Poppy.Computer

~ Release by Poppy (see all versions of this release, 5 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1I’m Poppy
recorded in:
Japan
produced in:
Japan
producer:
Ryosuke “Dr.R” Sakai
spoken vocals:
Titanic Sinclair
phonographic copyright (℗) by:
I’m Poppy Records (in 2017) and Mad Decent Protocol LLC (in 2017)
samples:
[“Super Mario Bros.” coin sound effect] (1985) by 近藤浩治 (Koji Kondo, Nintendo composer)
recording of:
I’m Poppy
written in:
Los Angeles, California, United States (in 2016)
writer:
Moriah Rose Pereira (US post‐genre artist, AKA That Poppy), Ryosuke “Dr.R” Sakai and Titanic Sinclair
publisher:
Kool D Songs, Songs of Kobalt Music Publishing, These Are Songs of Pulse (ASCAP) and Titanic Sinclair Publishing
Poppy3:06
2Let’s Make a Video
recorded in:
Japan
produced in:
Japan
producer:
Ryosuke “Dr.R” Sakai
phonographic copyright (℗) by:
I’m Poppy Records (in 2017) and Mad Decent Protocol LLC (in 2017)
recording of:
Let’s Make a Video
written in:
Los Angeles, California, United States (in 2016)
writer:
Corey Michael Mixter, Moriah Rose Pereira (US post‐genre artist, AKA That Poppy) and 宅見将典 (Masanori Takumi)
publisher:
Kool D Songs, One One Nine Five Publishing, These Are Songs of Pulse (ASCAP), Titanic Sinclair Publishing, ソニー・ミュージックパブリッシング (Sony Music Publishing (Japan) Inc., song publisher, never a release label), フジパシフィックミュージック (Fujipacific Music, Inc.) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Poppy2:51
3Bleach Blonde Baby
recorded in:
Japan
produced in:
Japan
producer:
Ryosuke “Dr.R” Sakai
phonographic copyright (℗) by:
I’m Poppy Records (in 2017) and Mad Decent Protocol LLC (in 2017)
recording of:
Bleach Blonde Baby
written in:
Los Angeles, California, United States (in 2016)
writer:
Poppy Chan (US post‐genre artist, AKA That Poppy), Titanic Sinclair and Simon Wilcox (Canadian songwriter)
publisher:
Dames Booze and Chains (BMI-affiliated), EMI Blackwood Music Inc., One One Nine Five Publishing and Stellar Songs Limited (BMI-affiliated)
Poppy3:29
4My Microphone
recorded in:
Japan
produced in:
Japan
producer:
Chris Greatti and Ryosuke “Dr.R” Sakai
phonographic copyright (℗) by:
I’m Poppy Records (in 2017) and Mad Decent Protocol LLC (in 2017)
recording of:
My Microphone
written in:
Los Angeles, California, United States (in 2016)
writer:
Christopher Dean Greatti and Moriah Rose Pereira (US post‐genre artist, AKA That Poppy)
publisher:
One One Nine Five Publishing
Poppy2:51
5Moshi Moshi
recorded in:
Japan
produced in:
Japan
producer:
Ryosuke “Dr.R” Sakai
phonographic copyright (℗) by:
I’m Poppy Records (in 2017) and Mad Decent Protocol LLC (in 2017)
recording of:
Moshi Moshi
written in:
Los Angeles, California, United States (in 2016)
writer:
Christopher Dean Greatti and Moriah Rose Pereira (US post‐genre artist, AKA That Poppy)
publisher:
One One Nine Five Publishing
Poppy3:41
6Computer Boy
recorded in:
Japan
produced in:
Japan
producer:
Chris Greatti and Ryosuke “Dr.R” Sakai
phonographic copyright (℗) by:
I’m Poppy Records (in 2017) and Mad Decent Protocol LLC (in 2017)
recording of:
Computer Boy
written in:
Los Angeles, California, United States (in 2016)
writer:
Chris Greatti and Moriah Rose Pereira (US post‐genre artist, AKA That Poppy)
publisher:
Catsnip Music, One One Nine Five Publishing and Songs of Kobalt Music Publishing
Poppy52:51
7My Style
producer:
Titanic Sinclair
phonographic copyright (℗) by:
I’m Poppy Records (in 2017) and Mad Decent Protocol LLC (in 2017)
recording of:
My Style
written in:
Los Angeles, California, United States (in 2016)
writer:
Corey Michael Mixter, Poppy Chan (US post‐genre artist, AKA That Poppy) and Simon Wilcox (Canadian songwriter)
publisher:
Dames Booze and Chains (BMI-affiliated), EMI Blackwood Music Inc., One One Nine Five Publishing and Stellar Songs Limited (BMI-affiliated)
Poppy feat. Charlotte2:37
8Fuzzy
recorded in:
Japan
produced in:
Japan
producer:
Chris Greatti and Ryosuke “Dr.R” Sakai
phonographic copyright (℗) by:
I’m Poppy Records (in 2017) and Mad Decent Protocol LLC (in 2017)
recording of:
Fuzzy
written in:
Los Angeles, California, United States (in 2016)
writer:
Christopher Dean Greatti and Moriah Rose Pereira (US post‐genre artist, AKA That Poppy)
publisher:
One One Nine Five Publishing
Poppy2:50
9Interweb
producer:
Titanic Sinclair
phonographic copyright (℗) by:
I’m Poppy Records (in 2017) and Mad Decent Protocol LLC (in 2017)
recording of:
Interweb
written in:
Los Angeles, California, United States (in 2016)
writer:
Corey Michael Mixter, Poppy Chan (US post‐genre artist, AKA That Poppy) and Simon Wilcox (Canadian songwriter)
premiered at:
The Late Late Show with James Corden, Episode 363 (2017-08-02)
publisher:
Dames Booze and Chains (BMI-affiliated), EMI Blackwood Music Inc., One One Nine Five Publishing and Stellar Songs Limited (BMI-affiliated)
Poppy3:49
10Software Upgrade
recorded in:
Japan
produced in:
Japan
producer:
Ryosuke “Dr.R” Sakai
phonographic copyright (℗) by:
I’m Poppy Records (in 2017) and Mad Decent Protocol LLC (in 2017)
recording of:
Software Upgrade
written in:
Los Angeles, California, United States (in 2016)
writer:
Moriah Pereira (US post‐genre artist, AKA That Poppy), Titanic Sinclair and Simon Wilcox (Canadian songwriter)
publisher:
Dames Booze and Chains (BMI-affiliated), EMI Blackwood Music Inc., One One Nine Five Publishing and Stellar Songs Limited (BMI-affiliated)
Poppy3:26
11Pop Music
producer:
Titanic Sinclair
phonographic copyright (℗) by:
I’m Poppy Records (in 2017) and Mad Decent Protocol LLC (in 2017)
recording of:
Pop Music
written in:
Los Angeles, California, United States (in 2016)
writer:
Poppy Chan (US post‐genre artist, AKA That Poppy), Titanic Sinclair and Simon Wilcox (Canadian songwriter)
publisher:
Dames Booze and Chains (BMI-affiliated), EMI Blackwood Music Inc., One One Nine Five Publishing and Stellar Songs Limited (BMI-affiliated)
Poppy2:45