Génération opéra - Les Plus Grands Airs par les nouvelles stars de l'opéra

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
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1La Flûte enchantée: „Der Hölle Rache”
soprano vocals [Königin der Nacht]:
Natalie Dessay (soprano)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:04
2Don Giovanni: “Deh vieni alla finestra”
baritone vocals [Don Giovanni]:
Peter Mattei (baritone)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:06
3Don Giovanni: “Finch’han dal vino”
baritone vocals [Don Giovanni]:
Peter Mattei (baritone)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:13
4Les Noces de Figaro: “Porgi amor”
soprano vocals [La contessa]:
Véronique Gens (soprano)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:19
5Così fan tutte: “Come scoglio”
mezzo-soprano vocals [Fiordiligi]:
Elīna Garanča (Latvian operatic lyric mezzo-soprano)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart5:51
6La Flûte enchantée: „Ach, ich fühl’s”
soprano vocals [Pamina]:
Dawn Upshaw (soprano)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:58
7Orfeo ed Euridice: “Ahimé! Dove trascorsi”
countertenor vocals [Orfeo]:
David Daniels (American countertenor)
recording of:
Orfeo ed Euridice, Wq. 30, Atto III, scena 1: “Ahimè! Dove trascorsi!” (Orfeo)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck1:15
8Orfeo ed Euridice: “Che farò senza Euridice”
countertenor vocals [Orfeo]:
David Daniels (American countertenor)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck3:54
9L’Orfeo: “Possente spirto”
tenor vocals:
Ian Bostridge (tenor)
recording of:
L'Orfeo: Atto terzo. Possente spirto
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto terzo
Claudio Monteverdi4:57
10Didon et Énée: “Thy hand, Belinda”
mezzo-soprano vocals [Dido]:
Susan Graham (mezzo-soprano)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido)
composer:
Henry Purcell (baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:57
11Didon et Énée: “When I Am Laid in Earth”
mezzo-soprano vocals [Dido]:
Susan Graham (mezzo-soprano)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:55
12Aci, Galatea e Polifem : “Fra l’ombre e gl’orrori”
bass-baritone vocals:
Laurent Naouri (bass-baritone)
partial recording of:
Aci, Galatea e Polifemo, HWV 72
composer:
George Frideric Handel (German‐British baroque composer) (until 1708-06-16)
librettist:
Nicola Giuvo
part of:
Händel-Werke-Verzeichnis (number: HWV 72)
Georg Friedrich Haendel6:09
13Rodrigo: “Empio fato, e fiera sorte“
soprano vocals:
Sandrine Piau (soprano)
Georg Friedrich Haendel3:19
14Serse: “Frondi tenere...”
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano)
recording of:
Serse, HWV 40: Atto I, no. 1. Recitativo “Frondi tenere” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (in 1738)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Haendel0:42
15Serse: “Ombra mai fù”
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Haendel3:23
16Semele: “Awake, Saturnia”
mezzo-soprano vocals:
Stephanie Blythe (mezzo-soprano)
Georg Friedrich Haendel4:58
17Bajazet: “Dov'è mia figlia”
vocals:
Ildebrando d’Arcangelo (operatic bass)
partial recording of:
Bajazet, RV 703
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
librettist:
Agostino Piovene
part of:
Ryom-Verzeichnis (number: RV 703)
Antonio Vivaldi2:11
18Bajazet: “Anche il mar”
vocals:
Patrizia Ciofi (Italian soprano)
partial recording of:
Bajazet, RV 703
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
librettist:
Agostino Piovene
part of:
Ryom-Verzeichnis (number: RV 703)
Antonio Vivaldi3:46
19Giustino: “Vedro con mio diletto”
countertenor vocals [Anastasio]:
Philippe Jaroussky (countertenor)
recording of:
Giustino: Vedro con mio diletto (Anastasio)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Giustino, RV 717: Act I
Antonio Vivaldi5:13
20Castor et Pollux : « Tristes apprêts »
soprano vocals:
Véronique Gens (soprano)
partial recording of:
Castor et Pollux
composer:
Jean‐Philippe Rameau (French composer of the Baroque era) (from 1737 until 1754)
librettist:
Pierre-Joseph Bernard
premiered at:
Théâtre du Palais-Royal (1st, 1660-1763) in Paris, Île-de-France, France (on 1737-10-24)
part of:
Catalogue thématique des oeuvres musicales de Jean-Philippe Rameau (number: RCT 32)
Jean‐Philippe Rameau4:12
21Platée : « Aux langueurs d’Apollon »
soprano vocals:
Patricia Petibon (soprano)
partial recording of:
Platée
composer:
Jean‐Philippe Rameau (French composer of the Baroque era) (in 1745)
additional librettist:
Adrien-Joseph le Valois d'Orville
librettist:
Jacques Autreau
part of:
Catalogue thématique des oeuvres musicales de Jean-Philippe Rameau (number: RCT 53)
Jean‐Philippe Rameau5:31
▼ CD 2
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1L'Élixir d'amour: “Una furtiva lagrima”
tenor vocals [Nemorino]:
Rolando Villazón (tenor)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:31
2La cenerentola: “Nacqui all'affanno”
mezzo-soprano vocals [Angelina]:
Vivica Genaux (mezzo-soprano)
recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico)
composer:
Gioachino Rossini (composer)
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini7:11
3Guglielmo Tell: “S'allontanano alfin...“
soprano vocals:
Katia Ricciarelli (soprano)
recording of:
Guglielmo Tell: Atto II, scena 2. “S’allontanano alfine!”
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto II
Gioachino Rossini3:37
4Guglielmo Tell: “Selva opaca“
soprano vocals:
Katia Ricciarelli (soprano)
recording of:
Guglielmo Tell: Atto II, scena 2. “Selva opaca, deserta brughiera”
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto II
Gioachino Rossini5:40
5Lucie de Lammermoor: « Tombe de mes aïeux »
tenor vocals:
Roberto Alagna (tenor)
partial recording of:
Lucie de Lammermoor (French version)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Alphonse Royer and Gustave Vaëz
translated version of:
Lucia di Lammermoor
Gaetano Donizetti7:46
6Benvenuto Cellini : « Mais qu'ai-je donc ? »
mezzo-soprano vocals:
Joyce DiDonato (mezzo-soprano)
partial recording of:
Benvenuto Cellini, op. 23
composer:
Hector Berlioz (composer)
librettist:
Henri Auguste Barbier and Léon de Wailly (librettist)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 76A)
Hector Berlioz5:17
7Roméo et Juliette : « Ah ! Je veux vivre dans le rêve »
soprano vocals [Juliette]:
Natalie Dessay (soprano)
recording of:
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette)
composer:
Charles Gounod (French composer) (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette : Acte I
Charles‐François Gounod3:35
8Don Carlos : « Elle ne m'aime pas »
bass-baritone vocals:
José van Dam (Belgian operatic bass-baritone)
recording of:
Don Carlos : Acte IV, scène 1. Scène et cantabile « Elle ne m’aime pas ! » (Philippe)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte IV
Giuseppe Verdi9:55
9Tosca: “E lucevan le stelle”
tenor vocals [Cavaradossi]:
Rolando Villazón (tenor)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:49
10La Grande-Duchesse de Gérolstein : « Vous aimez le danger »
soprano vocals [La Grande-Duchesse]:
Felicity Lott (soprano)
recording of:
La Grande‐Duchesse de Gérolstein : Acte I. N° 3B: Récit : Entrée de la Grande-Duchesse « Vous aimez le danger » (Duchesse)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
La Grande-Duchesse de Gérolstein: Acte I
Jacques Offenbach4:03
11La Belle Hélène : Le Jugement de Pâris « Au mont Ida »
tenor vocals [Pâris]:
Yann Beuron (french tenor)
recording of:
La Belle Hélène : Acte I, Scène 7. Jugement de Pâris « Au mont Ida, trois déesses » (Pâris)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
La Belle Hélène: Acte I
Jacques Offenbach3:35
12Der Opernball: „Im chambre séparée”
soprano vocals:
Felicity Lott (soprano)
recording of:
Der Opernball: Akt II. "Im chambre séparée"
composer:
Richard Heuberger (composer)
librettist:
Victor Léon (librettist) and Heinrich von Waldberg
part of:
Der Opernball: Akt II
Richard Heuberger3:20
13Ariane à Naxos: „Seien wir wieder gut!”
mezzo-soprano vocals:
Sophie Koch (mezzo-soprano)
recording of:
Ariadne auf Naxos, op. 60: Vorspiel. [14] „Seien wir wieder gut” (Musiklehrer, Komponist)
composer:
Richard Strauss (German composer)
part of:
Ariadne auf Naxos, op. 60: Vorspiel
Richard Strauss3:13
14Ariane à Naxos: „Großmächtige Prinzessin”
soprano vocals:
Sumi Jo (soprano)
recording of:
Ariadne auf Naxos, op. 60: Oper. [7] „Großmächtige Prinzessin” … „Noch glaub ich dem einen” (Zerbinetta)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss13:18