The Sax Album

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CD 1
#TitoloArtistaValutazioneDurata
1I Don’t Wanna Lose You
tecnico:
Mike Ging e Tommy Vicari
produttore:
Roger Davies (producer), Albert Hammond e Graham Lyle
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989) e EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 2004)
registrazione di:
I Don’t Wanna Lose You
autore:
Albert Hammond e Graham Lyle
Tina Turner2.754:13
2Jealous Guy
produttore:
Rhett Davies, Bryan Ferry e Roxy Music
tecnico di missaggio:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1981), Virgin EG Records Ltd. (nel 1981) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1981, nel 2000)
registrazione cover di:
Jealous Guy
paroliere e compositore:
John Lennon (The Beatles)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-editore:
Fujipacific Music, Inc. Division 2
revisione di:
Child of Nature
Roxy Music44:53
3True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:28
4A Million Love Songs
tecnico:
Tim Eames (UK engineer) e Robin Sellars (British recording engineer)
produttore:
Billy Griffin e Ian Levine
tecnico di missaggio:
Ian Levine
voce:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) e Robbie Williams
voce principale:
Gary Barlow
arrangiatore:
Ian Levine e Nigel Stock (songwriter, worked with John Davies)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1992) e BMG Records (UK) Limited (1987-1996) (dal 1995 a oggi)
registrata presso:
Southlands Studios in London (Greater London), England, Regno Unito
video musicali:
A Million Love Songs di Take That
registrazione di:
A Million Love Songs
paroliere e compositore:
Gary Barlow
editore:
EMI Virgin Music Limited (do not use this as a release label!) e Virgin Music (Publishing) Ltd
Take That3:53
5Hands to Heaven
registrazione di:
Hands to Heaven
autore:
David Glasper (Singer - Performer, author & lyricist) e Marcus Lillington
editore:
Virgin Music (Publishers) Ltd. (nel 1988)
Breathe4:19
6I Wonder Why
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1991)
video musicali:
I Wonder Why di Curtis Stigers
registrazione di:
I Wonder Why
autore:
Glen Ballard e Curtis Stigers
editore:
Aerostation Corporation, Arlovol Music, C. Montrose’s Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Sony Tunes, Inc.
Curtis Stigers4:27
7You’re the Best Thing
programmazione degli strumenti:
Peter Wilson (UK Producer)
produttore:
Paul Weller (English singer-songwriter and musician) e Peter Wilson (UK Producer)
chitarra [guitars] e sintetizzatore [synths] :
Paul Weller (English singer-songwriter and musician) (dal 1983-10 al 1984-01)
sintetizzatore basso [bass synth] e tastiera [keyboards] aggiunto:
Mick Talbot (dal 1983-10 al 1984-01)
voce:
Mick Talbot (dal 1983-10 al 1984-01) e Paul Weller (English singer-songwriter and musician) (dal 1983-10 al 1984-01)
registrata in aggiunta presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (dal 1983-10 al 1984-01)
registrata presso:
Solid Bond Studio in London (Greater London), England, Regno Unito (dal 1983-10 al 1984-01)
registrazione di:
You’re the Best Thing (dal 1983-10 al 1984-01)
paroliere e compositore:
Paul Weller (English singer-songwriter and musician)
editore:
BMG Music Publishing Ltd. e EMI Music Publishing (do not use as a release label!)
The Style Council25:43
8Beautiful Girl
assistente tecnico:
Melissa van Twest
tecnico:
Niven Garland
produttore:
INXS e Mark Opitz
tecnico di missaggio:
Bob Clearmountain
registrazione di:
Beautiful Girl
paroliere e compositore:
Andrew Farriss
editore:
Warner/Chappell (Warner/Chappell Music, Inc.)
INXS4.253:27
9Will You?
registrazione di:
Will You?
paroliere e compositore:
Hazel O’Connor
editore:
Albion Music Ltd.
Hazel O’Connor4:46
10Absolute Beginners
registrazione di:
Absolute Beginners
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, RZO Music Ltd e Jones Music (publishers associated with David Bowie) (nel 1986)
David Bowie5:37
11Imagination
registrazione di:
Imagination
paroliere e compositore:
Neville Keighley
Belouis Some33:34
12Baker Street
tecnico di registrazione:
Barry Hammond
produttore:
Hugh Murphy (UK producer, engineer) e Gerry Rafferty
tecnico di missaggio:
Declan O’Doherty
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
batteria :
Henry Spinetti
chitarra elettrica :
Hugh Burns e Nigel Jenkins
moog e tastiera :
Tommy Eyre
percussione :
Glen LeFleur
sassofono :
Raphael Ravenscroft
voce principale:
Gerry Rafferty
arrangiatore archi :
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977), EMI (EMI Records, EMI Records, since 1972) (nel 1978), EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
mixata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 26)
registrazione di:
Baker Street
paroliere e compositore:
Gerry Rafferty
editore:
B Music, EMI Music Publishing (do not use as a release label!), Icon Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.56:05
13Year of the Cat
Al Stewart6:40
14Lily Was Here
registrata a:
London (Greater London), England, Regno Unito
sassofono ospite :
Candy Dulfer
registrazione dal vivo di:
Lily Was Here
compositore:
David A. Stewart (UK guitarist/singer for Eurythmics)
editore:
BMG Music Publishing Ltd. e Eligible Music Ltd.
Dave Stewart feat. Candy Dulfer5:23
15Walk on the Wild Side
produttore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
basso elettrico e contrabbasso :
Herbie Flowers (nel 1972-08)
batteria :
John Halsey (nel 1972-08)
sassofono baritono :
Ronnie Ross (nel 1972-08)
voce di accompagnamento:
The Thunder Thighs (70s UK vocal group) (nel 1972-08)
voce principale:
Lou Reed (nel 1972-08)
arrangiatore archi e arrangiatore ottoni :
Mick Ronson (British guitarist)
arrangiatore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1972) e Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1972-08)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 180) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 221)
registrazione di:
Walk on the Wild Side (nel 1972-08)
paroliere e compositore:
Lou Reed
editore:
EMI Music Publishing Australia Pty. Limited, Oakfield Avenue Music Ltd. e Screen Gems–EMI Music Ltd.
Lou Reed4.254:14
16The Saxophone Song
registrazione di:
The Saxophone Song
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush
editore:
Castle (publisher), Ed. Itaipu e EMI Music Publishing Ltd. (PRS‐affiliated) (dal 1978 a oggi)
Kate Bush3:52
17Cowboys and Angels
produttore:
George Michael
voce:
George Michael
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1990)
registrazione di:
Cowboys and Angels
paroliere e compositore:
George Michael
George Michael2.657:14
CD 2
#TitoloArtistaValutazioneDurata
1Let’s Stick Together
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist) e Jon Walls
tecnico:
Steve Nye (producer, engineer and pianist) e John Punter
produttore:
Bryan Ferry e Chris Thomas (UK record producer / remixer)
armonica (a bocca) e tastiera :
Bryan Ferry (dal 1973 al 1976)
basso :
John Wetton (dal 1973 al 1976)
batteria :
Paul Thompson (Roxy Music drummer) (dal 1973 al 1976)
chitarra :
Chris Spedding (dal 1973 al 1976)
percussione :
Morris Pert (dal 1973 al 1976)
sassofono soprano :
Mel Collins (dal 1973 al 1976)
sassofono tenore :
Chris Mercer (British saxophonist) (dal 1973 al 1976)
sintetizzatore e violino :
Eddie Jobson (dal 1973 al 1976)
tromba :
Martin Drover (dal 1973 al 1976)
cori:
Vicki Brown (English pop, rock & contemporary classical singer) (dal 1973 al 1976), Doreen Chanter (dal 1973 al 1976), Helen Chappelle (dal 1973 al 1976), Jackie Sullivan (vocals & songwriter) (dal 1973 al 1976), Martha Walker (Vocalist) (dal 1973 al 1976) e Paddie McHugh (dal 1973 al 1976)
voce:
Bryan Ferry (dal 1973 al 1976)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1976), Virgin EG Records Ltd. (nel 1976) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1976, nel 1999)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito e Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (dal 1973 al 1976)
registrazione cover di:
Let’s Stick Together (dal 1973 al 1976)
paroliere e compositore:
Wilbert Harrison
editore:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. e SBK/U Catalog (nel 1969)
Bryan Ferry22:59
2The Heat Is On
registrazione di:
The Heat Is On
paroliere e compositore:
Harold Faltermeyer e Keith Forsey (drummer, producer and songwriter)
editore:
Famous Chappell
Glenn Frey3:45
3Rip It Up
registrazione di:
Rip It Up
paroliere e compositore:
Edwyn Collins
Orange Juice55:20
4The Whole of the Moon
produttore:
Mike Scott (The Waterboys)
tecnico di missaggio:
Mick Glossop (producer & engineer)
batteria :
Chris Whitten (nel 1985-05)
chitarra e pianoforte :
Mike Scott (The Waterboys) (nel 1985-05)
percussione :
Martin Ditcham (nel 1985-05)
sassofono :
Anthony Thistlethwaite (nel 1985-05)
sintetizzatore e sintetizzatore basso :
Karl Wallinger (nel 1985-05)
tromba :
Roddy Lorimer (nel 1985-05)
voce:
Mike Scott (The Waterboys) (nel 1985-05)
voce di accompagnamento:
Max Edie (nel 1985-05) e Karl Wallinger (nel 1985-05)
registrazione di:
The Whole of the Moon (nel 1985-05)
paroliere e compositore:
Mike Scott (The Waterboys)
The Waterboys4.455:02
5Unchain My Heart
registrazione cover di:
Unchain My Heart
paroliere e compositore:
Bobby Sharp
autore:
Teddy Powell
editore:
B Sharp Music (owned by Bobby Sharp, for publisher and copyrights use) (nel 1987)
parte di:
The Real Book (compilation of jazz standards, Volume I)
Joe Cocker5:04
6Maneater
assistente tecnico:
Bruce Buckhalter (Engineer), Barry Harris (engineer) e Michael Somer-Abbott
tecnico:
Neil Kernon
co-produttore:
Neil Kernon
produttore:
Daryl Hall e John Oates
tecnico di missaggio:
Hugh Padgham
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1982)
registrazione di:
Maneater (nel 1981-12)
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall e John Oates
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Primary Wave Brian, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell e Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4.44:31
7Rio
registrazione di:
Rio
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
Duran Duran4:44
8Pretty in Pink
registrazione di:
Pretty in Pink
autore:
John Ashton, Richard Butler (singer), Tim Butler (Co-founder Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn e Roger Morris (UK guitarist for The Psychedelic Furs)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30)
The Psychedelic Furs3:58
9Dancing in the MoonlightThin Lizzy3:24
10Why Did You Do ItStretch3:29
11Who Can It Be Now
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1981), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982) e Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (nel 1996)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
registrazione di:
Who Can It Be Now?
paroliere e compositore:
Colin Hay
editore:
EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher) e EMI Songs Australia Pty. Ltd.
Men at Work4.553:20
12Rapture
tecnico:
Lenise Bent
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (nel 1980)
chitarra :
Frank Infante (nel 1980) e Chris Stein (nel 1980)
chitarra basso :
Nigel Harrison (nel 1980)
sassofono :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (nel 1980)
tastiera :
Jimmy Destri (nel 1980)
timpani :
Chris Stein (nel 1980)
voce principale:
Deborah Harry (nel 1980)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1980), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1980), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (nel 1980) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
registrata presso:
United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (nel 1980)
registrazione di:
Rapture (nel 1980)
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher (affiliated with PRS)), EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation e Rare Blue Music Inc
Blondie3.64:59
13Embarrassment
registrazione di:
Embarrassment
paroliere:
Lee “Kix” Thompson (Madness)
compositore:
Mike Barson
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3:10
14Hit Me With Your Rhythm Stick
produttore:
Laurie Latham
basso elettrico :
Norman Watt-Roy (nel 1978)
batteria :
Charley Charles (UK drummer) (nel 1978)
chitarra :
John Turnbull (nel 1978)
organo Hammond :
Mick Gallagher (UK hammond organ player) (nel 1978)
pianoforte :
Chaz Jankel (English musician and songwriter) (nel 1978)
sassofono :
Davey Payne (UK saxophonist) (nel 1978)
voce principale:
Ian Dury (nel 1978)
diritti fonografici (℗) detenuti da:
Templemill Music Ltd (nel 1979)
registrata presso:
The Workhouse in London (Greater London), England, Regno Unito (nel 1978)
registrazione di:
Hit Me With Your Rhythm Stick (nel 1978)
paroliere:
Ian Dury
compositore:
Chaz Jankel (English musician and songwriter)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ian Dury & the Blockheads3.93:43
15Jackie Wilson Said (I’m in Heaven When You Smile)
Dexys Midnight Runners & Kevin Rowland3:04
16Pick Up the Pieces
produttore:
Arif Mardin
arrangiatore corno :
Roger Ball
arrangiatore:
AWB
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1974, nel 1975)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Pick Up the Pieces
autore:
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre (Scottish guitarist and vocalist) e Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
editore:
Average Music, BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. e Joe’s Songs Inc.
Average White Band4.053:59
17Mustang Sally
voce:
Andrew Strong (Irish singer)
voce di accompagnamento:
Angeline Ball, Maria Doyle Kennedy e Bronagh Gallagher (Irish singer and actress)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1991)
registrazione cover di:
Mustang Sally
paroliere e compositore:
Sir Mack Rice
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Commitments4.54:01
18I Got You (I Feel Good)
registrazione cover di:
I Found You (a.k.a. I Got You (I Feel Good))
paroliere e compositore:
James Brown (The Godfather of Soul)
editore:
Fort Knox Music Co, Hudson Bay Music Inc., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. e Try Me Inc.
James Brown2:45
19How Gee
registrazione di:
How Gee
paroliere:
Pippo Landro
compositore:
Marius Percali
editore:
Crisler S.r.l.
Black Machine4:29

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