down
medley of:
It Hurts to Be Alone
medley of:
Lonesome Feeling
medley of:
Love & Affection
medley of:
Duppy Conqueror
medley of:
Put It On
medley of:
Bend Down Low
medley of:
Nice Time
3:35
8400 Years
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
bass:
Lloyd Parks (Jamaican bassist) (in 1970-11)
drums (drum set):
Carlton “Carly” Barrett (in 1970-11)
guitar:
Alva “Reggie” Lewis (in 1970-11) and Ranford “Rannie Bop” Williams (in 1970-11)
keyboard:
Glen Adams (in 1970-11)
percussion:
Uziah “Sticky” Thompson (in 1970-11)
lead vocals:
Peter Tosh (in 1970-11)
tenor vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1970-11) and Bunny Wailer (in 1970-11)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica (in 1970-11)
recording of:
Four Hundred Years (in 1970-11)
writer:
Lee “Scratch” Perry and Peter Tosh
publisher:
Jamrec Music and Rondor Music (London) Ltd.
2:34
9Lively Up Yourself
recording of:
Lively Up Yourself
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Odnil Music Ltd. (from 1974 to present), Blue Mountain Music (in 1974) and Fifty Six Hope Road Music Limited (in 1974)
2:53
10Soul Captive
engineer:
Carlton Lee
producer:
Leslie Kong (in 1970-05)
bass:
Jackie Jackson (reggae bassist) (in 1970-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (in 1970-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1970-05) and Peter Tosh (in 1970-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1970-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (in 1970-05)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1970-05)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-05) and Bunny Wailer (in 1970-05)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-05)
recording of:
Soul Captives (in 1970-05)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Fifty Six Hope Road Music Limited and Primary Wave/Blue Mountain
52:05
11Back Out
recording of:
Back Out
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Fifty Six Hope Road Music Limited and Primary Wave/Blue Mountain
4:18
12Soon Come
engineer:
Carlton Lee
producer:
Leslie Kong
additional lead vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) and Bunny Wailer
lead vocals:
Peter Tosh
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-05)
recording of:
Soon Come (in 1970-05)
3.82:22
13Riding High
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
lead vocals:
Bunny Wailer (in 1971-02)
recorded at:
Studio 17 in Jamaica (in 1971-02)
recording of:
Riding High (in 1971-02)
lyricist and composer:
Lee “Scratch” Perry
publisher:
Bronjo Music
42:49
14You Can't Do That to Me
recording of:
The World is Changing (in 1968)
writer:
Bob Marley (Jamaican reggae artist), Jimmy Norman and Al Pyfrom
2:51
15Soul Shakedown Party
engineer:
Carlton Lee
producer:
Leslie Kong
bass:
Jackie Jackson (reggae bassist) (on 1970-05-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (on 1970-05-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (on 1970-05-05) and Peter Tosh (on 1970-05-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (on 1970-05-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (on 1970-05-05)
lead vocals:
Bob Marley (Jamaican reggae artist) (on 1970-05-05)
tenor vocals [harmony vocals]:
Peter Tosh (on 1970-05-05) and Bunny Wailer (on 1970-05-05)
publisher:
Trojan Records
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (on 1970-05-05)
recording of:
Soul Shakedown Party (on 1970-05-05)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Fifty Six Hope Road Music Limited and Odnil Music
3.83:10
16Do It Twice
recording of:
Do It Twice
writer:
Bob Marley (Jamaican reggae artist)
2:46
CD 3
#TitleRatingLength
1Stop the Train
engineer:
Carlton Lee
producer:
Leslie Kong
recording of:
Stop That Train (on 1970-05-05)
lyricist, writer and composer:
Peter Tosh
publisher:
Axum Zion Music Limited, B & C Music Publishing Ltd., Blue Mountain Music Ltd, Iron Zion Music Limited, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Watanabe Music Publishing Co., Ltd. (Japanese publisher, 1962–present), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:22
2Natural Mystic
recording of:
Natural Mystic (in 1975)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
3.85:44
3Keep on Movin'
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
bass:
Aston “Family Man” Barrett (in 1971-02)
drums (drum set):
Carlton “Carly” Barrett (in 1971-02)
guitar:
Alva “Reggie” Lewis (in 1971-02) and Rannie “Bop” Williams (in 1971-02)
keyboard:
Glen Adams (in 1971-02)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1971-02)
tenor vocals [harmony vocals]:
Peter Tosh (in 1971-02) and Bunny Wailer (in 1971-02)
publisher:
Trojan Records
recorded at:
Studio 17 in Jamaica (in 1971-02)
recording of:
Keep On Moving (in 1971-02)
lyricist and composer:
Lee “Scratch” Perry
publisher:
Bronjo Music and Cayman Music Inc
is based on:
I Gotta Keep On Movin’
3:06
4Stand Alone
recording of:
Stand Alone
lyricist and composer:
Lee “Scratch” Perry
publisher:
Bronjo Music
2:11
5Rainbow Country
recording of:
Rainbow Country (in 1975)
writer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
publisher:
Blue Mountain Music Ltd.
55:48
6Reaction
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Clement “Coxsone” Dodd, Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
bass:
Lloyd Parks (Jamaican bassist) (in 1970-11)
drums (drum set):
Carlton “Carly” Barrett (in 1970-11)
guitar:
Alva “Reggie” Lewis (in 1970-11) and Rannie “Bop” Williams (in 1970-11)
keyboard:
Glen Adams (in 1970-11)
percussion:
Uziah “Sticky” Thompson (in 1970-11)
lead vocals:
Bob Marley (Jamaican reggae artist)
tenor vocals [harmony vocals]:
Peter Tosh (in 1970-11) and Bunny Wailer (in 1970-11)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1970)
recorded at:
Studio 17 in Jamaica (in 1970-11)
recording of:
Reaction (in 1970-11)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Jamrec Music and Rondor Music (London) Ltd.
3.82:45
7Go Tell It on the Mountain
engineer:
Carlton Lee
producer:
Leslie Kong
bass:
Jackie Jackson (reggae bassist) (in 1970-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (in 1970-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1970-05) and Peter Tosh (in 1970-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1970-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (in 1970-05)
lead vocals:
Peter Tosh (in 1970-05)
tenor vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1970-05) and Bunny Wailer (in 1970-05)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-05)
recording of:
Go, Tell It on the Mountain (catch-all for arrangements) (in 1970-05)
lyricist and composer:
[traditional] (special purpose artist)
arrangement of:
Go, Tell It on the Mountain
3.53:16
8Can't You See
engineer:
Carlton Lee
producer:
Leslie Kong
bass:
Jackie Jackson (reggae bassist) (in 1970-05)
drums (drum set):
Paul Douglas (JM reggae percussionist) (in 1970-05)
guitar:
Hux Brown (JM ska, rocksteady, reggae guitarist) (in 1970-05) and Peter Tosh (in 1970-05)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1970-05)
piano:
Gladstone Anderson (Jamaican keyboardist, aka "Gladdy") (in 1970-05)
additional tenor vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1970-05) and Bunny Wailer (in 1970-05)
lead vocals:
Peter Tosh
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1970-05)
recording of:
Can’t You See (in 1970-05)
lyricist and composer:
Peter Macintosh
writer:
Peter Tosh
2:46
9Cheer Up
engineer:
Carlton Lee
producer:
Leslie Kong
publisher:
Trojan Records
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (on 1970-05-19)
recording of:
Cheer Up (on 1970-05-19)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc
3.852:05
10Don't Rock My Boat
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
publisher:
Trojan Records
recorded at:
Studio 17 in Jamaica
recording of:
Don’t Rock the Boat (in 1971-03)
lyricist and composer:
Lee “Scratch” Perry
publisher:
Bronjo Music and Cayman Music Inc
4.54:32
11Put It On
recording of:
Put It On
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bronjo Music
3:09
12Fussin' and Fightin'
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
lead vocals:
Bob Marley (Jamaican reggae artist)
recorded at:
Studio 17 in Jamaica
recording of:
Fussing and Fighting (in 1971-01)
lyricist and composer:
Lee “Scratch” Perry
publisher:
Bronjo Music
42:29
13Memphis
edit of:
Duppy Conqueror (version 4) by Bob Marley & The Wailers
recording of:
Duppy Conqueror (in 1970-09)
writer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
publisher:
Bronjo Music, Cayman Music Inc and Rondor Music (London) Ltd.
2:58
14African Herbsman
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
bass:
Aston “Family Man” Barrett (in 1971-02)
drums (drum set):
Carlton “Carly” Barrett (in 1971-02)
guitar:
Alva “Reggie” Lewis (in 1971-02)
keyboard:
Glen Adams (in 1971-02)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1971-02)
tenor vocals [harmony vocals]:
Peter Tosh (in 1971-02) and Bunny Wailer (in 1971-02)
recorded at:
Studio 17 in Jamaica (in 1971-02)
recording of:
African Herbsman (in 1971-02)
additional lyricist:
Bob Marley (Jamaican reggae artist)
lyricist and composer:
Richie Havens, Joe Price (Richie Havens collaborator) and Mark Roth
publisher:
Bronjo Music and Cayman Music Inc
version of:
Indian Rope Man
42:24
15Sun Is Shining
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
bass:
Aston “Family Man” Barrett (in 1971-03)
drums (drum set):
Carlton “Carly” Barrett (in 1971-03)
guitar:
Alva “Reggie” Lewis (in 1971-03) and Rannie “Bop” Williams (in 1971-03)
melodica:
Peter Tosh (in 1971-03)
organ:
Tyrone Downie (in 1971-03)
percussion:
Uziah “Sticky” Thompson (in 1971-03)
repeater:
Bunny Wailer (in 1971-03)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1971-03)
tenor vocals [harmony vocals]:
Peter Tosh (in 1971-03) and Bunny Wailer (in 1971-03)
recorded at:
Studio 17 in Jamaica
recording of:
Sun Is Shining (original version) (in 1971-03)
lyricist and composer:
Lee “Scratch” Perry
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Bob Marley Music and Bronjo Music
4.52:12
16Brain Washing
recording engineer:
Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry
lead vocals:
Bob Marley (Jamaican reggae artist)
recorded at:
Studio 17 in Jamaica (in 1971-02)
recording of:
Brain Washing (in 1971-02)
lyricist and composer:
Lee “Scratch” Perry
publisher:
Bronjo Music
42:38
CD 4
#TitleRatingLength
1Bob Marley Interview
36:07