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~ Veröffentlichung von Elvis Presley (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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▼ CD 1
Nr.TitelBewertungLänge
1All Shook Up
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-12 bis 1957-01-13)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-12 bis 1957-01-13) und Elvis Presley (“The King of Rock and Roll”) (von 1957-01-12 bis 1957-01-13)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1957-01-12 bis 1957-01-13)
Schlagzeug:
D.J. Fontana (von 1957-01-12 bis 1957-01-13)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”) und The Jordanaires (von 1957-01-12 bis 1957-01-13)
remixer:
Dennis Ferrante
zusätzliche(r) Interpret(in):
The Jordanaires
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957), BMG Music (in 1957) und Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-01-12 bis 1957-01-13) und Bloch Arena in Honolulu, Hawaii, Vereinigte Staaten (am 1961-03-25)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 18) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 353)
cover recording of:
All Shook Up (am 1957-01-12)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) und Shalimar Music Corp.
3.651:59
2Jailhouse Rock
recording of:
Jailhouse Rock
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC und Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
2:30
3Heartbreak Hotel
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (am 1956-01-10), Lena Brock "Mom" Speer (am 1956-01-10) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-01-10)
Herausgeber:
Sony/ATV Songs LLC
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 45) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 347)
recording of:
Heartbreak Hotel (am 1956-01-10)
Verfasser(in):
Mae Boren Axton, Tommy Durden und Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing und Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3.652:09
4Loving You
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-02-23 bis 1957-02-24)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-02-23 bis 1957-02-24) und Elvis Presley (“The King of Rock and Roll”) (von 1957-02-23 bis 1957-02-24)
Klavier:
Dudley Brooks (von 1957-02-23 bis 1957-02-24)
Schlagzeug:
D.J. Fontana (von 1957-02-23 bis 1957-02-24)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-02-24)
vocals:
The Jordanaires (von 1957-02-23 bis 1957-02-24)
zusätzliche(r) Interpret(in):
The Jordanaires (am 1957-02-24)
phonographisches Urheberrecht (℗) von:
BMG Music und Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-02-23 bis 1957-02-24)
recording of:
Loving You (von 1957-02-23 bis 1957-02-24)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
cover recording of:
Loving You
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
42:15
5Blue Suede Shoes
assistierende(r) Techniker(in):
Dror Mohar
Mix:
Ray Bardani
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-01-30) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-30)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30)
Schlagzeug:
D.J. Fontana (am 1956-01-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-30)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2003)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 423)
cover recording of:
Blue Suede Shoes (am 1956-01-30)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (Publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
4.52:03
6Don’t Leave Me Now
cover recording of:
Don’t Leave Me Now
Verfasser(in):
Aaron Schroeder (1950s~1960s US songwriter) und Ben Weisman
publisher:
A. Schroeder, Blen Music, Chappell & Co., Gladys Music Inc. und Rachel’s Own Music
2:07
7I’m Left, You’re Right, She’s Gone
cover recording of:
I’m Left, You’re Right, She’s Gone
Verfasser(in):
Stan Kesler (US session musician, composer and producer) und Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
2:40
8Playing for Keeps
cover recording of:
Playing for Keeps
Texter und Komponist(in):
Stan Kesler (US session musician, composer and producer)
2:53
9Money Honey
recording of:
Money Honey
Texter und Komponist(in):
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) und ZFC Music
2:37
10Party
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-15 bis 1957-01-18)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-15 bis 1957-01-18) und Tiny Timbrell (von 1957-01-15 bis 1957-01-18)
Klavier:
Dudley Brooks (von 1957-01-15 bis 1957-01-18)
Schlagzeug:
D.J. Fontana (von 1957-01-15 bis 1957-01-18)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (von 1957-01-15 bis 1957-01-18)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1957) und RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1957)
aufgenommen bei:
Paramount Pictures Scoring Stage M in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-01-15 bis 1957-01-18)
cover recording of:
Let’s Have a Party (von 1957-01-15 bis 1957-01-18)
Texter und Komponist(in):
Jessie Mae Robinson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Gladys Music Inc., IQ Music Ltd., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und Universal/MCA Music Ltd. (not for release label use!)
2.951:30
11I Love You Because
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-05)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-05) und Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-05)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954, in 1956, in 1957)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-05)
cover recording of:
I Love You Because (am 1954-07-05)
Texter und Komponist(in):
Leon Payne (Country/Rockabilly artist)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1949-10-12)
42:44
12Treat Me Nice
recording of:
Treat Me Nice
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
2:13
13I Don’t Care If the Sun Don’t Shine
cover recording of:
I Don’t Care If the Sun Don’t Shine
Texter und Komponist(in):
Mack David (American lyricist and songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
2:32
14First in Line
recording of:
First in Line
Komponist(in):
Aaron Schroeder (1950s~1960s US songwriter) und Ben Weisman
publisher:
Rachel’s Own Music und Ross Jungnickel, Inc.
3:26
15Poor Boy
recording of:
Poor Boy (for copyright reasons, originally credited to Vera Matson and Elvis Presley)
Texter und Komponist(in):
Ken Darby
publisher:
Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
2:17
16I Was the One
recording of:
I Was the One
Verfasser(in):
Hal Blair, Claude Demetrius, Bill Peppers und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. und Rachel’s Own Music
2:38
17Any Way You Want Me (That’s How I Will Be)
recording of:
Any Way You Want Me
Verfasser(in):
Cliff Owens und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Rachel’s Own Music und Ross Jungnickel, Inc.
2:18
18Milkcow Blues Boogie
cover recording of:
Milk Cow Blues (Kokomo Arnold's version)
Texter und arranger:
Kokomo Arnold
Komponist(in):
[traditional] (special purpose artist) und Kokomo Arnold
publisher:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) und Universal Music Corp. (USA, affiliated with ASCAP)
Version von:
Milk Cow Blues
2:41
19Paralyzed
recording of:
Paralyzed
Komponist(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music und Williamson Music Company
2:27
20Lawdy Miss Clawdy
cover recording of:
Lawdy Miss Clawdy
Texter und Komponist(in):
Lloyd Price (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC und Venice Music
2:12
21Lonesome Cowboy
cover recording of:
Lonesome Cowboy
Verfasser(in):
Roy C. Bennett (US songwriter) und Sid Tepper
publisher:
Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc. und Williamson Music Company
3:03
22Just Because
cover recording of:
Just Because (am 1954-09-12)
Texter:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) und Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
Komponist(in):
Leon Chappelear und Sid Robin (US lyricist & composer)
publisher:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) und State Street Music Publ. Co. Inc. (am 1936-03-19)
2:36
23Have I Told You Lately That I Love You?
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1957-01-19)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1957-01-19) und Elvis Presley (“The King of Rock and Roll”) (am 1957-01-19)
Klavier:
Dudley Brooks (am 1957-01-19)
Orgel:
Hoyt Hawkins (am 1957-01-19)
Schlagzeug:
D.J. Fontana (am 1957-01-19)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (am 1957-01-19)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-01-19)
cover recording of:
Have I Told You Lately That I Love You? (am 1957-01-19)
Texter und Komponist(in):
Scott Wiseman (in 1945)
publisher:
Duchess Music Corporation (BMI-affiliated), MCA Duchess Music Corporation, Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Leeds Music Ltd. (in 1982)
42:34
24Love Me
Techniker(in):
Thorne Nogar
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-09-01, von 1956-09-01 bis 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-09-01, von 1956-09-01 bis 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03)
Schlagzeug:
D.J. Fontana (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01)
vocals:
The Jordanaires (von 1956-09-01 bis 1956-09-03)
zusätzlich vocals:
The Jordanaires (am 1956-09-01)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956) und Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-09-01, von 1956-09-01 bis 1956-09-03)
cover recording of:
Love Me (von 1956-09-01 bis 1956-09-03)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) und Sony/ATV Songs LLC
42:46
25Got a Lot o’ Livin’ to Do!
recording of:
Got a Lot o’ Livin’ to Do (am 1957-01-12)
Verfasser(in):
Aaron Schroeder (1950s~1960s US songwriter) und Ben Weisman
publisher:
Gladys Music Inc., Minder Music Ltd. und Rachel’s Own Music
2:33
▼ CD 2
Nr.TitelBewertungLänge
1(Let Me Be Your) Teddy Bear
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-15 bis 1957-01-18)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-15 bis 1957-01-18) und Tiny Timbrell (von 1957-01-15 bis 1957-01-18)
Klavier:
Dudley Brooks (von 1957-01-15 bis 1957-01-18)
Schlagzeug:
D.J. Fontana (von 1957-01-15 bis 1957-01-18)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (von 1957-01-15 bis 1957-01-18)
vocals:
Elvis Presley (“The King of Rock and Roll”) und The Jordanaires (von 1957-01-15 bis 1957-01-18)
zusätzliche(r) Interpret(in):
The Jordanaires (von 1957-01-15 bis 1957-01-18)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957), BMG Music (in 1957) und Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Paramount Pictures Scoring Stage M in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-01-15 bis 1957-01-18)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 26)
recording of:
(Let Me Be Your) Teddy Bear (von 1957-01-15 bis 1957-01-18)
Verfasser(in):
Bernie Lowe und Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. und Williamson Music Company
cover recording of:
(Let Me Be Your) Teddy Bear
Verfasser(in):
Bernie Lowe und Kal Mann
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. und Williamson Music Company
2.851:48
2That’s All Right (Mama)
cover recording of:
That’s All Right
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music und Unichappell Music, Inc.
1:57
3Hound Dog
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (am 1956-07-02)
zusätzliche(r) Interpret(in):
The Jordanaires
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956, in 1972), BMG Music (in 1956) und Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
cover recording of:
Hound Dog (am 1956-07-02)
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
3.852:17
4Blue Moon
cover recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
2:41
5(You’re So Square) Baby I Don’t Care
cover recording of:
(You’re So Square) Baby I Don’t Care (am 1957-05-08)
Texter:
Jerry Leiber (in 1957)
Komponist(in):
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC und WB Music Corp. (1929–2019)
41:53
6We’re Gonna Move
cover recording of:
We’re Gonna Move (am 1956-08-24)
Verfasser(in):
Vera Matson und Elvis Presley (“The King of Rock and Roll”)
publisher:
Elvis Presley Music Inc., R&H Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1973)
42:31
7Good Rockin’ Tonight
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954, von 1954-09-12 bis 1954-09-16)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1954-09-12 bis 1954-09-16)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (in 1954) und Elvis Presley (“The King of Rock and Roll”) (in 1954, von 1954-09-12 bis 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1954-09-12 bis 1954-09-16)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954) und BMG Entertainment (in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (in 1954, von 1954-09-12 bis 1954-09-16)
cover recording of:
Good Rockin’ Tonight (am 1954-09-10)
Texter und Komponist(in):
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. und Wixen Music UK Ltd.
52:14
8Young and Beautiful
cover recording of:
Young and Beautiful (am 1957-04-30)
Verfasser(in):
Aaron Schroeder (1950s~1960s US songwriter) und Abner Silver
publisher:
Blen Music, Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated) und Rachel’s Own Music
42:04
9Too Much
Techniker(in):
Thorne Nogar
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-09-02)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-09-02)
Gitarre und Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-02)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-09-02)
Schlagzeug:
D.J. Fontana (am 1956-09-02)
zusätzlich vocals:
The Jordanaires (am 1956-09-02)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1957) und Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-09-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 34)
cover recording of:
Too Much (am 1956-09-02)
Verfasser(in):
Lee Rosenberg und Bernard Weinman
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., MCS Music Ltd. und Southern Belle Music
2.352:33
10I Forgot to Remember to Forget
cover recording of:
I Forgot to Remember to Forget
Verfasser(in):
Charlie Feathers und Stan Kesler (US session musician, composer and producer)
publisher:
Carlin Music Corporation und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2:30
11When My Blue Moon Turns to Gold Again
cover recording of:
When My Blue Moon Turns to Gold Again
Verfasser(in):
Gene Sullivan (in 1940) und Wiley Walker (in 1940)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Peer International Corporation (BMI) (am 1941-12-03)
2:22
12That’s When Your Heartaches Begin
cover recording of:
That’s When Your Heartaches Begin
Verfasser(in):
Fred Fisher, Billy Hill (US songwriter) und William Raskin
publisher:
Fred Fisher Music Co., Inc. und Sony/ATV Tunes LLC (ASCAP)
53:23
13Mystery Train
Produzent(in):
Sam Phillips (founder of Sun Records)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 77)
cover recording of:
Mystery Train (am 1955-07-11)
Verfasser(in):
Junior Parker und Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Hilo Music Inc. (in 1953)
3.352:26
14Don’t Be Cruel
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 11) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 197)
recording of:
Don’t Be Cruel (am 1956-07-02)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. und Williamson Music Company
3.82:03
15I Want to Be Free
cover recording of:
I Want to Be Free (am 1957-05-03)
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Elvis Presley Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC und Sony/ATV Songs LLC
42:14
16Rip It Up!
cover recording of:
Rip It Up (am 1956-09-03)
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC und Venice Music
1:57
17Mean Woman Blues
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1957-01-13)
zusätzliche(r) Interpret(in):
The Jordanaires (am 1957-01-13)
phonographisches Urheberrecht (℗) von:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1957) und Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-01-13)
recording of:
Mean Woman Blues (am 1957-01-13)
Texter und Komponist(in):
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. und Williamson Music Company
cover recording of:
Mean Woman Blues
Texter und Komponist(in):
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. und Williamson Music Company
42:17
18Old Shep
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1956-09-01 bis 1956-09-03)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1956-09-01 bis 1956-09-03) und Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03)
Klavier:
Elvis Presley (“The King of Rock and Roll”) (von 1956-09-01 bis 1956-09-03) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1956-09-01 bis 1956-09-03)
Schlagzeug:
D.J. Fontana (von 1956-09-01 bis 1956-09-03)
vocals:
The Jordanaires (von 1956-09-01 bis 1956-09-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1956-09-01 bis 1956-09-03)
cover recording of:
Old Shep (von 1956-09-01 bis 1956-09-03)
publisher:
Clyde Julian Foley (US country music musician) (am 1935-06-24)
Texter:
Willis Arthur (lyricist)
Komponist(in):
Clyde Julian Foley (US country music musician)
publisher:
Westpar Music
54:12
19Baby Let’s Play House
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1955-01-30 bis 1955-02-04)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1955-01-30 bis 1955-02-04)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
vocals:
Elvis Presley (“The King of Rock and Roll”) (von 1955-01-30 bis 1955-02-04)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1953, in 1955)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (von 1955-01-30 bis 1955-02-04)
cover recording of:
Baby Let’s Play House (von 1955-01-30 bis 1955-02-04)
Texter und Komponist(in):
Arthur Gunter
publisher:
Embassy Music Corp. und LPGV Music (BMI)
3.82:16
20I Want You, I Need You, I Love You
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-04-14)
Gitarre:
Chet Atkins (am 1956-04-14) und Scotty Moore (American guitarist and recording engineer) (am 1956-04-14)
Klavier:
Marvin Hughes (am 1956-04-14)
Schlagzeug:
D.J. Fontana (am 1956-04-14)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-04-14)
vocals:
Brock Speer (am 1956-04-14), Ben Speer (am 1956-04-14), Lena Brock "Mom" Speer (am 1956-04-14) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-04-14)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1956) und Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2003)
aufgenommen bei:
RCA Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-04-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 25)
recording of:
I Want You, I Need You, I Love You (am 1956-04-14)
Verfasser(in):
Ira Kosloff und Maurice Mysels
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music und Williamson Music Company
52:39
21My Baby Left Me
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10, von 1956-01-30 bis 1956-02-03) und Scotty Moore (American guitarist and recording engineer) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Schlagzeug:
D.J. Fontana (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956) und BMG Music (in 1956)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-30, von 1956-01-30 bis 1956-01-31, am 1956-02-03)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 29)
cover recording of:
My Baby Left Me (von 1956-01-30 bis 1956-02-03)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. und Williamson Music Company
42:12
22Love Me Tender
accordion:
Carl Fortina (von 1956-08-24 bis 1956-09-04) und Dominic Frontiere (von 1956-08-24 bis 1956-09-04)
Banjo:
Luther "Red" Roundtree (von 1956-08-24 bis 1956-09-04)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (von 1956-08-24 bis 1956-09-04)
Gitarre:
Vito Mumolo (Session Musician (Guitar)) (von 1956-08-24 bis 1956-09-04)
Schlagzeug:
Richard Cornell (Percussion) (von 1956-08-24 bis 1956-09-04)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01)
vocals:
Elvis Presley (“The King of Rock and Roll”), Jon Dodson (von 1956-08-24 bis 1956-09-04, am 1956-09-01), Charles Prescott (von 1956-08-24 bis 1956-09-04, am 1956-09-01) und Rad Robinson (von 1956-08-24 bis 1956-09-04, am 1956-09-01)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) und Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
20th Century Fox Music Stage 1 in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-24, am 1956-09-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 437)
recording of:
Love Me Tender (von 1956-08-24 bis 1956-09-04)
Texter:
Ken Darby (in 1956)
zusätzliche(r) Verfasser(in):
Vera Matson (in 1956) und Elvis Presley (“The King of Rock and Roll”) (in 1956)
Komponist(in):
George R. Poulton (in 1861)
publisher:
ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company und Elvis Presley Music (vom 1956 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Aura Lea
42:44
23Trying to Get to You
cover recording of:
Trying to Get to You
Verfasser(in):
Rose Marie McCoy und Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific und You Look Good Music Publishing
2:34
24Blue Moon of Kentucky
Techniker(in) und Produzent(in):
Sam Phillips (founder of Sun Records)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1954-07-07)
E-Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1954-07-07)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (am 1954-07-07)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1954)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1954-07-07)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 49)
cover recording of:
Blue Moon of Kentucky (am 1954-07-07)
Texter und Komponist(in):
Bill Monroe (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3.52:05
25(There’ll Be) Peace in the Valley (for Me)!
cover recording of:
There’ll Be Peace in the Valley for Me
publisher:
Thomas A. Dorsey (gospel musician aka “Georgia Tom”) (am 1939-01-25)
Texter und Komponist(in):
Thomas A. Dorsey (gospel musician aka “Georgia Tom”)
publisher:
Carlin Music Corp., Rightsong Music, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
3:26

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Veröffentlichung

hergestellt in:Europa
Discogs:https://www.discogs.com/release/7423913 [Info]
ASIN:UK: B00158FJSY [Info]