| # | Title | Artist | Rating | Length |
|---|
| 1 | Legs | ZZ Top | 4.35 | 4:27 |
| 2 | Back on the Chain Gang | The Pretenders | 4.5 | 3:51 |
| 3 | Shake It Up | The Cars | 4.3 | 3:33 |
| 4 | I'm on My Way | The Proclaimers | 4.35 | 3:43 |
| 5 | You Little Thief | Feargal Sharkey | 5 | 5:06 |
| 6 | Right on Track | Breakfast Club | | 4:18 |
| 7 | Motor's Too Fast | James Reyne | 3 | 4:14 |
| 8 | Call Me- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80's (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
- recording of:
- Call Me (in 1980-01)
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.2 | 3:31 |
| 9 | Heaven Is a Place on Earth- recording engineer:
- Steve McMillan
- drums (drum set) [drum] programming:
- Charles Judge and Rick Nowels
- additional engineer:
- Stacy Baird and Robert Feist
- assistant engineer:
- Matthew Freeman , Clark Germaine, Brian Scheuble and Joe Schiff
- additional producer:
- Robert Feist (other vocals [vocal]) and Ellen Shipley (other vocals [vocal])
- producer:
- Rick Nowels
- mixer:
- Shelly Yakus
- acoustic guitar [acoustic guitars]:
- Rick Nowels
- additional guitar:
- Tim Pierce
- additional guitar [guitars]:
- Michael Landau
- additional keyboard [keyboards]:
- Thomas Dolby
- additional percussion:
- Jimmy Bralower and Paulinho da Costa
- bass:
- John Pierce
- drums (drum set) [drums]:
- Kenny Aronoff and Curly Smith
- electric guitar [electric guitars]:
- Dan Huff, John McCurry and Rick Nowels
- guitar [air guitar] and lead vocals:
- Belinda Carlisle
- keyboard [keyboards]:
- Charles Judge and Rick Nowels
- other instruments [fairlight]:
- Rhett Lawrence
- piano [acoustic piano]:
- Charles Judge
- vocals:
- Beth Anderson , Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips and Ellen Shipley
- arranger:
- Rick Nowels
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1987) and Virgin Records Ltd (in 1987)
- additionally recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States, Hollywood Sound in Los Angeles, California, United States and Music Grinder Studios in Hollywood, Los Angeles, California, United States
- recorded at:
- American Recording and Ocean Way Studio
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 400)
- recording of:
- Heaven Is a Place on Earth
- writer:
- Rick Nowels and Ellen Shipley
- publisher:
- BMG Bumblebee , EMI Music Publishing , EMI Virgin Music Publishing Australia P/L, Future Furniture Music (in 1987) and Shipwreck Music (in 1987)
- sub-publisher:
- Fujipacific Music, Inc.
| Belinda Carlisle | 4.05 | 4:06 |
| 10 | Wouldn't It Be Good- recording engineer:
- Julian Mendelsohn (in 1983)
- assistant engineer:
- Roger Howorth
- producer:
- Peter Collins
- mixer:
- Julian Mendelsohn
- lead vocals:
- Nik Kershaw (in 1983)
- horn arranger:
- Jerry Hey and Nik Kershaw
- arranger:
- Nik Kershaw
- phonographic copyright (℗) by:
- MCA Records Ltd. (in 1984)
- mixed at:
- Sarm East Studios in Aldgate, Tower Hamlets, London , England, United Kingdom
- part of:
- VH1's 100 Greatest One-Hit Wonders of the '80s (number: 88)
- recording of:
- Wouldn’t It Be Good (in 1983)
- lyricist and composer:
- Nik Kershaw
- publisher:
- Arctic King, Imagem Music GmbH , Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing , Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
- part of:
- Gotcha!
| Nik Kershaw | 4.35 | 4:31 |
| 11 | Every Little Step- assistant recording engineer:
- Don Emerson and John Guggenheim
- recording engineer and editor:
- Jon Gass
- producer:
- Babyface and L.A.
- assistant mixer:
- Toni Greene and Fred Howard
- mixer:
- Babyface , Jon Gass and L.A.
- instruments:
- Babyface and L.A.
- background vocals:
- Babyface , Bobby Brown , Kayo , Daryl Simmons and Karyn White
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1988)
- produced for:
- LaFace Inc.
- recorded at:
- Silverlake Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Elumba Recording in Hollywood, Los Angeles, California, United States
- recording of:
- Every Little Step
- writer:
- Antonio “L.A.” Reid and Babyface
- publisher:
- Hip Trip Music and Kear Music
| Bobby Brown | 2.35 | 3:57 |
| 12 | Girls on Film | Duran Duran | 3.65 | 3:29 |
| 13 | To Be a Lover- programming:
- Steve Stevens
- engineer:
- Dave Concors, Neil Dorfsman and Dave Wittman
- producer:
- Keith Forsey
- assistant mixer:
- Craig Vogel
- mixer:
- Gary Langan
- bass and guitar:
- Billy Idol (in 1986) and Steve Stevens (in 1986)
- keyboard:
- Steve Stevens (in 1986)
- piano:
- Richard Tee (in 1986)
- synthesizer:
- Keith Forsey (in 1986)
- background vocals:
- Jocelyn Brown (in 1986), Connie Harvey (in 1986) and Janet Wright (in 1986)
- lead vocals:
- Billy Idol (in 1986)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1986) and Chrysalis Records, Inc. (in 1986)
- recorded at:
- Right Track Studios in Manhattan, New York, New York, United States (in 1986)
- mixed at:
- The Hit Factory in Manhattan, New York, New York, United States
- music videos:
- To Be a Lover by Billy Idol
- cover recording of:
- I Forgot to Be Your Lover (in 1986)
- writer:
- William Bell and Booker T. Jones
- publisher:
- Copyright Control , East Memphis Music Corp., Irving Music, Inc., Rondor Music (London) Ltd. and Universal Music Publishing Group
| Billy Idol | 3.5 | 3:53 |
| 14 | Hold Me Now | Thompson Twins | 4.55 | 4:47 |
| 15 | Should've Known Better | Richard Marx | | 4:10 |
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