Messe in H-Moll

~ Release by J. S. Bach; Chorus and Orchestra of Collegium Vocale, Philippe Herreweghe, Barbara Schlick, Catherine Patriasz, Charles Brett, Howard Crook, Peter Kooy (see all versions of this release, 3 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1h-Moll-Messe, BWV 232: Kyrie eleison
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
vocals and orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
Mass in B minor BWV 232, Missa: Kyrie eleison (chorus) (in 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
Johann Sebastian Bach9:19
2h-Moll-Messe, BWV 232: Christe eleison
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
soprano vocals:
Catherine Patriasz (mezzo-soprano) (in 1988-04) and Barbara Schlick (soprano) (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:35
3h-Moll-Messe, BWV 232: Kyrie eleison
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:27
4h-Moll-Messe, BWV 232: Gloria in excelsis Deo
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach7:02
5h-Moll-Messe, BWV 232: Laudamus te
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
soprano vocals:
Catherine Patriasz (mezzo-soprano) (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:22
6h-Moll-Messe, BWV 232: Gratias agimus tibi
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:32
7h-Moll-Messe, BWV 232: Domine Deus
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
soprano vocals:
Barbara Schlick (soprano) (in 1988-04)
tenor vocals:
Howard Crook (tenor) (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:23
8h-Moll-Messe, BWV 232: Qui tollis peccata mundi
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:59
9h-Moll-Messe, BWV 232: Qui sedes ad dextram Patris
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
alto vocals and solo vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1988-04)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor and chorus master:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:27
10h-Moll-Messe, BWV 232: Quoniam tu solus Sanctus
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:33
11h-Moll-Messe, BWV 232: Cum Sancto Spiritu
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:51
▼ CD 2
#TitleArtistRatingLength
1h-Moll-Messe, BWV 232: Credo in unum Deum
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:56
2h-Moll-Messe, BWV 232: Patrem omnipotentem
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:51
3h-Moll-Messe, BWV 232: Et in unum Dominum
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
alto vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1988-04)
soprano vocals:
Barbara Schlick (soprano) (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:57
4h-Moll-Messe, BWV 232: Et incarnatus est
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:05
5h-Moll-Messe, BWV 232: Crucifixus
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:12
6h-Moll-Messe, BWV 232: Et resurrexit
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:53
7h-Moll-Messe, BWV 232: Et in Spiritum Sanctum
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:07
8h-Moll-Messe, BWV 232: Confiteor
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:07
9h-Moll-Messe, BWV 232: Sanctus
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:53
10h-Moll-Messe, BWV 232: Osanna in excelsis
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:33
11h-Moll-Messe, BWV 232: Benedictus
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
tenor vocals:
Howard Crook (tenor) (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:58
12h-Moll-Messe, BWV 232: Osanna in excelsis
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:35
13h-Moll-Messe, BWV 232: Agnus Dei
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
alto vocals:
Charles Brett (English counter-tenor active in late 20th century) (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:27
14h-Moll-Messe, BWV 232: Dona nobis pacem
producer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Collegium Vocale Gent (in 1988-04)
orchestra:
Collegium Vocale Gent (in 1988-04)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1988-04)
balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer) (in 1988-04)
recorded at:
Minderbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1988-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1988-04)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:34