The Ultimate Lady Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Don’t Know Why
assistant engineer:
Mark Birkey
engineer:
Jay Newland
additional producer:
Arif Mardin
producer:
Norah Jones and Jay Newland
mixer:
Arif Mardin and Jay Newland
acoustic guitar and electric guitar:
Jesse Harris
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Dan Rieser
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Don’t Know Why (in 2000-10)
lyricist and composer:
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Norah Jones3.43:06
2You Don’t Know What Love Is
recording engineer:
Jamie Staub
assistant engineer:
Peter Beekerman, Dinji Brown, Bil Emmons, Joe Hogan, Fred Kevorkian and Julio Peralta
producer:
Craig Street
mixer:
Danny Kopelson
editor:
Fred Kevorkian
guitar:
Brandon Ross (from 1993-03 until 1993-07)
violin:
Charles Burnham (violinist) (from 1993-03 until 1993-07)
lead vocals:
Cassandra Wilson (from 1993-03 until 1993-07)
arranger:
Brandon Ross
recorded at:
Greene St. Recording in SoHo, New York, New York, United States (from 1993-03 until 1993-07)
edited at:
Sear Sound in New York, New York, United States
cover recording of:
You Don’t Know What Love Is (from 1993-03 until 1993-07)
lyricist and composer:
Gene de Paul and Don Raye
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Cassandra Wilson6:05
3Watermelon Man
Dee Dee Bridgewater3:03
4Teach Me Tonight
China Moses4:48
5Smile
Dianne Reeves4:10
6What a Wonderful World
cover recording of:
What a Wonderful World
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Memory Lane Music (publishing company), Quartet Music Inc. and Range Road Music Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Stacey Kent4:26
7Cry (If You Want to)
recording of:
Cry (If You Want to)
lyricist and composer:
Casey Scott
Holly Cole2:36
8I Do Care
Viktoria Tolstoy3:34
9Do for Love
Sabrina Starke3:31
10Spinning Wheel
Cæcilie Norby5:07
11Everything Has Changed (Imaani’s Song)
recording of:
Everything Has Changed (Imaani's Song)
lyricist:
Trijntje Oosterhuis and Sandra St. Victor
composer:
Tjeerd Oosterhuis and Trijntje Oosterhuis
Trijntje Oosterhuis3:22
12Easy Come, Easy Go (radio mix)
Rebecka Törnqvist4:30
13Empty Bed Blues
Jacinta4:09
14Don’t Waste Your Time (live)
Rachelle Ferrell5:06
15Agua de Beber
Tania Maria5:32
16The Girl From Ipanema
Eliane Elias5:20
17I Get a Kick Out of You
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Patricia Barber4:29
18Le Sourire de Mon Amour
Denise Jannah4:37
▼ CD 2
#TitleArtistRatingLength
1I Wish You Well
engineer:
Hank Cicalo
bass:
Chuck Berghofer (Jazz bassist) (from 1976-05-03 until 1976-05-12)
drums (drum set):
Harvey Mason (jazz drummer) (from 1976-05-03 until 1976-05-12)
keyboard:
Joe Sample (from 1976-05-03 until 1976-05-12)
percussion:
Larry Bunker (from 1976-05-03 until 1976-05-12)
saxophone:
Pete Christlieb (from 1976-05-03 until 1976-05-12), Don Menza (from 1976-05-03 until 1976-05-12), Jack Nimitz (American saxophonist and clarinet player) (from 1976-05-03 until 1976-05-12), Jerome Richardson (from 1976-05-03 until 1976-05-12) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (from 1976-05-03 until 1976-05-12)
trombone:
George Bohanon (from 1976-05-03 until 1976-05-12), Grover Mitchell (trombone) (from 1976-05-03 until 1976-05-12), Maurice Spears (from 1976-05-03 until 1976-05-12) and Ernie Tack (from 1976-05-03 until 1976-05-12)
trumpet:
Oscar Brashear (from 1976-05-03 until 1976-05-12), Blue Mitchell (American trumpet player) (from 1976-05-03 until 1976-05-12), Bobby Shew (from 1976-05-03 until 1976-05-12) and Snooky Young (from 1976-05-03 until 1976-05-12)
vocals:
Carmen McRae (from 1976-05-03 until 1976-05-12)
arranger:
Thad Jones
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (from 1976-05-03 until 1976-05-12)
cover recording of:
I Wish You Well (from 1976-05-03 until 1976-05-12)
lyricist and composer:
Bill Withers
Carmen McRae3:17
2Feel Like Making Love
assistant engineer:
Michael Bronstein
engineer:
Phil Shier
producer:
Benard Ighner
mixer:
Joan DeCola
vocals:
Marlena Shaw
cover recording of:
Feel Like Makin’ Love
lyricist and composer:
Eugene McDaniels
publisher:
Skyforest Music Co., Inc. and 日音 Synch事業部 (NICHION, INC. Synch Division)
Marlena Shaw5:01
3Love for Sale
Eartha Kitt3:06
4Havin’ Myself a Time
cover recording of:
Havin’ Myself a Time (in 1993)
writer:
Ralph Rainger and Leo Robin (US composer, lyricist & songwriter)
Lena Horne2:58
5Cry Me a River
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Cry Me a River
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London52:53
6After You’ve Gone
alto saxophone:
Bill Green (woodwind) (on 1962-08-15) and Paul Horn (on 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (on 1962-08-15)
bass:
Joe Comfort (on 1962-08-15)
bass trombone:
George Roberts (american bass trombone) (on 1962-08-15)
drums (drum set):
Earl Palmer (on 1962-08-15)
guitar:
Ulysses Livingston (on 1962-08-15)
piano:
Jimmy Rowles (on 1962-08-15)
tenor saxophone:
Buddy Collette (on 1962-08-15) and Plas Johnson (on 1962-08-15)
trombone:
Lou Blackburn (on 1962-08-15), Ed Kusby (on 1962-08-15) and Tommy Shepard (trombonist) (on 1962-08-15)
trumpet:
Don Fagerquist (on 1962-08-15), Carmell Jones (on 1962-08-15), Al Porcino (on 1962-08-15) and Shorty Sherock (on 1962-08-15)
tuba:
Red Callender (on 1962-08-15)
vocals:
Sarah Vaughan (on 1962-08-15)
conductor:
Benny Carter (on 1962-08-15)
arranger:
Benny Carter
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1962-08-15)
cover recording of:
After You’ve Gone (on 1962-08-15)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
Sarah Vaughan2:39
7Skyliner
producer:
Bill Miller (US producer at Capitol Records)
alto saxophone:
Bud Shank (on 1962-11-19)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1962-11-19)
bass:
Joe Mondragon (on 1962-11-19)
bass trombone:
Ken Shroyer (trombonist) (on 1962-11-19)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1962-11-19)
piano:
Jimmy Rowles (on 1962-11-19)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1962-11-19) and Bill Perkins (jazz saxophonist) (on 1962-11-19)
trombone:
John Halliburton (on 1962-11-19), Lew McCreary (on 1962-11-19) and Dick Nash (on 1962-11-19)
trumpet:
Conte Candoli (on 1962-11-19), Lee Katzman (on 1962-11-19), Al Porcino (on 1962-11-19) and Ray Triscari (on 1962-11-19)
remixer:
Ron McMaster (US mastering & cutting engineer)
arranger:
Bill Holman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1962-11-19)
June Christy3:01
8What a Little Moonlight Can Do
cover recording of:
What a Little Moonlight Can Do
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) and Warner Brothers Music Inc.
Nancy Wilson2:24
9It Don’t Mean a Thing (If It Ain’t Got That Swing)
Annie Ross with Gerry Mulligan Quartet2:10
10Anything Goes
vocals:
Dakota Staton (from 1958-02-02 until 1958-02-09)
conductor:
Sid Feller (from 1958-02-02 until 1958-02-09)
arranger:
Sid Feller
recorded at:
Capitol Studios (New York City) in New York, New York, United States (from 1958-02-02 until 1958-02-09)
cover recording of:
Anything Goes (from 1958-02-02 until 1958-02-09)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
part of:
Anything Goes
Dakota Staton2:28
11Fine Brown Frame
Thad Jones and Mel Lewis feat. Ruth Brown3:13
12All of Me
Carol Sloane3:59
13Jazz in My Soul
Dodo Greene2:37
14Hum Drum Blues
recording of:
Hum-Drum Blues
composer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Sheila Jordan2:13
15This Can’t Be Love
engineer:
John Kraus (1950s US engineer)
producer:
Russell Keith
cover recording of:
This Can’t Be Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.)
Abbey Lincoln2:22
16On Green Dolphin Street (medley)
cover recording of:
On Green Dolphin Street
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist, Inc. and Patti Washington Music
Ella Fitzgerald7:04
17What Is This Thing Called Love?
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Keely Smith1:52
18Children Go Where I Send You
recording engineer:
Rudy van Gelder (in 1959-04)
producer:
Hecky Krasnow
piano and lead vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (in 1959-04)
cover recording of:
Children Go Where I Send Thee (in 1959-04)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 133)
Nina Simone42:52
19On a Slow Boat to China
recording of:
On a Slow Boat to China
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Kay Starr1:52
20Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Frances Faye2:11
21Quiet Nights of Quiet Stars (Corcovado)
engineer:
John Kraus (1950s US engineer) and Joe Polito (Engineer)
producer:
Dave Cavanaugh and Michael Cuscuna
vocals:
Blossom Dearie (from 1964-02-13 until 1964-02-15)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (from 1964-02-13 until 1964-02-15)
arranger:
Jack Marshall (US jazz guitarist, composer, arranger & record producer)
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (from 1964-02-13 until 1964-02-15)
Blossom Dearie2:52
22Someday My Prince Will Come
Ernestine Anderson3:46
23Red Sails in the Sunset
vocals:
Dinah Washington
cover recording of:
Red Sails in the Sunset
lyricist:
James B. Kennedy (Irish songwriter)
composer:
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
Dinah Washington2:32
24Detour Ahead
guitar:
Tiny Grimes (US jazz/R&B guitarist) (on 1951-04-29)
piano:
Bobby Tucker (on 1951-04-29)
saxophone:
Haywood Henry (US jazz saxophonist) (on 1951-04-29)
vocals:
Billie Holiday (on 1951-04-29)
recording of:
Detour Ahead (on 1951-04-29)
composer:
Lou Carter (in 1947), Herb Ellis (jazz guitarist) (in 1947) and Johnny Frigo (US jazz musician) (in 1947)
publisher:
Woodrow Music
Billie Holiday3:03
25My Favourite Things
recording engineer:
Bill Schwartau (in 1964-04)
producer:
Alan Douglas (American record producer)
double bass [bass]:
Bob Cranshaw (in 1964-04)
drums (drum set):
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1964-04)
piano:
Harold Mabern (American jazz pianist) (in 1964-04)
vocals:
Betty Carter (in 1964-04)
recorded at:
Sound Makers in New York, New York, United States (in 1964-04)
recording of:
My Favorite Things (The Sound of Music) (in 1964-04)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
Betty Carter1:36
26The Beat Goes On (live)
live recording of:
The Beat Goes On (arr. Rogers - Buddy Rich version)
writer:
Sonny Bono
arranger:
Shorty Rogers (trumpet)
arrangement of:
The Beat Goes On
The Buddy Rich Big Band5:36