Essential Soul

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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▼ CD 1
#TitoloArtistaValutazioneDurata
1Soul Man
registrazione di:
Soul Man
autore:
Isaac Hayes (nel 1967) e David Porter (US soul musician, producer & songwriter) (nel 1967)
editore:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1986) e Walden Music Corp. (publisher) (nel 1986)
Sam & Dave?:??
2Gimme Little Sign
registrazione di:
Gimme Little Sign
autore:
Alfred Smith, Joseph Hooven (songwriter, producer, label owner, publisher & trumpeter [Joseph Davis Hooven]) e Jerry Winn
editore:
Arlovol Music, Bonnyview Music Corp., EMI Catalogue Partnership Australia Pty Ltd e I'm Hip Productions (Active in the late 60's)
Brenton Wood1?:??
3Rescue Me
registrazione di:
Rescue Me
autore:
Raynard Miner e Carl Smith (Songwriter and producer)
editore:
United Artists Music Co., Inc. (conclusa), Chevis Music Publ. Corp. e Reservoir 416
Fontella Bass?:??
4Under the Boardwalk
registrazione di:
Under the Boardwalk
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), TM Music Ltd. e Trio Music Company
The Drifters?:??
5Knock on Wood
registrazione di:
Knock on Wood
autore:
Steve Cropper e Eddie Floyd
editore:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
Eddie Floyd?:??
6The ‘In’ Crowd
Dobie Gray?:??
7Dancin' in the Street
registrazione di:
Dancing in the Street
autore:
Marvin Gaye, Ivy Jo Hunter e William Stevenson (Motown songwriter)
editore:
EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha Reeves?:??
8Spanish Harlem
registrazione di:
Spanish Harlem
paroliere:
Jerry Leiber
compositore:
Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. e Unichappell Music
Ben E. King?:??
9What Becomes of the Broken Hearted
registrazione di:
What Becomes of the Brokenhearted
autore:
James Dean (US soul songwriter), Paul Riser e William Weatherspoon
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music (UK)
Jimmy Ruffin?:??
10B.A.B.Y.
registrazione di:
B-A-B-Y
autore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group) e Warner/Chappell North America
Carla Thomas?:??
11My Guy
registrazione di:
My Guy
paroliere e compositore:
Smokey Robinson
editore:
Jobette Music (UK) Ltd.
Mary Wells?:??
12Tell It Like It Is
produttore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Alvin “Red” Tyler (American jazz saxophonist)
registrata presso:
Jazz City Studios in New Orleans, Louisiana, Stati Uniti (nel 1966)
registrazione di:
Tell It Like It Is (nel 1966)
autore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Lee Diamond
editore:
Conrad Music (publisher; do NOT use as release label) e Olrap Publishing Co., Inc.
Aaron Neville4.5?:??
13Drift Away
registrazione di:
Drift Away
paroliere e compositore:
Mentor Williams (songwriter & producer)
editore:
Rondor Music (London) Ltd.
Dobie Gray?:??
14Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1961)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131)
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt GmbH & Co. KG, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher) e Unichappell Music
Ben E. King4.65?:??
15When a Man Loves a Woman
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1966-02-17)
produttore:
Marlin Greene ('60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (il 1966-02-17)
chitarra :
Marlin Greene ('60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.25?:??
16Oh Girl
registrazione di:
Oh Girl
paroliere e compositore:
Eugene Record
editore:
Unichappell Music, Inc.
The Chi‐Lites?:??
17Make It Easy on Yourself
Jerry Butler?:??
18(Your Love Keeps Lifting Me) Higher & Higher
registrazione di:
(Your Love Keeps Lifting Me) Higher and Higher
autore:
Gary Jackson, Raynard Miner e Carl Smith (US country music singer)
editore:
Chevis Publishing Corp., EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Jackie Wilson?:??
19Ain't No Sunshine When She's Gone
Al Jarreau?:??
20Patches
registrazione di:
Patches
autore:
Ronald Dunbar e Norman Johnson (US soul singer, R&B songwriter & producer)
Clarence Carter?:??
▼ CD 2
#TitoloArtistaValutazioneDurata
1Working on a Coalmine
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1966)
registrazione di:
Working in the Coal Mine
paroliere e compositore:
Allen Toussaint
editore:
Marsaint Music Inc. (publishing), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Lee Dorsey?:??
2On Broadway
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 6)
The Drifters?:??
3Lean on Me
registrazione cover di:
Lean on Me
paroliere e compositore:
Bill Withers
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited, EMI Music Publishing Ltd. (PRS‐affiliated), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Al Jarreau?:??
4Hold on I'm Coming
registrazione di:
Hold On, I’m Comin’
autore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Solomon Burke?:??
5The Great Pretender
registrazione di:
The Great Pretender
paroliere e compositore:
Buck Ram
editore:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music Publishing ((ASCAP) tradename Peermusic) e Southern Music Publishing Company Limited
The Platters3:16
6Only You
registrazione di:
Only You
paroliere, autore e compositore:
Buck Ram e Ande Rand
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music e Sherwin Music (publisher) (nel 1973)
The Platters2:46
7Walking the Dog
registrazione di:
Walking the Dog
paroliere e compositore:
Rufus Thomas (US blues & funk singer & songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e East/Memphis Music
Rufus Thomas6:01
8To Love Somebody
The Tams4:26
9Save the Last Dance for Me
registrazione di:
Save the Last Dance for Me
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., Trio Music Co., Inc., Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
The Drifters2:18
10Sweet Soul Music
registrazione cover di:
Sweet Soul Music
autore:
Arthur Conley, Sam Cooke e Otis Redding
si basa su:
Yeah Man
Sam & Dave2:24
11Just One Look
registrazione di:
Just One Look
autore:
Gregory Carroll e Doris Payne
editore:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:41
12Jimmy Mack
Martha Reeves2:57
13One Fine Day
The Chiffons2:17
14Baby, I'm Yours
produttore:
Bert Berns e Ollie McLaughlin
archi :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1965-01-08)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1965-01-08)
chitarra :
Bill Suyker (il 1965-01-08)
contrabbasso [bass] :
Jimmy Lewis (jazz bassist) (il 1965-01-08)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1965-01-08)
sassofono baritono :
Haywood Henry (US jazz saxophonist) (il 1965-01-08)
sassofono tenore :
Charlie Brown (saxophonist) (il 1965-01-08)
tromba :
Dud Bascomb (Sr., jazz trumpeter) (il 1965-01-08) e Clark Terry (American swing trumpeter) (il 1965-01-08)
trombone :
Jimmy Cleveland (US jazz trombonist) (il 1965-01-08) e Tony Studd (il 1965-01-08)
voce:
Barbara Lewis (il 1965-01-08)
voce di accompagnamento:
vocal group ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1965-01-08)
direttore d'orchestra:
Teacho Wiltshire (il 1965-01-08)
arrangiatore:
Teacho Wiltshire
remaster di:
Baby, I’m Yours di Barbara Lewis
campionamenti da:
Hello Stranger: The Best of Barbara Lewis di Barbara Lewis
registrazione di:
Baby, I’m Yours (il 1965-01-08)
paroliere e compositore:
Van McCoy
editore:
EMI Blackwood Music Inc. e Van McCoy Music
Barbara Lewis2:27
15Don't Play That Song
Ben E. King2:54
16Will You Love Me Tomorrow?
batteria [drums] :
Gary Chester (studio drummer and educator) (nel 1960)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1960)
timpano :
Carole King (nel 1960)
voce:
Doris Coley (nel 1960), Addie Harris (nel 1960) e Beverly Lee (singer for The Shirelles) (nel 1960)
voce principale:
Shirley Owens (nel 1960)
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd.
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 33), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 125) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 151)
registrazione di:
Will You Love Me Tomorrow (Carole King song) (nel 1960)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles3.82:39
17Bring It on Home to Me
registrazione cover di:
Bring It On Home to Me
paroliere e compositore:
Sam Cooke
editore:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Kags Music Corp.
Eddie Floyd2:22
18Rainy Night in Georgia
Brook Benton3:59
19Duke of Earl
registrazione di:
Duke of Earl
autore:
Eugene Dixon, Earl Edwards e Bernice Williams
Gene Chandler22:25
20I Will
Ruby Winters3:32

Accreditamenti

Pubblicazione

società di diritti:AMCOS (Australasian Mechanical Copyright Owners Society, part of APRA AMCOS alliance since 1997)