The Ultimate Lady Jazz

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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CD 1
Nr.TitelKünstlerBewertungLänge
1Don’t Know Why
assistierende(r) Techniker(in):
Mark Birkey
Techniker(in):
Jay Newland
Produzent(in):
Norah Jones und Jay Newland
zusätzliche(r) Produzent(in):
Arif Mardin
Mix:
Arif Mardin und Jay Newland
Akustikgitarre und E-Gitarre:
Jesse Harris
Bassgitarre:
Lee Alexander (US bassist, songwriter & producer)
Klavier und Sologesang:
Norah Jones
Schlagzeug:
Dan Rieser
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
aufgenommen bei:
Allaire Studios in Bearsville, New York, Vereinigte Staaten und Sorcerer Sound in New York, New York, Vereinigte Staaten
mixed at:
Sear Sound in New York, New York, Vereinigte Staaten
cover recording of:
Don’t Know Why (in 2000-10)
Texter und Komponist(in):
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Norah Jones3.43:06
2You Don’t Know What Love Is
recording engineer:
Jamie Staub
assistierende(r) Techniker(in):
Peter Beekerman, Dinji Brown, Bil Emmons, Joe Hogan, Fred Kevorkian und Julio Peralta
Produzent(in):
Craig Street
Mix:
Danny Kopelson
Editing:
Fred Kevorkian
Geige / Violine:
Charles Burnham (violinist) (von 1993-03 bis 1993-07)
Gitarre:
Brandon Ross (von 1993-03 bis 1993-07)
Sologesang:
Cassandra Wilson (von 1993-03 bis 1993-07)
arranger:
Brandon Ross
aufgenommen bei:
Greene St. Recording in SoHo, New York, New York, Vereinigte Staaten (von 1993-03 bis 1993-07)
edited at:
Sear Sound in New York, New York, Vereinigte Staaten
cover recording of:
You Don’t Know What Love Is (von 1993-03 bis 1993-07)
Texter und Komponist(in):
Gene de Paul und Don Raye
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Cassandra Wilson6:05
3Watermelon Man
Dee Dee Bridgewater3:03
4Teach Me Tonight
China Moses4:48
5Smile
Dianne Reeves4:10
6What a Wonderful World
cover recording of:
What a Wonderful World
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Memory Lane Music (publishing company), Quartet Music Inc. und Range Road Music Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Stacey Kent4:26
7Cry (If You Want to)
recording of:
Cry (If You Want to)
Texter und Komponist(in):
Casey Scott
Holly Cole2:36
8I Do Care
Viktoria Tolstoy3:34
9Do for Love
Sabrina Starke3:31
10Spinning Wheel
Cæcilie Norby5:07
11Everything Has Changed (Imaani’s Song)Trijntje Oosterhuis3:22
12Easy Come, Easy Go (radio mix)
Rebecka Törnqvist4:30
13Empty Bed Blues
Jacinta4:09
14Don’t Waste Your Time (live)
Rachelle Ferrell5:06
15Agua de Beber
Tania Maria5:32
16The Girl From Ipanema
Eliane Elias5:20
17I Get a Kick Out of You
recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Patricia Barber4:29
18Le Sourire de Mon Amour
Denise Jannah4:37
CD 2
Nr.TitelKünstlerBewertungLänge
1I Wish You Well
Techniker(in):
Hank Cicalo
Bass:
Chuck Berghofer (Jazz bassist) (von 1976-05-03 bis 1976-05-12)
Keyboard:
Joe Sample (von 1976-05-03 bis 1976-05-12)
Perkussion:
Larry Bunker (von 1976-05-03 bis 1976-05-12)
Posaune:
George Bohanon (von 1976-05-03 bis 1976-05-12), Grover Mitchell (trombone) (von 1976-05-03 bis 1976-05-12), Maurice Spears (von 1976-05-03 bis 1976-05-12) und Ernie Tack (von 1976-05-03 bis 1976-05-12)
Saxophon:
Pete Christlieb (von 1976-05-03 bis 1976-05-12), Don Menza (von 1976-05-03 bis 1976-05-12), Jack Nimitz (American saxophonist and clarinet player) (von 1976-05-03 bis 1976-05-12), Jerome Richardson (von 1976-05-03 bis 1976-05-12) und Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (von 1976-05-03 bis 1976-05-12)
Schlagzeug:
Harvey Mason (jazz drummer) (von 1976-05-03 bis 1976-05-12)
Trompete:
Oscar Brashear (von 1976-05-03 bis 1976-05-12), Blue Mitchell (American trumpet player) (von 1976-05-03 bis 1976-05-12), Bobby Shew (von 1976-05-03 bis 1976-05-12) und Snooky Young (von 1976-05-03 bis 1976-05-12)
vocals:
Carmen McRae (von 1976-05-03 bis 1976-05-12)
arranger:
Thad Jones
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1976-05-03 bis 1976-05-12)
cover recording of:
I Wish You Well (von 1976-05-03 bis 1976-05-12)
Texter und Komponist(in):
Bill Withers
Carmen McRae3:17
2Feel Like Making Love
assistierende(r) Techniker(in):
Michael Bronstein
Techniker(in):
Phil Shier
Produzent(in):
Benard Ighner
Mix:
Joan DeCola
vocals:
Marlena Shaw
cover recording of:
Feel Like Makin’ Love
Texter und Komponist(in):
Eugene McDaniels
publisher:
Skyforest Music Co., Inc. und 日音 Synch事業部 (NICHION, INC. Synch Division)
Marlena Shaw5:01
3Love for Sale
Eartha Kitt3:06
4Havin’ Myself a Time
cover recording of:
Havin’ Myself a Time (in 1993)
Verfasser(in):
Ralph Rainger und Leo Robin (US composer, lyricist & songwriter)
Lena Horne2:58
5Cry Me a River
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Cry Me a River
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London52:53
6After You’ve Gone
alto saxophone:
Bill Green (woodwind) (am 1962-08-15) und Paul Horn (am 1962-08-15)
baritone saxophone:
Bill Hood (Jazz multi-instrumentalist) (am 1962-08-15)
Bass:
Joe Comfort (am 1962-08-15)
Bassposaune:
George Roberts (american bass trombone) (am 1962-08-15)
Gitarre:
Ulysses Livingston (am 1962-08-15)
Klavier:
Jimmy Rowles (am 1962-08-15)
Posaune:
Lou Blackburn (am 1962-08-15), Ed Kusby (am 1962-08-15) und Tommy Shepard (trombonist) (am 1962-08-15)
Schlagzeug:
Earl Palmer (am 1962-08-15)
Tenorsaxophon:
Buddy Collette (am 1962-08-15) und Plas Johnson (am 1962-08-15)
Trompete:
Don Fagerquist (am 1962-08-15), Carmell Jones (am 1962-08-15), Al Porcino (am 1962-08-15) und Shorty Sherock (am 1962-08-15)
Tuba:
Red Callender (am 1962-08-15)
vocals:
Sarah Vaughan (am 1962-08-15)
conductor:
Benny Carter (am 1962-08-15)
arranger:
Benny Carter
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-08-15)
cover recording of:
After You’ve Gone (am 1962-08-15)
Texter:
Henry Creamer (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
Sarah Vaughan2:39
7Skyliner
Produzent(in):
Bill Miller (US producer at Capitol Records)
alto saxophone:
Bud Shank (am 1962-11-19)
baritone saxophone:
Jack Nimitz (American saxophonist and clarinet player) (am 1962-11-19)
Bass:
Joe Mondragon (am 1962-11-19)
Bassposaune:
Ken Shroyer (trombonist) (am 1962-11-19)
Klavier:
Jimmy Rowles (am 1962-11-19)
Posaune:
John Halliburton (am 1962-11-19), Lew McCreary (am 1962-11-19) und Dick Nash (am 1962-11-19)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1962-11-19)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1962-11-19) und Bill Perkins (jazz saxophonist) (am 1962-11-19)
Trompete:
Conte Candoli (am 1962-11-19), Lee Katzman (am 1962-11-19), Al Porcino (am 1962-11-19) und Ray Triscari (am 1962-11-19)
remixer:
Ron McMaster (US mastering & cutting engineer)
arranger:
Bill Holman
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-11-19)
June Christy3:01
8What a Little Moonlight Can Do
cover recording of:
What a Little Moonlight Can Do
Texter und Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) und Warner Brothers Music Inc.
Nancy Wilson2:24
9It Don’t Mean a Thing (If It Ain’t Got That Swing)
Annie Ross with Gerry Mulligan Quartet2:10
10Anything Goes
vocals:
Dakota Staton (von 1958-02-02 bis 1958-02-09)
conductor:
Sid Feller (von 1958-02-02 bis 1958-02-09)
arranger:
Sid Feller
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (von 1958-02-02 bis 1958-02-09)
cover recording of:
Anything Goes (von 1958-02-02 bis 1958-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
Teil von:
Anything Goes
Dakota Staton2:28
11Fine Brown Frame
Thad Jones and Mel Lewis feat. Ruth Brown3:13
12All of Me
Carol Sloane3:59
13Jazz in My Soul
Dodo Greene2:37
14Hum Drum Blues
recording of:
Hum-Drum Blues
Komponist(in):
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Sheila Jordan2:13
15This Can’t Be Love
Techniker(in):
John Kraus (1950s US engineer)
Produzent(in):
Russell Keith
cover recording of:
This Can’t Be Love
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.)
Abbey Lincoln2:22
16On Green Dolphin Street (medley)
cover recording of:
On Green Dolphin Street
Texter:
Ned Washington (in 1947)
Komponist(in):
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist, Inc. und Patti Washington Music
Ella Fitzgerald7:04
17What Is This Thing Called Love?
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
Keely Smith1:52
18Children Go Where I Send You
recording engineer:
Rudy van Gelder (in 1959-04)
Produzent(in):
Hecky Krasnow
Klavier und Sologesang:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959-04)
cover recording of:
Children Go Where I Send Thee (in 1959-04)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 133)
Nina Simone42:52
19On a Slow Boat to China
recording of:
On a Slow Boat to China
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Kay Starr1:52
20Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Frances Faye2:11
21Quiet Nights of Quiet Stars (Corcovado)
Techniker(in):
John Kraus (1950s US engineer) und Joe Polito (Engineer)
Produzent(in):
Dave Cavanaugh und Michael Cuscuna
vocals:
Blossom Dearie (von 1964-02-13 bis 1964-02-15)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (von 1964-02-13 bis 1964-02-15)
arranger:
Jack Marshall (US jazz guitarist, composer, arranger & record producer)
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1964-02-13 bis 1964-02-15)
Blossom Dearie2:52
22Someday My Prince Will Come
Ernestine Anderson3:46
23Red Sails in the Sunset
vocals:
Dinah Washington
cover recording of:
Red Sails in the Sunset
Texter:
James B. Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
Dinah Washington2:32
24Detour Ahead
Gitarre:
Tiny Grimes (US jazz/R&B guitarist) (am 1951-04-29)
Klavier:
Bobby Tucker (am 1951-04-29)
Saxophon:
Haywood Henry (US jazz saxophonist) (am 1951-04-29)
vocals:
Billie Holiday (am 1951-04-29)
recording of:
Detour Ahead (am 1951-04-29)
Komponist(in):
Lou Carter (in 1947), Herb Ellis (jazz guitarist) (in 1947) und Johnny Frigo (US jazz musician) (in 1947)
publisher:
Woodrow Music
Billie Holiday3:03
25My Favourite Things
recording engineer:
Bill Schwartau (in 1964-04)
Produzent(in):
Alan Douglas (American record producer)
Klavier:
Harold Mabern (American jazz pianist) (in 1964-04)
Kontrabass [bass]:
Bob Cranshaw (in 1964-04)
Schlagzeug:
Roy McCurdy (jazz drummer for Cannonball Adderly) (in 1964-04)
vocals:
Betty Carter (in 1964-04)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (in 1964-04)
recording of:
My Favorite Things (The Sound of Music) (in 1964-04)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
American Splendor
Teil von:
The Sound of Music (Rodgers & Hammerstein musical)
Betty Carter1:36
26The Beat Goes On (live)
live recording of:
The Beat Goes On (arr. Rogers - Buddy Rich version)
Verfasser(in):
Sonny Bono
arranger:
Shorty Rogers (trumpet)
Arrangement von:
The Beat Goes On
The Buddy Rich Big Band5:36

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