Meisterwerke

~ Release by Tchaikovsky (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Symphonien
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1Symphonie Nr. 6 h-moll, op. 74 “Pathétique”: Adagio - Allegro non troppo
orchestra:
Prague Festival Orchestra, Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra) and Radio Symphony Orchestra Ljubljana (name used by Alfred Scholz, may be incorrect)
conductor:
Marko Munih (conductor), Anton Nanut (conductor) and Pavel Urbanek (an Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo (Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
18:06
2Symphonie Nr. 6 h-moll, op. 74 “Pathétique”: Allegro con grazia
orchestra:
Prague Festival Orchestra, Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra) and Radio Symphony Orchestra Ljubljana (name used by Alfred Scholz, may be incorrect)
conductor:
Marko Munih (conductor), Anton Nanut (conductor) and Pavel Urbanek (an Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia (Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
8:00
3Symphonie Nr. 6 h-moll, op. 74 “Pathétique”: Allegro molto vivace
orchestra:
Prague Festival Orchestra, Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra) and Radio Symphony Orchestra Ljubljana (name used by Alfred Scholz, may be incorrect)
conductor:
Marko Munih (conductor), Anton Nanut (conductor) and Pavel Urbanek (an Alfred Scholz pseudonym)
phonographic copyright (℗) by:
Michele Audio Corp. (not for release label use!) (in 1987)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace (Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
9:15
4Symphonie Nr. 6 h-moll, op. 74 “Pathétique”: Finale Adagio lamentoso
orchestra:
Camerata Labacensis (Slovenian chamber orchestra), Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra, RTV Slovenia Symphony Orchestra), Prague Festival Orchestra and The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
conductor:
Marko Munih (conductor), Anton Nanut (conductor), Alexander von Pitamic (Alfred Scholz pseudonym) and Pavel Urbanek (an Alfred Scholz pseudonym)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso (Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
10:10
5Symphonie Nr. 1 g-moll, op. 13 “Winterträume”: II. Adagio cantabile ma non tanto
recording of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams": II. Land of Desolation, Land of Mists: Andante cantabile ma non tanto
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1866)
part of:
Symphony no. 1 in G minor, op. 13 "Winter Daydreams" (1874 revision, commonly performed)
10:38
6Symphonie Nr. 5 e-moll, op. 64: IV Andante maestoso
orchestra:
Academy of St Martin in the Fields (from 1992-09-16 until 1992-09-18)
conductor:
Sir Neville Marriner (conductor) (from 1992-09-16 until 1992-09-18)
recording of:
Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso (Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace) (from 1992-09-16 until 1992-09-18)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
13:09
▼ CD 2: Symphonische Dichtungen
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1Capriccio Italien, op. 45
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Yuri Ahronovitch (conductor)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1987)
recording of:
Capriccio italien, op. 45
premiered in:
Moscow, Russia (on 1880-12-18)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-01 until 1880-05)
dedicated to:
Карл Юльевич Давыдов
part of:
The Tchaikovsky Handbook (number: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 44) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 45)
15:14
2Ouvertüre Solennelle “1812”, op. 49
orchestra:
Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic)
conductor:
Ádám Fischer (Hungarian conductor)
recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
premiered in:
Moscow, Russia (on 1882-08-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-09 until 1880-11)
part of:
The Tchaikovsky Handbook (number: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 46) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 49)
is based on:
Боже, Царя храни! (God Save the Tsar!)
16:21
3Romeo und Julia
orchestra:
Academy of St Martin in the Fields (from 1991-07-23 until 1991-07-27)
conductor:
Sir Neville Marriner (conductor) (from 1991-07-23 until 1991-07-27)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
20:37
4Slawischer Marsch, op. 31
orchestra:
Hungarian Concert Orchestra, Hungarian State Orchestra (Hungarian National Philharmonic) and Hungarian State Orchestra (probably fictitious, or Alfred Scholz related)
conductor:
Adam Fischer (Hungarian conductor) and Peter Janos (conductor (Scholz?))
recording of:
Marche slave in B-flat minor, op. 31
premiered in:
Moscow, Russia (on 1876-11-18)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1876-09 until 1876-10)
part of:
The Tchaikovsky Handbook (number: TH 45), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 42) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 31)
is based on:
Боже, Царя храни! (God Save the Tsar!)
9:45
▼ CD 3: Solokonzerte
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1Konzert für Klavier und Orchester Nr. 1 b-moll, op. 23: I. Allegro non troppo e molto maestoso
piano:
Jenő Jandó (pianist)
conductor:
András Ligeti (violinist and conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
19:58
2Konzert für Klavier und Orchester Nr. 1 b-moll, op. 23: II. Andantino semplice - Prestissimo - Tempo I
piano:
Jenő Jandó (pianist)
conductor:
András Ligeti (violinist and conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version, rarely performed)
6:46
3Konzert für Klavier und Orchester Nr. 1 b-moll, op. 23: III. Allegro con fuoco
piano:
Jenő Jandó (pianist)
conductor:
András Ligeti (violinist and conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1879 version, rarely performed)
7:05
4Konzert für Violine und Orchester D-dur, op. 35: I. Allegro moderato
violin:
Emmy Verhey (violinist)
orchestra:
Magyar Rádió Szimfonikus Zenekara (Budapest Symphony Orchestra, a.k.a. Budapest Symphony)
conductor:
Árpád Joó (conductor and pianist)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
18:54
5Konzert für Violine und Orchester D-dur, op. 35: II. Andante
violin:
Emmy Verhey (violinist)
orchestra:
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related) and Magyar Rádió Szimfonikus Zenekara (Budapest Symphony Orchestra, a.k.a. Budapest Symphony)
conductor:
Árpád Joó (conductor and pianist)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
6:56
6Konzert für Violine und Orchester D-dur, op. 35: III. Allegro vivacissimo
violin:
Emmy Verhey (violinist)
orchestra:
Magyar Rádió Szimfonikus Zenekara (Budapest Symphony Orchestra, a.k.a. Budapest Symphony)
conductor:
Árpád Joó (conductor and pianist)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
10:05
▼ CD 4: Ballettsuiten
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1Ballettsuite, op. 20 “Schwanensee”: Szene (No. 10)
orchestra:
Bavarian Radio Symphony Orchestra
conductor:
Hans Vonk (conductor)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
2:49
2Ballettsuite, op. 20 “Schwanensee”: Valse
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act I
part of:
Swan Lake, op. 20: Act I (ed. Drigo)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
6:53
3Ballettsuite, op. 20 “Schwanensee”: Tanz der Schwäne
orchestra:
Bavarian Radio Symphony Orchestra
conductor:
Hans Vonk (conductor)
recording of:
Swan Lake - Dance of the Swans
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
recording of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes: VI. Tempo di valse (Tout le monde danse)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
part of:
Swan Lake, op. 20: Act II, no. 13: Danses des cygnes
recording of:
Swan Lake, op. 20: Act IV, no. 27: Danse des petits cygnes: Moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act IV
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
1:30
4Ballettsuite, op. 20 “Schwanensee”: Pas d'action
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
The Swan Lake (suite from the ballet), op. 20a: IV. Scène
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
6:51
5Ballettsuite, op. 20 “Schwanensee”: Danse hongroise. Czardas
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) and Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Peter Wohlert
recording of:
The Swan Lake (suite from the ballet), op. 20a: V. Czardas: Danse hongroise
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
2:53
6Ballettsuite, op. 20 “Schwanensee”: Danse espagnole
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Swan Lake, op. 20: Act III, no. 21: Danse espagnole: Allegro non troppo (Tempo di bolero)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act III
part of:
Swan Lake, op. 20: Act III (ed. Drigo)
2:36
7Ballettsuite, op. 20 “Schwanensee”: Danse napolitaine
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) and Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Peter Wohlert
recording of:
The Swan Lake (suite from the ballet), op. 20a: VII. Danse napolitaine
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
2:04
8Ballettsuite, op. 20 “Schwanensee”: Mazurka
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VIII. Mazurka
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
4:14
9Ballettsuite, op. 66 “Dornröschen”: Introduction
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
The Sleeping Beauty, op. 66: Introduction
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66, The Sleeping Beauty)
2:46
10Ballettsuite, op. 66 “Dornröschen”: Pas d'cction. Adagio
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
5:49
11Ballettsuite, op. 66 “Dornröschen”: Panorama
orchestra:
Festivalový orchestr Praha (Prague Festival Orchestra) and Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
3:00
12Ballettsuite, op. 66 “Dornröschen”: Pas de caractère
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
partial recording of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66, The Sleeping Beauty)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-10 until 1889-08)
dedicated to:
Иван Всеволожской
premiered at:
Мариинский театр (Mariinsky Theatre, Mariinsky Theatre) in Sankt-Peterburg (Saint Petersburg), Russia (on 1890-01-15)
part of:
The Tchaikovsky Handbook (number: TH 13), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 13) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 66)
1:50
13Ballettsuite, op. 66 “Dornröschen”: Pas de quatre. Adagio
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
partial recording of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66, The Sleeping Beauty)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-10 until 1889-08)
dedicated to:
Иван Всеволожской
premiered at:
Мариинский театр (Mariinsky Theatre, Mariinsky Theatre) in Sankt-Peterburg (Saint Petersburg), Russia (on 1890-01-15)
part of:
The Tchaikovsky Handbook (number: TH 13), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 13) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 66)
2:09
14Ballettsuite, op. 66 “Dornröschen”: Variation I. Allegro
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
partial recording of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66, The Sleeping Beauty)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-10 until 1889-08)
dedicated to:
Иван Всеволожской
premiered at:
Мариинский театр (Mariinsky Theatre, Mariinsky Theatre) in Sankt-Peterburg (Saint Petersburg), Russia (on 1890-01-15)
part of:
The Tchaikovsky Handbook (number: TH 13), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 13) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 66)
0:53
15Ballettsuite, op. 66 “Dornröschen”: Variation Ii. Andantino
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
partial recording of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66, The Sleeping Beauty)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-10 until 1889-08)
dedicated to:
Иван Всеволожской
premiered at:
Мариинский театр (Mariinsky Theatre, Mariinsky Theatre) in Sankt-Peterburg (Saint Petersburg), Russia (on 1890-01-15)
part of:
The Tchaikovsky Handbook (number: TH 13), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 13) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 66)
0:51
16Ballettsuite, op. 66 “Dornröschen”: Coda. Presto
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
partial recording of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66, The Sleeping Beauty)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-10 until 1889-08)
dedicated to:
Иван Всеволожской
premiered at:
Мариинский театр (Mariinsky Theatre, Mariinsky Theatre) in Sankt-Peterburg (Saint Petersburg), Russia (on 1890-01-15)
part of:
The Tchaikovsky Handbook (number: TH 13), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 13) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 66)
1:19
17Ballettsuite, op. 66 “Dornröschen”: Valse
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66, The Sleeping Beauty)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1888-10 until 1889-08)
dedicated to:
Иван Всеволожской
premiered at:
Мариинский театр (Mariinsky Theatre, Mariinsky Theatre) in Sankt-Peterburg (Saint Petersburg), Russia (on 1890-01-15)
part of:
The Tchaikovsky Handbook (number: TH 13), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 13) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 66)
4:22
18Ballettsuite, op. 71 “Der Nußknacker”: Overtüre
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Щелкунчик, op. 71: Увертюра (The Nutcracker, op. 71: Overture, Nutcracker Overture)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71 (The Nutcracker, op. 71, The Nutcracker)
3:30
19Ballettsuite, op. 71 “Der Nußknacker”: Marsch Nr. 2
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
2:47
20Ballettsuite, op. 71 “Der Nußknacker”: Schneeflöckchenwalzer
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
performer:
Dresdner Kapellknaben
recording of:
Щелкунчик, op. 71: Действие I, Картина II, no. 9. Вальс снежных хлопьев (The Nutcracker, op. 71: Act I, Scene II. Waltz of the snowflakes, Waltz of the Snowflakes)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
6:33
21Ballettsuite, op. 71 “Der Nußknacker”: Blumenwalzer
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
6:41
22Ballettsuite, op. 71 “Der Nußknacker”: Walzer-Finale und Apotheose
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 15. Финальный вальс и Апофеоз (Final Waltz and Apotheosis)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
5:18
▼ CD 5: Streicherserenade & Kammermusik
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1Sernenade für Streichorchester C-dur, op. 48: I. Pezzo in forma di sonatina
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Wohlert
recording of:
Serenade for Strings in C major, op. 48: I. Pezzo in forma di Sonatina
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
8:46
2Sernenade für Streichorchester C-dur, op. 48: II. Walzer. Moderato. Tempo di Valse
orchestra:
Berliner Kammerorchester (Berlin Chamber Orchestra)
conductor:
Peter Wohlert
recording of:
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
3:48
3Sernenade für Streichorchester C-dur, op. 48: III. Elégie. Larghetto elegiaco
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Wohlert
recording of:
Serenade for Strings in C major, op. 48: III. Élégie. Larghetto elegiaco
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
7:54
4Sernenade für Streichorchester C-dur, op. 48: IV. Finale. Tema russo
orchestra:
Kammerorchester Berlin (Berlin Chamber Orchestra)
conductor:
Peter Wohlert
recording of:
Serenade for Strings in C major, op. 48: IV. Finale. Tema russo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
7:11
5Barcarolle (aus “Les Saisons” op. 37a)
piano:
Jenö Jando (pianist)
recording of:
The Seasons, op. 37a: VI. June “Barcarolle” (ended)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
The Seasons, op. 37a (for piano)
5:13
6Nur wer die Sehnsucht kennt (Lied der Mignon, op. 6 Nr. 6)
piano:
Helmut Deutsch (Austrian pianist)
tenor vocals:
Josef Protschka (tenor)
recording of:
6 Romances, op. 6, no. 6: None but the Lonely Heart (Нет, только тот, кто знал) (6 Romances, Op. 6: No. 6. None but the Lonely Heart, original for voice and piano)
lyricist:
Johann Wolfgang von Goethe (in 1795)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869-11)
dedicated to:
Анна Полякова-Хвостова (XIX c. opera and chamber singer, mezzo-soprano)
translator:
Лев Мей (Lev Mei, XIX c. poet, prose writer, playwright, translator) (in 1857)
part of:
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 216)
part of:
6 Romances, op. 6
2:45
7Streichsextett D-dur “Souvenir de Florence”, op. 70: I. Allegro con spirito
solo cello:
Karoly Botvay (cellist and conductor)
solo violin:
Bela Banfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Souvenir de Florence in D minor, op. 70: I. Allegro con spirito
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1890-06 until 1890-07)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1891-11 until 1892-01)
part of:
Souvenir de Florence in D minor, op. 70
10:55
8Streichsextett D-dur “Souvenir de Florence”, op. 70: II. Adagio cantabile e con moto. Moderato. Tempo I
solo cello:
Károly Botvay (cellist and conductor)
solo violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Souvenir de Florence in D minor, op. 70: II. Adagio cantabile e con moto
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1890-06 until 1890-07)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1891-11 until 1892-01)
part of:
Souvenir de Florence in D minor, op. 70
11:03
9Streichsextett D-dur “Souvenir de Florence”, op. 70: III. Allegretto moderato
solo cello:
Karoly Botvay (cellist and conductor)
solo violin:
Bela Banfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Souvenir de Florence in D minor, op. 70: III. Allegretto moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1890-06 until 1890-07)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1891-11 until 1892-01)
part of:
Souvenir de Florence in D minor, op. 70
6:29
10Streichsextett D-dur “Souvenir de Florence”, op. 70: IV. Allegro vivace
solo cello:
Karoly Botvay (cellist and conductor)
solo violin:
Bela Banfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Károly Botvay (cellist and conductor)
recording of:
Souvenir de Florence in D minor, op. 70: IV. Allegro vivace
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1890-06 until 1890-07)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1891-11 until 1892-01)
part of:
Souvenir de Florence in D minor, op. 70
7:25