Motets pour Saint-Sulpice

~ Release by Clérambault; Gérard Lesne, Mark Padmore, Josep-Miquel Ramon i Monzó, Il Seminario Musicale (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Panis angelicus, motet du Saint Sacrement, C. 131
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
orchestra:
Il Seminario Musicale (French baroque music ensemble)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Panis Angelicus, C. 131 (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
Nicolas Clérambault3:31
2Exultet omnium, motet de Saint Sulpice, C. 112: Exultet omnium
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
flute:
Patrick Beuckels (flautist) (from 1999-02-09 until 1999-02-12)
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
violin:
Fabrizio Cipriani (from 1999-02-09 until 1999-02-12) and Thérèse Kipfer (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
partial recording of:
Exultet omnium, C. 112 (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
Nicolas Clérambault1:41
3Exultet omnium, motet de Saint Sulpice, C. 112: Venite, accurrite
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
flute:
Patrick Beuckels (flautist) (from 1999-02-09 until 1999-02-12)
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
violin:
Fabrizio Cipriani (from 1999-02-09 until 1999-02-12) and Thérèse Kipfer (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
partial recording of:
Exultet omnium, C. 112 (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
Nicolas Clérambault1:15
4Exultet omnium, motet de Saint Sulpice, C. 112: Sulpicius supra montem
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
flute:
Patrick Beuckels (flautist) (from 1999-02-09 until 1999-02-12)
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
violin:
Fabrizio Cipriani (from 1999-02-09 until 1999-02-12) and Thérèse Kipfer (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
partial recording of:
Exultet omnium, C. 112 (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
Nicolas Clérambault1:01
5Exultet omnium, motet de Saint Sulpice, C. 112: Respice nos benignius
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
flute:
Patrick Beuckels (flautist) (from 1999-02-09 until 1999-02-12)
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
violin:
Fabrizio Cipriani (from 1999-02-09 until 1999-02-12) and Thérèse Kipfer (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
partial recording of:
Exultet omnium, C. 112 (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
Nicolas Clérambault0:41
6Exultet omnium, motet de Saint Sulpice, C. 112: Simphonie
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
flute:
Patrick Beuckels (flautist) (from 1999-02-09 until 1999-02-12)
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
violin:
Fabrizio Cipriani (from 1999-02-09 until 1999-02-12) and Thérèse Kipfer (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
partial recording of:
Exultet omnium, C. 112 (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
Nicolas Clérambault1:56
7Exultet omnium, motet de Saint Sulpice, C. 112: Grex tuus gaudeat
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
flute:
Patrick Beuckels (flautist) (from 1999-02-09 until 1999-02-12)
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
violin:
Fabrizio Cipriani (from 1999-02-09 until 1999-02-12) and Thérèse Kipfer (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
partial recording of:
Exultet omnium, C. 112 (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
Nicolas Clérambault1:24
8Domine salvum, motet, C. 152
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
flute:
Patrick Beuckels (flautist) (from 1999-02-09 until 1999-02-12)
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
violin:
Fabrizio Cipriani (from 1999-02-09 until 1999-02-12) and Thérèse Kipfer (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Domine salvum, C. 152 (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
Nicolas Clérambault0:55
9Domine à trois voix et deux violons, motet C. 158: Domine salvum fac regem
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
flute:
Patrick Beuckels (flautist) (from 1999-02-09 until 1999-02-12)
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
violin:
Fabrizio Cipriani (from 1999-02-09 until 1999-02-12) and Thérèse Kipfer (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
partial recording of:
Domine salvum fac Regem, C. 158 (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
Nicolas Clérambault3:01
10Domine à trois voix et deux violons, motet C. 158: Et exaudi nos
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
flute:
Patrick Beuckels (flautist) (from 1999-02-09 until 1999-02-12)
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
violin:
Fabrizio Cipriani (from 1999-02-09 until 1999-02-12) and Thérèse Kipfer (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
partial recording of:
Domine salvum fac Regem, C. 158 (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
Nicolas Clérambault1:39
11O deliciis affluens, motet de la Sainte Vierge, C. 109: O deliciis affluens
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
partial recording of:
O deliciis affluens, C. 109 (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
Nicolas Clérambault3:20
12O deliciis affluens, motet de la Sainte Vierge, C. 109: Stella matutina
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
partial recording of:
O deliciis affluens, C. 109 (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
Nicolas Clérambault3:16
13O deliciis affluens, motet de la Sainte Vierge, C. 109: Tecum cantermus domino
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
partial recording of:
O deliciis affluens, C. 109 (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
Nicolas Clérambault2:06
14Magnificat à trois parties, C. 136: Magnificat anima mea
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Magnificat à trois parties, C. 136: I. Magnificat anima mea Dominum (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
part of:
Magnificat à trois parties, C. 136
Nicolas Clérambault0:41
15Magnificat à trois parties, C. 136: Et exultavit
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Magnificat à trois parties, C. 136: II. Et exultavit (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
part of:
Magnificat à trois parties, C. 136
Nicolas Clérambault1:27
16Magnificat à trois parties, C. 136: Quia respexit
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Magnificat à trois parties, C. 136: III. Quia respexit (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
part of:
Magnificat à trois parties, C. 136
Nicolas Clérambault1:39
17Magnificat à trois parties, C. 136: Quia fecit mihi magna
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Magnificat à trois parties, C. 136: IV. Quia fecit mihi magna (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
part of:
Magnificat à trois parties, C. 136
Nicolas Clérambault1:07
18Magnificat à trois parties, C. 136: Et misericordia ejus
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Magnificat à trois parties, C. 136: V. Et misericordia (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
part of:
Magnificat à trois parties, C. 136
Nicolas Clérambault4:05
19Magnificat à trois parties, C. 136: Fecit potentiam
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Magnificat à trois parties, C. 136: VI. Fecit potentiam (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
part of:
Magnificat à trois parties, C. 136
Nicolas Clérambault2:39
20Magnificat à trois parties, C. 136: Suscepit Israel
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Magnificat à trois parties, C. 136: VII. Suscepit Israel (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
part of:
Magnificat à trois parties, C. 136
Nicolas Clérambault1:47
21Magnificat à trois parties, C. 136: Sicut locutus est
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Magnificat à trois parties, C. 136: VIII. Sicut locutus est (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
part of:
Magnificat à trois parties, C. 136
Nicolas Clérambault1:16
22Magnificat à trois parties, C. 136: Gloria Patri
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Magnificat à trois parties, C. 136: IX. Gloria Patri (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
part of:
Magnificat à trois parties, C. 136
Nicolas Clérambault3:23
23Salve regina, antienne à La Sainte Vierge, C. 114: Salve regina
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
flute:
Patrick Beuckels (flautist) (from 1999-02-09 until 1999-02-12)
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
violin:
Fabrizio Cipriani (from 1999-02-09 until 1999-02-12) and Thérèse Kipfer (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Salve Regina, C. 114: I. Salve Regina (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
part of:
Salve Regina, C. 114
Nicolas Clérambault4:15
24Salve regina, antienne à La Sainte Vierge, C. 114: Ad te clamamus
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
flute:
Patrick Beuckels (flautist) (from 1999-02-09 until 1999-02-12)
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
violin:
Fabrizio Cipriani (from 1999-02-09 until 1999-02-12) and Thérèse Kipfer (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Salve Regina, C. 114: II. Ad te clamamus (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
part of:
Salve Regina, C. 114
Nicolas Clérambault2:47
25Salve regina, antienne à La Sainte Vierge, C. 114: Eya ergo
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
flute:
Patrick Beuckels (flautist) (from 1999-02-09 until 1999-02-12)
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
violin:
Fabrizio Cipriani (from 1999-02-09 until 1999-02-12) and Thérèse Kipfer (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Salve Regina, C. 114: III. Eia ergo (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
part of:
Salve Regina, C. 114
Nicolas Clérambault1:18
26Salve regina, antienne à La Sainte Vierge, C. 114: Et Jesum benedictum
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
flute:
Patrick Beuckels (flautist) (from 1999-02-09 until 1999-02-12)
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
violin:
Fabrizio Cipriani (from 1999-02-09 until 1999-02-12) and Thérèse Kipfer (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Salve Regina, C. 114: IV. Et Jesum benedictum (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
part of:
Salve Regina, C. 114
Nicolas Clérambault1:11
27Salve regina, antienne à La Sainte Vierge, C. 114: O clemens, o pia
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
flute:
Patrick Beuckels (flautist) (from 1999-02-09 until 1999-02-12)
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
violin:
Fabrizio Cipriani (from 1999-02-09 until 1999-02-12) and Thérèse Kipfer (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Salve Regina, C. 114: V. O clemens, o pia (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
part of:
Salve Regina, C. 114
Nicolas Clérambault3:29
28O piissima, o sanctissima, motet de La Sainte Vierge, C. 135
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
O piissima, o sanctissima, C. 135 (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
Nicolas Clérambault4:23
29Domine salvum, prière pour le Roy, C. 157
engineer:
Michel Pierre (audio engineer)
producer and editor:
Étienne Collard
flute:
Patrick Beuckels (flautist) (from 1999-02-09 until 1999-02-12)
instruments:
Il Seminario Musicale (French baroque music ensemble) (from 1999-02-09 until 1999-02-12)
violin:
Fabrizio Cipriani (from 1999-02-09 until 1999-02-12) and Thérèse Kipfer (from 1999-02-09 until 1999-02-12)
alto vocals:
Gérard Lesne (countertenor) (from 1999-02-09 until 1999-02-12)
bass vocals:
Josep-Miquel Ramon i Monzó (from 1999-02-09 until 1999-02-12)
tenor vocals:
Mark Padmore (British tenor) (from 1999-02-09 until 1999-02-12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1999-02-09 until 1999-02-12)
recording of:
Domine salvum, prière pour le Roy, C. 157 (from 1999-02-09 until 1999-02-12)
composer:
Louis‐Nicolas Clérambault
Nicolas Clérambault1:55

Credits

Release

photography:Alexandre Weinberger (photographer)
liner notes:Catherine Cessac (French musicologist)
liner notes translator:Peter Vogelpoel
graphic design:Red Engine
executive producer:Alain Lanceron
bass violin:Bruno Cocset (cello and viol player)
harpsichord:Blandine Rannou (harpsichordist and organist)
organ:Jean-Charles Ablitzer
theorbo:Pascal Monteilhet (lutenist)
violone:Richard Myron
Discogs:https://www.discogs.com/release/8854876 [info]
ASIN:UK: B00004W476 [info]